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Exact matches: 31
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyBerlin Concerts ... LP
Inner City, 1961. Near Mint- 2LP Gatefold ... $9.99
Wonderful work by Dolphy – as essential to his catalog as any of his albums on Prestige from the same time! Although Dolphy broke plenty of musical barriers in the studio, to our ears, it was always in a live setting that he sounded best – freely exploring the kind of space his playing opened up, hitting notes that were more soulful and spiritual than many that he ever recorded on his studio sides. This set is a perfect example of that trend – as Dolphy's working here with a strong straight jazz combo, one that includes the great Benny Bailey on trumpet, in a set that features familiar tunes, turned into haunting explorations of Dolphy's new jazz idiom. One of the highlights is an incredible 15 minute version of Randy Weston's "Hi Fly", with Dolphy doing great work on flute – and other tunes include "Hot House", "Geewee", "When Lights Are Low", "I'll Remember April", and "The Meeting". LP, Vinyl record album
(Cover has light wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy At The Five Spot Vol 2 ... LP
Prestige, 1961. Very Good ... $24.99
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Aggression" and "Like Someone In Love". LP, Vinyl record album
(Blue label pressing. Cover has a cutout hole, light wear, and a bit of marker on back.)

Exact matches3
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy In Europe ... LP
Debut/Be! (Germany), 1961. Near Mint- (reissue)... $19.99
Wonderful live material from the late Eric Dolphy – recorded in Europe not on his final tour of 1964, but during a very special Copenhagen performance in 1961 – at a time when Dolphy was beautifully balanced between swinging and spiritual sounds! Both aspects of his music come into play here – the latter on a sublime solo bass clarinet reading of "God Bless The Child" – which is full of feeling, but never too far outside – and which is balanced out with group readings of "I Don't Know Why", "Oleo", and "The Way You Look Tonight" – all of which have fire, but still groove wonderfully too. The group features Bent Axen on piano, Eric Moselholm and Chuck Israels on bass, and Jorn Elniff on drums – and although Dolphy plays alto on the other tracks, he knocks it out of the park with a very long flute solo on the album's 13 minute version of "Hi Fly". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Eric DolphyLast Date (non-gatefold) ... LP
Limelight, 1964. Sealed ... $19.99
A fitting title for a great album – Eric Dolphy's last live recording, performed on June 2, 1964, with a trio of youngsters that included two of the greatest names in European avant garde jazz – Misha Mengelberg and Han Bennink! The sound is jagged and a bit free – showing the way towards even greater innovations that might have marked Dolphy's 60s years, had he not been taken from us so quickly! The album's filled with beautiful Dolphy playing in his late mode – on alto, flute, and bass clarinet – and tracks include "The Madrig Speaks, The Panther Walks", "Miss Ann", and "Hypochristmutreefuz". LP, Vinyl record album
(Second pressing in a non-gatefold cover.)

Exact matches5
CD, LP, Vinyl record album cover art
Eric DolphyOut To Lunch (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $3.99
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD

Exact matches6
CD, LP, Vinyl record album cover art
Latin Jazz Quintet + Eric DolphyCaribe (80s pressing) ... LP
Prestige, 1960. Near Mint- ... $9.99
A masterful meeting of Eric Dolpy and The Latin Jazz Quintet – a record that shows a rare Latin side of Dolphy's talents, but one that's totally great! The core group here are the ensemble led by conga player Juan Amalbert with vibes, piano, bass, and percussion – a group who helped push the Latin jazz style of earlier 50s work into much hipper territory during the 60s – usually by adding in a reedman like Dolphy! Eric's blowing here on alto, flute, and bass clarinet – showing a great sensitivity to the core groove of the record, but also managing to cut in these edgier moments that really open things up! The mix of vibes and Dolphy alone is worth the price of admission – especially when heard in an "inside" way that's quite different than his later meeting with Bobby Hutcherson – but the overall groove really holds the record together wonderfully, and makes it appealing for fans of both Latin and modern jazz! Titles include "Mambo Ricci", "Sunday Go Meetin", "First Bass Line", "Caribe", and "Blues In 6/8". LP, Vinyl record album
(Green label pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
Charles MingusLive In Oslo 1964 – Featuring Eric Dolphy ... CD
Jazz Up (Italy), 1964. Used ... $13.99
CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
George RussellGeorge Russell Sextet featuring Don Ellis & Eric Dolphy ... LP
Riverside/ABC, Early 60s. Very Good ... $3.99
A late 60s issue of material from some of Russell's earlier albums on Riverside – great sides from the early 60s featuring Russell at the head of a group of some of the better young modernists of the age, like Ellis, Dolphy, Pete La Roca, and Steve Swallow. The record features Russell-conceived versions of "Round Midnight", "Au Prive", and "Nardis" – as well as the originals "Thoughts" and "Blues In Orbit". LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
Aki Takase/Alexander Von SchlippenbachSo Long Eric – Homage To Eric Dolphy ... CD
Intakt (Switzerland), 2014. New Copy ... $12.99 19.99
Twin pianos come together wonderfully here in a tribute to the late Eric Dolphy – as Alexander Von Schlippenbach and Aki Takase play together on the instrument, and lead a larger ensemble that includes Karl Berger on vibes, Axel Dorner on trumpet, Nils Wogram on trombone, Tobias Delius on tenor, and Han Bennink on drums! The tunes are all classic Dolphy compositions – and are given very inventive reworkings here by the larger group – with shifting focus between group horn passages, solo lines, and very bold piano work – all with an angular, exploratory style that Eric would have loved. Titles include "Hat & Beard", "Out To Lunch", "Serene", "Miss Ann", "Les", and "Something Sweet Something Tender". CD

