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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
John ColtraneJohn Coltrane Live At Birdland – Featuring Eric Dolphy ... CD
Affinity (UK), 1962. Used ... $9.99
Not to be confused with Coltrane's other Birdland album, issued on Impulse, with different titles – this one features 2 different live sets. One's from February of 1962, and features Tyner, Garrison, and Jones, with the addition of Eric Dolphy, on long readings of "Mr PC", "Miles Mode", and "My Favorite Things". The second live set is from June of the same year, also at Birdland, with the same group, minus Dolphy – on a long reading of "Body & Soul". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy At The Five Spot Vol 1 (RVG remaster edition – with bonus track) ... CD
Prestige, 1961. New Copy ... $4.99 11.98
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Fire Waltz", "Bee Vamp", and "The Prophet". CD also features an alternate take of "Bee Vamp". CD
(CD case has a cutout hole.)

Exact matches3
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy At The Five Spot Vol 2 (Japanese paper sleeve edition) ... CD
Prestige (Japan), 1961. Used ... $6.99
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Aggression" and "Like Someone In Love". CD
(Includes obi.)

Exact matches4
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy In Europe Volume 3 ... LP
Prestige, 1961. Good+ ... $11.99
This is volume 3 of Prestige's set of European recordings by Dolphy, some of the last he would make before he passed away at a very young age. The group features Swedish piano giant Bent Axen, plus a rhythm section that includes Erik Moseholm on bass and Jorn Elniff on drums. Like most Dolphy recordings from the time, however, the main focus is on Dolphy himself, and the long tracks feature some beautiful extended solos on alto and bass clarinet. 3 tracks: "Woody N You", "When Lights Are Low", and "In The Blues (1-2-3)". LP, Vinyl record album
(Blue label pressing. Cover has a cutout hole, some wrinkles in the gloss, and a light stain on the bottom inch.)

Exact matches5
CD, LP, Vinyl record album cover art
Eric DolphyIron Man ... LP
Douglas/Celluloid, 1962. New Copy (reissue)... $9.99
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
Eric DolphyLast Recordings ... LP
West Wind (Germany), 1964. New Copy Gatefold ... $19.99 29.99
A gem of a record – Eric Dolphy's last studio session, recorded in Paris with some very surprising guest stars! The work is really tremendous – every bit as great as Dolphy's monumental studio albums for Prestige, and written and performed with a similar blend of the free, the lyrical, the avant, and the soulful – a groove that's often a bit more inside than some of Eric's other late recordings – and played with plenty of spirit throughout! The sessions make great use of American soloists Donald Byrd on trumpet and Nathan Davis on tenor – both players whose sound really balances Dolphy in a great way – holding down a groove while Eric takes off on alto sax or bass clarinet. The rhythm is by a French combo – with Jack Dieval on piano, Jacques Hess on bass, and Franco Monzecci on drums – plus a bit of congas on two tracks from Jacky Bambou. Titles are quite long, and really wonderful – and tunes include "245", "GW", "Serene", and "Springtime". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Eric DolphyOut To Lunch (RVG remaster edition) ... CD
Blue Note, 1964. New Copy ... $6.99 9.98
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
Also available Out To Lunch (RVG remaster edition) ... CD 3.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $3.99
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
Also available Out To Lunch (RVG remaster edition) ... CD 6.99

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Ron Carter with Eric Dolphy & Mal WaldronWhere? (RVG remaster edition) ... CD
New Jazz, 1961. New Copy ... Temporarily Out Of Stock
A haunting and unusual batch of tracks from bassist Ron Carter – working here with a group that includes spiritual modernists Eric Dolphy on reeds and Mal Waldron on piano – both players who really add a lot to the set! In a way, the album's more like Dolphy's own work as a leader from the time than the sort of music usually associated with Carter – and Ron really seems to let the reedman shape the overall sound of the set with his tremendous work on alto, flute, and bass clarinet. Carter plays a bit of cello in addition to his bass – giving the record a nicely eerie sound at points – and Waldron's piano, as always, is excellent during this point in his career. Titles include Randy Weston's "Where" and "Saucer Eyes", plus "Bass Duet", which features Carter dueting with George Duvivier, and a very nice version of "Softly As In A Morning Sunrise". CD
(CD case has a small cutout hole.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch ... LP
Blue Note, 1964. Used (reissue)... Temporarily Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". LP, Vinyl record album
Also available
Out To Lunch (RVG remaster edition) ... CD 6.99
Out To Lunch (RVG remaster edition) ... CD 3.99

