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Close matches: 93
Close matches1
CD, LP, Vinyl record album cover art
Eric AlexanderMode For Mabes ... CD
Delmark, 1998. Used ... $6.99
A dynamic sextet outing from tenor saxophonist Eric Alexander – easily one of the best straight jazz albums recorded by the Delmark label in the 90s, put together with a rock-solid sound all the way through! Alexander's tenor would be enough to make the record great, but the album also features piano from perfect partner Harold Mabern – once Eric's teacher, but a player who's set on fire anew by his presence on dates like these. Other members of the group include trumpeter Jim Rotondi – nicely focused in the frontline here, and matching Alexander and trombonist Steve Davis on the heads with a classic sort of Blue Note energy. Bass is by John Webber and drums are by George Fludas – and titles include a great modal reading of "Naima", plus "Mode For Mabes", "Sugar Ray", "Erik The Red", "Love Thy Neighbor", "Stay Straight", and "For Heaven's Sake". CD

Close matches2
CD, LP, Vinyl record album cover art
Eric AlexanderUp, Over & Out ... CD
Delmark, 1993. Used ... $6.99
Clear, clean, and tremendous tenor work from a young Eric Alexander – working here in one of his early partnerships with pianist Harold Mabern – in a way that really helps to re-direct Mabern's energy, and take him back to the glory days of his recordings in the 60s! Alexander's tenor has a classic sound here that's wonderful – focused and very sure of itself, and able to roll out on longer numbers with a great sense of imagination that avoids any too-easy notes or hackneyed choices. Mabern follows suit strongly – sounding better than on any of his trio records from the same period, and matching Alexander's youthful energy with some soaring lines of his own – often in a modal mode that seems to bring out the best in both players. Drums are by the rock-solid Joe Farnsworth, and bass is by John Ore – on tracks that include "Up Over & Out", "Eronel", "Flying Fish", "Blues For Mabe", "I Remember Clifford", and "Bewitched". CD
(Booklet has a sticker remnant.)

Close matches3
CD, LP, Vinyl record album cover art
Art Ensemble Of ChicagoLive At Mandel Hall ... LP
Delmark, 1972. Very Good+ 2LP Gatefold ... $19.99
One of the best post-Paris live dates by the Art Ensemble Of Chicago – recorded right on their southside home turf in Chicago, as something of a homecoming after their years abroad! The performance is really one continuous piece, divided up into chapters – and it starts off with an intensity that's bolder than much of the group's previous recordings – an almost-free sort of sound that's quite raw, and which must have been a great way to announce their presence back on the Chicago scene. As the piece moves on, it slows a bit in pace, and opens up more in mood – but always has an edge that's quite distinct – almost free of some of the wit that marked the Ensemble's work from a few years before. The core lineup features Lester Bowie on trumpet and flugelhorn, Roscoe Mitchell and Joseph Jarman on saxes, Malachi Favors on bass, and Don Moye on drums and percussion – but as always, all players get their hands on plenty of other instruments during the performance – an array of horns, gongs, bells, whistles, bike horns, and more – all used to great effect! Sections of the work are titled "Duffvipels", "Checkmate", "Dautalty", and "Mata Kimasu". LP, Vinyl record album

Close matches4
CD, LP, Vinyl record album cover art
✨✧ Jim BakerMore Questions Than Answers ... CD
Delmark, 2005. Used ... $3.99
CD

Close matches5
CD, LP, Vinyl record album cover art
Lurrie BellMercurial Son ... CD
Delmark, 1995. Used ... $3.99
CD
(Barcode has a cutout hole.)

