A swirling batch of easy groovers – the light and lively orchestrations of Aldemaro Romero, augmented by lead guitar from Charlie Byrd! The sound is Latin-inflected with a soaring finish – part 60s easy, part bossa-inspired orchestration, with touches of Italian soundtrack styles as well. If you know any of Aldemaro's other records of the time, you know how groovy this one is – and it's made all the more so by Charlie Byrd's nice guitar work. Titles include "You Get Me Crazy", "It Never Ends", "Romance", "Moliendo Cafe", "El Gavilan", "Pajarillo En Onda Nueva", and "El Catire". LP, Vinyl record album

American pressing of these two Nino Rota soundtracks from the mid 50s – both of them for Italian comic films starring Alberto Sordi, and both of them a mixture of the sorts of themes that Rota used for his work with Fellini! Titles include "Ora D'Aria", "Reclusione Che Passione", "Eroico Tourbillon", "Dopo La Sconfitta", and "Can Can Per Un Eroe". LP, Vinyl record album

Pretty great stuff from Unlimited Touch – grooving here in a sound that's got a bit more of an 80s feel than their previous album, but which still works well for their dual-female vocal lead style. There's a bit of an electro "wheeet" in some of the tracks, but the vocals and the songwriting are still in a tightly soulful mode. Titles include "Love Explosion", "Your Love Is Serious", "No One Can Love Me", and a remake of "Yes, I'm Ready". LP, Vinyl record album

An early one from Waits – his second album – and it's a great one! Like a lot of his early oeuvre, this is a kind of like a street-savvy, hipster cabaret affair, with less of the eccentricity that would reveal itself later in his career. Still a great record though, rendered with a Bukowski-esque salt of the earth palette. Includes "Fumblin' With The Blues", "Please Call Me, Baby", "Diamonds On My Windshield", "New Coat Of Paint", "The Heart Of Saturday Night", "Drunk On The Moon", "Shiver Me Timbers", "San Diego Serenade", "Semi Suite", "Depot, Depot", and "The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House)". LP, Vinyl record album

A great one from pianist Mal Waldron – a set that marks that renewed sense of energy he found as the 80s approached – a move back to some tighter forms in terms of the inside/outside edge of the improvisational spectrum – but still with some of the freer spirit he'd unlocked in the 70s! The tracks are all nice and long, and are forged by a quartet that features Clifford Jordan on tenor, Cecil McBee on bass, and Dannie Richmond on drums – a group who definitely have some of the spirit of Jordan in this setting, but with all the deeper tones that Waldron can bring to a date. Jordan is tremendous, and the album features three long tracks – "Charlie Parker's Last Supper", "Hymn From The Inferno", and "What It Is". LP, Vinyl record album

A compilation of the Nonesuch Explorer series. It's split up into The Far East, which features "Ketjak", "Baris", "Frong Song", "Ketawang", "Echigojishi", and "Shrine Music"; India, which contains "Ni Ri Ni Ri Ga Ma", "Jogia", "Yaman", "Banturiti", and "Telisi Rama Chintanato"; Africa & The Americas, which contains "Me Voy A Belen", "Candomble", "Gumbukumbu", and "El Perro"; and Continental Europe, which includes "Krivo Horo", "Sto Limani Tou Piraea", "Ladarke", "Gaida Avasi", and "Sinoc M I Je Lane Mojo Dolazio Mile". LP, Vinyl record album

Yipes! This one made everyone a bucket of money – especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here – but in a way that kind of has us impressed, as he's grooving away slickly on guitar, laying down some smooth vocals that we never would have imagined from his mid 60s recordings. Includes the massive hit "Give Me The Night", a cover of "Moody's Mood", and the tracks "Star Of A Story (X)", "Midnight Love Affair", "What's On Your Mind", and "Dinorah, Dinorah". The sound of a million supermarkets and elevators during the 80s! LP, Vinyl record album

Fantastic stuff through and through – and almost a "best of" best of collection from the 70s! The album's a key illustration of the genius of Earth Wind & Fire on Columbia Records – because by the time the set was released in 1978, most of the tracks were already well-known hits – but still had a soulful power and righteous undercurrent that few other chart acts could match. Maurice White, Charles Stepney, and the others have a perfect way of holding onto their deepest inspirations while honing their sills in the studio – and the results of that commitment are heard beautifully on tracks that include "Got To Get You Into My Life", "Shining Star", "Getaway", "Can't Hide Love", "Fantasy", "Reasons", "September", and "That's The Way Of The World". LP, Vinyl record album

A beautiful combination we'd like to hear more of – one that comes from the meeting of Milt Jackson's vibes and the guitar of Wes Montgomery – both recorded here in easygoing brilliance! The session's a nice break from the usual sound of both players at the time – and although Wes played a bit with vibes when working in The Montgomery Brothers, the Jackson approach here is a bit different – more soulful, and a bit more driven on by the rhythm section of Wynton Kelly, Sam Jones, and Philly Joe Jones. Titles include the originals "SKJ", "Blue Roz", "Jingles", and "Sam Sack" – plus versions of "Stairway To The Stars" and "Delilah". LP, Vinyl record album

JJ Johnson's always a cooker, but during the late 50s he cut some incredible records for the Columbia label – tight bop sessions that still stand as some of his best work! This album's one of them – a real smoker of a set that features Johnson's trombone as the only lead horn in a cool quartet that also includes Tommy Flanagan on piano, Paul Chambers on bass, and Max Roach on drums – a crackling rhythm trio who make the record move a lot more than most other jazz sessions on Columbia at the time! Johnson's sense of tone and phrasing is wonderful – unadorned by any other horns, but a very powerful solo vehicle, especially in the company of the other players – and titles include "Harvey's House", "That Tired Old Routine Called Love", "Nickels & Dimes", "Be My Love", "Paul's Pal", and "Commutation". LP, Vinyl record album

