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Exact matches: 23
Exact matches1
CD, LP, Vinyl record album cover art
Eric DolphyConversations (aka Music Matador) ... CD
Fuel 2000, 1963. Used ... $2.99
Amazing work from Eric Dolphy – a record that's come out on a number of different labels, under a number of different names – but which is one of his most perfectly-realized sessions of the 60s, and one of his most spiritual albums ever! The record features a shifting lineup of players – almost presaging the ensemble modes that would rise more strongly in the post-Coltrane years – and Dolphy's chosen a strong group of associates, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Clifford Jordan on soprano sax, Prince Lasha on flute, and Sonny Simmons on alto and bass clarinet. Dolphy plays flute, alto, and bass clarinet – and titles include "Love Me", a solo alto tune by Dolphy; "Alone Together", a duet with Davis' bass; a seminal take on "Jitterbug Waltz", completely reinventing the tune for new generations; and the massive "Music Matador". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy At The Five Spot Vol 2 ... LP
Prestige, 1961. Good+ ... $6.99
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Aggression" and "Like Someone In Love". LP, Vinyl record album
(Blue label pressing. Cover has wear and staining.)

Exact matches3
CD, LP, Vinyl record album cover art
Eric DolphyGreat Concert Of Eric Dolphy (3LP set) ... LP
Prestige, Early 60s/1974. Near Mint- 3LP Box ... $24.99
3 LP set from the 70's that brought together the live set that Dolphy recorded with Booker Little at the 5 Spot, which was floating around on separate discs before this. This set's got a handsome box around the discs, and brings the whole classic performance into focus – a task that's a little difficult if you're still trying to track down all the individual discs. Very firey playing, with long long tracks, and stunning modernist performances by Dolphy, Little, Mal Waldron, Richard Davis, and Ed Blackwell. Titles include "Fire Waltz", "Bee Vamp", "The Prophet", "Booker's Waltz", and "Agression". About as classic as it gets. LP, Vinyl record album
(Includes insert. Box has light wear and a scrape down the front.)

Exact matches4
CD, LP, Vinyl record album cover art
Eric DolphyIllinois Concert ... CD
Blue Note, 1963. Used ... $6.99
Amazing avant garde material from Dolphy – and never issued before in any form! The concert was recorded in 1963 at the University of Illinois, and it features some of the most "out" playing we've ever heard from Dolphy. He's backed by a trio comprised of Herbie Hancock, Eddie Khan, and JC Moses – and the main solos are on flute, alto, and bass clarinet, which Dolphy plays to amazing effect! 6 tracks feature the core quartet playing alone with Dolphy, and a 7th features backing by a larger group comprised of University Of Illinois students, including a very young Cecil Bridgewater! This is definitely the kind of lost material we're happy to see unearthed – and it's packaged and notated with the usual high Blue Note level of quality. Titles include "Softly As In A Morning Sunrise", "South Street Exit", "Iron Man", "Red Planet", and "GW". CD

Exact matches5
CD, LP, Vinyl record album cover art
Eric DolphyIron Man ... CD
Douglas/Fuel 2000, 1962. Used ... $3.99
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Eric DolphyLast Date (non-gatefold) ... LP
Limelight, 1964. Very Good+ ... $9.99
A fitting title for a great album – Eric Dolphy's last live recording, performed on June 2, 1964, with a trio of youngsters that included two of the greatest names in European avant garde jazz – Misha Mengelberg and Han Bennink! The sound is jagged and a bit free – showing the way towards even greater innovations that might have marked Dolphy's 60s years, had he not been taken from us so quickly! The album's filled with beautiful Dolphy playing in his late mode – on alto, flute, and bass clarinet – and tracks include "The Madrig Speaks, The Panther Walks", "Miss Ann", and "Hypochristmutreefuz". LP, Vinyl record album
(Second pressing in a non-gatefold cover.)