Exact matches10
CD, LP, Vinyl record album cover art
Mal Waldron with Eric Dolphy & Booker ErvinQuest ... LP
New Jazz, 1961. Very Good ... $38.99
Pivotal work from Waldron – stepping out of the blowing session mode, emerging as one of the 60s most striking moderinists. Like a lot of Waldron's records from the time, this set shows an amazing desire for new forms and modern ideas, and the mix of players – Eric Dolphy, Booker Ervin, Ron Carter, Joe Benjamin, and Charlie Persip – pulls the material in a number of different ways. Carter plays bowed cello, as he did on Dolphy's Out There session, and he gives the set a dark moody feel. Ervin's in his best modernist mode, and he ably trades lines with Dolphy and keeps the whole thing moving nicely. Waldron's writing and arranging is superb, and the tracks feature a lot of weird time structures and unusual modal patterns. Includes the tracks "Status Seeking", "Warm Canto", "Warp and Woof", and "Fire Waltz". LP, Vinyl record album
(60s blue label pressing. Cover is in great shape!)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Ron Carter with Eric Dolphy & Mal WaldronWhere? ... LP
New Jazz, 1961. Used ... Temporarily Out Of Stock
A haunting and unusual batch of tracks from bassist Ron Carter – working here with a group that includes spiritual modernists Eric Dolphy on reeds and Mal Waldron on piano – both players who really add a lot to the set! In a way, the album's more like Dolphy's own work as a leader from the time than the sort of music usually associated with Carter – and Ron really seems to let the reedman shape the overall sound of the set with his tremendous work on alto, flute, and bass clarinet. Carter plays a bit of cello in addition to his bass – giving the record a nicely eerie sound at points – and Waldron's piano, as always, is excellent during this point in his career. Titles include Randy Weston's "Where" and "Saucer Eyes", plus "Bass Duet", which features Carter dueting with George Duvivier, and a very nice version of "Softly As In A Morning Sunrise". LP, Vinyl record album
(Purple label New Jazz pressing. Cover has some wear and splitting.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ John Coltrane & Eric DolphyJohn Coltrane Eric Dolphy ... LP
Carrere (France), 1960s/1980. Used ... Temporarily Out Of Stock
Contains the tracks "My Favorite Things", "Bye Bye Blackbyrd" & "Inchworm". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyEric Dolphy At The Five Spot Vol 1 (RVG remaster edition – with bonus track) ... CD
Prestige, 1961. New Copy ... Temporarily Out Of Stock
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Fire Waltz", "Bee Vamp", and "The Prophet". CD also features an alternate take of "Bee Vamp". CD
(CD case has a cutout hole.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyEric Dolphy Memorial Album (aka Music Matador) ... LP
Vee Jay, Early 60s. Used Gatefold ... Temporarily Out Of Stock
Amazing work from Eric Dolphy – a record that's come out on a number of different labels, under a number of different names – but which is one of his most perfectly-realized sessions of the 60s, and one of his most spiritual albums ever! The record features a shifting lineup of players – almost presaging the ensemble modes that would rise more strongly in the post-Coltrane years – and Dolphy's chosen a strong group of associates, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Clifford Jordan on soprano sax, Prince Lasha on flute, and Sonny Simmons on alto and bass clarinet. Dolphy plays flute, alto, and bass clarinet – and titles include "Love Me", a solo alto tune by Dolphy; "Alone Together", a duet with Davis' bass; a seminal take on "Jitterbug Waltz", completely reinventing the tune for new generations; and the massive "Music Matador". LP, Vinyl record album
(Black label Exodus pressing.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyIllinois Concert ... CD
Blue Note, 1963. Used ... Temporarily Out Of Stock
Amazing avant garde material from Dolphy – and never issued before in any form! The concert was recorded in 1963 at the University of Illinois, and it features some of the most "out" playing we've ever heard from Dolphy. He's backed by a trio comprised of Herbie Hancock, Eddie Khan, and JC Moses – and the main solos are on flute, alto, and bass clarinet, which Dolphy plays to amazing effect! 6 tracks feature the core quartet playing alone with Dolphy, and a 7th features backing by a larger group comprised of University Of Illinois students, including a very young Cecil Bridgewater! This is definitely the kind of lost material we're happy to see unearthed – and it's packaged and notated with the usual high Blue Note level of quality. Titles include "Softly As In A Morning Sunrise", "South Street Exit", "Iron Man", "Red Planet", and "GW". CD