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyVintage Dolphy ... CD
GM, 1962/1963. Used ... Temporarily Out Of Stock
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1963 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Eric Dolphy with Booker LittleFar Cry ... LP
Prestige, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the next – playing flute, bass clarinet, and alto sax equally well on the record – and somehow managing to get Little to share his inspiration perfectly on every number. Other players include Jaki Byard on piano, Ron Carter on bass, and Roy Haynes on drums – a rhythm team whose abilities are a big part of the success of the record – and titles include "Far Cry", "Mrs Parker Of KC", "Left Alone", "Ode To Charlie Parker", and "Miss Ann". LP, Vinyl record album
(Blue label pressing. Note: Cover has tape on edges, and wrong back cover attached – and a fair bit of water staining too.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Ken McIntyre with Eric DolphyLooking Ahead ... CD
New Jazz/OJC, 1960. Used ... Temporarily Out Of Stock
A legendary meeting of these two modernists – and a record that's filled with sharp-edged new ideas! Both Ken McIntyre and Eric Dolphy play alto and flute on the album – and Dolphy contributes a bit of bass clarinet as well – and the pair receive a bit of straighter backing than usual from a trio that includes Walter Bishop on piano, Sam Jones on bass, and Art Taylor on drums. The soulful undercurrent in the rhythm section is nicely offset by the free-thinking reed work of Dolphy and McIntyre – and the record's got a slyly sinister edge that still holds up extremely well over the years. Titles include "Lautir", "Curtsy", "Dianna", and "Head Shakin". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Aki Takase/Alexander Von SchlippenbachSo Long Eric – Homage To Eric Dolphy ... CD
Intakt (Switzerland), 2014. New Copy ... Temporarily Out Of Stock
Twin pianos come together wonderfully here in a tribute to the late Eric Dolphy – as Alexander Von Schlippenbach and Aki Takase play together on the instrument, and lead a larger ensemble that includes Karl Berger on vibes, Axel Dorner on trumpet, Nils Wogram on trombone, Tobias Delius on tenor, and Han Bennink on drums! The tunes are all classic Dolphy compositions – and are given very inventive reworkings here by the larger group – with shifting focus between group horn passages, solo lines, and very bold piano work – all with an angular, exploratory style that Eric would have loved. Titles include "Hat & Beard", "Out To Lunch", "Serene", "Miss Ann", "Les", and "Something Sweet Something Tender". CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch (75th Anniversary Edition) ... LP
Blue Note, 1964. New Copy (reissue)... Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". LP, Vinyl record album
Also available
Out To Lunch (RVG remaster edition) ... CD 6.99
Out To Lunch (RVG remaster edition) ... CD 3.99

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyEric Dolphy At The Five Spot Vol 1 ... LP
Prestige/OJC, 1961. New Copy (reissue)... Out Of Stock
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Fire Waltz", "Bee Vamp", and "The Prophet". LP, Vinyl record album
Also available Eric Dolphy At The Five Spot Vol 1 (RVG remaster edition – with bonus track) ... CD 4.99
 
Possible matches: 37
Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Kaoru AbeKaze Ni Fukarete (Japanese paper sleeve edition) ... CD
Trio/Universal (Japan), 1971. New Copy ... $21.99
Incredible improvisations from Kaoru Abe – already very much his own person on reeds, and playing here with a sense of tone, phrasing, and timing that's completely unique! Abe blows both alto sax and bass clarinet here – sometimes with a long conception and spiritual undercurrent that clearly draws inspiration from Eric Dolphy – but which also can break out in these stronger tones and exotic currents that are completely unique – and which make for a very bracing performance throughout. CD features two long "Alto Saxophone Solo Improvisation" tracks – plus two bass clarinet solos, one based on a tune by Bob Dylan. CD