Exact matches7
CD, LP, Vinyl record album cover art
Eric DolphyOutward Bound ... LP
New Jazz, 1960. Very Good ... $11.99
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". LP, Vinyl record album
(OJC pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
Eric DolphyPrestige Profiles Vol 5 ... CD
Prestige, Early 60s. Used ... $2.99
CD
(Punch through barcode.)

Exact matches9
CD, LP, Vinyl record album cover art
Eric DolphyUnrealized Tapes ... LP
West Wind (Germany), 1964. Near Mint- ... $49.99
A gem of a record – Eric Dolphy's last studio session, recorded in Paris with some very surprising guest stars! The work is really tremendous – every bit as great as Dolphy's monumental studio albums for Prestige, and written and performed with a similar blend of the free, the lyrical, the avant, and the soulful! Of course, the players help a lot – as the group includes Donald Byrd on trumpet, Nathan Davis on tenor, and the great Jack Dieval on piano. Titles include "245", "GW", "Serene", and "Springtime". LP, Vinyl record album
(1988 West Wind pressing.)

Exact matches10
CD, LP, Vinyl record album cover art
Eric DolphyVintage Dolphy ... CD
GM, 1962/1963. Used ... $8.99
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1963 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
Eric Dolphy with Booker LittleFar Cry ... LP
Prestige/OJC, 1960. New Copy (reissue)... $18.99 21.98
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the next – playing flute, bass clarinet, and alto sax equally well on the record – and somehow managing to get Little to share his inspiration perfectly on every number. Other players include Jaki Byard on piano, Ron Carter on bass, and Roy Haynes on drums – a rhythm team whose abilities are a big part of the success of the record – and titles include "Far Cry", "Mrs Parker Of KC", "Left Alone", "Ode To Charlie Parker", and "Miss Ann". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Chico Hamilton with Eric DolphyOriginal Ellington Suite ... CD
Pacific Jazz, 1958. Used ... $4.99
Forget the Ellington in the title, because this is more a moody album of west coast chamber jazz, in the best tradition of the Chico Hamilton group! Chico was one of the first folks in the jazz business to notice the genius of a young Eric Dolphy, and the record was cut in 1958, when Dolphy was still working with Hamilton, and bringing a lot of imagination to Hamilton's groundbreaking quintet format, which had begun to lose some of its luster by the late 50s. Dolphy plays alto, flute, and clarinet on the session, adding in beautiful touches of color that work perfectly with the set of Ellington compositions – and the CD presents the full recording of the album, which has only ever appeared in edited fragments. Titles include "Azure", "In A Mellotone", "Day Dream", "I'm Beginning To See The Light", and "I'm Just A Lucky So & So". CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
Charles Mingus & Eric Dolphy feat Bud PowellImmortal Concerts – Jazz Festival, Antibes, July 13 1960 ... CD
Giants Of Jazz (Italy), 1960. Used ... $4.99
CD
(Out of print. Booklet has a light stain on the cover.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyIron Man (gold cover) ... LP
Douglas, 1962. Used ... Temporarily Out Of Stock
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". LP, Vinyl record album
(Gold label pressing.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyIron Man (multi-color cover) ... LP
Douglas, 1962. Used ... Temporarily Out Of Stock
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". LP, Vinyl record album
(Library copy with taped seams, wear, tracklist sticker and checkout card.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyLast Date ... CD
Fontana, 1964. Used ... Temporarily Out Of Stock
A fitting title for a great album – Eric Dolphy's last live recording, performed on June 2, 1964, with a trio of youngsters that included two of the greatest names in European avant garde jazz – Misha Mengelberg and Han Bennink! The sound is jagged and a bit free – showing the way towards even greater innovations that might have marked Dolphy's 60s years, had he not been taken from us so quickly! The album's filled with beautiful Dolphy playing in his late mode – on alto, flute, and bass clarinet – and tracks include "The Madrig Speaks, The Panther Walks", "Miss Ann", and "Hypochristmutreefuz". CD
(Out of print.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyLast Date (gatefold cover) ... LP
Limelight, 1964. Used Gatefold ... Temporarily Out Of Stock
A fitting title for a great album – Eric Dolphy's last live recording, performed on June 2, 1964, with a trio of youngsters that included two of the greatest names in European avant garde jazz – Misha Mengelberg and Han Bennink! The sound is jagged and a bit free – showing the way towards even greater innovations that might have marked Dolphy's 60s years, had he not been taken from us so quickly! The album's filled with beautiful Dolphy playing in his late mode – on alto, flute, and bass clarinet – and tracks include "The Madrig Speaks, The Panther Walks", "Miss Ann", and "Hypochristmutreefuz". LP, Vinyl record album
(Mono pressing with deep groove, in the extravagant gatefold cover. Top seam has some minor wear.)
Also available Last Date (non-gatefold) ... LP 9.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch (RVG remaster edition) ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyStockholm Sessions ... CD
Enja/Rhino, 1961. Used ... Temporarily Out Of Stock
Live European work by Eric Dolphy – caught in a setting that was often freer and more creative than his American recordings! The work on the set is pulled from 2 different sessions – one with a group that includes with Idrees Sulieman on trumpet, Jimmy Woode on bass, and Rune Ofwerman on piano; the other with no trumpet, just piano, bass, and drums session, with Woode on bass again. All titles are relatively long – with Dolphy playing a spiritual mix of flute, alto, and bass clarinet – and the tunes are a strong mix of originals and standards, with titles that include "Sorino", "Loss", "Ann", "Alone", and "Geewee". CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyCandid Dolphy (Japanese pressing) ... CD
Candid/Tokuma (Japan), 2001. Used ... Out Of Stock
A collection of work that Eric Dolphy cut for the Candid label in 1960 – most of it under the name of other leaders, pulled from a variety of records, and remastered here to make a strong collection of tracks that documents this semi-lost chapter of Dolphy's career. Given the strength of the short-lived Candid label – a hotbed of modern jazz in the early 60s, filled with Newport Rebels like Charles Mingus, Max Roach, Booker Little, and Dolphy – the sides are all on a par, or better than, Dolphy's work for other labels at the time. Titles include "Reincarnation Of A Love Bird (take 1)", "Stormy Weather (take 1)", "Quiet Please (take 1)", "Moods In Free Time (take 5)", "Hazy Hues (take 5)", and "African Lady (take 4)". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)
 