We don't normally dig hippies that much, but these guys are great – and this album may be one of the sweetest we've heard from the Bay Area scene of the early 70s! Joy Of Cooking have a wonderful style that puts plenty of jazz in the vocals of lead singers Toni Brown and Terry Garthwaite – a sweetly gliding approach to the music that pulls the folksy instrumentation of the rest of the combo into hipper territory, and which almost points towards some of the best breezy vocal work to come out of the SF scene later in the 70s. Instrumentation includes keyboards, guitar, alto sax, trombone, and lots of great percussion that punctuates the tunes with an earthy groove, and really emphasizes the rhythmic quality of the work. Titles include "Pilot", "Closer To The Ground", "Blues For A Friend", "New Colorado Blues", "A Thousand Miles", "Sometimes Like a River", and "The War You Left". LP, Vinyl record album

That's the Modern Jazz Sextet – not the Modern Jazz Quartet – although the group definitely borrows a bit of energy from the MJQ, and some personnel too! The group was only put together for this date – and combines the subtle touches of MJQ members John Lewis on piano and Percy Heath on bass, with some harder-edged, hardbop-driven sounds from Dizzy Gillespie on trumpet, Sonny Stitt on alto, Skeeter Best on guitar, and Charlie Persip on drums! The set's got an open, easygoing feel – that loose Verve studio mode of the time – which stems from their jam session modes, but is a bit tighter overall – in ways that really help the players find their energy together in the tunes. Titles include 2 standards, in the usual Verve style – "Mean To Me" and a ballad medley of "Old Folks", "What's New" and "How Deep Is The Ocean" – plus 3 originals – "Blues For Bird", "Tour De Force", and "Dizzy Meets Sonny". LP, Vinyl record album

A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the horns, and a rare chance to hear Desmond away from the instrument – especially considering his work with Brubeck – blowing here in an airy, willowy tone that's totally great. Other players include Joe Benjamin on bass and Dave Bailey on drums – and titles include "Blues In Time", "Standstill", "Line For Lyons", and "Fall Out". LP, Vinyl record album

Seminal west coast work from the start of the 50s – a groundbreaking 10" album that showed the best early talents of trumpeter Shorty Rogers! The group here is Rogers at his hippest – before a bigger rise to 50s fame, and right at the start of a great run as a leader and arranger on his own. The Giants combo here features Art Pepper on alto, Jimmy Giuffre on tenor, John Graas on French horn, and Hampton Hawes on piano – all playing with a style that's tight, yet still has plenty of swing, and a lot more room for individual group voices than other later arrangers who tried to cop Shorty's style! All tracks are extremely playful, but without sounding gimmicky – and tunes include "Four Mothers", "Didi", "Sam & The Lady", "Over The Rainbow", "Apropos" and "Popo". LP, Vinyl record album

One of the odder 60s LPs from the Supremes, the soundtrack to a film that starred the group, with some guest appearances by The Temptations – in Motown-show versions of tracks that often feature the singers lapsing into medleys of other tunes, or doing some popular hits of the day. Titles include "Respect", "Somewhere", "Stop In The Name Of Love", "TCB", "For Once In My Life", "Hello Young Lovers", "I Hear A Symphony", and "The Impossible Dream". LP, Vinyl record album

A Swingin Session indeed – as Frank steps out with Nelson Riddle on one of his last great albums for Capitol! The record's got the bounce and lilt of Frank's earlier gems with Riddle – a sly mix of jazz and strings that's every bit the best fit for Blue Eyes' vocals at the end of the 50s as it was back when he and Riddle cooked up the comeback sound earlier in the decade – and as before, although the tunes are mostly familiar, they're spun out by Frank as if they're his own – phrased beautifully, punched up nicely, and swung in just the right way to fit the spirit of the session! Titles include "I Concentrate On You", "Blue Moon", "When You're Smiling", "It's Only A Paper Moon", "Always", and "September In The Rain". LP, Vinyl record album

A landmark live set from The Who – a record that offers the group with a blistering intensity that blows away all their other studio albums of the time! Although offered during the Who's Tommy-era expansion into broader themes and more complicated instrumentation, the album's a real return to basics – and features a guitar-heavy version of the group performing a number of older rock n roll classics like "Summertime Blues", "Shakin All Over", and "Young Man Blues" – plus really extended jamming takes on their own "My Generation" and "Magic Bus", and a searing 2 minute take on "Substitute" that's probably everything you ever need to know about The Jam! LP, Vinyl record album

Includes "Handle The Vibe", "It's All Mo Thug", 'Ready 4 War", "Ain't Nothin Changed (Everyday Thang part 2)", "Thug Luv", "Hatin Nation", and "Evil Paradise". 25 tracks in all. LP, Vinyl record album

No heavy metal here – just tight and funky jamming from the mighty Brecker Brothers! There's a bit more guitar here than on some of their other records – hence, possibly, the title – but the whole thing's still very much in that mix of soulful fusion and jazzy soloing that the pair forged strongly in the mid 70s. Keyboards and guitar jam strongly, but Randy and Michael still get in plenty of space for their solos – pushing their jazz licks with the jamming intensity that might normally be relegated to guitar heroes in the rock world. Tracks include "Inside Out", "Some Skunk Funk", "Sponge", "East River", "Funky Sea Funky Dew", and "Squids". LP, Vinyl record album

Way more than just a greatest hits collection – as the record is one of the few albums from Solomon's years that you can ever find on vinyl, and it's a stellar collection of hard and deep soul tracks that no collection should be without! Every cut on here is a classic – or should be for you, if you haven't heard them all yet! Titles include "Words", "Cry To Me", "Everybody Needs Somebody To Love", "Got To Get You Off My Mind", "The Price", "Down In The Valley", "If You Need Me", "Just Out Of Reach", and "Home In Your Heart". LP, Vinyl record album

One of the best of Charlie Byrd's pop bossa recordings for Columbia – featuring a small group that includes flute, bass, and drums behind Charlie's acoustic guitar. The album includes a stellar reading of "Canto De Ossanha", done as "Let Go", and featuring a breezy approach to the track that's just great. Other tracks include "Blues 13", "Esperando O Sol", "Bird of Paradise", and "Lonely Princess". LP, Vinyl record album