Possible matches18
CD, LP, Vinyl record album cover art
Roland AlexanderPleasure Bent ... LP
New Jazz/Prestige, 1961. New Copy (reissue)... $9.99
One of the few albums ever cut by this incredible tenor sax player – a wonderful talent that we only know from a handful of records – all of which we love! This date's got a bold sound that very much lives up to its cover, and Alexander's placement on Prestige's New Jazz label – a vibrant sound that's got elements of the 60s underground of Eric Dolphy or Ken McIntyre, but which also has a more flowing, soulful vibe as well – almost a precursor to later spiritual jazz elements of the 70s. No surprise, the great Marcus Belgrave is in the quintet on trumpet – as is Ronnie Mathews on piano, with rhythm support from Gene Taylor on bass and Clarence Stroman on drums. Almost all tracks are originals – and titles include "I'll Be Around", "Dorman Road", "Lil's Blues", and "Orders To Take Out". LP, Vinyl record album

Possible matches19
CD, LP, Vinyl record album cover art
Stuart BakerBlack Fire New Spirits – Images Of A Revolution – Radical Jazz In The USA 1960 to 1975 (hardcover) ... Book
Soul Jazz (UK), 2014. New Copy ... $36.99 49.95
A stunning book of photographs to stand alongside the excellent album art books done by the Soul Jazz label – a treasure trove of hardly-seen images of some of the best underground musicians of the 60s and 70s – and a great antidote to the sorts of jazz books that are only just filled with pictures of Duke, Louis, and Miles! In true Soul Jazz fashion, the volume shines the spotlight on key avant and spiritual jazz figures – like Roland Kirk, Ornette Coleman, Albert Ayler, Elvin Jones, Cecil Taylor, Eric Dolphy, Alice Coltrane, Lloyd McNeil, The Art Ensemble Of Chicago, Max Roach, Larry Young, and many others – each of whom get at least one very vivid photo (some black and white, some color), and a short bit of text that introduces their music and placement in jazz. To be fair, there's also some shots of Miles, too – but shown in a very different context in this great book! 189 pages, oversize, with a great hardcover package. Book

Possible matches20
CD, LP, Vinyl record album cover art
Ornette ColemanFree Jazz (with bonus track) (Deluxe Edition) ... CD
Atlantic/Rhino, 1961. Used Gatefold ... $5.99
The title gets it right – as the album's easily the closest thing to free jazz that Ornette Coleman ever recorded – an album-length improvisation played by a "double quartet" that's overflowing with classic players! The style here is a fair bit like John Coltrane's Ascension album for Impulse – and like that one, the session features Ornette and his contemporaries really stretching out – blowing like never heard before on record, and working in a highly unstructured setting! Other players include Eric Dolphy on bass clarinet, Freddie Hubbard on trumpet, and Scott LaFaro on bass – alongside regular group members Don Cherry on pocket trumpet, Charlie Haden on bass, and both Ed Blackwell and Billy Higgins on drums. One long track – just titled "Free Jazz" at 37 minutes! Also includes the bonus track "First Take" at 17 minutes! CD
(Atlantic Jazz Gallery pressing. Front cover has a small tear.)

Possible matches21
CD, LP, Vinyl record album cover art
Eddie Lockjaw Davis Big BandTrane Whistle ... LP
Prestige, 1960. Good ... $9.99
Don't pass this one up! Although lots of other albums by Eddie Lockjaw Davis are laidback quartet and quintet sessions, done in a soul jazz organ/tenor mode – this session features Eddie working with stunning bigger band backings, in a searingly soulful sound that's simply incredible! The leadoff track, "Trane Whistle", has Lockjaw really working new waves of sound into his tenor sax – screaming the horn in a way that you thought you'd never hear, and playing with tones that are a lot darker than usual! The set moves on from there in a nice batch of material that includes "Whole Nelson" and "Stolen Moments", two fantastic originals by Oliver Nelson, who also arranged the album – and takes a great deal of responsibility for the strength of the set. The record shows a whole new side of Davis' talents – one that was barely if ever recorded like this again – and which is made even better by the presence of freshly modern players that include Eric Dolphy, Richard Williams, Melba Liston, and Roy Haynes. Great stuff! LP, Vinyl record album
(Yellow & black label NJ pressing. Cover has a bit of marker on back, otherwise pretty nice.)

