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Exact matches: 20
Exact matches1
CD, LP, Vinyl record album cover art
Eric DolphyBerlin Concerts ... LP
Enja/Doxy, 1961. New Copy (reissue)... About November 1, 2016 (delayed)
Wonderful work by Dolphy – as essential to his catalog as any of his albums on Prestige from the same time! Although Dolphy broke plenty of musical barriers in the studio, to our ears, it was always in a live setting that he sounded best – freely exploring the kind of space his playing opened up, hitting notes that were more soulful and spiritual than many that he ever recorded on his studio sides. This set is a perfect example of that trend – as Dolphy's working here with a strong straight jazz combo, one that includes the great Benny Bailey on trumpet, in a set that features familiar tunes, turned into haunting explorations of Dolphy's new jazz idiom. One of the highlights is an incredible 15 minute version of Randy Weston's "Hi Fly", with Dolphy doing great work on flute – and other tunes include "Hot House", "Geewee", "When Lights Are Low", "I'll Remember April", and "The Meeting". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy Memorial Album (aka Music Matador) ... LP
Vee Jay, Early 60s. Very Good ... $3.99
Amazing work from Eric Dolphy – a record that's come out on a number of different labels, under a number of different names – but which is one of his most perfectly-realized sessions of the 60s, and one of his most spiritual albums ever! The record features a shifting lineup of players – almost presaging the ensemble modes that would rise more strongly in the post-Coltrane years – and Dolphy's chosen a strong group of associates, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Clifford Jordan on soprano sax, Prince Lasha on flute, and Sonny Simmons on alto and bass clarinet. Dolphy plays flute, alto, and bass clarinet – and titles include "Love Me", a solo alto tune by Dolphy; "Alone Together", a duet with Davis' bass; a seminal take on "Jitterbug Waltz", completely reinventing the tune for new generations; and the massive "Music Matador". LP, Vinyl record album
(Blue label Exodus pressing in a non-gatefold sleeve.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut There ... CD
New Jazz/OJC, 1960. Used ... $2.99
Eric Dolphy's second album as a leader – and already a bold step forward from the first! The format here changes from the more standard lineup of before – as Dolphy drops out other horn players, loses the piano, and brings the cello of Ron Carter into the frontline! Backing is by the bass of George Duvivier and the drums of Roy Haynes – and the mix of cello and bass creates the freely spirited sound that allows Dolphy to take off on even freer solo flights. The session has a very moody, very dark feel – especially on the tracks where Dolphy is playing B flat and bass clarinet – and titles include "The Baron", "Eclipse", "Sketch Of Melba", "Feathers", and "17 West". CD

