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401
Prestige, Mid 50s. Near Mint- ... $19.99
Nice album that contains a mid-50s session recorded by Rollins for Prestige – with a quintet that includes the Clifford Brown-Max Roach ensemble, with Rollins filling in the tenor spot. Richie Powell's on piano, and the whole group has a very tight "roots of hardbop" sort of sound. Includes a classic reading of "Pent-up House", plus "Valse Hot", "Kiss & Run", and "Count Your Blessings". LP, Vinyl record album
(Early 70s blue circle logo label pressing in a maroon cover, with a cutout mark and some aging in back.)
402
Capitol, 1954. Near Mint- ... $9.99
One of the first albums ever cut as a leader by trombonist Frank Rosolino – a hip set issued under the Stan Kenton Presents banner for Capitol in the mid 50s – but done in a smaller combo mode than you'd hear with Stan! The setting provides a great showcase for the emerging solo talents of Rosolino on trombone – a player with a soulful swing that get way past his goofy image on the cover – and which is set up here in the company of some great collaborators who include Charlie Mariano on alto sax – playing so strongly, the album might well include him as a co-leader – plus piano from either Claude Williamson or Pete Jolly, trumpet from Sam Noto, bass from Max Bennett or Curtis Counce, and drums from Mel Lewis or Stan Levey. There's not only a lot of Kenton influence in the players, but a lot of Bethlehem Records styles as well – a reference that definitely shapes the sound of this set, and makes it a strong one for any fan of 50s work on that label – or Mode Records as well. Titles are a mix of standards and originals – and include "Ragamuffin", "Linda", "Carioca", "Besame Mucho", "Yo Yo", and "Freckles". LP, Vinyl record album
(Early 80s UK Affinity pressing. Cover has light wear and a small yellowed sticker spot.)
403
EMI (UK), 1999. Very Good+ 2x12" (pic cover)... $4.99
... 12-inch, Vinyl record
(Cover has a sticker spot and light wear.)
404
Chess, 1964. Very Good+ ... $14.99
... 7-inch, Vinyl record
(Black shield label pressing. Vinyl has a melted edge spot, but plays great. In a Chess sleeve.)
405
RSC —
RSC ... LP Polskie Nagrania (Poland), 1983. Very Good+ ... Temporarily Out Of Stock
... LP, Vinyl record album
(Cover has ring and edge wear, bent corners, and a peeled spot from sticker removal at the top right.)
406
SOUL, 1969. Very Good+ ... $19.99 24.99
A tremendous little album from Jimmy Ruffin – as "ruff" as the title implies, with a much deeper groove than you might find from other Motown releases at the time! The style here is really wonderful – rich, heartfelt vocals from Jimmy that easily match the best of the Detroit underground of the time – a style that's a bit like Darrell Banks or JJ Barnes, with echoes of the southern sound of the 60s – but produced to perfection with all the best that Motown could muster! Jimmy gets lots of heavy help from Norman Whitfield – who produced about half the tracks on the set, and gives Ruffin a sound that's somewhere between his righteous soul with the Temptations, and the best Motown grooves of his earlier work for the label. Other production is by Brian Holland & Lamont Dozier, William Weatherspoon & James Dean, and Richard Morris – all of whom follow Whitfield's lead nicely – and although the album's got few runaway hits, it's a rock-solid effort throughout – just the kind of album that makes us love the Motown full-length scene even more than the label's singles! Titles include "Lonely Lonely Man Am I", "It's Wonderful (To Be Loved By You)", "Don't Let Him Take Your Love From Me", "Everybody Needs Love", "Sad & Lonesome Feeling", "Love Gives Love Takes Away", and "Farewell Is A Lonely Sound". LP, Vinyl record album
(Purple label pressing – a nice clean copy! Cover has a small cut corner, and a cutout mark, and one very small spot – but looks very nice overall.)
407
Doug Sahm & The Sir Douglas Quintet —
Hell Of A Spell/
Fuel/
A set that features two early 80s albums from the great Doug Sahm – plus a full CD of rare bonus material from the early days too! First up is Hell Of A Spell – a set that marks a new label for Doug Sahm, and maybe a slight shift in sound too – one that uses roots modes that extend a bit more past more familiar Texas territory, but only to showcase the depth in Sahm's music that continued to make him a legend long after his too-early passing! Doug's got a way of delivering a lyric that goes right past any sense of poster or artifice – a quality that makes these tunes completely charming, even though the modes might seem easy or familiar. The lineup includes some nice tenor sax and organ work – and titles include "Hangin On By A Thread", "Tunnel Vision", "Ain't Into Lettin You Go", "All The Way To Nothing", "Hell Of A Spell", "Can't Fake It", and "I Don't Mind At All". Nuevo Wave Live is a great concert set from Doug Sahm – continuing that great tradition of really letting his tunes open up before an audience – on titles that include "San Antone", "She's About A Mover", "Who Were You Thinkin Of", "The Rains Came", "T-Bone Shuffle", and "Just Like Tom Thumb's Blues". CD2 features lots more tracks 25 additional titles that include early material in The Pharoahs, Mar Kays, and Dell-Kings – plus some solo tracks, one number with The Spot Barnett Band – and other tracks supposedly with Ernest Tubb, T-Bone Walker, and Freddy Fender – a few of each, but without much detail in the notes. CD
408
RCA, 1954. Very Good ... $0.99 6.99
... LP, Vinyl record album
(Mono maroon and silver label pressing. Cover has some surface wear, aging, peeled spot from price sticker removal, splitting in the bottom seam, and a small name in blue marker in back.)
409
Samson —
Thank You & Goodnight ... LP Metal Masters (UK), 1985. Near Mint- ... $29.99
... LP, Vinyl record album
(Cover has a cutout notch, small corner cut, light wear, lightly bent corners, and a tiny peeled spot.)
410
Columbia, 1980. Near Mint- 2LP Gatefold ... $19.99
A bit jazzier than usual – thanks to work from Herbie Hancock on keyboards, Wayne Shorter on saxes, Ron Carter on bass, and both Tony Williams and Harvey Mason on drums! Titles include "Love Theme From Spartacus", "Golden Hours", "Gardenia", "La Llave", "Jharma Kala", and "Song For My Brother" LP, Vinyl record album
(Japanese CBS/Sony pressing – 35AP 1907 – with teal obi, insert, and feedback form. Cover has a peeled strip from sticker removal in front, faint sticker spot, minimal wear, and minor age blemishes.)
411
Varese, 1986. Sealed ... $14.99
... LP, Vinyl record album
(Still sealed, with a light sticker spot.)
