Completely evocative late life work from Chet Baker – one of the last albums he ever recorded, and a set that shows just how much Baker kept evolving in the later years of his career! Given some of the personal troubles that plagued Chet over the decades, there's sometimes a thought out there that he was a weaker version of himself at this time – but that's definitely not the case, as Baker really shifted his sound and style to accommodate some of his challenges, at a level that maybe made the music even more powerful than some of his music from years before! Some of the best moments here feature contributions from key musical partner of the 80s Nicola Stilo, who uses flute, guitar, and piano in these light ways while Chet's soloing with this strong, fluid vibe that's a real surprise – gentle, but extremely powerful. A few cuts bring in a bit of keyboards, and Chet sings a bit – but his best "singing" here is through his trumpet, which is still a hell of a voice in jazz. Titles include "Chet's Blues", "Waiting For Chet", "The Party Is Over", "With Sadness", "Deep Arabesques", and "Like The Precedent" – plus a lovely reading of the Elvis Costello tune "Almost Blue". CD

A set that might have you rethinking the early years of punk – as it shows that right next to the short sharp shocks of the new sound, there was also a rebirth of tight tuneful music too – a style that became known as power pop, even though many of the acts were ever bit as indie as the punk rockers! Don't mistake the "pop" for thinking that these are big commercial productions – as most of the work here is really back to basics rock and roll – a focus on sharp guitars, great rhythms, and excellent songwriting – served up in a wonderful mix of lesser-known artists, plus a few that went on to be timeless stars. The box set is every bit as great as other Cherry Red 3CD packages – detailed notes, 75 tracks in all, and work by artists who include Filmstars, Elvis Costello, The Questions, Rollers, Bram Tchaikovsky, The Deaf Aids, Undertones, Pinkees, Rudi, Gross Club, Stiff Little Fingers, The Monks, Backseat Romeos, The Flys, Pleasers, Leyton Buzzards, Purple Hearts, Elevators, Public Skool, The Cartoons, Excel, The Quads, Squeeze, Linda & The Dark, The Aces, and many others. CD

A really great change in the music of Swedish guitarist Johan Lindstrom – music that expands the vision of his previous record, and also explores some more song-based territory – while still allowing for lots of musical contributions from other players we love on the Moserobie label! You know something's different when Elvis Costello steps in on the first track for a bit of spoken lyrics to a song he wrote with Lindstrom – and things continue to move in other ways throughout – with vocals from Sofie Livebrandt on two tracks, amidst work from Jonas Kullhammar on saxes and flute, Per Texas Johansson on clarinet and tenor, Jesper Nordenstrom on piano and organ, Mats Aleklint on trombone Torbjorn Zetterberg on bass, and Konrad Agnas on drums! Most tracks are relatively short, but work together well – and there are definitely moments of improvisation amidst some of the more structured elements of the record – on titles that include "What What", "Homeward", "Trombone Interlude", "Edwards Chacone", "Music Orbit Box", "Septet Serenade", "Echoes Across The Dunes", and "Worms Of Underground". CD