All Categories — Vinyl
CDs (299) new/used, Vinyl (202) new/used, LPs (189) new/used, 12-inch (4 used), 7-inch (3) new/used, 78 RPM (6), Cassettes (1), Books (1), All (503)
Cham 
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Exact matches: 1
1
Baby Cham —
Wow The Story ... LP 
Artists Only, 2000. Very Good+ ... Out Of Stock
... LP, Vinyl record album
(Cover has light wear & an index sticker.)
Possible matches: 1
2
Various —
Riddim Driven – Fiesta ... LP VP, 2003. Near Mint- ... Temporarily Out Of Stock
With selections by Beenie Man & Ms Thing, Baby Cham, Lady Saw, Elephant Man, Ms Thing, Beenie Man & J, Tanto Metro & Devonte, Cobra, Akon, and Kardinal Offishall. LP, Vinyl record album
(Cover has a promo stamp and is lightly bent at the bottom left corner.)
Partial matches: 142
3
Concord, 1979. Sealed ... $14.99
With Bob Magnusson on bass and Jeff Hamilton on drums. LP, Vinyl record album
4
Columbia, 1950. Very Good ... $1.99
... LP, Vinyl record album
(Original blue label pressing with deep groove. Cover has split top & bottom seams, light wear & aging.)
5
London, Late 60s. Very Good+ ... $5.99 7.99
... LP, Vinyl record album
(Red label stereo pressing with deep groove – 1W/1W. Cover has light wear and aging.)
6
Columbia, Late 60s/
Heavy soul with a good dose of rock – the trademark sound of The Chambers Brothers, heard here during the height of their Columbia Records years! Although previously more of a folksy sort of combo, the group really took off during their time with Columbia – hitting whole new strides in their sound with a rich blend of contemporary influences, all supported by a deeply soulful sound that was rooted in tradition. The approach is heard most famously on their classic "Time Has Come Today" – but the whole set's great, and other cuts include the massively funky "Funky" – plus the tracks "Love Peace & Happiness", "Let's Do It", "In The Midnight Hour", "I Can't Turn You Loose", and "All Strung Out Over You". LP, Vinyl record album
(70s pressing. Cover has light wear.)
7
Columbia, Late 60s. Near Mint- 2LP Gatefold ... $11.99
A 2LP set of work by The Chambers Brothers – one studio disc, and one live one, recorded at the height of their fame before a very lively audience! Disc one features Love Peace & Happiness – a set that features a number of original tracks, played with a harder soul feel than some of their other records at the time. Includes the extended "Love Peace & Happiness" suite, plus the funky "If You Want Me To", and "Have A Little Faith", "Wake Up", and "Let's Do It". Disc two features a live set at the Fillmore East – with Chambers-y versions of tunes like "People Get Ready", "Everybody Needs Somebody", "I Can't Turn You Loose", "Bang Bang", and "You're So Fine". LP, Vinyl record album
(360 Sound stereo pressing with white text. Cover has a split on the top seam, light surface wear, and aging.)
8
Challenge, 1958. Good ... $24.99
A shot of tequila and a whole lot more – one of the few albums issued by the legendary Champs, a group who helped reinvent the sound of instrumental rock at the start of the 60s! The group's classic "Tequila" is a very familiar mix of raunchy sax, strutting guitar, and some slightly south of the border rhythms – and the other tunes here follow suit beautifully – offering up some of the grittiest side of late 50s/
(Original 2-color label pressing! Cover has a split bottom seam with wide clear tape, light wear on spine, light surface wear & aging.)
9
Dee Gee, 1951. Good ... $4.99
... 78 RPM, Vinyl record
10
Argo, 1955. Very Good- ... $14.99
Beautiful work from Jamal's early Chicago years – and a perfectly titled set that really gets at the differences he made in modern jazz! The tunes are wonderfully fluid, soulful, and swinging – but not in the gutbuckety style of other trios of the time, more in a lightly modern style that features almost equal interplay between Jamal's piano, the bass of Israel Crosby, and the guitar of the wonderful Ray Crawford – who really ads an amazing touch to the record. Tracks include the great original "New Rhumba", plus cool versions of "Jeff", "Darn That Dream", "Spring Is Here", and "All Of You". LP, Vinyl record album
(Mono black label pressing with deep groove. Vinyl has oxidation and plays with surface noise. Cover has center ring wear with patchy peel spots, small top seam split.)
11
RCA, 1977. Very Good ... $9.99
Wonderfully smooth soul from Evelyn Champagne King – one of her real standouts from the early days, and a tremendous collaboration with producer/
(Original pressing in the cover with a flower border. Cover has some light wear and a promo stamp.)
12
Specialty, Early 50s. Near Mint- ... $4.99 6.99
... 78 RPM, Vinyl record
(In a Specialty sleeve with some wrinkles.)
13
Liberty, Mid 60s. Sealed ... $29.99
One of the coolest records in the 60s surf/
(Sealed 60s stereo pressing. Cover has a small bit of light wear in one spot.)
14
Supraphon (Czech Republic), 1977. Very Good+ ... $4.99
... LP, Vinyl record album
(Blue label stereo pressing. Cover has some ringwear and a round sticker spot in back.)
15
Swisha House/
Tracks include "I'm A Playa" feat Three 6 Mafia, "They Don't Know" feat Mike Jones, "State To State" feat Freeway, "So Many Diamonds" feat TI, "Smooth Operator", "Sittin Sidewayz" feat Big Pokey, "Internet Going Nutz", "Trill" feat BG & Bun B, "Sippin Tha Barre", "Drive Slow" feat Kanye West & GLC, "Girl", "Big Ballin", "Sip-N-Get High" feat Aqualeo, and "Just Paul Wall". LP, Vinyl record album
(Clean edited promo in an Atlantic sleeve.)
16
Columbia, 1938. Near Mint- ... $7.99
... 78 RPM, Vinyl record
17
Charlie Ventura —
Synthesis/National, 1947. Near Mint- ... $6.99
... 78 RPM, Vinyl record
18
London, 1984. Near Mint- ... $7.99
... LP, Vinyl record album
(US pressing.)