Excellent work from Betty Carter – much more sophisticated than some of her 60s work! The album features Betty recorded in that hip trio format that she developed to fantastic heights during the decade. Betty sings standards and originals with a warmth an imagination that we can hardly describe accurately – bringing emotion into the songs that we'd hardly heard in earlier recordings, and using a trio in ways that we'd never heard before with a vocalist. Incredible stuff all the way through, very much on a par with any of Betty's later work – and featuring cuts that include a sublime version of "Open The Door", plus "New Blues", "I Was Telling Him About You", "Most Gentlemen Don't Like Love", and "Making Dreams Come True". LP, Vinyl record album

A real lost chapter in the career of the great Don Covay – material done after his original funky soul on 60s Atlantic Records, and before his return to fame in the early 70s on Mercury – done in a raw vibe that has a lot more grit than you might expect! There's touches of psychedelic blues in the instrumentation, which was recorded both in Memphis and Muscle Shoals – even though the record comes across with a vibe that's unlike any of the big hits recorded in those scenes at the time! Definitely a standout in the world of soul in the early 70s – with titles that include "Standing In the Grits Line", "Sweet Thang", "Stop By", "Bad Luck", "Hitching a Ride", and "What's In the Headlines". LP, Vinyl record album

A great collection of Miles' classic work for Columbia – one that features a few really hard to find gems! To us, the highlight is 2 tracks – "Stella By Starlight" and "On Green Dolphin Street" – both of which are subtle modal gems lifted from Miles' rare Jazz Track albums, performed by a hip group that includes John Coltrane on tenor, Bill Evans on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums. Those 2 tracks sum up all that is excellent about Miles – but you also get some other great ones, like "Devil May Care", "Budo", "Little Melonae", "Miles Ahead", and "Fran-Dance". LP, Vinyl record album

One of the grooviest of Sammy's albums for Reprise during the 60s – cut with production by Jimmy Bowen and a nicely bouncy set of backings! There's a definite mixed bag approach to the material, but it's that non-unified quality that makes some of Sammy's best albums so great – as he'll deliver a pop number one minute, a tender ballad the next, and a tongue in cheek cover after that – really expressing himself on vinyl with the same range that he brought to his excellent live shows. Bowen keeps things light and lively throughout – and arrangers include George Rhodes, Ernie Freeman, and Al Capps. Titles include the excellent "The Goin's Great" – used famously in a Pam Am campaign at the time – plus bouncy versions of "Bein Natural Bein Me" and "In This Crowded World" – and the tracks "What Became Of Me", "Take It From One Who Knows", "This Guy's In Love With You", and "I Have But One Life To Live". LP, Vinyl record album

An expanded version of Bill Evans' first album as a leader – and a well-titled set that went onto transform the sound of the piano in jazz! The core session isn't as lyrically free as some of Evans' later classics, but already has an undeniably fresh approach to the keys – one that's modern, yet never academic – fluid, but never flowery – pure genius of economy and understatement, while also at the same time opening bold new worlds in sound. The trio features drummer Paul Motian and bassist Teddy Kotick, and titles include the classics "Five" and "Waltz For Debby", the latter of which is performed solo by Evans – plus tracks that include "Displacement", "I Love You", "My Romance", "No Cover, No Minimum", and "Our Delight". Added to the original album is a full record of (then) previously unissued tunes – mostly solo piano numbers recorded in 1958 and 1962 – on titles that include "Easy To Love", "Some Other Time", "Danny Boy", and "In Your Own Sweet Way". LP, Vinyl record album

A great little live album from The Fania All Stars – one that's recorded a few years after their classic sets at the Cheetah, Red Garter, and Yankee Stadium – but which still burns with the same sort of energy! The groove here has a bit more of a straighter salsa approach – as you'd guess from the date – but the record still features the cream of the crop of the New York scene, coming together with a masterful sense of power and togetherness! Vocalsits include Justo Belancourt, Celia Cruz, Cheo Feliciano, and Ismael Rivera – and titles include "Felicitaciones", "Ahora Si", "Publico Corriente", "Toro Mata", "El Nazareno", "Cucala", and "Yo Soy La Candela". LP, Vinyl record album

Hi Records perfection from the mighty Al Green – slightly later than some of his key early hits, but a record that shows Green still taking fire on all burners! Production is by the team of Al and Willie Mitchell – in a mode that's slightly fuller and more updated than before, but still very much that original mode the pair pioneered during Green's first years at Hi – a smooth, rich sound that's never slick, never poppy, and never cloying – and a mode that never falls into disco or pop temptations other singers were trapped in at the time. Backings are by the Memphis Horns and Memphis Strings – with some occasional backup vocals from Rhodes Chalmers & Rhodes or The Duncan Sisters – and titles include "I'd Fly Away", "That's The Way It Is", "Glory Glory", "Always", "Full Of Fire", "Together Again", "Soon As I Get Home", and "Let It Shine". LP, Vinyl record album

Handy's really going for the college crowd here – breaking away from the modernist hardbop of his post-Mingus years, going for a melange of styles put together with a host of hipper San Francisco players that includes Jerry Hahn on guitar and Michael White on violin. There's traces of some of Chico Hamilton's grooves from the same time, but the overall sound is a lot freer. Titles include "Theme X", "Dance For Carlo B", "Scheme #1", and "Dancy Dancy". LP, Vinyl record album

Maybe one of the greatest albums to come from the Montreal club scene of the late 70s – a set that revels in the no-holds-barred approach that usually had Canadian disco records stretching out with really long tracks, and plenty of great instrumentation in the mix! This set's a monster of live percussion and electric elements – fast-snapping drums, congas, and bongos – mixed with great keyboards, riffing guitar, and some nice moogy moments too – all with just a touch of vocals from time to time, but mostly a very key focus on the instrumental interplay! Titles include the seminal "The Break", "Djaga Boogie Woogie", "Don't Stop Keep On", "There's Only Been A Few", and "Mi Corazon". LP, Vinyl record album