Exact matches4
CD, LP, Vinyl record album cover art
Eric DolphyOut To Lunch ... CD
Blue Note, 1964. Used ... $1.99
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
(One-step analog master,)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Charles Mingus with Eric DolphyCornell 1964 ... CD
Blue Note, 1964. Used 2 CDs ... Just Sold Out!
A real musical discovery – not just for the fact that the CD represents a previously-unreleased concert by Charlies Mingus – but also because the sounds and styles here offer up a version of Mingus that's almost more adventurous than some of his other albums of the time! The sextet features some key work by Eric Dolphy on alto sax, flute, and bass clarinet – but all other players are wonderful too, and include Johnny Coles on trumpet, Clifford Jordan on tenor, Jaki Byard on piano, and Dannie Richmond on drums – all coming together with a sense of power and presence that matches that of a group double their size! The long tracks on the set allow plenty of space for individual expression – some stretched-out solos that really push the limits of the music, sometimes going farther outside than we might expect – almost in the manner of some of Coltrane's important live dates of the same year. Titles include "ATFW You", "Fables Of Faubus", "Take The A Train", "Orange Was The Color Of Her Dress", "Meditations", "So Long Eric", "Jitterbug Waltz", and "When Irish Eyes Are Smiling". CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Ron Carter with Eric Dolphy & Mal WaldronWhere? (RVG remaster edition) ... CD
New Jazz, 1961. Used ... Temporarily Out Of Stock
A haunting and unusual batch of tracks from bassist Ron Carter – working here with a group that includes spiritual modernists Eric Dolphy on reeds and Mal Waldron on piano – both players who really add a lot to the set! In a way, the album's more like Dolphy's own work as a leader from the time than the sort of music usually associated with Carter – and Ron really seems to let the reedman shape the overall sound of the set with his tremendous work on alto, flute, and bass clarinet. Carter plays a bit of cello in addition to his bass – giving the record a nicely eerie sound at points – and Waldron's piano, as always, is excellent during this point in his career. Titles include Randy Weston's "Where" and "Saucer Eyes", plus "Bass Duet", which features Carter dueting with George Duvivier, and a very nice version of "Softly As In A Morning Sunrise". CD
(Name in pen on booklet cover.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyIllinois Concert ... CD
Blue Note, 1963. Used ... Temporarily Out Of Stock
Amazing avant garde material from Dolphy – and never issued before in any form! The concert was recorded in 1963 at the University of Illinois, and it features some of the most "out" playing we've ever heard from Dolphy. He's backed by a trio comprised of Herbie Hancock, Eddie Khan, and JC Moses – and the main solos are on flute, alto, and bass clarinet, which Dolphy plays to amazing effect! 6 tracks feature the core quartet playing alone with Dolphy, and a 7th features backing by a larger group comprised of University Of Illinois students, including a very young Cecil Bridgewater! This is definitely the kind of lost material we're happy to see unearthed – and it's packaged and notated with the usual high Blue Note level of quality. Titles include "Softly As In A Morning Sunrise", "South Street Exit", "Iron Man", "Red Planet", and "GW". CD
(BMG Direct pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch (RVG remaster edition) ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
(Name in pen on booklet cover.)
Also available Out To Lunch ... CD 1.99