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyIron Man ... CD
West Wind, 1962. Used ... Temporarily Out Of Stock
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". CD
(Out of print.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch ... LP
Blue Note, 1964. Used ... Temporarily Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". LP, Vinyl record album
(Liberty/UA pressing.)
Also available Out To Lunch (RVG remaster edition) ... CD 3.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOutward Bound (photo cover) ... LP
New Jazz, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". LP, Vinyl record album
(Purple label pressing.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Eric Dolphy & Ron CarterMagic ... LP
Prestige, 1961/1975. Used 2LP Gatefold ... Temporarily Out Of Stock
Excellent Prestige double LP reissue that pairs Eric Dolphy's classic Far Cry LP with Ron Carter's early Where? set. Dolphy and Carter play on both records, and they're joined by players like Jaki Byard, Roy Haynes, Booker Little, and Mal Waldron. Classic genius Dolphy material, with the tracks "Rally", "Miss Ann", "Far Cry", "Saucer Eyes", and a great version of "Softly, As In A Morning Sunrise". LP, Vinyl record album

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Eric Dolphy with Booker LittleFar Cry ... LP
Prestige, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the next – playing flute, bass clarinet, and alto sax equally well on the record – and somehow managing to get Little to share his inspiration perfectly on every number. Other players include Jaki Byard on piano, Ron Carter on bass, and Roy Haynes on drums – a rhythm team whose abilities are a big part of the success of the record – and titles include "Far Cry", "Mrs Parker Of KC", "Left Alone", "Ode To Charlie Parker", and "Miss Ann". LP, Vinyl record album
(OJC pressing.)
 
Possible matches: 47
Possible matches32
CD, LP, Vinyl record album cover art
Roland AlexanderPleasure Bent ... LP
New Jazz/Prestige, 1961. New Copy (reissue)... $9.99
One of the few albums ever cut by this incredible tenor sax player – a wonderful talent that we only know from a handful of records – all of which we love! This date's got a bold sound that very much lives up to its cover, and Alexander's placement on Prestige's New Jazz label – a vibrant sound that's got elements of the 60s underground of Eric Dolphy or Ken McIntyre, but which also has a more flowing, soulful vibe as well – almost a precursor to later spiritual jazz elements of the 70s. No surprise, the great Marcus Belgrave is in the quintet on trumpet – as is Ronnie Mathews on piano, with rhythm support from Gene Taylor on bass and Clarence Stroman on drums. Almost all tracks are originals – and titles include "I'll Be Around", "Dorman Road", "Lil's Blues", and "Orders To Take Out". LP, Vinyl record album

Possible matches33
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass ... LP
Impulse, 1961. Very Good Gatefold ... $49.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". LP, Vinyl record album
(Orange & black label mono pressing. Cover has light wear.)

Possible matches34
CD, LP, Vinyl record album cover art
John ColtraneLive At The Village Vanguard ... LP
Impulse, 1961. Very Good+ Gatefold ... $99.99
Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. LP, Vinyl record album
(Orange and black label mono A-10 pressing with RVG stamp!)