Genius, pure genius! If you've ever wondered why folks think Stan is so great, check out this landmark set of postwar modern swing tunes – some of the most groundbreaking work of its generation, and proof that there was still a lot of room to grow within the big band format. June Christy provides some icy vocals on a few numbers, and other strong players on the set include Vido Musso, Boots Mussulli, Kai Winding, Eddie Safranski, and Shelly Manne. Arrangements are by Pete Rugolo, Gene Roland, and Stan – and titles include "Safranski (Artistry In Bass)", "Artistry In Percussion", "Fantasy", "Come Back To Sorrento", "Ain't No Misery In Me", "Opus In Pastels", "Willow Weep For Me" and "Artistry In Bolero". LP, Vinyl record album

BB King hips up his groove a bit here – picking up some of the crossover soul and rock touches used by contemporaries over at Chess/Cadet, and expanding his sound with a range of guests that include Leon Russell, Joe Walsh, and Carole King! Despite the presence of these bigger names, the set's very much in BB's own spirit – mostly focused on his vocals and guitar work, and still mostly including original compositions. A few tunes get nice and funky on the rhythms, although still very much in a blues-based way – and Jimmie Haskell contributes a few larger arrangements from time to time. Titles include "King's Special", "Until I'm Dead & Cold", "You're Still My Woman", "Hummingbird", "Go Underground", and "Chains & Things". LP, Vinyl record album

One of the real standouts in Evelyn King's career – a sharply focused album that's filled with catchy 80s styled tunes – and which benefits from some great help from a young Kashif! Lots of the tracks have that great flair for a catchy hook that mark's Evelyn's best work – an approach that's never too slick or too forced, and which has a comfortable way of sliding into a tune. Titles include "I'm In Love", "What Are You Waiting For", "If You Want My Lovin", "I Can't Take It", "The Best Is Yet To Come", and "The Other Side Of Love". LP, Vinyl record album

Probably the best early album that Patti Labelle ever recorded – and one that pushes way past the mix of girl group and pop material she'd been handling previously. The record begins with the killer cut "Dreamer", written by Dan Penn & Spooner Oldham – then it moves into a host of great lesser-known tracks and mature compositions, like Curtis Mayfield's "I'm Still Waiting", and the tunes "One Phone Call", "Take Me For A Little While", "Tender Words", "Don't Want To Go On Without You", and Burt Bacharach's great "Always Something There To Remind Me". LP, Vinyl record album

Wonderful stuff from Brother Jack McDuff – very hip, with a mixture of soul jazz and 60s grooving that's hard to beat! The album's also one of Jack's harder to find numbers on Prestige – and it features tenor work by Red Holloway and Harold Ousely, guitar by Pat Azzara, drums by Joe Dukes, and some occasional bigger arrangements by Benny Golson, who always gave Jack the hippest sound around! Includes a sublime mellow cover of "Walk On By", plus the tracks "Song Of The Soul", "Too Many Fish In The Sea", "For Those Who Choose", "Talkin Bout My Woman", and "Around The Corner". LP, Vinyl record album

A great meeting of two generations of jazz – and one that really blows the top off some of Dexter Gordon's other European sessions of the time! The setting here is definitely one that's more a Gordon-based date – long tracks with rhythm backing from a trio with Kenny Drew on piano, Niels Henning Orsted Pedersen on bass, and Alex Riel on drums. But unlike some of the other long-blown Gordon-heavy albums for the stretch, the presence of Jackie McLean really brings in a new sort of fire – the kind of soaring, soulful energy he brought to his own records in these immediate post-Blue Note years – almost a Coltrane influence, and a sense of spiritualism that really comes through on some of his solo moments – even in this relatively straight setting. Titles include "Half Nelson", "I Can't Get Started", "Another Hair-Do", and "Dexter Digs In". LP, Vinyl record album

The second album from Gregg Nice & Smooth Bee – an album that finds the duo rocking a bit more of a loopy, even kinda comic tone in spots despite the serious title – and stands up strongly with the hugely influential teams best work! Features the early 90s classics "Hip Hop Junkies", "Sometimes I Rhyme Slow" and "How To Flow". Also includes "Cake & Eat It Too","Paranoia", "Sex, Sex, Sex", "One, Two & One More Makes Three", "Pump It Up" and "Step By Step". LP, Vinyl record album

A killer blend of soul and funk from Pockets – a group with a very jazzy pedigree in their roots, but who stretch forth here with some great studio help from the Kalimba Productions team of the Earth Wind & Fire empire! The groove is very much in the best 70s EWF mode – tight, but never uptight – impeccably played throughout, but with a looseness that also really hearkens back to the small club origins of the group. Lead singer Larry Jacobs really makes the tunes cook – with a style that's deft enough to match the instrumentation, yet still strong enough to soar soulfully on its own. The blend is sublime throughout – and titles include "Tell Me Why", "Take It On Up", "Heaven Only Knows", "Got To Find My Way", "Sphinx", "In Your Eyes", "Happy For Love", and "You And Only You". LP, Vinyl record album

Featuring the Notorious B.I.G, Jay-Z, Busta Rhymes, Mase, and Li'l Kim, among others. You know you want this for "Benjamins". Also includes "Victory", "Can't Nobody Hold Me Down", "Young G's", "Been Around The World", and more. LP, Vinyl record album

One of Lou's most jazz-oriented albums – featuring backing by Les McCann's famous trio with Leroy Vinnegar and Ron Jefferson, perfectly suited to Lou's soulful renditions of the tunes on the album. Most of the numbers are bluesy ones, but as usual, Lou manages to give them his own hip twist – always a pleasure for us! Titles include "In The Evening", "Sweet Lover", "Willow Weep For Me", "Stormy Monday", and "'Tain't Nobody's Biz-ness If I Do". LP, Vinyl record album