19
Numero, 1970s/
Numero Group does it again – and manages to pull together all the best bits from the crucially overlooked powerpop scene in the Land Of Lincoln – a wealth of wonderful groups from the 70s and 80s, all of whom recorded great indie sounds in Illinois! Sure, you've heard of Cheap Trick, and maybe The Kind – but Illinois was also home to handfuls of other great groups – many of whom never found national fame, due to lack of access to the kind of A&R that groups on the coast were getting. The sound here is wonderful – razor sharp guitars, super-tight drums, and tuneful lyrics that still burst forth with plenty of power – a great reminder that not all the hot energy of the late 70s was going into punk rock. As usual, Numero's overdone themselves with the package – lots of info on the groups, and the kind of stylish package that even goes way beyond most of the original records too. Titles include "At Practice" by Band Jocks, "Get Away" by Julian Leal, "I Wanna Make You" by Prettyboys, "Midnight Girls" by Eyz, "Where Are You Now" by Tom Orsi, "More & More" by Lay Z, "See You Tonight" by Contra-Band, "Kyle" by Loose Lips, "Total Insanity" by The Kind, "So Lifelike" by The Jerks, and "I Have Always Loved You" by Paul. LP, Vinyl record album
Also available Buttons – From Champaign To Chicago ... CD 8.99(Includes a packet of 7-inch inserts and a Numero trading card.)
20
Bassline feat Lorraine Chambers —
You've Gone (orig, alternate mix)/Isle Of Jura (Australia), 2021. Near Mint- (pic cover)... Temporarily Out Of Stock
... 12-inch, Vinyl record
(Cover has light wear.)
21
Chameleons —
What Does Anything Mean? Basically ... LP Statik (UK), 1985. Near Mint- Gatefold ... Temporarily Out Of Stock
... LP, Vinyl record album
22
Giuliani/Columbia, Early 70s. Very Good+ ... Temporarily Out Of Stock
... LP, Vinyl record album
(Cover has small corner bumps and light wear.)
23
Haydn/Cambridge, Mid 1960s. Near Mint- ... Temporarily Out Of Stock
... LP, Vinyl record album
(Cover has some wear and aging.)
24
Raidge —
Chameleonz N Pirahnaz EP ... 12-inch New Realm Records, 1999. Sealed ... Temporarily Out Of Stock
... 12-inch, Vinyl record
25
Atlanta Rhythm Section —
Champagne Jam ... LP Polydor, 1978. Near Mint- ... Out Of Stock
A 70s classic from Atlanta Rhythm Section – a group with roots in southern rock, but one who also really picked up a great sort of AOR-styled sound, too – one that's often got this record showing up in as many soul collections as rock! The groove is often nice and laidback – these guys have chops, but don't need to hit you over the head with them – and the lead vocals of singer Ronnie Hammond are produced with this cool, compressed sound that has him filtering in especially well next to the keyboards on the record. This approach is heard to great effect on the group's classic "Imaginary Lover" – and on other cuts that include "Large Time", "I'm Not Gonna Let It Bother Me Tonight", "Normal Love", "The Great Escape", and "Evileen". LP, Vinyl record album
(In the embossed cover, with light wear.)
26
Bach —
3 Concerti For Harpsichord – BWV 1054, 1057, 1058 – Raymond Leppard/Philips (Holland), 1980. Near Mint- ... Out Of Stock
... LP, Vinyl record album
27
Bach —
Brandenburg Concertos Nos 1, 2, & 6 – Adolf Busch/Angel, 1935. Very Good+ ... Out Of Stock
... LP, Vinyl record album
(Late 50s mono pressing in the dowel spined slip-case cover, with some aging, small round sticker spot, and mostly split bottom seam.)
28
Bach —
Brandenburg Concertos Nos 3, 4, & 5 – Adolf Busch/Angel, 1935. Very Good+ ... Out Of Stock
... LP, Vinyl record album
(Late 50s mono pressing in the dowel spined slip-case cover, with some yellowing from age.)
29
Boccherini —
Guitar Quintets Nos 1, 2 & 7 – Pepe Romero/Philips (Netherlands), 1981. Near Mint- ... Out Of Stock
... LP, Vinyl record album
(Red label stereo pressing.)
30
Boccherini —
Guitar Quintets Nos 4, 5 & 6 – Pepe Romero/Philips (Netherlands), 1980. Near Mint- ... Out Of Stock
... LP, Vinyl record album
(Cover has an import sticker.)
31
Paul Chambers —
Bass On Top ... LP Blue Note, Late 50s. Near Mint- ... Out Of Stock
One of the most obscure of the Paul Chambers albums on Blue Note – and one of the most interesting as well! Although best known for his solid rhythm work on late 50s hardbop recordings, Chambers breaks out here with a more introspective, more exploratory style on the bass – using the instrument "on top", as a lead solo force in a group with Kenny Burrell on guitar, Hank Jones on piano, and Art Taylor on drums. The sound is surprisingly soulful, and modern yet swinging – in the manner of Oscar Pettiford's best sides of this style. Titles include "Yesterdays", "You'd Be So Nice To Come Home To", "Confessin", and "The Theme". LP, Vinyl record album
(Japanese King pressing, with insert – GXF 3016. Cover has light wear and a split spine – vinyl is great.)
32
Phil Hill/MGM, 1967. Very Good+ ... Out Of Stock
... LP, Vinyl record album
(Mono yellow label promo. Cover has light surface wear.)
33
Cannonball Adderley —
Cannonball Adderley Quintet In Chicago ... LP Mercury, 1959. Near Mint- ... $29.99
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city with Miles Davis' combo at the time – and since the rhythm section includes Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode! Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
Also available Cannonball Adderley Quintet In Chicago (180 gram pressing) ... LP 36.99(180 gram Acoustic Sounds Series.)