412
Black Buffalo, Mid 90s-Early 2000s. Sealed 2LP ... $36.99
Led by Kevin Beacham aka AMC, long-time pillar of underground hip hop in Chicago, finally in physical form after decades in the vaults! With production by Jel, Maker, and Overflo; with guest spot by Costume. LP, Vinyl record album
413
Savoy Brown —
Looking In ... LP Parrot, 1970. Very Good Gatefold ... $5.99
... LP, Vinyl record album
(Cover has surface wear, spot of marker.)
414
Fillmore, 1972. Near Mint- ... $4.99 6.99
... LP, Vinyl record album
(Cover has bumped corners and a small worn spot at the bottom seam.)
415
Westminster, Early 60s. Very Good ... $6.99 9.99
... LP, Vinyl record album
(Stereo pressing. Cover has a spot of wear on the top seam, but is otherwise nice.)
416
Searchers —
Take Me For What I'm Worth ... LP Kapp, 1965. Near Mint- ... $14.99
An early album from The Searchers – with titles that include "I'm Your Lovin Man", "Don't You Know Why", "I'm Never Coming Back", "Take Me For What I'm Worth", "So Far Away", and "You Can't Like To A Liar". LP, Vinyl record album
(Early 80s UK Pye reissue. Cover has slightly wavy panels, with a tiny peeled spot from sticker removal and some light surface marks from cellophane removal.)
417
Audiophile, 1977. Near Mint- ... Just Sold Out!
... LP, Vinyl record album
(Cover has light wear, bumped corners, and a light stained spot in back.)
418
Capitol, 1963. Near Mint- ... $9.99
These sides feature Charlie Shavers working with an octet that includes Billy Byers, Jerome Richardson, Budd Johnson, and George Barnes. The tunes on these sides have a more tightly arranged approach than Shavers' other recordings from this period – still with a strong focus on his fluid solo lines. Titles include "Period Of Adjustment", "Bossa Nova Petite", "Undecided", "Opus 5", "School Days", and "Big Time Blues". LP, Vinyl record album
(Stereo pressing. Cover has a spot of pen on the back, but is great!)
419
Gene Shaw —
Carnival Sketches ... CD Argo/
A fantastic record by one of the great lost trumpet talents of the 60s – and a key album on the Chicago scene of the time too! Gene "Clarence" Shaw played with Mingus, until the big one scared him away, and he fled to Chicago and started recording LPs for Argo. All of the LPs are great, and this one's a rare treat featuring a cool set of compositions and arrangements by Richard Evans that have a groovy Latiny feel to them. Evans plays bass, and Charles Stepney's on vibes. Shaw is stunning throughout, and this set makes you wonder why Mingus didn't come out to Chicago and re-hire him on the spot. Cuts include "Ain't That Soul", "Goin Back Home", "Goin' Downtown", and "Cha Bossa". Tough one to find! CD
(Out of print.)
420
Woody Shaw —
Setting Standards ... LP Muse, 1983. Very Good+ ... Temporarily Out Of Stock
A lovely record from Woody Shaw – one of his excellent and understated sides from the early 80s, recorded with a quartet that includes Cedar Walton on piano, Buster Williams on bass, and Victor Jones on drums. The tunes are mostly standards, but they're handled with a soulful depth that really takes them to the next level – and the album's got a great original called "Spiderman Blues", plus versions of "There Is No Greater Love", "All The Way", and "What's New". LP, Vinyl record album
(White label promo. Cover has some wear and a spot of sticker residue.)
421
Impulse/
Fantastic stuff – easily one of Archie Shepp's greatest albums, and certainly one of the pivotal points of 60s avant garde jazz! The album features Shepp leading a crack "new thing" line up that includes Ted Curson on trumpet, Marion Brown on alto, Joe Chambers on drums, Reggie Johnson on bass, and the lesser-known Joseph Orange on trombone – all playing in a beautifully poised manner, never too far out and free, but with all the dynamic energy of the best jazz changes of the 60s! There's a vibe here that's similar to some of the Blue Note "new thing" work by players like Grachan Moncur, Jackie McLean, and Tony Williams from the time – but there's a vision that's also wider and deeper, too, given the size of the group and the way they interact. Titles include "Hambone", "Los Olvidados", "Malcolm Malcolm–Semper Malcolm", and an insane cover of "Girl From Ipanema". You can't go wrong with this one – trust us! CD also features a bonus live version of "Hambone"! CD
(1995 dipipak pressing. Cover has a bit of edgewear and a peeled spot on the back.)
422
Impulse, 1964. Used ... $6.99
An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done by Archie's sharply crafted musical vision on the set. The style here is that mix of freer lines and tighter conception that Shepp used with the New York Contemporary Five – and players include John Tchicai on alto from that group, plus Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums. The lack of piano in the album is striking – and allows for plenty of horn interplay, but in a way that's much more cutting and dark than any of the piano-less horn dates from the 50s. Titles include 4 Coltrane compositions ("Syeeda's Song Flute", "Mr Syms", "Cousin Mary", and "Naima"), as sort of a tribute to Trane – plus Shepp's excellent "Rufus (Swung, his face at last to the wind, then his neck snapped)". CD
(1997 digipak pressing with a cutout through the barcode and a peeled spot on the back from an old sticker.)
423
Teichiku/
A brilliant early album from Japanese drummer Hideo Shiraki – a jazz session that bristles with the same intensity as key late 50s work by Benny Golson or Gigi Gryce! Although Hideo's leading the group on drums, his work on the kit is remarkably subtle – done with the snappingly rhythmic style that marked some of Golson's best modern experiments of a few years before – not nearly as bombastic as his stint with Art Blakey, and more in the rhythmically stepping quality of his work with Art Farmer in the Jazztet. Key players on the session include Hidehiko Matsumoto on tenor and flute and Yuzuru Sera on piano – both of whom give the album a fluid grace that's really beautiful – and soulful edges that allow the record to stand equally next to anything coming out of the US at the time. One track features a bit of koto at the start – echoing Shiraki's later world jazz experiments – but most of the set is straight modern hardbop, with tracks that include "Blue Romeo", "Etude No 1", "Just One Or Eight", "You Don't Know What Love Is", and Benny Golson's "Five Spot After Dark". LP, Vinyl record album
(Beautiful pressing – in a flipback cover, with obi – just like a vintage copy!)
424
Philips (France), 1970s. Near Mint- 2LP Gatefold ... $14.99
... LP, Vinyl record album
(Early 80s issue. Cover has some ring and edge wear, faint sticker spot in front, small sticker in back, center splits in the top seams, and is bent a bit at the edges.)