Possible matches: 38
Possible matches24
CD, LP, Vinyl record album cover art
Roland AlexanderPleasure Bent ... LP
New Jazz/Prestige, 1961. New Copy (reissue)... $9.99
One of the few albums ever cut by this incredible tenor sax player – a wonderful talent that we only know from a handful of records – all of which we love! This date's got a bold sound that very much lives up to its cover, and Alexander's placement on Prestige's New Jazz label – a vibrant sound that's got elements of the 60s underground of Eric Dolphy or Ken McIntyre, but which also has a more flowing, soulful vibe as well – almost a precursor to later spiritual jazz elements of the 70s. No surprise, the great Marcus Belgrave is in the quintet on trumpet – as is Ronnie Mathews on piano, with rhythm support from Gene Taylor on bass and Clarence Stroman on drums. Almost all tracks are originals – and titles include "I'll Be Around", "Dorman Road", "Lil's Blues", and "Orders To Take Out". LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass Vols 1 & 2 ... CD
Impulse/MCA, 1961. Used ... $8.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". With Vol 2 the tracks feature Trane leading a group young modernists through a set of larger arranged charts, woven tightly together in a soulful spiritual groove that's similar to some of Max Roach's projects like this from the same time. Players include Booker Little, Eric Dolphy, McCoy Tyner, Elvin Jones, Reggie Workman, and Julius Watkins – and the album includes an alternate version of "Africa", plus "Greensleeves" and "Song Of The Underground Railroad". CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
John ColtraneImpressions ... LP
Impulse, 1963. Very Good Gatefold ... $44.99
Brilliant work – John Coltrane really opening up in his new spiritual mode of the 60s, hinting at the changes to come, while still keeping the modal groove of previous recordings! The record features tracks from a few different sessions from the years 1961 to 1963, but it holds together beautifully – thanks to a unified creative spirit in the music! The centerpiece of the album is the stunning track "Impressions" – performed by the quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones – but all tracks are great, and titles include "After the Rain", and "Up 'Gainst The Wall" – plus the brilliant cut "India", which features guest work by Eric Dolphy on bass clarinet! LP, Vinyl record album
(Orange & black label stereo pressing, with Van Gelder Stereo stamp.)