Close matches6
CD, LP, Vinyl record album cover art
Josh BermanDance & A Hop ... CD
Delmark, 2015. New Copy ... $11.99 15.99
Tremendous work from the great Josh Berman – one of the most important musicians on the Chicago underground scene of the past decade or so – not just for his work on cornet, but also for his warmly collaborative and supportive spirit! That quality really comes through here – on a trio date that has Josh's horn with Jason Roebke on bass and Frank Rosaly on drums – all working together in this very special, very individual style – one that seems to embrace so many different decades of jazz at once – from the early trad phraseologists admired by Berman, to the postwar modern that's resurfaced in the recent Chicago scene, to the 21st Century experiments that all three members have engaged in! All the music is composed, but the performance has a looseness that almost feels improvised – save for the sense of cohesion in the tunes, and that no player ever steps too far outside – even though all of them are pretty darn freewheeling. We're not sure we've ever even heard a cornet trio before – but even if we had, there's never been anything like this – as you'll hear on titles that include "Cold Snap", "Today's Date", "Mint", "Your Uncle", "Time/Trouble", "Wooden", "Bridges", and "Luggage". CD

Close matches7
CD, LP, Vinyl record album cover art
Anthony Braxton3 Compositions Of New Jazz ... LP
Delmark, 1968. New Copy (reissue)... $12.99
Even at an early age, Anthony Braxton was already experimenting with new forms of jazz composition – and this 1968 debut as a leader is filled with the imaginative approaches to music that would make him a key shaper of jazz in the next decade! The tracks here are all quite long, and although free-sounding, still have an intrisic logic dictated by Braxton's compositional ideals – played by himself on alto, soprano sax, clarinet, flute, and a variety of other instruments – in a quartet that features Leo Smith on trumpet and mellophone, Muhal Richard Abrams on piano and cello, and Leroy Jenkins on violin and viola. In true AACM fashion, all players pick up other instruments as the tunes roll on – percussion bits, kazoo, slide whistle, bells, and more – almost more Art Ensemble-like than some of Braxton's more tightly-controlled environments on later records. Titles include two pieces titled in Braxton's equation-like style – plus "The Bell". LP, Vinyl record album

Close matches8
CD, LP, Vinyl record album cover art
Anthony BraxtonFour Compositions (GTM) 2000 ... CD
Delmark, 2000. Used ... $9.99
CD

Close matches9
CD, LP, Vinyl record album cover art
Bright MomentsReturn Of The Lost Tribe ... CD
Delmark, 1997. Used ... $6.99
Great late spiritual work from the AACM – with Joseph Jarman on alto, Kalaparusha Maurice McIntyre on tenor, Steve Colson on piano, Malachi Favors on bass, and Kahil El'Zabar on drums and percussion! CD
(Punch through barcode.)

Close matches10
CD, LP, Vinyl record album cover art
Andy BrownDirect Call ... CD
Delmark, 2016. Used ... $5.99
A solid set from Chicago guitarist Andy Brown – a nicely understated player, but a great one too – working here with a very classic sense of tone, and a great chromatic range on his instrument! Brown knows how to inflect his chords in just the right way – making simple moments come across with a subtle sense of power – alongside an easygoing combo who really gives him plenty of time to shine out front in the lead! Quartet members include Jeremy Kahn on piano, Phil Gratteau on drums, and Joe Policastro on bass – and titles include "Funk In Deep Freeze", "Ela E Carioca", "Catch Me", "One Morning In May", "Relaxing", "El Cajon", and "Jeep Is Jumpin". CD
(Barcode has a cutout hole.)

Close matches11
CD, LP, Vinyl record album cover art
Ari BrownGroove Awakening ... CD
Delmark, 2013. Used ... $7.99
The great Ari Brown, in wonderful form – hardly a player who needs any awakening at all, since he's been working strongly on the Chicago scene since the 70s! Ari's done famous work with his group The Awakening, Ramsey Lewis, and other bigger names – but we've really grown to love his music on his own – consistently fresh and inventive, yet rooted in a strong Chicago tradition of soulful soloing as well! The record's got Brown in the company of some very familiar players – Avreeayl Ra on drums, Yosef Ben Israel on bass, and the younger Kirk Brown on piano – with extra percussion from Dr Cuz, which really creates a sweet groove for Ari's lead work on tenor and soprano sax. Tunes are mostly originals – great numbers penned by Brown – and titles include "One For Ken", "Enka", "Veda's Dance", "Wayne's Trane", "Give Thanks", and "Groove Awakening". CD
(Barcode has a cutout hole.)