425
Adventure Music, 2004. Used ... $2.99
A beautiful take on the compositions of Milton Nasicmento – performed by guitarist Ricardo Silveira and pianist Luiz Avellar. Given the majesty and ambitious production styles often used with Nascimento's own recordings of his tunes, this stripped-down set is a very different take on the material – one that gets at the deeply personal spirit of the tunes, and which moves past the original lyrics into some introspective musical territory. We're surprised at how much we like the results, and we really enjoy the album's versions of "Para Lennon E McCartney", "Vera Cruz", "Cravo E Canela", "Travessia", and "Nuvem Cigana". CD
(Out of print, digipak has some edgewear including a peeled spot from a removed sticker.)
426
Paul Simon —
Still Crazy After All These Years ... LP Columbia, 1975. Very Good+ ... $7.99
We've gotta admit, this record sounds a lot better with the passing of time than we might have expected – thanks in part to some totally sweet Fender Rhodes, used often, and in all the best ways to pepper the tunes! Barry Beckett and Bob James handle the keys – and there's even some gospel touches at times, thanks to help from the Jessy Dixon Singers and Chicago Community Choir. And Paul Simon's songwriting is mostly mature – and even on the hit "50 Ways", the drums from Steve Gadd more than make up for any clunk! LP, Vinyl record album
(Includes the printed inner sleeve. Cover has some light wear & aging, spot of marker, and a faint stain at the top seam.)
427
Frank Sinatra —
Pal Joey ... LP Capitol, 1957. Very Good ... Temporarily Out Of Stock
A soundtrack as important to the sound of Sinatra on Capitol Records as High Society – maybe even more so, as it features seminal readings of Rogers & Hart standards "Bewitched", "I Could Write A Book", "The Lady Is A Tramp", and "There's A Small Hotel". Arrangements by Nelson Riddle, too! LP, Vinyl record album
(Mono black label pressing. Cover has some surface wear, aging, price sticker remnants, small split in the top seam, and a center split in the bottom seam held with yellowed clear tape. Label on Side 2 has a peeled spot from sticker removal.)
428
Frank Sinatra —
Song Is You – Vol 3 ... LP Avenue (Netherlands), 1950s. Near Mint- ... $1.99
... LP, Vinyl record album
(70s issue. Cover has unglued seams, a bent corner, and a small spot of marker in back.)
429
Nancy Sinatra —
Nancy In London ... LP Reprise, 1966. Sealed ... $39.99
Nancy Sinatra recording in London, but still getting some heavy help from Lee Hazlewood – who wrote about half the tracks on the record, and also guest stars on one number too! The backings are fuller than some of Nancy's other Reprise albums – clearly going for some of the jaunty modes of UK girl pop of the time – but most numbers still have that undeniable Nancy charm, sung in breathy vocals that still seem to have their own space away from the larger orchestrations. Titles include "Friday's Child", "Hutchinson Jail", "Shades", "This Littler Bird", "I Can't Grow Peaches On A Cherry Tree", "The End", and "Step Aside" – plus "Summer Wine", which features Lee. LP, Vinyl record album
(Stereo pressing, still sealed, with a small cutout grommet and round sticker spot. Cover is bent a bit at the corners on the right.)
430
Bis (Sweden), 1977. Near Mint- Gatefold ... $9.99
... LP, Vinyl record album
(Cover has light wear, sticker spot, distro sticker, and is bent a bit at the top right corner.)
431
Sister Ray —
To Spite My Face ... LP Resonance, 1990. Very Good+ ... $2.99
... LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear, spot of sticker removal.)
432
Liberty/
... LP, Vinyl record album
(In the die-cut cover, with Liberty/Premier inner sleeve. Cover is bent a bit at the spine and has a small frayed spot at the die-cut portion.)
433
Epic, 1970. Very Good Gatefold ... $6.99
Almost a "greatest hits" of greatest hits albums – one of those collections that almost sold more copies than all the full albums by the artist – forever earning Sly & The Family Stone a place in record collections around the globe! All the hits are here, laid out back to back in all their righteous goodness – never a single spot of filler, and all-classics, all the way through! Titles include "Thank You Falettinme Be Mice Elf Agin", "Life", "Everyday People", "I Want To Take You Higher", "Everybody Is A Star", "Dance To The Music", "Hot Fun In The Summertime", and "Sing A Simple Song". All funky – all classic! LP, Vinyl record album
(80s blue label pressing in a barcode cover. Vinyl plays with a click during "Everyday People". Cover has light wear.)
434
Jimmy Smith —
Jimmy Smith At The Organ – The Incredible Jimmy Smith Vol 3 ... LP Blue Note, 1956. Near Mint- ... $39.99
A real stormer from Jimmy Smith – done in his first year at Blue Note, but with a sense of power and imagination that cannot be denied! It might be easy to pass up this album, because many of the tunes are standards, done in a simple trio format – but back at the time of this session, Jimmy had a real penchant for unusual phrasings and complicated rhythms – of a sort that rarely showed up on his later Blue Notes, but which made for some incredible sounds overall on a set like this! A key moment here is the crazy cut "Judo Mambo" – which has this wild "chop chop" organ sound that certainly fits with the "judo" theme, and which is followed up by some great raspy guitar work by Thornel Schwartz. Donald Bailey is on drums, doing an excellent job as usual – and other nice moments are the track "Fiddlin' The Minors", plus Jimmy's nice Monkish take on "Well You Needn't" – plus the tracks "Willow Weep For Me" and "Autumn Leaves". If you've ever doubted what a genius Jimmy Smith was on the organ in the early days, check out this one, and prepare to have your mind blown! LP, Vinyl record album
Also available Jimmy Smith At The Organ – The Incredible Jimmy Smith Vol 3 (Japanese pressing) ... CD 9.99(Liberty stereo pressing. Cover has some ringwear, edge wear, worn corners, small sticker spot, large name in pen on both sides, and track durations and underlining of notes in back. Labels have a name in red pen.)
435
Blue Note, 1963. Very Good- ... $24.99 28.99
A nice little set from Jimmy Smith – often overlooked amidst the flurry of early 60s Blue Notes, but a really strong session! The group on the set is Jimmy's trio with Quentin Warren on guitar and Don Bailey on drums – but they're augmented here by Lou Donaldson, whose crafty work on alto really opens the set up. Tracks are shortish and mostly familiar, but done with a laidback and easy groove that brings out the best in Jimmy's late Blue Note Hammond stylings. Titles include "Matilda Matilda", "Pork Chop", "Can Heat", and "Trust In Me". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp and ear. Cover looks nice – with a spot of marker on the back.)