Possible matches27
CD, LP, Vinyl record album cover art
John ColtraneLive At The Village Vanguard ... LP
Impulse, 1961. Very Good- Gatefold ... $34.99
Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album
(Mono orange & black label pressing, with Van Gelder stamp. Cover is heavily stained and flaky on the bottom 3 inches.)

Possible matches28
CD, LP, Vinyl record album cover art
Gil EvansIndividualism of Gil Evans ... CD
Verve (UK), 1964. Used ... $6.99
Although Gil Evans is probably best remembered for his work behind Miles Davis, the albums he cut on his own are actually even more interesting, and feature a far-reaching conception of modern jazz, executed by Evans, and some of the top players of his day. This great album from 1964 features a host of wonderful musicians – including Steve Lacy, Eric Dolphy, Johnny Coles, and Wayne Shorter. The set includes mostly original compositions by Evans, like "Las Vegas Tango", "El Toreador", "Flute Song", and "Hotel Me" – all of them a shimmering blend of free solos and tightly composed orchestral passages, filled with rich colors and shades of warm imagination! Plus, this CD also includes a huge amount of extra tracks, either unreleased, or longer versions – including "Time Of The Barracudas", "Spoofull", "Nothing Like You", and "Proclamation"! CD
(Out of print.)
Also available Individualism of Gil Evans ... LP 16.99

Possible matches29
CD, LP, Vinyl record album cover art
Gil EvansIndividualism of Gil Evans ... LP
Verve, 1964. Very Good Gatefold ... $16.99
Although Gil Evans is probably best remembered for his work behind Miles Davis, the albums he cut on his own are actually even more interesting, and feature a far-reaching conception of modern jazz, executed by Evans, and some of the top players of his day. This great album from 1964 features a host of wonderful musicians – including Steve Lacy, Eric Dolphy, Johnny Coles, and Wayne Shorter. The set includes mostly original compositions by Evans, like "Las Vegas Tango", "El Toreador", "Flute Song", and "Hotel Me" – all of them a shimmering blend of free solos and tightly composed orchestral passages, filled with rich colors and shades of warm imagination! LP, Vinyl record album
Also available Individualism of Gil Evans ... CD 6.99

Possible matches30
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure (75th anniversary edition) ... LP
Blue Note, 1964. New Copy (reissue)... $16.99 19.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum", "Dedication" and "Refuge". LP, Vinyl record album

Possible matches31
CD, LP, Vinyl record album cover art
Prince Lasha EnsembleInsight ... CD
Columbia/Dusty Groove, 1966. New Copy ... $7.99 12.98
Tremendous work from the legendary Prince Lasha – a rare UK-only date from 1966 – and one that has the reedman working away from more familiar contemporaries like Sonny Simmons and Eric Dolphy! The approach on this session is very unique – as Lasha includes harp with the instrumentation, played by David Snell in a style that's right up there with Dorothy Ashby's best jazz work. Pianist Stan Tracey is also on board – playing beautiful notes that have a sharp modern edge, while still falling on the inside of the spectrum – and Lasha himself is especially great – blowing plastic alto sax and wooden flute, both of which have a slightly offbeat sound – but one that's surprisingly warm, which makes the album one of his most sensitive and soulful sessions ever! The tunes are a mix of standards and originals – and there's a wonderful sense of balance here – sounds that are sometimes more inside than other records from Lasha, but which have a really Dolphy-like sense of expression – right at home amidst a wider history of jazz, yet also reaching for new ideas at the same time. Pure genius throughout, and a record that was never made available to audiences in the US. Titles include "Nuttin Out Jones", "Impressions Of Eric Dolphy", "Out Of Nowhere", "Just Friends", "Body & Soul", and "Everything Happens To Me". CD
(On the Dusty Groove label.)