34
Gene Ammons —
Sock ... LP Prestige, 1965. Very Good- ... $8.99
A striking title – and a strong set of grooves, even if the tracks were pulled from a variety of different sessions, and not recorded as a unified album. Jug plays tenor on all cuts – working in formats that range from a Mal Waldron led trio to larger honking groups with horn players like Henderson Chambers, Cecil Payne, Nate Woodward, and Gene Easton. Tracks are short, and most are pretty rocking – with titles that include "Blue Coolade", "Short Stop", "Scam", "Sock", "What I Say", and "Rock Roll". LP, Vinyl record album
(Blue label pressing, with Van Gelder stamp. Cover has edge wear, light surface wear and aging.)
35
Riverside, 1959. Near Mint- ... $49.99
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for Pacific Jazz – but a bit more fleshed out by the other players in the set – who seem to push a bit more personality into the tunes, and not just let Chet's trumpet dominate. The sound is soft and gentle – as you'd expect from the title – and other players include Bill Evans, Pepper Adams, Kenny Burrell, Paul Chambers, Connie Kay and Philly Joe Jones – all bringing a bit of a New York undercurrent to the west coast Baker solo style. Titles include "How High the Moon", "It Never Entered My Mind", "If You Could See Me Now", "You'd Be So Nice To Come Home To", "Time On My Hands", and "You And The Night And Music". LP, Vinyl record album
(80s OJC pressing. Cover is bent a bit at the bottom corners.)
36
Prestige, 1958. Near Mint- ... $24.99
One of our favorite Kenny Burrell albums – and a record with a much deeper feel than lots of his other work! Kenny cut this album with John Coltrane in 1958 – and the session's a real standout in both of their careers at the time – Kenny's, for being a well-crafted, highly-focused effort – and Coltrane's, for being a unique outing with a guitar, but one that's done with the same deep-spirited sound of his best work for Prestige. The group's a quintet, with Tommy Flanagan, Paul Chambers and Jimmy Cobb in the rhythm section – and titles include "Big Paul", "Lyresto", "Why Was I Born?", "I Never Knew", and "Freight Trane". LP, Vinyl record album
Also available Kenny Burrell & John Coltrane ... CD 4.99(2016 OJC pressing on black vinyl.)
37
Prestige, 1958. Near Mint- ... $24.99
One of our favorite Kenny Burrell albums – and a record with a much deeper feel than lots of his other work! Kenny cut this album with John Coltrane in 1958 – and the session's a real standout in both of their careers at the time – Kenny's, for being a well-crafted, highly-focused effort – and Coltrane's, for being a unique outing with a guitar, but one that's done with the same deep-spirited sound of his best work for Prestige. The group's a quintet, with Tommy Flanagan, Paul Chambers and Jimmy Cobb in the rhythm section – and titles include "Big Paul", "Lyresto", "Why Was I Born?", "I Never Knew", and "Freight Trane". LP, Vinyl record album
(Green label pressing. Cover has a trace of a price sticker and light wear.)
38
Vee Jay, 1960. Near Mint- ... $14.99
Classic Vee Jay work by Jerry Butler – one of his later albums for the label, but featuring a number of early tracks written with Curtis Mayfield! Includes the classic early Impressions-type duet "He Will Break Your Heart" – plus the cuts "Thanks To You", "I Found A Love", "Butterfly", "Sweet Was The Wine", and "The Gift Of Love". LP, Vinyl record album
(Chameleon Music Group reissue in an older cover, with light ringwear and some heavy edge wear.)
39
Jerry Butler —
Ice On Ice ... LP Mercury, 1969. Very Good ... $5.99
Killer stuff – as Jerry's getting the full early Philly treatment here, with arrangements by Thom Bell, Bobby Martin, and Roland Chambers, and production by a young Gamble and Huff! The sound isn't nearly as icy as the old Vee Jay days – but that's fine with us, as Jerry is nice and soulful on tracks like "Moody Woman", "When You're Alone", "I Forgot To Remember", "Brand New Me", "What's The Use Of Breaking Up", and "Walking Around In Teardroops". Nice cover, too – with Jerry standing in a pile of fake diamonds! LP, Vinyl record album
(Cover has light wear.)
40
Blue Note, 1957. Near Mint- ... $199.99
Classic trio material from pianist Sonny Clark – a talent who left our planet all too soon, but who managed to record quite a number of really great albums for Blue Note in the second half of the 50s! Clark's talents were always great in a group with horns, but he's equally wonderful on a trio date like this – and gets a chance to show off both his strong sense of rhythm, and some more lyrical modes that really make the album sparkle – playing here in a perfect lineup with Paul Chambers on bass and Philly Joe Jones on drums. The set's easily one of the best straight trio sessions ever cut for Blue Note – tracks are longish, with a very hardbop groove – and titles include "Be Bop", "Two Bass Hit", "Tadd's Delight", and "Softly As In A Morning Sunrise". LP, Vinyl record album
Also available (200 Gram Japanese mono pressing, from the original master tapes – with obi! DBLP 028)
Sonny Clark Trio (180 gram pressing) ... LP 36.99
Sonny Clark Trio (Blue Note RVG pressing) ... CD 6.99
41
Freedom, 1965. Near Mint- ... $19.99
The first volume of Ornette's historic UK recording for Arista/
(Limited pink vinyl pressing from 2016.)
42
John Coltrane —
Blue Train ... LP Blue Note, 1957. Very Good ... $239.99
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". LP, Vinyl record album
Also available (New York stereo pressing, with ear and RVG/Stereo stamp. Vinyl is nice and clean, but has a short click on side two. Cover has light wear in one spot near the opening edge, but looks great overall.)
Blue Train (180 gram mono pressing) ... LP 36.99
Blue Train – The Complete Masters (2LP 180 gram stereo pressing – with bonus tracks) ... LP 51.99
43
Atlantic, 1960. Very Good+ ... $24.99
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! LP, Vinyl record album
(Green & red Rockefeller label pressing with Warner rim logo. Cover has light wear.)