Close matches12
CD, LP, Vinyl record album cover art
Ernest DawkinsMean Ameen ... CD
Delmark, 2004. Used ... $4.99
CD
(Punch through barcode.)

Close matches13
CD, LP, Vinyl record album cover art
Corey DennisonCorey Dennison Band ... CD
Delmark, 2016. Used ... $7.99
Corey Dennison's making one of his trademark growls of expression on the cover – a gritty grimace that seems to come from down deep inside and really inflect his music with a surprising amount of soul! Dennison's a midwestern bluesman, but has roots in the south – which really come through on this record – both in the swamp-styled way he inflects his guitar, and the soulful currents he brings to his vocals – an approach that's often as unabashed as blue-eyed southerners from the past, like Tony Joe White or Wayne Cochran. Corey's more blues-based overall, but still has that wide range we love in both of those artists – and titles are all originals, and include "She's No Good", "Room To Breathe", "The Deacon", "Getcha Pull", "Tugboat Blues", and "Good Enuff". CD
(Punch through barcode.)

Close matches14
CD, LP, Vinyl record album cover art
Ethnic Heritage EnsembleFreedom Jazz Dance ... CD
Delmark, 1999. Used ... $6.99
CD
(Barcode has a cutout hole.)

Close matches15
CD, LP, Vinyl record album cover art
Scott Fields EnsembleMamet ... CD
Delmark, 2000. Used ... $1.99
CD
(Punch through barcode.)

Close matches16
CD, LP, Vinyl record album cover art
Jimmy ForrestAll The Gin Is Gone ... CD
Delmark, 1959. Used ... $5.99
An excellent album that fits in nicely with Jimmy Forrest's early 60s sides for Prestige! The set was recorded in the company of one of Forrest's hometown talents from St Louis – the great Grant Green, who was quite young at the time – as well as with Harold Mabern on piano and Elvin Jones on drums. The quality of the playing's a bit rougher than on Forrest's Prestige sides, but in a good way that brings out a deeply soulful quality in the set. Titles include "Sunkenfoal", "Laura", "Myra", "Caravan", and "All The Gin Is Gone". CD

Close matches17
CD, LP, Vinyl record album cover art
Jimmy ForrestBlack Forrest – Previously Unissued Recordings With Grant Green & Elvin Jones ... LP
Delmark, Early 60s/1972. Very Good+ ... $14.99
Great material from the sessions for Jimmy Forrest's album All The Gin Is Gone – recorded by Delmark back in their early days, and done with an underground groove that Jimmy didn't always get on record! The core group on the album features players Jimmy was working with under the leadership of Harry Edison – drummer Elvin Jones, pianist Harold Mabern, and bassist Gene Ramey – and a very young Grant Green sits in on guitar on a few of the album's best numbers. Titles include alternates of tracks from All The Gin, plus other numbers new to the set – and tracks include "Dog It", "Black Forrest", "Sunkefoal", "These Foolish Things", "You Go To My Head", "All The Gin Is Gone", and "What's New". LP, Vinyl record album
(Lincoln Ave pressing. Cover has an old price sticker.)

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Keefe Jackson & Jason AdasiewiczRows & Rows ... CD
Delmark, 2016. Used ... $7.99
Mindblowing sounds from two of the most creative musicians on the contemporary Chicago scene – coming together in a setting that really brings out the best of both of them! Keefe Jackson's a reedman who can blow with a strong sense of freedom, but never lose his way – and, like session partner Jason Adasiewicz, he often operates in a post-free mode that knows all the farther reaches of the sonic territory, but often sticks closest to the most meaningful, tonally expressive areas! That approach – heard here on tenor and bass clarinet – makes a wonderful combination with Jason's vibes, which we've raved about countless times – and which have never sounded better, here. Adasiewicz is easily one of the most important musicians on his instrument in decades – and a record like this just continues that reign in an amazing way. Titles include "Rows & Rows", "Cannon From The Nothing Suite", "Thunder Cooker", "Caballo Ballo", "Where's Mine", and "A Rose Heading". CD
(Barcode has a cutout hole.)