Possible matches22
CD, LP, Vinyl record album cover art
Gil EvansIndividualism of Gil Evans ... LP
Verve, 1964. Very Good+ Gatefold ... $14.99
Although Gil Evans is probably best remembered for his work behind Miles Davis, the albums he cut on his own are actually even more interesting, and feature a far-reaching conception of modern jazz, executed by Evans, and some of the top players of his day. This great album from 1964 features a host of wonderful musicians – including Steve Lacy, Eric Dolphy, Johnny Coles, and Wayne Shorter. The set includes mostly original compositions by Evans, like "Las Vegas Tango", "El Toreador", "Flute Song", and "Hotel Me" – all of them a shimmering blend of free solos and tightly composed orchestral passages, filled with rich colors and shades of warm imagination! LP, Vinyl record album

Possible matches23
CD, LP, Vinyl record album cover art
Chico HamiltonGongs East! ... LP
Warner, 1958. Very Good ... $14.99
Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s. The group also features some great guitar by Dennis Budimir and cello by Nathan Gershman – but the real standout aspects of the set come from Dolphy's work on flute, alto, and bass clarinet. Titles include "Where I Live", "Passion Flower", "Tuesday At Two", "Nature by Emerson", "Far East", and "Good Grief, Dennis". LP, Vinyl record album
(Gray label mono pressing. Cover has some wear.)

Possible matches24
CD, LP, Vinyl record album cover art
Hakon KornstadSingle Engine ... CD
Jazzland (Norway), 2007. Used ... $5.99
Beautiful (mostly) solo work from saxophonist Hakon Kornstad – a set that continues the great body of music he built on the Moserobie label! Kornstad plays tenor, bass saxophone, flute, flutonette, and melodica – always with a relatively gentle sound, one that almost reminds us of late Eric Dolphy at his most personal, introspective moments. There's a relatively tuneful feel to most tracks, even when the music is somewhat outside – and a few numbers feature guest instrumentation joining in slightly – a bit of Hammond, acoustic guitar, bass, or lap steel. Titles include "Kokarde", "Crying In The Rain", "Turkey Texas", "Standard Arrival Route", "Flutonette", and "Sweden". CD

Possible matches25
CD, LP, Vinyl record album cover art
Prince Lasha EnsembleInsight ... CD
Columbia/Dusty Groove, 1966. New Copy ... $7.99 12.98
Tremendous work from the legendary Prince Lasha – a rare UK-only date from 1966 – and one that has the reedman working away from more familiar contemporaries like Sonny Simmons and Eric Dolphy! The approach on this session is very unique – as Lasha includes harp with the instrumentation, played by David Snell in a style that's right up there with Dorothy Ashby's best jazz work. Pianist Stan Tracey is also on board – playing beautiful notes that have a sharp modern edge, while still falling on the inside of the spectrum – and Lasha himself is especially great – blowing plastic alto sax and wooden flute, both of which have a slightly offbeat sound – but one that's surprisingly warm, which makes the album one of his most sensitive and soulful sessions ever! The tunes are a mix of standards and originals – and there's a wonderful sense of balance here – sounds that are sometimes more inside than other records from Lasha, but which have a really Dolphy-like sense of expression – right at home amidst a wider history of jazz, yet also reaching for new ideas at the same time. Pure genius throughout, and a record that was never made available to audiences in the US. Titles include "Nuttin Out Jones", "Impressions Of Eric Dolphy", "Out Of Nowhere", "Just Friends", "Body & Soul", and "Everything Happens To Me". CD
(On the Dusty Groove label.)

Possible matches26
CD, LP, Vinyl record album cover art
Charles LloydForest Flower ... LP
Atlantic, 1966. Very Good Gatefold ... $4.99
A famous album – but for good reason! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". LP, Vinyl record album
(Red & green label pressing. Cover has some wear.)