70s issue of this classic – a great blend of Puerto Rican roots and some of the more sophisticated modes going down in the New York scene of the 60s – and a classic pre-salsa album from Mon Rivera! Rivera's got a small combo here who represent the hippest Alegre players of the time – both Charlie and Eddie Palmeri on piano, Mark Weinstein on trombone, and the legendary Kako on timbales – all backing up Mon with a sound that's rootsy, but which still has a fair bit of jazz as well. Styles include jazzy mambo and the plebochanga, a style that combines the plena and charanga – and overall, the album's got a really bouncy approach to the grooves – piano and percussion carrying most of the work, as vocals and horns come in over the top to sort things out a bit! Titles include "La Plechanga De Trabalengua", "Monina", "Una Plena", "Como Esta Pita", "En Casa De Pepe", and "La Cuca". LP, Vinyl record album

Featuring some of Hurby Luv Bug's best production work on "I'll Take Your Man", "My Mike Sounds Nice", "Tramp", "It's Alright". LP, Vinyl record album

A beautiful document of some of the most laidback jazz ever recorded – the sublime 50s recordings of the Johnny Smith quintet, done at a time when the lineup included Stan Getz! The tunes on the set feature Johnny's mellow electric guitar setting the pace, alongside wonderfully-blown early solos from Stan. The tunes are mostly standards, but done in a great style that's not exactly cool jazz, but which has a groundbreakingly easy groove that's simply sublime! Titles include "Tenderly", "Vilia", "A Ghost Of A Chance", "Jaguar", "Moonlight In Vermont", "Tabu", and "Where Or When". LP, Vinyl record album

"Kommunion" and "Intensitaet" are 2 pieces from the 12 piece cycle recorded in 1969. The pieces mix acoustic instrumental solos with electronics and tam tam – and the resultant sound has much more of an avant jazz feel than a lot of Stockhausen's other work. Michael Portal is especially good, and plays a range of reed instruments, next to Johannes Fritsch, who also plays alto sax on the session. LP, Vinyl record album

Like some of the other issues on Trip, this set brings together some great sides that sort of fell between the cracks in an artist's career. These nice rarer sides by Gene Ammons seem to be recorded by Jug during the early 60's, when he was jumping around his contractual agreements with a number of labels, and recording sessions for just about everybody. The first LP features Jug in the studio with Howard McGhee (the set was briefly issued under his name, on Argo) and a guitarist we're pretty certain is Jake Fisher (from other issues of this material), for a cool laidback soul jazz session that's probably one of Jug's most open-ended from the time. The tracks are all long, with a lot of room for solo space, and a round mellow tone. Titles include "Housewarmin", "Nothin' But Soul", "Jivin Around" and "Jug & McGhee". The second set's a hard-hitting blowing session, cut very much in the mode of Gene's late 50s sides for Prestige – and with a very accomplished group of soul jazzers that includes Nat Adderley, Frank Foster, Bennie Green, and Frank Wess. The groove has a nice raw late night sound – and tracks are pretty long and open-ended. Titles include "Litty Ditty", "Sermonette", "Juggin Around", and "Jim Dog". LP, Vinyl record album

A dark little groover from the later days of disco – key crossover work from Cory Daye, and a great bridge between a number of different club camps at the time! There's clearly a mainstream diva influence going on here, but the overall quality of the music is a lot more complicated and hipper – with some of the jazzier and retro-tropical flourishes of the Ze Records scene, plus a bit of moodier electrics on the great hit "Green Light" – a chanting, catchy number that crossed over big. Other titles include "Single Again", "Be Bop Betty", "Pow Wow", "Keep The Ball Rollin", and "Rainy Day Boy". LP, Vinyl record album

Earlier Stax work recorded by The Emotions, not issued at the time and packaged together into a pretty great album during the time of the girls' bigger fame on Columbia! The work here is surprisingly great – not really filler at all, and in a style that's almost hipper than any of the material that appeared on the trio's two full albums for the label. There's a definite 70s current running through most of the tracks – soul that's less sweet and more sophisticated than other older sides, and which really shows that the leap from Stax to Columbia wasn't a very big one at all. Titles include a great version of "Put A Little Love Away", plus "Shouting Out Love", "Anyway You Look At It", "Ain't No Sunshine", "Running Back & Forth", and "Baby I'm Through". LP, Vinyl record album

Although Motown wasn't necessarily the best place for an artist like Jose to be recording at the time, they actually did a pretty decent job of keeping the same sort of vibe that you'd hear on some of Jose's best work for RCA during the mid 70s. Titles include "Free My Freedom", "Ain't That Peculiar", "I Second That Emotion", "The Drought Is Over", and a great version of "I Wanna Be Where You Are". LP, Vinyl record album

Classic Savoy bop work from Diz – featuring some sides cut with the orchestra of Johnny Richards, plus some cut with the "Bepop (sic) Boys", a group that includes Milt Jackson, James Moody, Hank Jones, Dave Burns, and John Brown. The Richards sides are great – a bit more swinging than the ones he and Diz cut on Verve, but no less well-conceived. Titles include "Interlude In C", "Lullaby Of The Leaves", "The Things I Love", "Moody Speaks", "For Hecklers Only", and "Boppin The Blues". LP, Vinyl record album

A searing set of southern rock from Ronnie Hawkins – already working here in a revivalist mode of sorts, with backing from the Dixie Flyers and a real blend of Atlantic and Capricorn-styled approaches to rock. Duane Allman and Donald Duck Dunn both sit in on the sessions, and the whole thing's got a relaxed, rootsy rock feel overall – Ronnie singing along with the Flyers on tunes that include "Red Rooster", "Ooby Dooby", "Don't Tell Me Your Troubles", "Drinkin Wine Spo-dee-o-dee", "Lonely Weekends", "Treasure Of Love", and "The Lady Came From Baltimore". LP, Vinyl record album

Excellent late 50s work by Milt Jackson for Atlantic! Bags & Flutes is very much in the style of Milt's classic Savoy sides from the preceding couple of years – mixing together his jazzy vibes with light lilting solos on flute, either by Bobby Jaspar or Frank Wess, Milt's old compatriot from the Savoy sessions. Piano is by Tommy Flanagan or Hank Jones, and Kenny Burrell plays guitar on the whole album. Tracks include "Ghana", "Connie's Blues", "Sandy", "I'm Afraid The Masquerade Is Over" and "Bag's New Groove". LP, Vinyl record album