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Eric Dolphy with Booker LittleFar Cry (20 bit remaster) ... CD
Prestige, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the next – playing flute, bass clarinet, and alto sax equally well on the record – and somehow managing to get Little to share his inspiration perfectly on every number. Other players include Jaki Byard on piano, Ron Carter on bass, and Roy Haynes on drums – a rhythm team whose abilities are a big part of the success of the record – and titles include "Far Cry", "Mrs Parker Of KC", "Left Alone", "Ode To Charlie Parker", and "Miss Ann". CD features 1 bonus track. CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Eric Dolphy with Booker LittleFar Cry (plus bonus track) ... CD
Prestige/OJC, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the next – playing flute, bass clarinet, and alto sax equally well on the record – and somehow managing to get Little to share his inspiration perfectly on every number. Other players include Jaki Byard on piano, Ron Carter on bass, and Roy Haynes on drums – a rhythm team whose abilities are a big part of the success of the record – and titles include "Far Cry", "Mrs Parker Of KC", "Left Alone", "Ode To Charlie Parker", and "Miss Ann". CD features 1 bonus track – "Serene". CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Chico Hamilton with Eric DolphyOriginal Ellington Suite ... CD
Pacific Jazz, 1958. Used ... Temporarily Out Of Stock
Forget the Ellington in the title, because this is more a moody album of west coast chamber jazz, in the best tradition of the Chico Hamilton group! Chico was one of the first folks in the jazz business to notice the genius of a young Eric Dolphy, and the record was cut in 1958, when Dolphy was still working with Hamilton, and bringing a lot of imagination to Hamilton's groundbreaking quintet format, which had begun to lose some of its luster by the late 50s. Dolphy plays alto, flute, and clarinet on the session, adding in beautiful touches of color that work perfectly with the set of Ellington compositions – and the CD presents the full recording of the album, which has only ever appeared in edited fragments. Titles include "Azure", "In A Mellotone", "Day Dream", "I'm Beginning To See The Light", and "I'm Just A Lucky So & So". CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Oliver Nelson with Eric DolphyStraight Ahead ... LP
New Jazz/Prestige, Early 60s. Used ... Temporarily Out Of Stock
A great little small group session by Nelson – one that has him working in a quintet with Eric Dolphy, one that shows that Nelson could be a strongly modernist player when he wanted to be! Dolphy plays alto, bass clarinet, and flute – and Nelson's tone is appropriately biting to match the set – way harder and stark than on some other albums, with an edge that we really like a lot! Rhythm is by Richard Wyands, George Duvivier, and Roy Haynes – and titles include "Ralph's New Blues", "Straight Ahead", "111 44", and "Images". LP, Vinyl record album
(OJC pressing. Cover has ring & edge wear with marker on the back.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Mal Waldron with Eric Dolphy & Booker ErvinQuest ... LP
New Jazz, 1961. Used ... Temporarily Out Of Stock
Pivotal work from Waldron – stepping out of the blowing session mode, emerging as one of the 60s most striking moderinists. Like a lot of Waldron's records from the time, this set shows an amazing desire for new forms and modern ideas, and the mix of players – Eric Dolphy, Booker Ervin, Ron Carter, Joe Benjamin, and Charlie Persip – pulls the material in a number of different ways. Carter plays bowed cello, as he did on Dolphy's Out There session, and he gives the set a dark moody feel. Ervin's in his best modernist mode, and he ably trades lines with Dolphy and keeps the whole thing moving nicely. Waldron's writing and arranging is superb, and the tracks feature a lot of weird time structures and unusual modal patterns. Includes the tracks "Status Seeking", "Warm Canto", "Warp and Woof", and "Fire Waltz". LP, Vinyl record album
(OJC pressing, with obi.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyEric Dolphy In Europe Volume 2 ... CD
Prestige/OJC, 1961. Used ... Out Of Stock
Classic set of European recordings – made by Dolphy in 1961, before the fateful 1964 European tour that would later claim his life. The group features Swedish piano giant Bent Axen, plus a rhythm section that includes Erik Moseholm on bass and Jorn Elniff on drums. Like most Dolphy recordings from the time, however, the main focus is on Dolphy himself, and the long tracks feature some beautiful extended solos on alto and flute. Tracks are long, and titles include "Miss Ann", "Don't Blame Me", and "Laura". CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Ken McIntyre with Eric DolphyLooking Ahead ... CD
New Jazz/OJC, 1960. Used ... Out Of Stock
A legendary meeting of these two modernists – and a record that's filled with sharp-edged new ideas! Both Ken McIntyre and Eric Dolphy play alto and flute on the album – and Dolphy contributes a bit of bass clarinet as well – and the pair receive a bit of straighter backing than usual from a trio that includes Walter Bishop on piano, Sam Jones on bass, and Art Taylor on drums. The soulful undercurrent in the rhythm section is nicely offset by the free-thinking reed work of Dolphy and McIntyre – and the record's got a slyly sinister edge that still holds up extremely well over the years. Titles include "Lautir", "Curtsy", "Dianna", and "Head Shakin". CD
(CD case has a cutout hole.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Eric Dolphy with Booker LittleFar Cry ... LP
Prestige/OJC, 1960. New Copy (reissue)... Out Of Stock
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the next – playing flute, bass clarinet, and alto sax equally well on the record – and somehow managing to get Little to share his inspiration perfectly on every number. Other players include Jaki Byard on piano, Ron Carter on bass, and Roy Haynes on drums – a rhythm team whose abilities are a big part of the success of the record – and titles include "Far Cry", "Mrs Parker Of KC", "Left Alone", "Ode To Charlie Parker", and "Miss Ann". LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOutward Bound ... LP
New Jazz, 1960. Used ... Out Of Stock
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". LP, Vinyl record album
(OJC pressing.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyUnrealized Tapes ... LP
West Wind (Germany), 1964. Used ... Out Of Stock
A gem of a record – Eric Dolphy's last studio session, recorded in Paris with some very surprising guest stars! The work is really tremendous – every bit as great as Dolphy's monumental studio albums for Prestige, and written and performed with a similar blend of the free, the lyrical, the avant, and the soulful! Of course, the players help a lot – as the group includes Donald Byrd on trumpet, Nathan Davis on tenor, and the great Jack Dieval on piano. Titles include "245", "GW", "Serene", and "Springtime". LP, Vinyl record album
(1988 West Wind pressing.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Charles Mingus, Max Roach, Eric Dolphy, et alNewport Rebels ... CD
Candid (UK), 1960. Used ... Out Of Stock
A classic early 60s session for Candid Records – put together by a group that includes Charles Mingus, Max Roach, and a host of other musicians who were working here as "Newport Rebels" – by setting up the Jazz Artists Guild Festival as a protest against the increasingly commercialized Newport date! And for the record, the group definitely live up to their name – really shaking off the easier modes popularized at the Newport festival, and coming across with a style that's much more modern, firey, and righteous! Other artists include Abbey Lincoln on vocals, Booker Little on trumpet, Tommy Flanagan on piano, Eric Dolphy on saxophone, and Jimmy Knepper on trombone – and titles include a great rendition of "Tain't Nobody's Business If I Do" – plus the originals "Cliff Walk" by Booker Little, "Mysterious Blues" by Mingus, and "Me & You" by members of the group. CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
Joe RosenbergAffinity – A Tribute To Eric Dolphy ... CD
Music & Arts, 1996. Used ... $6.99
CD
 