436
Studio One/
A legendary Jamaican group finally get their time in the spotlight – as Sound Dimension backed up plenty of artists in the glory days of Studio One – singers who include Alton Ellis, The Heptones, Horace Andy, and dozens of others – while also getting the chance to cut some killer instrumental work on their own! The lineup is the stuff of legends – Ernest Ranglin on guitar, Jackie Mittoo on Hammond, Cedric Brooks on reeds, and Vin Gordon on trombone – plus other musicians who really help keep things soulful throughout, and make the music here a blinding set of instrumentals from the late ska years into early reggae rhythms! Titles include "Soul Shake", "The Thing", "Holy Moses", "Hail Don D", "Full Up", "Love Land", "Bitter Blood", "Baby Face", and "Man Pon Spot". LP, Vinyl record album
(Includes download!)
437
Vega/
A trippy little combo with a distinct post-Coltrane feel – stretching out here wonderfully, on a hip little session on a homegrown label! The group hail from the unlikely spot of Las Vegas – but they've got a deeply spiritual sound that rivals the best work on the coasts in the early 70s – a very searching, righteous sort of groove – crafted beautifully from the tenor sax lines of Rick Davis, and the sweet Fender Rhodes of Ron Feuer! The album's filled with long, exploratory tracks – tunes that are free, but never too much so – and the mixture of electric keys and tenor works nicely throughout – giving the album a really unique and unified feel that sets it apart from other small jazz sets of its type. All tunes are originals by the group – and titles include "Vibrations", "Starship", "Spirit Free", and "Isis Unveiled". CD features 3 bonus tracks too – "Horizon", "Starship (alt)", and "Dear Latin Friend". CD
438
Columbia, Mid 70s-Mid 80s. Very Good+ 5LP Box Set ... $16.99
... LP, Vinyl record album
(Includes the printed inner sleeves and booklet. Box has edge & surface wear, a colored in peel spot – but no splits!)
439
Squeeze —
Singles – 45's & Under ... LP A&M, Late 70s/
... LP, Vinyl record album
(Spot of marker on the back cover.)
440
Tumbleweed, 1973. Sealed ... $9.99
One of the classic sets on the short-lived Tumbleweed label – with tracks that include "Rosewood Bitters", "Moving Right Along", "Resurrection", "Good Time Charlie", "Song For A Friend Soon Gone", "A Friend & Nothing More", and "Louisville AD". LP, Vinyl record album
(In the textured cover, still sealed with a sticker spot.)
441
Edwin Starr —
Agent Double O Soul (voc, inst) ... 7-inch Ric Tic, Late 60s. Near Mint- ... Temporarily Out Of Stock
A Northern Soul classic – and one of Edwin's greatest cuts ever! The tune's got a hip, high stepping dancefloor beat, with lyrics by Edwin that are really cool, a soul take on James Bond, with a lot of twists and turns in the lyrics that are nice and clever, and which give the track a mod appeal that still holds true today! 7-inch, Vinyl record
(Yellow label pressing with black text. Label has a spot of sticker remnant.)
442
Tenison Stephens —
Robinhood/Aries, 1972. Very Good ... Temporarily Out Of Stock
The killer here is "Soul Control" – a tight funky number with a heavy hand-clapping beat, lots of clavinet, and some great rhyme-time lyrics from Tenison! We really dig the cut, and it's got a hip hard-walking early 70s feel – the kind of tune that would have been a classic if Tenison could have gotten it out on a major label! "Robinhood" is pretty nice – but mellower, and with strings. 7-inch, Vinyl record
(Label has a tiny spot of marker.)
443
Jam, Early 80s. Very Good+ ... $11.99
Features Sterling on alto and soprano sax – with Virgil Jones on trumpet, Junior Mance on acoustic and electric piano, Bob Cranshaw on bass, and Ray Mantilla on percussion! LP, Vinyl record album
(Cover has a spot of wear on the spine.)
444
Sonny Stitt —
Sonny Stitt – Previously Unreleased Recordings ... LP Verve, Late 1950s. Very Good+ ... Temporarily Out Of Stock
Stitt's Verve recordings were some of his best, and they show the genius of his playing in a relaxed easy setting that lets him get the most out of his solos. Although this album, like most of the ones in this Verve series, offers little info on the dates and players, the material seems to be from the mid to late 50s. Tthe tracks are all Ellington titles, including "Solitude", "Perdido", "and "It Don't Mean A Thing" LP, Vinyl record album
(70s issue. Cover has a cutout notch, ring and edge wear, yellowing from age, and spotty blemishes. Label on Side 1 has a small peeled spot at the spindle hole.)
445
United Artists/
A rare set of Billy Strayhorn tracks recorded in Paris by Alan Douglas. The tracks are incredibly haunting, and mostly feature Strayhorn's solo piano with spare backing by Parisian bassist Michel Goudret. There are a a few short moments on the record that add backing voices or strings – but even in those moments, Strayhorn's tender tentative piano is right up front in the mix. The whole thing's a treasure, and a rare peek at the solo talent that made Ellington's band one of the best. Titles include "A Flower Is A Lovesome Thing", "Lush Life", "Strange Feeling", and "Chelsea Bridge". LP, Vinyl record album
(Mid 60s stereo pressing. Vinyl plays with some crackles. Cover has light ring & edge wear. Inner gatefold has light staining at the top and a peel spot.)
446
A&M, 1977. Sealed ... $36.99 49.99
Includes the great title track – plus "Give A Little Bit", "Fools Overture", and "From Now On". LP, Vinyl record album
(Sealed copy! Shrinkwrap has a spot of sticker remnant on the back.)
447
Motown, 1966. Very Good+ ... $4.99 9.99
Symphonic soul from The Supremes – a set that still has the trio working with the legendary Holland-Dozier-Holland team, but with a full set of orchestral backings that help them hit even more class and sophistication than before! The ballads have these really lush arrangements – never too pop, but swelling with strings that lift up the young voice of Diana Ross in a really regal way – with a style that helps transform familiar numbers from other singers, and really make them some proud musical statements of her own. These arrangements hang on through most of the record, but are often augmented by these cool vibes that bring in a slight jazzy undercurrent – and titles include the classic "I Hear A Symphony" – plus "Stranger In Paradise", "Unchained Melody", "Without A Song", "A Lover's Concerto", "My World Is Empty Without You", and "He's All I Got". LP, Vinyl record album
(Stereo pressing with deep groove. Cover has a split top seam, ring wear, tiny peel spot from sticker removal.)