44
Prestige, 1958/
An excellent double-length album that brings together a full session of material by John Coltrane – titles that were initially scattered over a number of different albums, but finally brought back together for this package! The album features Coltrane blowing in a quintet with trumpeter Wilbur Harden – making the set a nice counterpart to the Harden/
(Green label pressing. Cover has some ringwear, edge wear, and a Factory Sealed sticker in back. Labels have large Stereo stickers.)
45
Prestige, 1957. Very Good ... $149.99
A beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige albums from Trane, backing is by the trio of Red Garland piano, Paul Chambers bass, and Art Taylor drums – all holding back nicely when Coltrane opens up on his solos, but also coloring the tunes with soulful lyricism in a masterful understatement. The sound is about as classic as you can get during these early years in The Great One's career – and titles include "Traneing In", "Slow Dance", "Soft Lights & Sweet Music", and "Bass Blues". LP, Vinyl record album
(Mono yellow & black NJ pressing with deep groove and RVG stamp. Vinyl has a mark that clicks a bit on "Bass Blues". Cover has heavy edge wear at parts, small splits in the spine and bottom seam, and some stains in back along the seams and left edge.)
46
Prestige, 1955. Near Mint- 2LP Gatefold ... $29.99
A 70s 2LP set that brings together two of Miles' seminal mid 50s sessions for Prestige – Musings of Miles and Miles. The albums are united in that they both feature work by the Red Garland Trio on rhythm (Red, Philly Joe Jones, and either Paul Chambers or Oscar Pettiford) – and the later is especially great in that it features an early appearance by Coltrane, then pretty new to Miles' company. Tracks include "Sposin", "Stablemates", "Gal In Calico", "I Didn't", "Will You Still Be Mine", "Green Haze", and "The Theme". LP, Vinyl record album
(Cover has light wear and a tiny split in the top seam.)
47
Columbia, 1959. Near Mint- ... $58.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Early 70s stereo pressing – CS 8163. Cover has one spot of heavy top seam wear, but the rest of the cover looks nice.)
48
Columbia, 1961. Sealed ... $24.99
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You". LP, Vinyl record album
(Mid 80s Columbia Jazz Masterpieces pressing, still sealed with some price sticker remnants and a hole in back and a small hole at the bottom left corner.)
49
Columbia, 1958. Very Good- ... $23.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/
(Mono 6 eye pressing with deep groove. NOTE – cover is almost completely split, with surface wear & aging, a few ink stamps, tape remnant & faint staining on the edges.)
50
Prestige, 1955. Near Mint- ... $24.99
A huge moment in jazz – not just for trumpeter Miles Davis, but also for saxophonist John Coltrane – who was virtually introduced to the world at large with this record! As you might guess from the title, the record's the first to feature Coltrane playing along with Davis – a sublime combination that resulted in some key sides that forever helped shape the sound of jazz. Rhythm is by the famous trio of Red Garland, Paul Chambers, and Philly Joe Jones – and apart from the top-shelf solo work, the interplay between the horns is also fantastic. Titles include "Just Squeeze Me", "There Is No Greater Love", "How Am I To Know", "S'Posin", "The Theme", and "Stablemates". LP, Vinyl record album
(80s OJC pressing.)
51
Columbia, 1961. Very Good+ ... $24.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/
(70s pressing, PC 8456. Cover has light ring & edge wear, small split on the spine.)
52
Columbia, 1961. Sealed ... $24.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/
(Early 90s issue, still sealed.)
53
Prestige, 1958. Very Good+ ... $24.99
One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red Garland, Paul Chambers, and Philly Joe Jones. 7-inch, Vinyl record
54
Champagne (Canada), 1978. Near Mint- ... $29.99
... 12-inch, Vinyl record
(In a Champagne sleeve, with a small sticker at the top left corner.)
55
Prestige, 1958. Very Good ... $99.99
One of the best by Red Garland for Prestige – a totally cooking record that features some great added conga work from Ray Barretto! Ray's presence really helps the record live up to its Latin-styled title – and Garland's usual trio with Paul Chambers on bass and Art Taylor on drums seems to get a whole new life from the added percussion – really stepping things up with a bit more of a groove than usual! The title cut – "Manteca" – is an 8 minute jam that's gone onto become a real jazz dance classic – and other tracks include "Exactly Like You", "S'Wonderful", and "Mort's Report". LP, Vinyl record album
(Silver and black label NJ pressing with RVG stamp and AT etch. Cover has a bit of tape on the top and bottom seams – but still looks nice.)
56
Philips, 1963. Very Good+ ... $9.99
A rare 60s meeting of groovy talents from both sides of the Atlantic – and a record that matches the trumpet of Dizzy Gillespie with the hiply swinging vocals of The Double Six Of Paris! The group were a wonderfully groovy precursor to the Swingle Singers – and sung in a scatting approach to jazz vocals that was very much in the tradition of Lambert, Hendricks, & Ross – but also drew inspiration from the earlier work of Eddie Jefferson, King Pleasure, and others. Their sound is great – much more 60s groovy than some other vocal groups – and pairing them with Dizzy gives this record an added punch that some of their other sessions are missing! Backing is small combo throughout – with either Bud Powell or Kenny Barron on piano, Kenny Clarke on drums, and James Moody on tenor – and with the presence of Diz, most of the material here is of bop orientation – taken at a fast and lively clip! Lalo Schifrin arranged the whole session too – and titles include "One Bass Hit", "Blue N Boogie", "Emanon", "Groovin High", "Ow", "The Champ", "Tin Tin Deo", "Hot House", and "Con Alma". LP, Vinyl record album
Also available Dizzy Gillespie & The Double Six Of Paris (Japanese pressing) ... CD 21.99(Stereo black label pressing with deep groove. Cover has edge wear, spot of clear tape, aging, notes in pencil on the back.)