Possible matches: 39
Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Oliver LakeDedicated To Dolphy ... CD
Black Saint (Italy), 1994. Used ... $12.99
A Dolphy record in sound and spirit – and one of the best Oliver Lake albums we've heard from this time! The tunes are either Eric Dolphy classics, or Lake originals with a very Eric-like approach – and they get great handling by a quintet that knows how to still swing heavily, even while reaching out on the solos – a balance that's very much like the early Dolphy albums for Prestige! Lake handles his horn with loads of deft lines that are no surprise, given his own legacy in jazz – but there's a definite sense of Dolphy angles and spirit going on too – supported by great work from Russell Gunn on trumpet, Charles Eubanks on piano, Belden Bullock on bass, and Cecil Brooks on drums – the last of whom brings some powerhouse energy that really keeps the album going. Titles include "Fire Waltz", "Hat & Beard", "Miss Ann", "Nov 80", "Page 4", "GW", and "245". CD
(Out of print.)

Possible matches22
CD, LP, Vinyl record album cover art
Roland AlexanderPleasure Bent ... LP
New Jazz/Prestige, 1961. New Copy (reissue)... $9.99
One of the few albums ever cut by this incredible tenor sax player – a wonderful talent that we only know from a handful of records – all of which we love! This date's got a bold sound that very much lives up to its cover, and Alexander's placement on Prestige's New Jazz label – a vibrant sound that's got elements of the 60s underground of Eric Dolphy or Ken McIntyre, but which also has a more flowing, soulful vibe as well – almost a precursor to later spiritual jazz elements of the 70s. No surprise, the great Marcus Belgrave is in the quintet on trumpet – as is Ronnie Mathews on piano, with rhythm support from Gene Taylor on bass and Clarence Stroman on drums. Almost all tracks are originals – and titles include "I'll Be Around", "Dorman Road", "Lil's Blues", and "Orders To Take Out". LP, Vinyl record album

Possible matches23
CD, LP, Vinyl record album cover art
Stuart BakerBlack Fire New Spirits – Images Of A Revolution – Radical Jazz In The USA 1960 to 1975 (hardcover) ... Book
Soul Jazz (UK), 2014. New Copy ... $15.99 49.95
A stunning book of photographs to stand alongside the excellent album art books done by the Soul Jazz label – a treasure trove of hardly-seen images of some of the best underground musicians of the 60s and 70s – and a great antidote to the sorts of jazz books that are only just filled with pictures of Duke, Louis, and Miles! In true Soul Jazz fashion, the volume shines the spotlight on key avant and spiritual jazz figures – like Roland Kirk, Ornette Coleman, Albert Ayler, Elvin Jones, Cecil Taylor, Eric Dolphy, Alice Coltrane, Lloyd McNeil, The Art Ensemble Of Chicago, Max Roach, Larry Young, and many others – each of whom get at least one very vivid photo (some black and white, some color), and a short bit of text that introduces their music and placement in jazz. To be fair, there's also some shots of Miles, too – but shown in a very different context in this great book! 189 pages, oversize, with a great hardcover package. Book