448
Sylvester —
Call Me ... LP Megatone, 1983. Very Good+ ... Temporarily Out Of Stock
... LP, Vinyl record album
(Cover has a sticker spot and light wear.)
449
Jamaaladeen Tacuma —
Show Stopper ... LP Gramavision, 1983. Near Mint- ... $4.99
Featuring James R Watkins, Anthony Davis, Ebony String Quartet, Julius Hemphill, Olu Dara, James Ulmer, and others. LP, Vinyl record album
(Cover has light wear and aging, bumped corners, and a sticker spot.)
450
Birdwing, 1978. Sealed ... $0.99 2.99
... LP, Vinyl record album
(In the textured cover, still sealed, with a sticker spot, some price sticker remnants, and a small tear in the shrink in front and top left corner.)
451
Gary Tanin —
Otto & The Elevators ... LP Vera, 1975. Very Good+ ... $2.99
... LP, Vinyl record album
(Cover has light ring & edge wear, cutout hole, spot of tape on the top seam.)
452
Tarriers —
Tell The World About This ... LP Atlantic, 1959. Very Good+ ... $3.99
... LP, Vinyl record album
(Mono red & purple label pressing. Cover has some wear & aging, with some edge staining on the back, peel spot on the back bottom seam.)
453
Riverside, 1960. Very Good ... $14.99 19.99
A pretty great trio date from Billy Taylor – and somewhat overlooked, too! The group features Henry Grimes on bass and Ray Mosca on drums – and the set captures Billy in a perfect spot between his early work for Prestige, and some of his 60s mainstream material – heard here in a mode that's still got some nice soul jazz grit in the grooves. Titles include "Soul Sister", "Biddy's Beat", "La Petite Mambo", "Cu Blu", and "Warm Blue Stream". LP, Vinyl record album
(Small blue label pressing, with silver text, microphone logo, and deep groove. Cover has a split top seam, center spine split, some light surface wear.)
454
Cecil Taylor —
Unit Structures ... LP Blue Note, 1966. Good ... Temporarily Out Of Stock
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists – who operate based on a system of energy and impulses described by Taylor in the notes, at a level that's maybe one of his most inventive, ambitious expressions of the decade! The whole lineup is great – with especially strong horn work from Eddie Gale on trumpet, Jimmy Lyons on alto, and Ken McIntyre on alto, oboe, and bass clarinet – and Taylor's piano gets accompaniment from two groundbreaking bassists – Henry Grimes and Alan Silva – plus drums from Andrew Cyrille. Given the lineup, and the format, the whole thing almost feels more like one of the BYG/
Also available (Mono New York pressing, with Van Gelder stamp. NOTE – Vinyl has a dent and will skip on the first track, but the rest is vg+ – Cover has light wear, tiny spot of pen.)
Unit Structures (180 gram pressing) ... LP 25.99
Unit Structures (UHQCD pressing) ... CD 18.99
455
Little Johnny Taylor —
Open House At My House (part 1 & 2) ... 7-inch Ronn, 1972. Very Good ... Temporarily Out Of Stock
... 7-inch, Vinyl record
(Labels have a spot of marker.)
456
Sakho/
Brilliant work from Jimi Tenor and his Kabu Kabu group – an incredibly righteous set that's easily the best we've heard so far from the soulful ensemble! In addition to the spiritual jazz vibe of before, the group's also picked up some influences from African soul and jazz too – not just standard Afro Funk, but also some Ethiopian and Egyptian elements too – folded into Tenor's music like some mad meeting between Sun Ra, Fela Kuti, and Mulatu! Jimi's at the lead, handling tenor, flute, and a host of weird instruments – and the ensemble is heavy on percussion and horns, including some great trumpet work from Jukka Eskola of the Five Corners Quintet. Despite the monochromatic cover image, the album's got a really rich sound – a deeply soulful, deeply spiritual vibe that's totally wonderful – served up on titles that include "Grind", "Mogadishu Ave", "Mega Roots", "Aligned Planets", "Mystery Spot", "Floating Orange", "Fast Legs", "Higher Styx", and "Magical World". CD
457
Prestige, 1967. Very Good+ ... $11.99 13.99
A sweet bit of electric sax work from Buddy Terry – who plays acoustic tenor on half the album, and Varitone on the other half! The groove is great – a bit more unusual and open than the regular Prestige soul jazz outing of the time – and with a great lineup that includes Jimmy Owens on trumpet and Harold Mabern on Fender Rhodes! The album's a sweet precursor to the sounds to come in the 70s on CTI – and titles include "The Band Bandit", "The Ubangi That Got Away", "Jimmy", and "Electric Soul". LP, Vinyl record album
(Blue label stereo with Van Gelder stamp. Vinyl has light sleeve marks. Cover has some wear on the top corner with part of the paste-on torn off & light staining, splitting on spine, spot of sticker removal.)
458
Sonny Terry & Brownie McGhee —
Home Town Blues ... LP Mainstream, Late 1940s/
A range of different recordings from the team of Sonny Terry & Brownie McGhee – all recorded by a young Bob Shad at the end of the 40s and start of the 50s – and originally issued as 78s on the Sittin In With and Jax labels! The work is quite rootsy, even for the time – but that's no surprise, given the time-tested styles of the pair. Most numbers feature Brownie on guitar and Sonny on vocals and harmonica – plus a bit of other instrumentation – and the recordings were all done in New York, during the years 1949 to 1952. LP, Vinyl record album
(Mono mid 60s pressing. Cover has aging and light surface wear, spot of pen on the back.)
459
Denon (Japan), 1980. Near Mint- ... $14.99
With Teru Sakamoto on piano, Takao Neichi on bass, and Takeshi Watanabe on drums. LP, Vinyl record album
(Original Japanese promo pressing, with obi and insert. Cover has light wear, a peeled spot and some price sticker remnants held down with clear tape in front, and a small promo sticker in back.)
460
Capitol, 1965. Near Mint- ... $6.99
Titles include "September In The Rain", "Till Then", "Paper Doll", "It's Just An Old Flame", "Breakin In Another Heart", and "How Do You Hold A Memory". LP, Vinyl record album
(Rainbow label stereo pressing. Cover has a cutout hole, light wear and aging, round peeled spot from sticker removal, and initials in marker at the top right corner.)
461
Warner, 1961. Sealed ... $19.99
... LP, Vinyl record album
(Stereo pressing, still sealed with a cutout hole and round sticker spot.)