Great stuff from Gary – one of his more obscure albums, and a record dedicated to the signs of the Zodiac! The tracks are a mixture of Gary's usual easy jazz approach – with vibes, whistling, and bossa-style rhythms showing up a lot – plus a few more driving numbers that are more like his arranged work for other players, and which even include some nicely funky tunes! A real gem – lost amidst most of his catalog – possibly because the marketplace wasn't ready for such zodiacary! Titles include "Sad Eyes", "Long Live The King", "Close Your Eyes & Follow Me", "Can't Help Dancing", "Runaway Heart", "Thanks But No Thanks", and "Days Dipped In Dreams". LP, Vinyl record album

A 50s Fantasy album that brings together 2 earlier 10" jazz sessions – one by Mulligan and one by Desmond, both unusual outings for the players. Side one features Gerry Mulligan working with a strong early group – Chet Baker on trumpet, Chico Hamilton on drums, and Carson Smith on bass – on 4 tracks recorded in San Francisco, and 4 others recorded slightly later in LA. The tunes are short, piano-less, and have that fluid 50s Mulligan groove – and titles include "Turnstile", "Limelight", "Carioca", "Bark For Barksdale", and "Line For Lyons". Side two is a session that features 4 tracks with Paul in a quintet with Dick Collins on trumpet and Dave Van Kriedt on tenor sax – working without a piano, and in a fluid-grooving style that recalls a lot of the Gerry Mulligan style of the time. The other 4 tracks from the set are even more unique – and have Desmond blowing dreamily over a "with voices" chorus – done with the Bill Bates singers in a style that's warmer than similar work by Charlie Parker, and which really points the way towards some of the Desmond solo genius of the 60s. Titles include "Jeruvian", "Garden In The Rain", "Misty Window", "Winky", "Soon", and "Will I Know". LP, Vinyl record album

Strong work from the Peterson Trio's London House gig in Chicago in 1961 – material that offers some slightly longer than usual takes on the group's sound, especially on a few numbers that really let Oscar open up on the keys! The group here is the legendary combo with Ed Thigpen on drums and Ray Brown on bass – but on the album's long versions of "Sometimes I'm Happy", "In The Wee Small Hours" and "Chicago", it's Oscar's inventive work on the keys that really dominates the nearly 10 minute run of each track. Other shorter tunes include "Billy Boy", "Whisper Not", and "The Night We Called It A Day". LP, Vinyl record album

A fairly interesting soundtrack from French avant sax player Michel Portal – recorded with a host of like-minded talents that include Daniel Humair, JF Jenny Clark, Louis Sclavis, and Maurice Vander. The range of the tracks is pretty surprising – from spare sax solos by Portal, to Latin-tinged tunes and tangos, to spacey soundscapes with a mixture of jazz and electronics. All titles have that Saravah or Nato approach to the work, though – with a style of avant garde that's never too angry, never too overblown, and which always stops for a bit of whimsy. Titles include "Conil", "Adios", "J'Accepte", "Palais De La Decouverte", and "Azpeitia". LP, Vinyl record album

Beats by Howie Tee. Includes "Roxanne's On A Roll", "Look But Don't Touch", "Early Early (La La)", "Her Bad Self", "Respect" and "Get Up On The Get Down". 10 tracks in all. LP, Vinyl record album

An excellent album of 50s work from Edgar Sampson – an older saxophonist from the swing years in Harlem, and a heck of a great composer as well! The session features Sampson revisiting 12 of his famous classics – including a number that were big tunes in the Benny Goodman and Chick Webb books. Players on the set include Mile Yaner and Hymie Schertzer on alto saxes, Boomie Richman and George Berg on tenor, Charlie Shavers on trumpet, and Tyree Gleen and Lou McGarity on trombone. Titles include "Happy & Satisfied", "Lullaby Of Rhythm", "If Dreams Come True", "Cool & Groovy", "Blue Lou", and "Don't Be That Way". LP, Vinyl record album

A rootsy rock classic from Seatrain – a group who maybe aren't as well-remembered these days as they should be – but who set off a lot of fires with this set! The group work in territory that's close to The Band or Little Feat – and in fact they cover a song by the latter at once point – yet they also recorded this album in the UK, with production by George Martin – whose studio warmth brings a different quality to the record than you might hear if they were recording in the US. Lead vocals are by Peter Rowan and Lloyd Baskin – and titles include "Oh My Love", "Waiting For Elijah", "13 Questions", "Out Where The Hills", "Home To You", and "I'm Willin" – plus an unusual take on the acoustic music classic "Orange Blossom Special". LP, Vinyl record album

A great little album from Nina – mostly recorded live at the Westbury Music Fair, with a hip mix of jazz, soul, and folk that's stretched out in a slightly informal setting that always brings out the best of Nina's vocals. Titles include "The Backlash Blues", "Please Read Me", "Sunday In Savannah", "Why? (The King Of Love Is Dead)", and the nice jazzer "In The Morning". Plus, the album also includes one straight soul number – "Do What You Gotta Do", with some great arrangements by Horace Ott. LP, Vinyl record album

A record of free-thinking jazz – recorded by a trio from Chicago, featuring drummer Paul Wertico, reedman Rich Corpolongo, and bassist Doug Loftstrom. There's a frenetic, choppy sound here that at one level seems to take off from European fusion groups of the 70s – yet also point the way towards the later Chicago experiments of the NRG Ensemble, and some of the better improvisations to emerge in the Vandermark years (and if we had to be honest, we'd say that this one has much more the quality level of the Okka Disk era than the overdone modes of the NRG years.) Many tunes are quite subtle, and along with the core instrumentation of the trio, players also bring in a lot of added percussion and effects. Titles include "Flutter Wings", "Bird Dirge", "Chinese New Year", "No Survivors", and "March Of The Schnatskis". LP, Vinyl record album