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanFree Jazz (with bonus track) ... CD
Atlantic, 1961. Used ... $2.99
The title gets it right – as the album's easily the closest thing to free jazz that Ornette Coleman ever recorded – an album-length improvisation played by a "double quartet" that's overflowing with classic players! The style here is a fair bit like John Coltrane's Ascension album for Impulse – and like that one, the session features Ornette and his contemporaries really stretching out – blowing like never heard before on record, and working in a highly unstructured setting! Other players include Eric Dolphy on bass clarinet, Freddie Hubbard on trumpet, and Scott LaFaro on bass – alongside regular group members Don Cherry on pocket trumpet, Charlie Haden on bass, and both Ed Blackwell and Billy Higgins on drums. One long track – just titled "Free Jazz" at 37 minutes! Also includes the bonus track "First Take" at 17 minutes! CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
John ColtraneColtrane Legacy – Previously Unreleased Recordings ... LP
Atlantic, Late 50s/Early 60s. Very Good+ ... $9.99
A great complement to the classic Atlantic albums by Coltrane – material recorded during the same stretch, but never issued at the time! The 1970 set features some undiscovered gems recorded with groups that include Milt Jackson, Hank Jones, Eric Dolphy, Freddie Hubbard, and McCoy Tyner – and titles include "Centerpiece", "Stairway To The Stars", "Blues Legacy", "26-2", "To Her Ladyship", and "Untitled Original". LP, Vinyl record album
(Heavy German pressing. Cover has a partially unglued bottom seam.)

Possible matches26
CD, LP, Vinyl record album cover art
John ColtraneLive At The Village Vanguard ... LP
Impulse, 1961. Very Good- Gatefold ... $14.99
Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album
(Mono orange & black label pressing, with Van Gelder stamp. Cover is heavily stained and flaky on the bottom 3 inches.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Chico HamiltonChico Hamilton – Jazz Milestone Series ... LP
Pacific Jazz, 1950s. Very Good+ Gatefold ... $5.99
A 60s collection that brings together some of Chico's best early work for Pacific Jazz – including his groundbreaking Quintet, a group that completely redefined the sound of jazz on the west coast! The album's filled with playful tracks that feature Chico's unique rhythms next to instrumentation that includes guitar, flute, cello, and alto – with players that include Eric Dolphy, Jim Hall, Paul Horn, and Buddy Collette. Titles include "Soft Winds", "Satin Doll", "Caravan", "Taking A Chance On Love", "Sleep", "Take The A Train", and "Siete Quatro". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
Rufus HarleyScotch & Soul ... LP
Atlantic, 1967. Very Good+ ... $14.99
A gimmicky cover, a gimmick title, but one heck of a soulful set of jazz! The legendary Rufus Harley is a true original – a saxophonist who also plays bagpipes, but can wail on that instrument – along with tenor and soprano sax – in a mode that's strongly influenced by the best work of John Coltrane, Yusef, Lateef, and Eric Dolphy! This early set for Atlantic features Rufus in a kilt – but actually does a deeply righteous thing by returning the bagpipes to their African origin (supposedly the instrument was brought up to the British Isles during the Crusades) – and laying them out here in a sweet mix of modal moments and heavier soul jazz. The mix of modes is a lot like the best work of Yusef Lateef – and like Lateef, Harley hails from the Detroit jazz underground –a nd works here with a hip group of players from that scene – including Oliver Collins on piano, James Glenn on bass, and Billy Abner on drums. Robert Gossett adds in a bit of congas, to give the tunes even more groove than usual – and the whole thing's an important early expression of spiritual modes that would flourish even more strongly in the 70s. Titles include "Passing The Cup Around", "Taurus The 20th", "Sufur", and "Scotch & Soul". LP, Vinyl record album
(Red & purple label pressing. Cover has some wear along the bottom seam lined with clear tape.)