Possible matches27
CD, LP, Vinyl record album cover art
Charles LloydManhattan Stories – Live At Judson Hall/Live At Slugs Saloon ... CD
Resonance, 1965. New Copy 2 CDs ... $21.99 22.98
Never-heard music from the great Charles Lloyd – two well-recorded live sets from the 60s, both with a very unusual group! The lineup has Lloyd on tenor, soprano, and flute, working with frequent partner Gabor Szabo on guitar – but the rest of the quartet also features Ron Carter on bass and Pete LaRoca on drums – two players who really have an open, laidback way of letting the music flow! All tracks are nice and long, and Lloyd is wonderfully expressive – maybe even more so than on his studio records from the period – with these long, soulful, spiritual solos that almost make us feel like he's picked up the torch from the recently-departed Eric Dolphy – especially in the way that Dolphy would spin things out in a live setting. The set features two versions of "Lady Gabor", both a bit different – plus the titles "How Can I Tell You", "Slug's Blues", "Sweet Georgia Bright", and "Dream Weaver". CD
Also available Manhattan Stories – Live At Judson Hall/Live At Slugs Saloon (180 gram vinyl) ... LP 36.99

Possible matches28
CD, LP, Vinyl record album cover art
Charles LloydManhattan Stories – Live At Judson Hall/Live At Slugs Saloon (180 gram vinyl) ... LP
Resonance, 1965. Sealed 2LP Gatefold ... $36.99
Never-heard music from the great Charles Lloyd – two well-recorded live sets from the 60s, both with a very unusual group! The lineup has Lloyd on tenor, soprano, and flute, working with frequent partner Gabor Szabo on guitar – but the rest of the quartet also features Ron Carter on bass and Pete LaRoca on drums – two players who really have an open, laidback way of letting the music flow! All tracks are nice and long, and Lloyd is wonderfully expressive – maybe even more so than on his studio records from the period – with these long, soulful, spiritual solos that almost make us feel like he's picked up the torch from the recently-departed Eric Dolphy – especially in the way that Dolphy would spin things out in a live setting. The set features two versions of "Lady Gabor", both a bit different – plus the titles "How Can I Tell You", "Slug's Blues", "Sweet Georgia Bright", and "Dream Weaver". LP, Vinyl record album
(#356/1000. Shrinkwrap has a small hole in front.)
Also available Manhattan Stories – Live At Judson Hall/Live At Slugs Saloon ... CD 21.99

Possible matches29
CD, LP, Vinyl record album cover art
Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. New Copy (reissue)... $9.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus At Antibes ... CD
Atlantic, 1960. Used ... $5.99
A searing live set by Charles Mingus – a double-length performance recorded in Antibes during his classic years for Atlantic Records, but not issued by the label until many years later! The album's a great extrapolation of the sound that Mingus had forged on sessions for Columbia, Atlantic, and Candid – the latter label especially, as the tunes here are all quite long, and really put a lot of emphasis on the solo voices of the players in the group. Given that those players include Ted Curson on trumpet, Booker Ervin on tenor, and Eric Dolphy on alto sax, the sound here is proud and loud throughout – with plenty of fire from all three horns! Bud Powell makes a guest appearance on the set – and titles include "Prayer For Passive Resistance", "What Love", "I'll Remember April", "Folk Forms 1", and "Wednesday Night Prayer Meeting". CD

Possible matches31
CD, LP, Vinyl record album cover art
Charles MingusMingus Revisited (aka Pre-Bird) ... CD
EmArcy/Polygram (Germany), 1960. Used ... $9.99
An unusual chapter in the label-hopping career of Charles Mingus – a one-off date recorded for Mercury right after Mingus' legendary sessions for Columbia! The format here may well be Mingus' most ambitious to date – as the album features larger groups than before, exploring a range of musical ideas that run from Charles' own highly political expressions of the Civil Rights era to some of his landmark explorations of Duke Ellington! As always, the individual players in the group are given a strong voice in the proceedings – and the record bristles with energy from solos by Ted Curson, Eric Dolphy, Booker Ervin, Jimmy Knepper, Yusef Lateef, and a young Joe Farrell – as well as vocal performances by Lorraine Cousins, who sings on the classic "Weird Nightmare" and the haunting "Eclipse". A tremendous record throughout – filled with life, imagination, and boundless creativity – with titles that include "Mingus Fingus no. 2", "Weird Nightmare", "Eclipse", "Bemoanable Lady", "Half Mast Inhibition", and "Prayer for Passive Resistance". CD