Moody musings from guitarist Ralph Towner – recorded here on 12-string and classical guitar, plus a bit of piano – and working with a quartet that includes Jan Garbarek on sax and flute, Eberhard Weber on bass and cello, and Jon Christensen on drums and percussion. The group do a nice job of mixing up sweeter Towner moments with numbers that have a darker, almost noisier edge at times – and Garbarek's work on soprano sax gives the record some of its best moments. Early genius on ECM! Titles include the slightly funky "Piscean Dance", plus "Sand", "Red & Black", "Oceanus", "Visitation", and "Drifting Petals". LP, Vinyl record album

An important larger work from Duke Ellington – a suite of tracks that encompasses a range of styles and emotions in African-American expression! The work features some key guest work from Mahalia Jackson – singing here in a way that's different than other vocalists who worked with Duke in the 50s – much more steeped in a rootsy tradition. Group members include John Sanders, Harry Carney, Ray Nance, Quentin Jackson, and Cat Anderson – and the piece is divided into 6 sections, and includes the famous "Come Sunday" theme throughout most of the second half. LP, Vinyl record album

Great stuff from Sonny Fortune – emerging here as a strong leader with a spiritual soulful style that was steeped in traditions from labels like Strata East and Muse, but which also worked quite well in the slightly-expanded setting of A&M's Horizon projects. The group here is a well-selected one – with John Hicks and Kenny Barron on piano, Charles Sullivan on trumpet, Wayne Dockery and Reggie Workman on bass, and Billy Hart on drums. Fortune really knows when to sit back and let the group groove – but he also burns away strongly on his own solos. Titles include "Triple Threat", "Nommo", "Sunshower", and "Awakening". LP, Vinyl record album

An excellent session – very much in the mode of Eddie's groundbreaking work from the early 70s, when he was mixing together some incredibly complicated piano lines with newer styles of Latin jazz. The album's about half vocal, half instrumental – with a very strong jazz component that's made even better through the percussion work of Milton Cardona and Francisco Aquabella. Eddie's piano is the real treat, though – and it's incredible on tracks like "Just A Little Dream", "Azucar", "La Libertad", and "Verdict On Judge Street". The album does have one semi-weak number called "Humpty Dumpty", a smoother soul track – but you can skip over it and enjoy the rest of the great jazz! LP, Vinyl record album

Way more than the disco cash-in some folks thought at the time – and a surprisingly classic set that perfectly sums up the late 70s Stones ethos – and, in a way, the vibe of a changing New York! Titles include "Miss You", "Beast Of Burden", "Shattered", "Imagination", "Lies", "Far Away Eyes" and "When The Whip Comes Down". LP, Vinyl record album

Pretty great work from Toure Kunda – one of the best of the New Africa acts to record for Celluloid during the 80s! The album's got a bit of electro modernism in the mix, thanks to production by Bill Laswell – and guest keyboards by Bernie Worrell. The overall sound is very tight, and very catchy – with a few tunes that really predate the Afro pop/world music style by a number of years. Tracks include the leadoff monster "Toure Kunda", plus "Fode", "Natalia", "M'Barring", "Babacady", "Nidiaye", and "Duunya" LP, Vinyl record album

The genius of Phil Woods emerges fully on this rare album from 1957 – an unusually-titled session, and one of the few to really set Phil up in a looser, more intimate setting! The approach is a bit like Woods sublime work for Epic Records, but more soulful too – and very different than some of his chamber jazz work on RCA, or the more blowing-session styled records on Prestige. Here, everything falls into place beautifully – as Phil's razor-sharp tones sparkle strongly on some well-conceived tracks that also feature trumpet work by Ray Copeland – and rhythm from the trio of Red Garland on piano, Teddy Kotick on bass, and Nick Stabulas on drums. The tunes are bop-oriented, but Woods already stretches out way past any cliches – really finding his voice and showing a tremendous amount of growth in just a few years. Titles include "Steeplechase", "Au Prive", "Last Fling", "Sugan", and "Green Pines". LP, Vinyl record album

Way more than just an album with Gene Ammons as a leader – and instead, a set with a great array of supporting players, and a very loose, open-ended jam session style that lets everyone get in plenty of solo space! Ammons' tenor is tremendous, but he's also a great collaborator here, too – working with Idrees Suliman on trumpet, Pepper Adams on baritone, Mal Waldron on piano, Art Taylor on drums, Doug Watkins on bass, and Ray Barretto on conga – in a mode that's maybe slightly tighter than some of the blowing sessions Prestige was doing at the time, but which still has that key longform creative energy that made the hardbop generation so great. Titles include "Blue Gene", "Scamperin", "Blue Greens n Beans", and "Hip Tip" – and all tracks are long, with plenty of focus on solos! LP, Vinyl record album

A brilliant jazz rock jammer from Brian Auger – recorded here with a bit more effects than usual, in a nicely tripped-out way that makes us forgive the vocals and really get into the grooves of the tunes! The group seems even tighter than ever – but never too slick or rocking – just focused on a core grooving style of keyboards, bass, guitar, and drums – topped off by some processed vocals on most numbers, but done in a way that glides along with the electric feel of the tracks. The set includes a great remakes of "Freedom Jazz Dance" – quite possibly the funkiest we've ever heard – plus the cuts "Second Wind", "Don't Look Away", "Just You Just Me", and "Truth". LP, Vinyl record album

A big hit for the group – and a great album of smooth funky soul! Spirit is a perfect example of the way that Earth Wind & Fire could tighten things up, yet still keep them real – holding onto the deeply spiritual side that first made them great – but also focusing their energy towards a wider audience that showed their influence for years! Of course, with Charles Stepney helping out on production, it's hard to miss – and he's one of the few cats who could handle a blend like this so well. The compression in the band's playing is impeccable – with just the right mix of spacey spiritualism, sophisticated jazzy playing, and a straight ahead love of the soulful hook. Includes the instrumentals "Biyo" and "Departure", plus the vocal tracks "Earth Wind & Fire","Burnin Bush", "Spirit", "Imagination", and "Getaway", all produced to perfection by Maurice White and Charles Stepney! LP, Vinyl record album