Possible matches32
CD, LP, Vinyl record album cover art
Charles LloydForest Flower – Charles Lloyd At Monterey ... CD
Atlantic (Japan), 1966. New Copy ... $14.99
A famous album – and for good reason too! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". CD
(SHM-CD pressing!)

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Charles LloydManhattan Stories – Live At Judson Hall/Live At Slugs Saloon ... CD
Resonance, 1965. Used 2CDs ... $10.99
Never-heard music from the great Charles Lloyd – two well-recorded live sets from the 60s, both with a very unusual group! The lineup has Lloyd on tenor, soprano, and flute, working with frequent partner Gabor Szabo on guitar – but the rest of the quartet also features Ron Carter on bass and Pete LaRoca on drums – two players who really have an open, laidback way of letting the music flow! All tracks are nice and long, and Lloyd is wonderfully expressive – maybe even more so than on his studio records from the period – with these long, soulful, spiritual solos that almost make us feel like he's picked up the torch from the recently-departed Eric Dolphy – especially in the way that Dolphy would spin things out in a live setting. The set features two versions of "Lady Gabor", both a bit different – plus the titles "How Can I Tell You", "Slug's Blues", "Sweet Georgia Bright", and "Dream Weaver". CD

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. New Copy (reissue)... $9.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album
Also available Charles Mingus Presents Charles Mingus ... LP 16.99

Possible matches35
CD, LP, Vinyl record album cover art
Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. Very Good+ ... $16.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album
(Italian Base reissue pressing.)
Also available Charles Mingus Presents Charles Mingus ... LP 9.99

Possible matches36
CD, LP, Vinyl record album cover art
Charles MingusMingus In Europe Volume 2 ... CD
Enja, 1964. Used ... $4.99
Great recordings from Mingus' important 1964 tour of Europe – recorded in Germany in April of the year, with a group that features Eric Dolphy, Jaki Byard, Clifford Jordan, and Dannie Richmond. The sophistication of the group shows Mingus at a high point – working beautifully with Dolphy, and getting Jordan to craft some of his most complicated work to date. Tracks are longish – and titles include "Charlemange", "At-Fw-You", "Sophisticated Lady", and "Orange Was The Color Of Her Dress Then Blue Silk". CD

Possible matches37
CD, LP, Vinyl record album cover art
Charles MingusPre Bird ... LP
Mercury, 1960. Very Good+ ... $11.99
An unusual chapter in the label-hopping career of Charles Mingus – a one-off date recorded for Mercury right after Mingus' legendary sessions for Columbia! The format here may well be Mingus' most ambitious to date – as the album features larger groups than before, exploring a range of musical ideas that run from Charles' own highly political expressions of the Civil Rights era to some of his landmark explorations of Duke Ellington! As always, the individual players in the group are given a strong voice in the proceedings – and the record bristles with energy from solos by Ted Curson, Eric Dolphy, Booker Ervin, Jimmy Knepper, Yusef Lateef, and a young Joe Farrell – as well as vocal performances by Lorraine Cousins, who sings on the classic "Weird Nightmare" and the haunting "Eclipse". A tremendous record throughout – filled with life, imagination, and boundless creativity – with titles that include "Mingus Fingus no. 2", "Weird Nightmare", "Eclipse", "Bemoanable Lady", "Half Mast Inhibition", and "Prayer for Passive Resistance". LP, Vinyl record album

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✨✧ Oliver NelsonBlues & The Abstract Truth ... CD
Impulse, 1961. Used ... $2.99
One of the all-time classics of early 60's mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this album that his true talents really unfolded – sparkling with a depth of imagination and expression that marked him as one of the greatest artists in 60s American jazz! The group on the set is an all-star sextet – featuring Paul Chambers, Eric Dolphy, Bill Evans, Roy Haynes, and Freddie Hubbard – a disparate group of players who manage to come together with Nelson and find a unique voice that's rarely been duplicated again! The album features 6 fantastic compositions by Nelson, including "Stolen Moments", "Hoe Down", and "Yearnin". A fantastic record – and one that you can't go wrong with! CD
(Out of print.)