462
Fantasy, 1958. Very Good ... $16.99
One of Cal Tjader's best late 50s dates for Fantasy Records – thanks to some smoking tenor sax from Jose "Chombo" Silva! The album has Cal working in the very comfortable territory of San Francisco's Blackhawk Nightclub – in a combo that also features familiar players Vince Guaraldi on piano, Al McKibbon on bass, Willie Boby on drums, and Mongo Santamaria on congas – all musicians who'd previously helped Tjader hit some of his best Latin grooves! But the addition of Silva on a few tracks here really makes the set crackle – giving it a gutsy, soulful fee that you don't always get on some of Tjader's other records. Tracks are longish – and titles include the nice original "Bill B", plus jazzy versions of "I Love Paris", "Blue & Sentimental", and "Night In Tunisia". LP, Vinyl record album
(Stereo blue label pressing. Vinyl plays with a click on "Stompin". Cover has as spot of light wear on the top seam, but is great otherwise!)
463
Cal Tjader —
Saturday Night/Verve, 1962. Very Good+ Gatefold ... Temporarily Out Of Stock
A great live set recorded in 1962 with some of Cal's best players in the group – pianist Lonnie Hewitt and drummer John Rae, joined by bassist Freddie Schreiber. The groove's a bit less Latin than usual, but the jazz vibe is very strong – and Tjader really shines with the local crowd at San Francisco's famous Blackhawk night spot. Titles include "222 Time", "Noonie's Groove", "Weep", and "Fred's Ahead". One of the more obscure Tjader Verve sides, too! LP, Vinyl record album
(Stereo MGM pressing. Cover has some aging inside the gatefold.)
464
Blue Note, 2007. Used ... $9.99
A whole new side of Charles Tolliver's talents – a majestic big band album, with Charles' trumpet right out front in the lead! At some level, the album's an extension of Tolliver's larger group projects with Music Inc back in the 70s – but at another level, the feel here is totally different – much more complex and dynamic, with a rich array of colors and tones we'd never heard before in his work! The group's definitely a big band – with a full brace of trumpets, trombones, and saxes – all working together in very tight formation to realize Tolliver's musical vision. Solos are by Charles on trumpet on most tracks, plus Bill Saxton and Billy Harper on tenor, Staffort Hunter on trombone, Todd Bashore on alto sax, and Robert Glasper and Stanley Cowell on piano. Titles include "With Love", "Rejoicin", "Mournin Variations", "Right Now", "Suspicion", and "Hit The Spot". CD
(Spine has a small cutout mark.)
465
Elektra, 1979. Sealed ... $14.99 19.99
Jazzy soul all the way through – and a great little album from Lenny White and the Twennynine combo – a group that features some especially great keyboards from the great Don Blackman! The style here's a bit like some of Blackman's own work – rooted in fusion, but focused towards soul – with vocals on all tracks, but lots of tightly crafted riffs and grooves underneath! Keyboards and guitars are in the forefront on top of Lenny White's drums – but tunes also feature some EWF horn work, and an occasional vocal chorus arranged by Blackman, and featuring Dee Dee Bridgewater and Googie Coppola! Tracks include the classic 80s groover "Peanut Butter", plus "Tropical Nights", "Best Of Friends", "Take Me Or Leave Me", "Citi Dancin", and "Betta". LP, Vinyl record album
(Still sealed, with a light sticker spot.)
466
MGM, 1960. Very Good+ (pic cover)... $5.99
... 7-inch, Vinyl record
(Sleeve has some ring & edge wear, spot of pen.)
467
Beserkley, 1978. Near Mint- ... $0.99 1.99
... LP, Vinyl record album
(US pressing. Cover has a promo stamp, some ring and edge wear, small yellowed sticker spot, tiny blemish spot, and is bent a bit at the corners of the spine.)
468
Blue Thumb, 1970. Near Mint- Gatefold ... $49.99
Titles include "By The Light Of A Magical Moon", "Dove", "Wind Cheetah", "Fist Heart Mighty Dawn Dart", "Elemental Child", and "A Day Laye". LP, Vinyl record album
(Original Blue Thumb pressing. Cover has some ring and edge wear, tiny peeled spot from price sticker removal, and a cutout hole at the top right edge.)
469
Mercury, 1972. Very Good+ ... $5.99
... LP, Vinyl record album
(Red label Mercury pressing. Includes the lyric insert! Cover has some wear, spot of marker.)
470
Townes Van Zandt —
Down Home & Abroad – Live In Johnson City, Tennessee/Floating World (UK), 1985/
Two great live sets from the Townes Van Zandt – back to back in a single collection! The first CD features a beautiful intimate performance in Johnson City – a small spot in Tennessee that was crucial to the early years of country music recording, which seems to echo here in the timeless style that Townes uses for his music – very personal delivery of classic material, in ways that make these concert performances a nice change from the studio takes. CD2 features a 1993 concert in Finland – recorded with a bit more sense of presence in the way that both the guitar and vocals come across – which makes for a nice contrast with the first, given that both concerts share some of the same tunes. Titles include "Pancho & Lefty", "Dollar Bill Blues", "The Cuckoo", "Nothin", "Rex's Blues", "Snowin On Raton", "Don't You Take It Too Bad", "Flyin Shoes", "Tecumseh Valley", "Pinball Machine", "Rake", "Talkin Thunderbird Blues", and "No Place To Fall". CD
471
Mercury (Japan), 1960s. Near Mint- 2LP Gatefold ... $24.99
... LP, Vinyl record album
(Early 70s issue, with obi and insert. Cover has a faint stain and small peeled spot from sticker removal and light aging inside the gatefold.)
472
Columbia, 1955. Near Mint- ... $23.99
One of Sarah's few albums for Columbia – and quite possibly the best, thanks to some great small group backing, heard on 8 of the album's 12 tunes! The group's a really great one – with Miles Davis on trumpet, Benny Green on trombone, Buddy Johnson on tenor, Tony Scott on clarinet, Mundell Lowe on guitar, and Billy Taylor on piano – all of whom get some surprising solo space on the album, and make the record one of Sarah's best jazz outings of the 50s. The remaining tracks on the set have a lusher ballad style, but are still quite nice – and titles include "Mean To Me", "Goodnight My Love", "Can't Get Out Of This Mood", "East Of The Sun", "Pinky", "Ooh Whatcha Doin To Me", and "Come Rain Or Come Shine". LP, Vinyl record album
(Mono 6 eye pressing with deep groove. Cover has masking tape on the top seam, and a spot of wear on the front, but is nice overall.)