57
Vogue (France), 1953. Near Mint- ... $24.99
A very famous moment from Dizzy Gillespie – tracks from his famous concert at Salle Pleyel, in Paris, from 1953! Gillespie's in fine form throughout – working in a great mix of bop and modern elements, with a few occasional playful touches to please the crowd – but never in a way that cuts into the integrity of his music at all! Players include Bill Graham on alto and tenor, Wade Legge on piano, Lou Hackney on bass, and Al Jones on drums – and Joe Carroll sings guest vocals on a number of tracks. Titles include "Tin Tin Deo", "The Champ", "The Bluest Blues", "Birk's Works", "Mon Homme", "Ooh Shoo Be Doo Be", "School Days", "Swing Low Sweet Chariot", and "Good Bait". LP, Vinyl record album
(Mid 60s UK pressing in a flip-back cover, with light wear, bumped corners, yellowing from age, and a streak of purple marker in back.)
58
Verve, 1950s. Very Good+ Gatefold ... $14.99
Titles include "The Champ", "Exactly Like You", "Jessica's Day", "It Don't Mean A Thing", "Sometimes I'm Happy", "Birk's Works", "I Know That You Know", and "Night In Tunisia". LP, Vinyl record album
(Mono MGM pressing. Cover has light surface wear.)
59
Dizzy Gillespie —
World Statesman ... LP Verve, 1956. Very Good+ ... Just Sold Out!
A real gem from the height of Dizzy's big band years at Verve – a stunning little set that features a hip larger group that includes Joe Gordon, Melba Liston, Rod Leavitt, Phil Woods, Ernie Wilkins, and Billy Mitchell. The groove here is well-orchestrated, well-placed soul – with less of the playful bop touches of earlier sides, and more of a hiply modern style that shows Dizzy stretching out in larger shades of color and tone. And while the "World Statesmen" cover and image might make you wary of some gimmick on the set, the album's key Gillespie through and through – a deft turn away from the styles of the bop years, into a world of sound that would support his career strongly for years to come! Titles include "Tour De Force", "Doodlin", "Night In Tunisia", "The Champ", "My Reverie", and "Dizzy's Blues". LP, Vinyl record album
(Norgran pressing with trumpeter logo & deep groove. Cover has aging and light wear.)
60
Blue Note, 1957. Near Mint- ... $29.99
A stellar early Johnny Griffin recording for Blue Note, and one that features the young tenor genius from Chicago working alongside the equally fantastic John Coltrane and Hank Mobley – plus some additional trumpet from Lee Morgan, and rock-solid rhythm from Wynton Kelly, Paul Chambers, and Art Blakey! As the "blowing session" title might imply, this set features long tracks that let the players get in plenty of soloing (and, we might add, in a very competitive way!) The record is similar to the Prestige sessions of the same vintage and style, but recorded with a little bit more of the care and rehearsal that Blue Note provided. Cuts include "Ball Bearing", "All The Things You Are", and "Smoke Stack. LP, Vinyl record album
(Early 80s French pressing. NOTE – Cover is heavily chewed and is missing a portion at the top left corner, with some wear and aging, and is lightly bent at the right side.)
61
Pacific Jazz, 1956. Near Mint- ... $24.99
A classic from the west coast scene of the 50s – and not to be confused with other similar-titled Chico Hamilton albums at the time! This one sports an abstract painting on the cover, and was recorded in 1956 at the Forum Theater in Los Angeles – not live, but using the space as a very open-sounding studio – with really amazing results! The lineup features Hamilton on drums, Paul Horn on alto and tenor sax and clarinet, John Pisano on guitar, Fred Katz on cello and Carson Smith on bass – kind of a second-generation of Hamilton's group, with Horn taking over wonderfully from Buddy Collette, and playing with even more sensitivity than before. The work's very much in Hamilton's best sprightly chamber jazz mode – with some great originals that include "Chanel #5", "Beanstalk", "Mr. Jo Jones", and "Reflections" – plus Hamilton-ized versions of "Satin Doll", "Caravan", "Soft Winds", "Siete-Cuatro", "I Know", and "Lillian". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light surface wear and aging.)
62
World Pacific, 1958. Very Good ... $11.99 18.99
Very early work from Chico Hamilton – recorded in a piano trio mode that predates his more famous chamber quintet – working with pianist Freddie Gambrell and bassist Ben Tucker on a set of tunes that are mostly standards, and a few bluesy piano explorations. Titles include "Ex Ray's Friends", "Reservation Blues", "These Foolish Things", "You're The Cream In My Coffee", "Five Minutes More", and "Midnight Sun". LP, Vinyl record album
(Stereo gold label World Pacific pressing, with deep groove. Vinyl is very clean, but has some pressing bumps, which cause the occasional low-end light sound. Cover has light wear, but no splits.)
63
World Pacific, 1958. Near Mint- ... $19.99
Very early work from Chico Hamilton – recorded in a piano trio mode that predates his more famous chamber quintet – working with pianist Freddie Gambrell and bassist Ben Tucker on a set of tunes that are mostly standards, and a few bluesy piano explorations. Titles include "Ex Ray's Friends", "Reservation Blues", "These Foolish Things", "You're The Cream In My Coffee", "Five Minutes More", and "Midnight Sun". LP, Vinyl record album
(Japanese pressing with obi and insert – PJ 1242. Insert has light aging.)
64
Pacific Jazz, 1958. Very Good+ ... $29.99
Forget the Ellington in the title, because this is more a moody album of west coast chamber jazz, in the best tradition of the Chico Hamilton group! This album features the version of Chico's group with Paul Horn on flute and alto sax – plus Jim Hall guitar, Fred Katz cello, and Buddy Collette on tenor and alto sax. The sound differs a bit from the version you may know from the CD reissue – as that one features Dolphy in the group – but it's still great, with titles that include "Azure", "In A Mellotone", "Day Dream", "I'm Beginning To See The Light", and "I'm Just A Lucky So & So". LP, Vinyl record album
(Mono World Pacific pressing with deep groove. Includes WP inner sleeve. Cover has some wear & aging, small splits.)