A great little album from The Emotions – largely because it sounds a lot like prime mid 70s Earth Wind & Fire, with female vocals added over the top – ultimately, pulling away with a soulful charm all its own! Maurice White produced the whole set, and it's got a soaring spacey sound that provides a perfect spiritual edge to the girls vocals – taking them way past the hits, into much more sophisticated soul territory. There's a beautifully righteous vibe going on throughout – a sound that's almost like Minnie Riperton at her 70s Capitol best – and titles include "Love Vibes", "Walking The Line", "Time Is Passing By", "I Wouldn't Lie", "Smile", and "Spirit Of Summer". LP, Vinyl record album

A pretty darn big collection of work from the 4 Tops – collecting the best of their early years at Motown on up through the 70s. There's a total of 39 tracks on the set, and titles include "Baby I Need Your Loving", "Ask The Lonely", "I Can't Help Myself (Sugar Pie Honey Bunch)", "It's The Same Old Song", "Something About You", "Loving You Is Sweeter Than Ever", "Reach Out I'll Be There", "Standing In The Shadows Of Love", "I Got A Feeling", "Bernadette", "I'll Turn To Stone", "You Keep Running Away", "Walk Away Renee","If I Were A Carpenter", "Yesterday's Dreams", "Climb Ev'ry Mountain", "Everybody's Talking", "Reflections", "For Once In My Life", "A Place In The Sun", "Can't Seem To Get You Out Of My Mind", "Don't Let Him Take Your Love From Me", "It's All In The Game", "Still Water (Love)", "In These Changing Times", "You Gotta Have Love In Your Heart" and "(It's) The Way Nature Planned It". LP, Vinyl record album

A split LP that offers some key tracks from the classic Dave Mackay & Vicky Hamilton album on Impulse from 1968, plus later piano trio recordings by Dave from 1982! Dave & Vicky are represented here by the first 4 tracks on the record – "Blues For Hari", "Here", Now", and "3 For 5" – and on these tunes, the pair are sort of like a hip version of Jackie & Roy – usually singing together on their tracks, with a mixed male/female vocal approach that sounds totally great – and which really fits the breezy mood of the tunes on the set! Dave himself plays Fender Rhodes and piano – along with an odd little combo that includes flute and tenor played by Ira Schulman, percussion by Francisco Aguabella, and guest sitar by by Ray Neapolitan. Other tracks on the album are all from 1982, and feature Dave in warmer trio context with Andy Simpkins on bass and Joey Baron on drums. Titles include "Hands", "The Andyman Suite", and "Triste". LP, Vinyl record album

A mindblowing solo set from Curtis Mayfield – a record that not only foregrounds all the subtle politics he'd been forging in the Impressions during the 60s – but one that also really has Mayfield exploding as a force to be reckoned with in the studio! The album's a personal masterpiece – to the career of Curtis what the early solo albums of Issac Hayes were to his own genius – a bold, unfettered statement of pride and power – of the sort that would both make Mayfield and the Curtom Records label forces to be reckoned with in the 70s. Every cut is a classic – and titles include "Move On Up", "If There's a Hell Below We're All Gonna Go", "Miss Black America", "Wild & Free", "Give It Up", "The Makings Of You", "The Other Side Of Town", and "We the People Who Are Darker Than Blue". LP, Vinyl record album

A rare moment in the David Axelrod years at Capitol Records – a set that has the Axe producing sounds by older maestro David Rose! Rose is a lot groovier in the setting – as you might expect – and all the instrumental tunes are new compositions for the record. Tracks include "Look Above", "Busy Afternoon", "Victoria", and "On a Misty Day". LP, Vinyl record album

A lightly grooving set from organist Shirley Scott – never that earth-shattering, but a pretty great album nonetheless! Shirley's keys dance nicely around rhythms from Earl May on bass and Roy Brooks on drums – never too complicated, but a bit more progressive than usual – and set up in a way that really lets the Hammond dominate the tracks, and stretch out in a bit more improvisation than some of Scott's other Prestige sessions. Tracks are slightly long, and titles include "Happy Talk", "Jitterbug Waltz", "My Romance", "Where Or When", and "Sweet Slumber". LP, Vinyl record album

A real standout set from Tony Scott's 50s catalog – an album that features his sweetly fluid clarinet lines backed by a larger orchestra that includes Gigi Gryce, Sahib Shihab, Zoot Sims, Frank Wess, Thad Jones, and Frank Foster! The format's less bop-oriented than some of Tony's other records from the time, but the expansive sound of the larger group is really great – and brings a sense of drama to the record that seems to push Tony a bit more than usual. Some tracks feature incredible solo work that has Scott really stretching the instrument, almost in a way that foreshadows stronger 60s use of soprano saxophone – and arrangements from Bill Evans, John Carisi, Nat Pierce, and Sonny Truitt help to keep the overall sound of the album fresh throughout. Titles include "The Lady Is A Tramp", "Skylark", "I'll Remember April", "Walkin", "Under A Blanket Of Blue", and 2 very nice extended numbers – "Finger Poppin Blues" and "Time To Go". LP, Vinyl record album

Sublime guitar work from the great Johnny Smith – a musician who was years ahead of his time, and influenced a generation with his clean, clear tone on the instrument! Smith's in a perfect setting here – a Roost label quartet date that includes Bob Pancost on piano, George Roumanis on bass, and Mousie Alexander on drums – a very understated group that really lets Johnny's wonderful tones and colors stand strongly out front! Titles include "0500 Blues", "Old Girl", "Tired Blood", "Un Poco Loco", and "More Bass". LP, Vinyl record album

A classic album by Keely Smith – Louis Prima's one-time wife and classic singing partner, working here on her own! Swingin Pretty features arrangements by Nelson Riddle – showcasing Keely as a great singer in her own right, able to work in that sophisticated jazz-based style that you'd find with the best Capitol singers, like Frank Sinatra, Peggy Lee, or Nat King Cole. Titles include "It's Magic", "Indian Love Call", "Someone To Watch Over Me", "Stormy Weather", and "There Will Never Be Another You". LP, Vinyl record album