Possible matches29
CD, LP, Vinyl record album cover art
Freddie HubbardBody & The Soul ... CD
Impulse, 1963. Used ... $4.99
A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a sound here that's unlike anything else we can think of – including other big band trumpet dates of the time – partly because the set features a fair bit of arrangements by Wayne Shorter – a very rare side of his talents, but one that's equally as soulful as his sublime small group albums of the time. The record has an undeniable depth right from the start – magical, mystical, and very soulful – with a group that includes Eric Dolphy and Wayne Shorter on saxes, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass. Tracks include "Chocolate Shake", "Thermo", "Clarence's Place", and "Aries". CD
(Out of print.)

Possible matches30
CD, LP, Vinyl record album cover art
Russ JohnsonStill Out To Lunch ... CD
Yellow Bird (Germany), 2014. Used ... $8.99
Trumpeter Russ Johnson revisits the classic Out To Lunch album by Eric Dolphy – adding in a few other songs as well, and giving the whole thing a flavor that's all his own! Even after the passage of five decades, Out To Lunch is still one of the most powerful statements in jazz we can think of – and Johnson finds a way of moving the message slightly sideways, but shifting instrumentation to include alto and soprano sax from Roy Nathanson, piano from Myra Melford, bass from Brad Jones, and drums from George Schuller. In addition to the five compositions from the original album, the set features other Dolphy tunes and a Gunter Schuller song as well – and titles include "Hat & Beard", "Out To Lunch", "Straight Up & Down", "Intake", "Gazzeloni", and "Something Sweet Something Tender". CD

Possible matches31
CD, LP, Vinyl record album cover art
Prince Lasha EnsembleInsight ... CD
Columbia/Dusty Groove, 1966. New Copy ... $7.99 12.98
Tremendous work from the legendary Prince Lasha – a rare UK-only date from 1966 – and one that has the reedman working away from more familiar contemporaries like Sonny Simmons and Eric Dolphy! The approach on this session is very unique – as Lasha includes harp with the instrumentation, played by David Snell in a style that's right up there with Dorothy Ashby's best jazz work. Pianist Stan Tracey is also on board – playing beautiful notes that have a sharp modern edge, while still falling on the inside of the spectrum – and Lasha himself is especially great – blowing plastic alto sax and wooden flute, both of which have a slightly offbeat sound – but one that's surprisingly warm, which makes the album one of his most sensitive and soulful sessions ever! The tunes are a mix of standards and originals – and there's a wonderful sense of balance here – sounds that are sometimes more inside than other records from Lasha, but which have a really Dolphy-like sense of expression – right at home amidst a wider history of jazz, yet also reaching for new ideas at the same time. Pure genius throughout, and a record that was never made available to audiences in the US. Titles include "Nuttin Out Jones", "Impressions Of Eric Dolphy", "Out Of Nowhere", "Just Friends", "Body & Soul", and "Everything Happens To Me". CD
(On the Dusty Groove label.)

Possible matches32
CD, LP, Vinyl record album cover art
Charles LloydDream Weaver ... CD
Collectables/Atlantic, 1966. Used ... $9.99
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". CD
(Out of print.)

Possible matches33
CD, LP, Vinyl record album cover art
Charles LloydDream Weaver ... CD
Atlantic (Japan), 1966. New Copy ... $14.99
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". CD
(SHM-CD pressing!)

Possible matches34
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✨✧ Charles LloydForest Flower – Charles Lloyd At Monterey ... CD
Atlantic (Japan), 1966. New Copy ... $14.99
A famous album – and for good reason too! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". CD
(SHM-CD pressing!)

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Bennie MaupinPenumbra ... CD
Cryptogramopone, 2006. Used ... $7.99
Maupin plays bass clarinet, tenor and soprano saxes, alto flute, and piano, and is accompanied by Darek Oleszkiewica on bass, Michael Stephans on drums and percussionist Daryl Munyungo Jackson. 14 numbers in all, including "Neophilia 2006", "Walter Bishop Jr", "Level Three", "Blinkers", "Penumbra", "Mirror Image", "Message To Prez", "Tapping Things", "Vapors", "One For Eric Dolphy", "See The Positive", 'Trope On A Rope", "The 12th Day" and "Equal Justice". CD
(Penmark through barcode.)