65
Chico Hamilton —
Spectacular (aka Chico Hamilton Quintet Featuring Buddy Collette) ... LP Pacific Jazz, 1955. Near Mint- ... Just Sold Out!
A 60s repackaging of classic early stuff by Chico Hamilton, featuring a set of the kind of west coast chamber jazz arrangements that made him a huge hit with the crowds in LA. The group features Buddy Collette, Jim Hall, and Fred Katz – and titles include "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular". Also includes "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! LP, Vinyl record album
(Later mono high-fidelity black label pressing. Cover has light wear and aging, small blemish spot, and a light reddish smudge from price sticker removal.)
66
JC Higgins/
Missouri State Duck Calling Champion. 78 RPM, Vinyl record
67
Atlantic, 1959. Very Good- ... $14.99
An incredible collaboration from John Coltrane and Milt Jackson – and one that gives Milt one of his sharpest records ever! The setting is relatively straight – tenor from Coltrane, vibes from Jackson – plus rhythm from Hank Jones on piano, Paul Chambers on bass, and Connie Kay on drums. Yet there's also a sense of openness here that you'd hardly ever expect on other records by Jackson – especially his contemporaneous sides with the Modern Jazz Quartet – and Coltrane's tenor gets as much room to roam here as it did on Prestige – really cutting some beautifully soulful, open, and flowing lines throughout! Titles include "Bags & Trane", "Three Little Words", "Be-Bop", "Late Late Blues", and "The Night We Called It a Day". LP, Vinyl record album
(Stereo blue & green label pressing. Cover has some wear & aging, tiny sticker on the back.)
68
Teo Macero & Bob Prince —
What's New? – New Jazz From Teo Macero & Bob Prince ... LP Columbia, 1956. Near Mint- ... $16.99
A rare album as a leader from Teo Macero – one of the driving forces behind some of the key Miles Davis albums on Columbia Records – and other great jazz on that label too! Although Teo Macero is probably best known as Columbia's jazz producer during their successful early 60s run with Miles, he's also quite a composer in his own right, as you'll hear on this striking set of sides from the late 50s! Macero splits the album with Bob Prince – and each of these lesser-known modernists get a side apiece, and fairly free reign in coming up with some wild material. The sound has a little bit of that hip east coast chamber sound that you'd hear in Hal McKusick recordings – but there's also a bit more influences from 20th century modernism, as well as some of the larger Kenton-esque experiments of the early 50s. Macero's group includes John LaPorta, Eddie Bert, and George Barrow – and Prince is assisted by Jon Eardley, Phil Woods, and Frank Socolow. A great slice of lost avant playing, and one of the more striking jazz sides in the Columbia catalog! Titles include "Sounds Of May", "Ground Base", "Germination", "24+ 18+", and "Neally". LP, Vinyl record album
(Mono 6 eye pressing with deep groove. Cover has some ringwear, light aging, some splitting in the top seam held with clear tape, and is bumped at the top right corner.)
69
Columbia, 1985. Near Mint- ... $9.99
Players include Branford Marsalis on soprano and tenor, Kenny Kirkland on piano, Charnett Moffett on bass, and Jeff Tain Watts on drums – and titles include "Black Codes", "For Week Folks", "Chambers Of Tain", "Aural Oasis", and "Delfeayo's Dilemma". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear.)
70
World Pacific, 1959. Very Good ... Just Sold Out!
The Mastersounds seem to take a page from the book of the MJQ – especially with a title like this – but as usual, the end results are a fair bit hipper! The album features the classic lineup with Buddy Montgomery on vibes, Monk Montgomery on electric bass, Richie Crabtree on piano, and Benny Barth on drums – all working through a batch of extremely mellow numbers that put Buddy's vibes right out front, ringing out with a clear, clean sound that cuts through any potential sleepiness. Titles include "Little Stevie", "Solar", "Monk's Ballad", "How Deep Is The Ocean", "One Mint Julep", and "The Champ". LP, Vinyl record album
(Stereo tan label pressing with deep groove. Cover has light wear & aging.)
71
Jackie McLean —
Capuchin Swing ... LP Blue Note, 1960. Near Mint- ... Just Sold Out!
A tremendous set from Jackie McLean – perfectly poised between his hardbop and modern years, with a set of compositions that are as great as the performances! The lineup on this one's a bit unusual – with Walter Bishop on piano, Blue Mitchell on trumpet, Paul Chambers on bass, and Art Taylor on drums – but that mix of players makes for a really unusual sound – as the rhythm section's often straight ahead, Blue Mitchell's notes are bold and sparkling, and Jackie's own solos are reaching for the darker corners of the spectrum! There's a great sense of tension here that heralds the genius of later McLean sides of the 60s – and original titles include "Francisco", "Condition Blue", "On The Lion", and "Capuchin Swing". LP, Vinyl record album
(Japanese King pressing, with obi – K18P 9241.)
72
Blue Note, 1961/
A rare second chapter to Mobley's famous Workout album – recorded in the early 60s, but not issued until the mid 80s – and even then, only momentarily on vinyl! The session's a great one – a quartet outing with a structure that's similar to Hank's classic Soul Station record, but which is a bit more fluid and free-thinking overall! The long tracks give Mobley plenty of room to open up on his solos – really commanding the record with his deeply soulful tone and strong sense of timing. Other players include Wynton Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums (plus Grant Green on one track) – and titles include "Out Of Joe's Bag", "I Should Care", "Getting & Jettin", "Hank's Other Soul", and "Three Coins In A Fountain". LP, Vinyl record album
(140 gram EU DOL reissue from 2014.)
73
Wes Montgomery —
Best Of Wes Montgomery (Riverside) ... LP Riverside, Late 50s/
A collection of sides cut in the early 60s by Wes for Riverside, collected later when the label was owned by ABC. There's a couple of cuts in a nice organ trio feature the great Mel Rhyne "Round Midnight" and "Yesterdays", plus several that feature his brothers Buddy and Monk or Johnny Griffin, Wynton Kelly and Paul Chambers. There's a total of 9 tracks, including "Love Walked In", "Darn That Dream", "The Lamp Is Low" and "One For My Baby". LP, Vinyl record album
(Cover has light wear.)