Close matches19
CD, LP, Vinyl record album cover art
Bunk JohnsonLast Testament ... CD
Delmark, 1947. Used ... $1.99
CD
(Punch through barcode.)

Close matches20
CD, LP, Vinyl record album cover art
Guy KingTruth ... CD
Delmark, 2016. Used ... $6.99
CD
(Barcode has a cutout hole.)
 
Possible matches: 4
Possible matches94
CD, LP, Vinyl record album cover art
Jack DeJohnetteMade In Chicago ... CD
ECM (Germany), 2015. New Copy ... $16.99 18.99
A brilliant reunion of some key members of the AACM in Chicago – recorded at the Chicago Jazz Festival in a stunning performance that features drummer Jack DeJohnette in the lead, plus Muhal Richard Abrams on piano, Henry Threadgill on alto and flute, and Roscoe Mitchell on a variety of reeds! Bassist Larry Gray completes the group, and also plays a bit of cello – and the music has this wonderfully freewheeling, organic quality that really takes us back to the early years of the avant scene in Chicago – that very special sense of improvisation that the players forged back in the day – with an especially sonic-sensitive ear tuned towards the musicianship. The album is neither the usual ECM mode, nor even what we'd expect from DeJohnette – and instead takes us back to the earliest utterings from Chicago on labels like Delmark or Nessa. Titles include "Chant", "Jack 5", "Leave Don't Go Away", "Ten Minutes", and "Museum Of Time". CD

Possible matches95
CD, LP, Vinyl record album cover art
✨✧ Luther Johnson with Muddy Waters Blues BandCome On Home ... LP
Douglas, Late 60s. New Copy (reissue)... Temporarily Out Of Stock
Wild guitar from Luther Johnson – an obscure earlier session recorded with a nicely gritty feel, and a fair bit of funk in the rhythms too! The group's billed as the Muddy Waters Blues Band – and Muddy appears to be on the record, although the notes are a bit lean – and the album features a number of great instrumentals, with really ripping guitar solos – plus a few vocal tracks too. The record's got a raw sound that's more of a Delmark Chicago blues vibe than a Chess Records one – and titles include "Top Of The Boogaloo", "Sting It", "Natural Wig", "Blues For Hippies", "Remember Me", "Snake", and "Sad Day Uptown". LP, Vinyl record album

Possible matches96
CD, LP, Vinyl record album cover art
✨✧ Henry ThreadgillJust The Facts & Pass The Bucket ... CD
About Time, 1983. New Copy ... Temporarily Out Of Stock
Overlooked genius from Henry Threadgill – one of his under-exposed 80s sessions for the About Time label, and work that's every bit as great as his better-known sides for Delmark or Black Saint! The group here has a nice sense of freedom and interplay – almost a quality that hearkens back to Threadgill's roots in the AACM, thanks to strong contributions from Craig Harris on trombone, Olu Dara on trumpet, Fred Hopkins on bass, Deidre Murray on cello, and both Pheeroan Aklaff and John Betsch on percussion. The tracks are nicely arranged, but never too stiffly – and titles include "Cremation", "Black Blues", "Gateway", and "Just The Facts And Pass The Bucket". CD

Possible matches97
CD, LP, Vinyl record album cover art
✨✧ Anthony BraxtonSaxophone Improvisations – Series F (2LP version) ... LP
America (France), Early 70s. Used 2LP Gatefold ... Out Of Stock
Proof that Anthony Braxton on his own could generate as much excitement as a whole group of other players! The album's a key work in the tradition of Braxton's seminal For Alto session for Delmark – played on alto sax as well, and featuring Braxton in solo exploration of a variety of original compositions – all named with unique mathematical formulas, but delivered with an intensely personal sound that's anything but academic! Braxton's work on the alto here is some of the greatest of the time – an exploration of realms of the instrument hardly ever expected – and a rich journey that takes along bits of Parker, Stitt, and Konitz – but comes up with a sound that can only be described as Braxton at his purest! Surprisingly soulful throughout, and a great example of why we treasure solo Braxton so highly. LP, Vinyl record album
 
 
 



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