473
Sarah Vaughan —
Swingin' Easy ... CD EmArcy/
Very nice jazz-oriented material that has Sarah working with Jimmy Jones, one of her best accompanists, or John Malachi, who was in Billy Eckstine's band at the same time Sarah was with the group. All the tracks have nice small combo instrumentation – and Sarah keeps things nice and warm vocally, free to get a bit more intimate than usual in the album's casual setting. Titles include "All Of Me", "Lover Man", "Polka Dots & Moonbeams", "Prelude To A Kiss", and "You Hit The Spot". CD
(1992 pressing.)
474
United Artists, 1960s. Sealed ... $7.99
... LP, Vinyl record album
(Mid 70s issue, still sealed with a cut corner and light sticker spot.)
475
Jean Paul Vignon —
Because I Love You ... LP Columbia, 1964. Sealed ... $1.99
... LP, Vinyl record album
(Mono pressing, still sealed with light wear and a square sticker spot.)
476
Spirit Of Love N Action, 1985. Very Good+ ... $7.99
... LP, Vinyl record album
(Gold label pressing. Cover has light wear and aging, some fading at the spine, and some light stains at the top corners. Label has a small peeled spot.)
477
Bennie Wallace —
Twilight Time ... LP Blue Note, 1985. Near Mint- ... Temporarily Out Of Stock
With Bennie Wallace on tenor, Ray Anderson on trombone, Dr John on piano and organ, John Scofield on guitar, and Bernard Purdie on drums. LP, Vinyl record album
(Cover has a promo stamp, sticker spot, diagonal razor mark, and bumped corners.)
478
MCA, 1977. Near Mint- ... $16.99
A massive jammer from War – and a record that brought the group to a whole new generation of listeners – as well as a good number of later fans who discovered some of these jams in the club! The groove here isn't disco, but this tightening up of War's sweet jamming vibe – almost given a sort of Mizell Brothers twist here, with a focus on sharper rhythms, but still plenty of space for instrumental flourishes over the top. Tracks are long and open, but in different ways than the early years – and there's some rhythmic elements on the record that really have the group trying out something new – and definitely finding a sweet spot in the process! The whole thing's great – and titles include the great extended instrumental "The Seven Tin Soldiers", plus "Hey Senorita", "Baby Face", "Galaxy", and "Sweet Fighting Lady". LP, Vinyl record album
(Still in the shrink with hype sticker and round sticker spot. Includes the heavy inner sleeve.)
479
DJM, 1978. Near Mint- ... $14.99
A great Johnny Guitar Watson side project – a set not billed directly to his name on the front, but which has all the great hallmarks of the best Watson albums from the 70s! Johnny produced, wrote songs, played, and sung on the record – but there's also an equal focus on his backing group too – which means maybe a bit lead guitar upfront, and more vocals from the whole ensemble – who work together to give the whole thing a mighty great party sound! In fact, some of the best numbers almost have a roller boogie vibe that's not unlike early hip hop – although other numbers get much bassier, and funkier overall. The whole thing's great – and titles include "Virginia's Pretty Funky", "De John's Delight", "Lady Voo Doo", "Master Funk", and "The Funk If I Know". LP, Vinyl record album
(Cover has minimal wear, spot of sticker removal, promo stamp.)
480
Columbia, 1978. Near Mint- 2LP Gatefold ... $6.99
Featuring Phil Lynott (Thin Lizzy), Justin Hayward (Moody Blues), Chris Thompson (Manfred Mann), David Essex, and Richard Burton! LP, Vinyl record album
(Cover has a spot of wear at the top, but is great overall.)
481
Blue Note, 1958/
Great Blue Note two-fer which compiles tracks from Randy Weston's fantastic albums recorded for United Aritsts – rare gems at the forefront of late 50s modern jazz, and records that hardly ever see the light of day! The albums are filled with seminal versions of Randy's famous compositions – played by sextet and septet lineups with players that include the cream of New York modern – Ray Copeland, Melba Liston, Johnny Griffin, Kenny Dorham, and Slide Hampton. Great work all around – and material that's really not properly been reissued over the years – making this well-annotated 70s collection as essential as an original copy, and almost as rare! Titles include "Little Niles", "High Fly", "Little Susan", "Babe's Blues", "Nice Ice", "Earth Birth", "Pam's Waltz", and "Spot Five Blues". LP, Vinyl record album
(Cover has light wear and aging.)
482
Who —
Summertime Blues/Decca, 1970. Very Good ... $5.99
... 7-inch, Vinyl record
(Label has a tiny sticker and spot of pen.)
483
Wilderness Road —
Sold For Prevention Of Disease Only ... LP Reprise, 1973. Very Good+ Gatefold ... $3.99
A rootsy group from the Chicago scene, but one with a fair amount of wit, too – a subtle political agenda that's buried a bit beneath more rocking modes, and which really helps set these guys apart from the pack! The songwriting is often pretty smart, at least from a social perspective – couched amidst riffs and rhythms that are more mainstream overall, yet which know how to underscore the right punch of the group's intentions. A key illustration of this fact is the longer "Gospel" track – kind of a mini-suite aimed at Christian radio – but the elements bubble forth on other tunes that include "Rock Garden", "Pot Of Gold", "Reno", and "The Authentic British Blues". LP, Vinyl record album
(White label promo. Cover has light wear, tiny peel spot from sticker removal.)
484
Everest, Early 60s. Near Mint- ... $6.99 16.99
One of the few albums ever cut by Ernie Wilkins as a leader – despite his presence as an arranger on countless jazz sessions of the 50s and 60s! Ernie's got a real flair for a tight bounce at the bottom and unusual horn formations at the top – a style that reminds us a lot of Oliver Nelson at his best, and which, like Nelson, often comes across with a more soulful approach than most of his contemporaries! The Wilkins groove is often playful, but never over-indulgent – joyously reveling in its own sharpness, but open enough to let the strong talents in the group do their own thing. Titles include "The Continental", "Broadway", "Gone With The Wind", "Baubles Bangles & Beads", "Somebody Loves Me", "All Of You", and "Gone With The Wind". LP, Vinyl record album
(Original stereo pressing. Cover has light wear, some spotty aging, and a small blemish spot near the bottom.)
485
Roulette, 1963. Very Good+ ... $3.99
... LP, Vinyl record album
(Mono orange & pink label pressing. Cover has small seam splits, with a peeled spot and name in pen in back.)