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Pony PoindexterPony's Express (plus bonus track) ... CD
Epic (UK), 1963. New Copy ... $8.99
One of the few albums ever cut as a leader by the mighty Pony Poindexter – a great reedman who made great waves on both sides of the Atlantic in the 50s and 60s! Pony first rose to fame in the band of Count Basie, but he's also got a pedigree that includes work in both New Orleans and San Francisco, and key later sides in Europe for MPS and other labels. This rare Epic set has Pony working as the lead soloist in a screaming hard sax section that includes Eric Dolphy, Gene Quill, Clifford Jordan, Sonny Red, Phil Woods, and Dexter Gordon – all top-shelf players willing to take second seat to Pony, and let him stretch out in the lead! The group's a largish one, but Pony breaks out with some beautiful soulful solos on alto and soprano sax – supported by a tight rhythm section that includes Gildo Mahones on piano. Titles include "Lanyop", "Pony's Express", "Cattin Latin", "Blue", and "B Frequency". CD also features a bonus alternate take of "Lanyop". CD

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Max RoachPercussion Bitter Sweet ... LP
Impulse, 1961. Very Good Gatefold ... $28.99
Max Roach's masterpiece! This record is one of his most perfectly realized visions – and it's a marvelous album that combines politics and modern jazz, yet still manages to swing! The players are some of the hippest that Roach ever worked with – and include Eric Dolphy, Booker Little, Clifford Jordan, and Julian Priester – and the record features some of the best-ever singing from Abbey Lincoln! Abbey's incredible on the track "Mendacity", an incredibly haunting Civil Rights-era number that should go right up there with "Strange Fruit", and which features wonderful alto work from Dolphy! She also sings wordlessly on the track "Garvey's Ghost" – and then sits out the rest of the set so that Max and the group can wail on the tracks "Praise For A Martyr", "Man From South Africa", and "Tender Warriors". Incredibly hip – and a perfect blend of soul, jazz, politics, and pure righteous spirit! LP, Vinyl record album
(Rainbow label pressing.)

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Charles LloydDream Weaver ... CD
Atlantic (Japan), 1966. New Copy ... About October 25, 2016
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". CD

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✨✧ John SurmanHow Many Clouds Can You See? ... CD
Deram/Vocalion (UK), 1970. Used ... Just Sold Out!
A near-perfect album from the great John Surman – recorded at the crossroads of the British jazz scene as it stepped into the 70s, and done with a fullness and focus that Surman hardly matched again! As with some of the other Deram sessions of the time, the album's overflowing with great players from the cream of the British new wave of jazz – including Barre Phillips on bass, Tony Oxley on drums, Alan Skidmore on tenor, Harry Beckett on trumpet, and John Taylor on piano – but despite strong work from the entire ensemble, Surman's work on baritone, soprano, and bass clarinet are a tremendous highlight here – poised between some of Eric Dolphy's most inventive modes on the instruments, and some of the greater changes to come in the European free scene of the 70s! There's a cohesiveness here that's really wonderful – a sound that's never too free, nor too overindulgent – but also not as tightly arranged as on work by some of Surman's contemporaries. Titles include "Caractacus", "Galata Bridge", "Premonition", and the long suite "Event". CD
(Out of print.)

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✨✧ John ColtraneAfrica/Brass ... LP
Impulse, 1961. Used ... Temporarily Out Of Stock
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". LP, Vinyl record album
(Orange & black label mono pressing. Cover has heavy stains on the top & bottom 4 inches. Label has some peeled spots.)
Also available Africa/Brass Vols 1 & 2 ... CD 8.99
 
 
 



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