Possible matches32
CD, LP, Vinyl record album cover art
Charles MingusMingus Revisited (aka Pre-Bird) (Trip pressing) ... LP
Limelight, 1960. Near Mint- ... $6.99
An unusual chapter in the label-hopping career of Charles Mingus – a one-off date recorded for Mercury right after Mingus' legendary sessions for Columbia! The format here may well be Mingus' most ambitious to date – as the album features larger groups than before, exploring a range of musical ideas that run from Charles' own highly political expressions of the Civil Rights era to some of his landmark explorations of Duke Ellington! As always, the individual players in the group are given a strong voice in the proceedings – and the record bristles with energy from solos by Ted Curson, Eric Dolphy, Booker Ervin, Jimmy Knepper, Yusef Lateef, and a young Joe Farrell – as well as vocal performances by Lorraine Cousins, who sings on the classic "Weird Nightmare" and the haunting "Eclipse". A tremendous record throughout – filled with life, imagination, and boundless creativity – with titles that include "Mingus Fingus no. 2", "Weird Nightmare", "Eclipse", "Bemoanable Lady", "Half Mast Inhibition", and "Prayer for Passive Resistance". LP, Vinyl record album
(Trip reissue. Cover has light wear and some marker on back.)

Possible matches33
CD, LP, Vinyl record album cover art
Charles MingusReincarnation Of A Love Bird (Candid) ... CD
Candid (Germany), 1960. Used ... $9.99
A great counterpart to the two famous Charles Mingus albums for the Candid label – really a third "lost" Candid album, recorded at the time of those sets, but never issued until many years later! As with those great dates, the work here is filled with righteous anger, unbridled emotion, and some of the most passionate jazz work of the 20th Century – directed by Mingus with unfailing energy on the bass, and featuring solo work from players who include Charles McPherson, Lonnie Hillyer, Booker Ervin, Paul Bley, Eric Dolphy, and Jimmy Knepper. None of the tracks here appeared on the albums that were released by Candid – Presents Charles Mingus or Mingus – and they were all recorded on the November 11, 1960 date that yielded part of that second album. Titles include "Bugs", "Reincarnation of a Lovebird", "R&R", "Wrap Your Troubles In Dreams", and a soulful take on "Body and Soul". CD

Possible matches34
CD, LP, Vinyl record album cover art
Max RoachPercussion Bitter Sweet (180 gram pressing) ... LP
Impulse, 1961. New Copy Gatefold (reissue)... $12.99
Max Roach's masterpiece! This record is one of his most perfectly realized visions – and it's a marvelous album that combines politics and modern jazz, yet still manages to swing! The players are some of the hippest that Roach ever worked with – and include Eric Dolphy, Booker Little, Clifford Jordan, and Julian Priester – and the record features some of the best-ever singing from Abbey Lincoln! Abbey's incredible on the track "Mendacity", an incredibly haunting Civil Rights-era number that should go right up there with "Strange Fruit", and which features wonderful alto work from Dolphy! She also sings wordlessly on the track "Garvey's Ghost" – and then sits out the rest of the set so that Max and the group can wail on the tracks "Praise For A Martyr", "Man From South Africa", and "Tender Warriors". Incredibly hip – and a perfect blend of soul, jazz, politics, and pure righteous spirit! LP, Vinyl record album

Possible matches35
CD, LP, Vinyl record album cover art
✨✧ George RussellEzz-Thetics (Riverside) ... LP
Riverside, 1961. Near Mint- ... $9.99
Angular modernism from George Russell – a record that's still strongly preoccupied with his interest in modes and tones, but which also manages to swing nicely as well! The group here is a sextet – with Eric Dolphy making a great appearance on alto and bass clarinet – alongside Dave Baker on trombone, Don Ellis on trumpet, Steve Swallow on bass, and Joe Hunt on drums. Although the leader, Russell never lets his piano dominate, but instead mostly punctuates – pointing the way forward to the horn players, who group together in tremendous formation – the slide off into separate space for their solos! Titles include Russell standards "Ezz-Thetic" and "Lydiot", plus great readings of "Nardis" and "Round Midnight". LP, Vinyl record album
(OJC pressing. Cover has some light wear.)

Possible matches36
CD, LP, Vinyl record album cover art
✨✧ John ColtraneAfrica/Brass ... LP
Impulse, 1961. Used Gatefold ... Temporarily Out Of Stock
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". LP, Vinyl record album
(Orange & black label stereo pressing. Cover has a small split in the top seam. Vinyl plays with clicks and crackles.)
 
 
 



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