Possible matches35
CD, LP, Vinyl record album cover art
John ColtraneTrane's Modes – The Mastery Of John Coltrane Vol 4 ... LP
Impulse, 1961. Near Mint- 2LP Gatefold ... $11.99
Fourth volume of this excellent series of collections Impulse put together and issued in the late 70s, with some alternate takes that are hard to find on vinyl. This set focuses on Trane's modal work from the early part of the 60s, alongside stellar sidemen like Eric Dolphy, Pat Patrick, Booker Little, Freddie Hubbard and Roy Haynes, plus the usual suspects Jimmy Garrison, Elvin Jones, Reggie Workman and McCoy Tyner. a portrait of an essential piece of Trane's career and a turning point in both his jazz as a whole's musical development. 8 nice, lengthy tracks: "Impressions (take one)", "Miles' Mode", "Chasin' Another Trane", "Greensleeves (take two)", "Impressions (take two)", "Naima", "Africa (first version)" and "The Damned Don't Cry". LP, Vinyl record album

Possible matches36
CD, LP, Vinyl record album cover art
✨✧ Chico HamiltonWith Strings Attached ... LP
Warner, 1959. Good+ ... $1.99
One of the best records that Chico Hamilton cut during the 50s – and one that features Eric Dolphy, who was with Chico's group for a short while! The record's got the quintet (which also includes the excellent Dennis Budimir on guitar) fronting larger string arrangements by Fred Katz (no longer their cellist, but still a key force here) – and the approach is a great expansion on the earlier styles that Chico forged for Pacific Jazz. The strings here are never sleepy, and instead have a dark and modern feel overall – similar to Ralph Burns' best work of the time, but a bit more restrained – and Eric Dolphy's reed work really keeps things interesting, with sharp-edged notes give most of the tracks a fair bit of depth. Titles include "Modes", "Strange", "Don's Delight", "Andante", "Fair Weather", "Something To Live For", and "Pottsville USA". LP, Vinyl record album
(Grey label pressing with deep groove. Cover has split seams held with clear tape.)

Possible matches37
CD, LP, Vinyl record album cover art
Rufus HarleyScotch & Soul ... LP
Atlantic, 1967. Very Good+ ... $19.99
A gimmicky cover, a gimmick title, but one heck of a soulful set of jazz! The legendary Rufus Harley is a true original – a saxophonist who also plays bagpipes, but can wail on that instrument – along with tenor and soprano sax – in a mode that's strongly influenced by the best work of John Coltrane, Yusef, Lateef, and Eric Dolphy! This early set for Atlantic features Rufus in a kilt – but actually does a deeply righteous thing by returning the bagpipes to their African origin (supposedly the instrument was brought up to the British Isles during the Crusades) – and laying them out here in a sweet mix of modal moments and heavier soul jazz. The mix of modes is a lot like the best work of Yusef Lateef – and like Lateef, Harley hails from the Detroit jazz underground –a nd works here with a hip group of players from that scene – including Oliver Collins on piano, James Glenn on bass, and Billy Abner on drums. Robert Gossett adds in a bit of congas, to give the tunes even more groove than usual – and the whole thing's an important early expression of spiritual modes that would flourish even more strongly in the 70s. Titles include "Passing The Cup Around", "Taurus The 20th", "Sufur", and "Scotch & Soul". LP, Vinyl record album
(Blue & green label pressing.)

Possible matches38
CD, LP, Vinyl record album cover art
✨✧ Andrew HillComplete Blue Note Andrew Hill Sessions 1963 to 1966 (7CD set) ... CD
Mosaic/Blue Note, 1960s. Used 7CD ... $199.99
Remarkable modern jazz, from one of the most unique voices in the genre! Hill's piano work and compositions fall into a category of their own, working outside the limits of predominant bop sound, but not quite falling into the world of free jazz that rules the avant scene. This outstanding Mosaic box collects his seminal 60s recordings, comprising of the LPs Black Fire, Smokestack, Judgment, Point Of Departure, Andrew!, One For One, and Compulsion, plus plenty of alternate takes and some material that was issued under Sam Rivers name on the LP Involution. Sidemen include Joe Henderson, Bobby Hutcherson, Kenny Dorham, Eric Dolphy, John Gilmore, Freddie Hubbard, Sam Rivers, Richard Davis, Cecil McBee, Roy Haynes, Elvin Jones, Tony Williams and Joe Chambers. There's 52 tracks in all, spread out over 7 CDs, with titles that include "Land Of Nod", "Black Fire", "McNeil Island", "Tired Trade",Pumpkin", "Subterfuge", "Smokestack", "Ode To Von", "The Day After", "Verne", "Not So", "Flea Flop", "Siete Ocho", "Yokada, Yokada", "Reconciliation", "New Monastary", "Flight 19", "Spectrum", "Symmetry", "The Griots", "Duplicity", "Le Serpenmt Qui Danse", "Euterpe", "Erato", "Roots 'n Herbs", "Compulsion", "Premonition", "Violence" and "Desire". CD
(Out of print. In great shape – includes original book and box!)