74
Wes Montgomery —
Full House ... LP Riverside, 1962. Near Mint- ... $34.99
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely cooking feel throughout – even when they're more gentle ones – and the record's a good reminder that outside of the studio, Wes could sometimes play with a bit more force on the strings – raspily hitting notes that explode off the guitar with tremendous precision and a good deal of feeling. Titles include the Montgomery originals "Full House", "SOS", and "Cariba", plus the tunes"Blue N Boogie" and "Come Rain Or Come Shine". LP, Vinyl record album
(Mid 70s Japanese stereo pressing – SMJ-6069 – with insert. A nice copy!)
75
Impulse, 1961. Very Good- Gatefold ... $59.99 69.99
One of the all-time classics of early 60s mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this album that his true talents really unfolded – sparkling with a depth of imagination and expression that marked him as one of the greatest artists in 60s American jazz! The group on the set is an all-star sextet – featuring Paul Chambers, Eric Dolphy, Bill Evans, Roy Haynes, and Freddie Hubbard – a disparate group of players who manage to come together with Nelson and find a unique voice that's rarely been duplicated again! The album features 6 fantastic compositions by Nelson, including "Stolen Moments", "Hoe Down", and "Yearnin". A fantastic record – and one that you can't go wrong with! LP, Vinyl record album
(Stereo orange & black label pressing with RVG stamp. Cover has light wear.)
76
Impulse, 1961. Near Mint- ... $29.99
One of the all-time classics of early 60s mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this album that his true talents really unfolded – sparkling with a depth of imagination and expression that marked him as one of the greatest artists in 60s American jazz! The group on the set is an all-star sextet – featuring Paul Chambers, Eric Dolphy, Bill Evans, Roy Haynes, and Freddie Hubbard – a disparate group of players who manage to come together with Nelson and find a unique voice that's rarely been duplicated again! The album features 6 fantastic compositions by Nelson, including "Stolen Moments", "Hoe Down", and "Yearnin". A fantastic record – and one that you can't go wrong with! LP, Vinyl record album
Also available Blues & The Abstract Truth ... LP 19.99(Early 80s MCA/Impulse pressing in a barcode cover, in great shape.)
77
Warner, 1975. Near Mint- ... $14.99
The last of Van Dyke Parks' classic early trio of albums for Warner Brothers – and possibly the straightest of the bunch! Parks continues the exploration of ersatz Americana explored on his previous two records – but his approach here is sometimes a bit gentler, almost sentimental at times – as if he's been pulled more strongly into the matrix of history and geography that's always informed his work. Production is still great – although not handled by Van Dyke this time around – and instrumentation includes a fair bit of steel drums, showing Parks' continuing love of the form. (He was one of the instrument's biggest mainstream champions in the early 70s.) Titles include "Soul Train", "Cannon In D", "You're A Real Sweetheart", "Another Dream", "Pass That Stage", "City On The Hill", "Iron Man", and "Love Is The Answer". LP, Vinyl record album
(Japanese white label promo, with insert. Cover has a Sample sticker, some ringwear, bumped corners, clear tape over a sticker spot at the top right, and a bit of fraying at the spine.)
78
Contemporary, 1960. Very Good+ ... $33.99 39.99
One of Art Pepper's most classic sets for Contemporary – a record that puts him in the company of the Miles Davis rhythm section – Jimmy Cobb on drums, Paul Chambers on bass, and Wynton Kelly on piano – who make up 3/
Also available Gettin' Together! (Japanese pressing) ... CD 29.99(70s yellow label stereo pressing. Cover has light wear and aging.)
79
Bud Powell —
Blue Pearl EP ... LP Blue Note (Japan), 1957/
An unusual and limited edition set of work by this great pianist, done only for Japan! The set plays at 45 rpm, with the regular and alternate take of "Blue Pearl", plus a version of "Cleopatra's Dream" – all featuring Paul Chambers on bass and Art Taylor on drums! LP, Vinyl record album
(Japanese pressing, with obi – BNJ 27002)
80
Blue Note, Late 50s. Near Mint- ... $39.99
One of the few rare non-trio recordings done by Powell from around this time. He plays with a trio (Paul Chambers bass, Art Taylor drums) on the whole first side of the record, but the group's then joined by Curtis Fuller for all of side 2. Fuller's deep trombone makes for a different twist, and a slightly deeper sound than usual – especially given that the album was recorded live at Birdland. Titles include "Moose The Mooche", "Some Soul", "Blue Pearl", and "Keepin' In The Groove". LP, Vinyl record album
Also available Bud! – The Amazing Bud Powell Vol 3 (RVG remaster edition) ... CD 6.99(Japanese EMI pressing, in original shrink with obi sticker – BLP 1571. Cover has a cut corner.)
81
Blue Note, 1958. Very Good+ ... $24.99
The scene may be changing, but nothing can dampen the fire of the great Bud Powell – and, if anything, this fifth installment in Blue Note's "Amazing" series may well have the pianist at his mature best! The rhythm duo are wonderful – more late 50s modern hardbop than some of Bud's accompanists in years past – the great Paul Chambers on bass and Art Taylor on drums, both of whom can bring the fire when needed, yet also craft their lines with these subtle touches that really match Powell's incredible dexterity on piano. Tunes are shorter than usual for a Blue Note album of this vintage – but mostly because all three players pack a hell of a lot into a very small space – and really make timeless magic on titles that include "Down With It", "Cleopatra's Dream", "Gettin' There", "Danceland", "Borderick", and "Duid Dee". LP, Vinyl record album
(Liberty/UA pressing. Cover has some surface wear.)