486
Roulette, 1961. Very Good+ ... $19.99 24.99
A gem of a record from this pair of Basie-ites – one that allows Joe Williams to hit some different modes than on his fuller records with the Count – set up here in a nicely relaxed groove with trumpeter Harry Sweets Edison! Arrangements are by Ernie Wilkins, but are more laidback than some of his fuller charts – and we love hearing Joe at a level when he doesn't have to punch it out of the park, and can just fall back in a sweet groove alongside Harry's trumpet, which then often gets a spot to solo on the tune. Charles Thompson plays piano – again with a style that's more easygoing than Basie – and titles include "Out Of Nowhere", "Together", "Winter Weather", "By The River Saint Marie", "Alone Together", "Deep Purple", and "Lover Come Back To Me". LP, Vinyl record album
(Mono color bar label pressing with deep groove and AudioMatrix stamp. Cover has light wear, some yellowing from age, and some minor stains at the spine.)
487
Pat Williams —
Threshold ... LP Capitol, 1973. Very Good+ ... $3.99
Nice stuff from Pat Williams! Although known for mostly groovy 60s stuff (ala his legendary Verve and soundtrack work), this album features Williams hitting more of a 70s jazz funk groove, with a nice electric edge. The tracks are long, and the solos are played by Tom Scott and Marvin Stamm (mostly) – and the rest of the group includes Mike Melvoin on keyboards, John Guerin on drums, and Larry Bunker on percussion. Cuts include "And on the Sixth Day", "The Witch", and "Mr. Smoke". LP, Vinyl record album
(Cover has a spot of wear at the bottom, but is nice overall!)
488
Polydor, 1970. Near Mint- ... $34.99
Although Tony Williams started out as one of the most subtle drummers of the 60s, this album has him coming a long way from his "new thing" Blue Note recordings – and taking off with enough power to reach the moon! The group featured is Williams classic Lifetime lineup – with John McLaughlin and Larry Young, who was also reaching far past his Blue Note groove here – and bassist Jack Bruce, who was working his jazz chops strongly after his years in Cream. There's a raw power here that cannot be denied – a ferocity that must have been incredibly fresh at the time, and which is still, today, one of the clearest visions of a jazz rock fusion that was soon muddied too quickly in the heady waters of 70s jazz. Titles include "To Whom It May Concern", "Right On", "This Night This Song", and "Allah Be Praised". LP, Vinyl record album
(Cover has a small cutout notch, some ring and edge wear, and a small sticker spot.)
489
Capitol, 1975. Sealed ... $11.99 14.99
A real sweet soul gem from Nancy! The record has her working with arrangements and production by Gene and Billy Page – who give the record a great smooth 70s soul finish, and a feel that's a lot more unified than some of her other efforts from the decade. Nancy sings some great versions of "If I Ever Lose This Heaven" and "Come Get To This", plus the original tracks "Houdini Of The Midnight Hour", "Like A Circle Never Stops", "Boogeyin All The Way", and "Happy Tears". LP, Vinyl record album
(Still sealed, with a round sticker spot.)
490
Epic, 1972. Very Good Gatefold ... $3.99
Features the classic "Frankenstein" – plus "Hangin Around", "Alta Mira", "We All Had A Real Good Time", "Round & Round", and "Undercover Man". LP, Vinyl record album
(Orange label pressing. Cover has some ringwear, edge wear, a tiny peeled spot from sticker removal, and a small name in pen at the bottom edge.)
491
Inner City, 1978. Very Good+ ... $4.99
... LP, Vinyl record album
(Cover has ringwear, edge wear, some light scrapes and a sticker spot in front, and is bent at the top corners.)
492
Gordy, 1967. Near Mint- ... $2.99
... 7-inch, Vinyl record
(In a Motown sleeve. Label has a spot of pen.)
493
Savoy, 1979. Very Good- ... $3.99 5.99
... LP, Vinyl record album
(Cover has ring & edge wear, cutout notch, peel spot from sticker removal, some seam splitting with clear tape repair.)
494
Telefunken (Germany), 1966. Near Mint- ... $4.99
... LP, Vinyl record album
(Later German pressing – 6.21027 AS. Cover has light aging, faint sticker spot, small center split in the top seam, and is lightly bent at the top right corner.)
495
Yes —
Yes ... LP Atlantic, 1969. Very Good ... Temporarily Out Of Stock
The monumental first album from Yes – a group who were already onto something amazing with this set, and would only get better and better in years to come! The members had backgrounds in straighter, more conventional rock acts – but here, together, they unleash work with a wonderfully fresh sense of timing and structure – tunes that are still a bit shorter in comparison to later albums, but already full of the kind of complicated shifts and changes that instantly set Yes apart from the rest! And yet there's also a simple, honest approach too – not complexity for its own sake, as the group never find themselves in blind alleys or dead ends – and maintain this magical mix of elements that soars from track to track. The early lineup here features trademark vocals from Jon Anderson, alongside the bass of Chris Squire, guitars of Peter Banks, organ and piano of Tony Kaye, and drums of Bill Bruford – on titles that include "Harold Land", "Beyond & Before", "I See You", "Looking Around", "Sweetness", "Survival", and "Every Little Thing". LP, Vinyl record album
(Original 1841 Broadway label pressing. Cover has a half split top seam, light ring wear, spot of marker. The back cover has a few pieces of yellowed tape on the paste-on.)
496
Score, Late 40s/
A late 50s issue of some of Prez's early bop sides – mostly recorded in LA, with groups that include players like Dodo Marmarosa, Red Callender, Willie Smith, Curtis Counce, Howard McGhee, and Chico Hamilton. Tracks include "DB Blues", "Jumpin At Mesner's", "She's Funny That Way", "Lester Leaps In", and "SM Blues". LP, Vinyl record album
(Maroon label Score pressing with deep groove! Cover has a split spine, black tape on the top seam, light surface wear, spot of marker, notes in pen on the back.)
497
CBS (Netherlands), Late 30s. Sealed ... $14.99
Early material from Lester Young's 78rpm years – pressed up on a sweet import compilation! Features some especially nice tracks with Glenn Hardman on organ! LP, Vinyl record album
(Early 70s issue, still sealed with a cut corner, import sticker, and small sticker spot. Cover is lightly bent at the bottom right corner.)
498
Blue Ace, 1940s. Very Good ... $4.99
... 78 RPM, Vinyl record
(Labels have light wear, spot of marker.)
499
Zappa, 1979. Near Mint- (pic cover)... $19.99 33.99
Promo sampler with "Joe's Garage", "Wet T-Shirt Nite", "Lucille Has Messed My Mind Up", "A Token Of My Extreme", "He Used To Cut The Grass", and "Watermelon In Easter Hay". 12-inch, Vinyl record
(Cover has a small sticker spot and is bent at the top left corner.)
500
Mercury (UK), 1985. Sealed (pic cover)... $9.99
... 12-inch, Vinyl record
(Still sealed with a small sticker spot.)
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