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✨✧ Joe McPhee & Raymond BoniLive From The Magic City ... CD
Trost (Austria), 1985. New Copy ... $16.99
A lost duet between Joe McPhee and Raymond Boni – done at a time when both musicians were making some incredible contributions to the early Hat Art Records catalog! The sound here is maybe sharper and starker than either of their studio sets from the time – improvised freely in two different sets, with Joe on soprano sax, electronics, and a bit of voice – and Boni on electric guitar and electronics, the latter of which sometimes seem to be processing his sounds on guitar. On the back cover photo, McPhee also appears to be electrifying his soprano – and together, the pair definitely hit some more abstract sonic passages as they improvise. The original concert was inspired by a quote by Eric Dolphy – "When you hear music, after it's over, it's gone, in the air, you can never capture it again" – but fortunately, we have this album to help with that! CD

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Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. Sealed ... $34.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album
(Sealed Japanese pressing – with obi!)

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Charles MingusPre Bird ... CD
Mercury, 1960. Used ... $7.99
An unusual chapter in the label-hopping career of Charles Mingus – a one-off date recorded for Mercury right after Mingus' legendary sessions for Columbia! The format here may well be Mingus' most ambitious to date – as the album features larger groups than before, exploring a range of musical ideas that run from Charles' own highly political expressions of the Civil Rights era to some of his landmark explorations of Duke Ellington! As always, the individual players in the group are given a strong voice in the proceedings – and the record bristles with energy from solos by Ted Curson, Eric Dolphy, Booker Ervin, Jimmy Knepper, Yusef Lateef, and a young Joe Farrell – as well as vocal performances by Lorraine Cousins, who sings on the classic "Weird Nightmare" and the haunting "Eclipse". A tremendous record throughout – filled with life, imagination, and boundless creativity – with titles that include "Mingus Fingus no. 2", "Weird Nightmare", "Eclipse", "Bemoanable Lady", "Half Mast Inhibition", and "Prayer for Passive Resistance". CD
(Out of print Verve Master Edition. Barcode has a cutout mark. Teeth in digipack tray are broken.)

Possible matches39
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✨✧ Oliver NelsonBlues & The Abstract Truth (profile cover) ... LP
Impulse, 1961. Very Good Gatefold ... $14.99
One of the all-time classics of early 60s mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this album that his true talents really unfolded – sparkling with a depth of imagination and expression that marked him as one of the greatest artists in 60s American jazz! The group on the set is an all-star sextet – featuring Paul Chambers, Eric Dolphy, Bill Evans, Roy Haynes, and Freddie Hubbard – a disparate group of players who manage to come together with Nelson and find a unique voice that's rarely been duplicated again! The album features 6 fantastic compositions by Nelson, including "Stolen Moments", "Hoe Down", and "Yearnin". A fantastic record – and one that you can't go wrong with! LP, Vinyl record album
(ABC/Impulse pressing in a gatefold cover. Cover has some wear and a gold promo stamp.)

Possible matches40
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Pony PoindexterPony's Express (plus bonus track) ... CD
Epic (UK), 1963. New Copy ... $8.99
One of the few albums ever cut as a leader by the mighty Pony Poindexter – a great reedman who made great waves on both sides of the Atlantic in the 50s and 60s! Pony first rose to fame in the band of Count Basie, but he's also got a pedigree that includes work in both New Orleans and San Francisco, and key later sides in Europe for MPS and other labels. This rare Epic set has Pony working as the lead soloist in a screaming hard sax section that includes Eric Dolphy, Gene Quill, Clifford Jordan, Sonny Red, Phil Woods, and Dexter Gordon – all top-shelf players willing to take second seat to Pony, and let him stretch out in the lead! The group's a largish one, but Pony breaks out with some beautiful soulful solos on alto and soprano sax – supported by a tight rhythm section that includes Gildo Mahones on piano. Titles include "Lanyop", "Pony's Express", "Cattin Latin", "Blue", and "B Frequency". CD also features a bonus alternate take of "Lanyop". CD
 
 
 



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