Possible matches39
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure ... CD
Blue Note, 1964. Used ... $3.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum" – and the CD reissue also features 2 bonus alternate takes of some of these, for a total of 7 tracks in all. CD
(Out of print.)
Also available
Point Of Departure ... LP 49.99
Point Of Departure (75th anniversary edition) ... LP 16.99

Possible matches40
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure ... LP
Blue Note, 1964. Good+ ... $49.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum" LP, Vinyl record album
(New York stereo pressing, with Van Gelder stamp and ear. Cover has a half split bottom seam.)
Also available
Point Of Departure ... CD 3.99
Point Of Departure (75th anniversary edition) ... LP 16.99

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Andrew HillPoint Of Departure (75th anniversary edition) ... LP
Blue Note, 1964. New Copy (reissue)... $16.99 19.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum", "Dedication" and "Refuge". LP, Vinyl record album
Also available
Point Of Departure ... LP 49.99
Point Of Departure ... CD 3.99

Possible matches42
CD, LP, Vinyl record album cover art
Prince Lasha EnsembleInsight ... CD
Columbia/Dusty Groove, 1966. New Copy ... $7.99 12.98
Tremendous work from the legendary Prince Lasha – a rare UK-only date from 1966 – and one that has the reedman working away from more familiar contemporaries like Sonny Simmons and Eric Dolphy! The approach on this session is very unique – as Lasha includes harp with the instrumentation, played by David Snell in a style that's right up there with Dorothy Ashby's best jazz work. Pianist Stan Tracey is also on board – playing beautiful notes that have a sharp modern edge, while still falling on the inside of the spectrum – and Lasha himself is especially great – blowing plastic alto sax and wooden flute, both of which have a slightly offbeat sound – but one that's surprisingly warm, which makes the album one of his most sensitive and soulful sessions ever! The tunes are a mix of standards and originals – and there's a wonderful sense of balance here – sounds that are sometimes more inside than other records from Lasha, but which have a really Dolphy-like sense of expression – right at home amidst a wider history of jazz, yet also reaching for new ideas at the same time. Pure genius throughout, and a record that was never made available to audiences in the US. Titles include "Nuttin Out Jones", "Impressions Of Eric Dolphy", "Out Of Nowhere", "Just Friends", "Body & Soul", and "Everything Happens To Me". CD
(On the Dusty Groove label.)

Possible matches43
CD, LP, Vinyl record album cover art
John LewisWonderful World Of Jazz ... LP
Atlantic, 1960. Very Good- ... $1.99
One of the best early albums cut by John Lewis as a leader – a set that's a fair bit different than John's work with the Modern Jazz Quartet – thanks to strong guest appearances from players who include Paul Gonsalves and Benny Golson on tenor sax, Eric Dolphy on alto, Jim Hall on guitar, and Herb Pomeroy on trumpet. Most of the tracks are a great mix of the mellow, introspective Lewis approach with some of the freer, more relaxed styles of the soloists – an approach that's slightly third stream, but which also has some of the great sounds and tones that Lewis forged on his Afternoon In Paris album with Sacha Distel. Titles include great versions of "Body & Soul" and "Afternoon In Paris", plus Lewis' classic "2 Degrees East, 3 Degrees West", as well as "I Should Care" and "I Remember Clifford". LP, Vinyl record album
(Blue & green label pressing with deep groove.)

Possible matches44
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Booker LittleOut Front! ... LP
Candid, 1961. Near Mint- ... $19.99
Supremely soulful modern jazz from the great Booker Little – one of his best albums ever as a leader, and a real standout moment amidst so many of the re-titled sessions that came out after his early death! The album's got a tremendous feel from the very first note – a furthering of the modernism that Little forged with Max Roach and Eric Dolphy – but stated more strongly in his own voice as a leader and composer – a bold jazz vision that makes us miss his talents even more strongly than before! The group here is the stuff of legends – with Dolphy on alto, bass clarinet, and flute – plus Don Friedman on piano, Julian Priester on trombone, Ron Carter or Art Davis on bass, and Max Roach on drums, tympani, and vibes! Titles are all original compositions by Little – and include "We Speak", "Strength & Sanity", "Quiet, Please", "Hazy Hues", and "Moods In Free Time". LP, Vinyl record album
(Great 70s Japanese pressing – on Sony! Heavy cover and vinyl.)
Also available Out Front! (Japanese paper sleeve edition) ... CD 24.99

Possible matches45
CD, LP, Vinyl record album cover art
Booker LittleOut Front! (Japanese paper sleeve edition) ... CD
Candid/Teichiku (Japan), 1961. Used ... $24.99
Supremely soulful modern jazz from the great Booker Little – one of his best albums ever as a leader, and a real standout moment amidst so many of the re-titled sessions that came out after his early death! The album's got a tremendous feel from the very first note – a furthering of the modernism that Little forged with Max Roach and Eric Dolphy – but stated more strongly in his own voice as a leader and composer – a bold jazz vision that makes us miss his talents even more strongly than before! The group here is the stuff of legends – with Dolphy on alto, bass clarinet, and flute – plus Don Friedman on piano, Julian Priester on trombone, Ron Carter or Art Davis on bass, and Max Roach on drums, tympani, and vibes! Titles are all original compositions by Little – and include "We Speak", "Strength & Sanity", "Quiet, Please", "Hazy Hues", and "Moods In Free Time". CD
(Out of print. Comes in the original slipcover, with added cardboard backing!)
Also available Out Front! ... LP 19.99

Possible matches46
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✨✧ Charles LloydDream Weaver ... LP
Atlantic, 1966. Near Mint- ... $6.99
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". LP, Vinyl record album
(White label promo.)

Possible matches47
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✨✧ Charles LloydManhattan Stories – Live At Judson Hall/Live At Slugs Saloon ... CD
Resonance, 1965. Used 2CDs ... $14.99
Never-heard music from the great Charles Lloyd – two well-recorded live sets from the 60s, both with a very unusual group! The lineup has Lloyd on tenor, soprano, and flute, working with frequent partner Gabor Szabo on guitar – but the rest of the quartet also features Ron Carter on bass and Pete LaRoca on drums – two players who really have an open, laidback way of letting the music flow! All tracks are nice and long, and Lloyd is wonderfully expressive – maybe even more so than on his studio records from the period – with these long, soulful, spiritual solos that almost make us feel like he's picked up the torch from the recently-departed Eric Dolphy – especially in the way that Dolphy would spin things out in a live setting. The set features two versions of "Lady Gabor", both a bit different – plus the titles "How Can I Tell You", "Slug's Blues", "Sweet Georgia Bright", and "Dream Weaver". CD

Possible matches48
CD, LP, Vinyl record album cover art
Charles MingusCharles Mingus Presents Charles Mingus ... CD
Candid (UK), 1960. Used ... $5.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". CD

Possible matches49
CD, LP, Vinyl record album cover art
Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. New Copy (reissue)... $9.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album
Also available Charles Mingus Presents Charles Mingus ... LP 19.99

Possible matches50
CD, LP, Vinyl record album cover art
✨✧ Charles MingusCharles Mingus Presents Charles Mingus ... LP
Candid, 1960. Near Mint- ... $19.99
The title's an apt one, because after frustrations experienced working for Columbia and other labels, Mingus is finally allowed the freedom here to present his own ideas in all their unfettered glory – working with a bracingly tight quartet that features Eric Dolphy on alto and bass clarinet and Ted Curson on trumpet! A number of the tracks here are familiar in their titles from other records, but the versions here stretch out far longer – moving past 10 minutes on 2 of the album's 4 tracks, and approaching that limit on others. But even more noticeable is the spareness of the sound – as the smaller group versions allow for a tremendous amount of solo space, really letting the focus fall on the two horn players, with the bass of Mingus and drums of Dannie Richmond shading in the space behind and beyond. Titles include "Folk Forms No. 1", "All the Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother", and the original uncensored version of "Faubus Fables". LP, Vinyl record album
(70s Barnaby pressing. Cover has some wear.)
Also available Charles Mingus Presents Charles Mingus ... LP 9.99

Possible matches51
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Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... $118.99 119.00
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD
 
 
 



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