82
Elektra, 1976. Very Good+ Gatefold ... $19.99
A landmark album from Queen – a set conceived when the group were already at the top of their game, and willing to not only lean into their strengths, but also take a few chances by slimming things down, and really bringing the focus onto the guitar work, vocals, and heavy rhythms that continue to make the quartet the stuff of legend! Those qualities come through right away on the album's first two tracks – the instant classics "We Will Rock You" and "We Are The Champions" – followed by plenty more greatness on titles that include the ultimate take on "Sheer Heart Attack", and the cuts "My Melancholy Blues", "It's Late", "Who Needs You", Fight From The Inside", "Spread Your Wings", "All Dead All Dead", and "Get Down Make Love". LP, Vinyl record album
(US pressing with PRC etch. Includes the printed inner sleeve. Cover has light wear.)
83
Blue Note, 1960. Near Mint- ... $34.99
An amazing set from altoist Sonny Red – a player who hardly ever got to make any albums as a leader, and who really burns brightly on this Blue Note classic! Red's got a tone on alto that's as deep and sharp as most tenorists of his generation – extremely soulful, but with a really raspy edge that's almost modern at times – a combination that's quite unique, and which makes his playing on a few key albums well worth tracking down. This album's one of the best of Sonny's few dates on record – and it features the saxophonist working with two different groups – both headed by Wynton Kelly on piano, and with either Sam Jones or Paul Chambers on bass, and either Roy Brooks or Jimmy Cobb on drums – a hell of a great rhythm lineup, no matter how you slice it! Both groups are right on the money, and the whole album swings very nicely – and titles include "Alone Too Long", "The Lope", "Nadia", "Bluesville", and "Blues In the Pocket". LP, Vinyl record album
(80's French reissue on Pathe Marconi. Cover has a LARGE upper cut corner, but looks nice otherwise.)
84
Elektra, 1979. Near Mint- ... $14.99
A masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that really gets at the mainstream soul influences that bubble through his jazz work! The set features key vocal appearances from Patti Austin, Tom Baylor, and Bill Champlin – all singers who really know how to respect the instrumental side of a tune, too – which is great, given that the record also features keyboards from Dave Grusin and Patrice Rushen too. Titles include "That's Enough For Me", "Sugarloaf Express", "What Do You Want", "Matchmakers", "Morning Glory", and "The Storm". LP, Vinyl record album
(Japanese white label promo – P-10562E – in an embossed cover. Includes the insert. Cover has a Sample sticker, light edge wear, and is bent a bit at the edges.)
85
Focus, 1980. Near Mint- ... $4.99
A lovely little tribute to one of our favorite songwriters of all time – the lyrical genius Tommy Wolf, whose compositions were first championed back in the 50s and 60s by Bob Dorough, Jackie & Roy, and Blossom Dearie! Wolf's got a wonderful way with a twist of a phrase – playful, but never too silly – just freshly original in a world of overdone standards, and a reminder that creative American songwriting didn't stop with Cole Porter and Harold Arlen! Bobbi's voice has a warmly sweet quality that makes for a slightly different approach to the material than others before her – and backing on the record is by a piano trio led and arranged by Chick Cicchetti. Titles include "There Are Days When I Don't Think Of You At All", "Say Cheese", "I'm Alright Til You Touch Me", "It's Nice Weather For Ducks", "You Smell So Good", "I've Never Been Anything", and "A Face Like Yours". LP, Vinyl record album
(Original pressing. Cover has some ring and edge wear, light aging, and is bent a bit at the top right corner.)
86
Sonny Rollins —
Sonny Rollins Vol 2 ... LP Blue Note, 1957. Near Mint- ... Just Sold Out!
As classic as it comes for late 50s Blue Note – and a key meeting between Sonny Rollins and Thelonious Monk! The group on the set features Rollins and Monk with JJ Johnson, Paul Chambers, and Art Blakey – all of whom push things more in the direction of Blue Note's sound of the time, then Monk's own recordings of the period for Riverside. But the contrast of modes makes for a really startling sound – one that has Monk "monking" it up next to the straighter rhythm section, and bringing out some more modern tones in Rollins' tenor work. Horace Silver plays piano on part of the set as well – but still keeps things strong – and titles include "Why Don't I", "Wail March", "Misterioso", and "Reflections". LP, Vinyl record album
Also available Sonny Rollins Vol 2 (RVG edition) ... CD 4.99(70s black b label pressing. Back cover has a tiny bit of aging, but this is a great copy overall.)
87
RCA, 1974. Near Mint- ... $24.99 29.99
A gem of a record from the legendary Nino Rota – one of his best scores for director Federico Fellini – a bit later than some of their 60s classics, but equally great! The music is filled with Rota's trademark interweaving of dominant themes and lighter moments – the kind of tight chamber scoring that makes his compositions work so well – bouncey, but never silly, moody, but never too serious. The narrative takes Rota to more pan-historic territory, but his approach here is similar to Fellini films set in contemporary Rome – and dominant instrumentation includes bits of accordion, piano, horns, and gentle strings. Wonderful stuff all around – with loads of short little tracks that have some nice hooks – titles that include "La Fogaraccia", "La Gradisca E Il Principe", "Gary Cooper", "Lo Struscio", "Amarcord", and "Ti Ricordi Siboney". LP, Vinyl record album
(Original Italian Cam pressing with deep groove. Cover has light wear and minor blemishes.)
88
Black Buffalo, Mid 90s-Early 2000s. Sealed 2LP ... $36.99
Led by Kevin Beacham aka AMC, long-time pillar of underground hip hop in Chicago, finally in physical form after decades in the vaults! With production by Jel, Maker, and Overflo; with guest spot by Costume. LP, Vinyl record album
89
Vee Jay/
A seminal early recording from one of our favorite reed players ever! In the late 1950s, the young Frank Strozier came up to Chicago from Memphis, along with his longtime friend, pianist Harold Mabern. The two of them both settled nicely in the city's MJT+3 combo, where they proceeded to record some incredible hardbop sessions for Vee Jay. During that same time, Strozier began to emerge as a strong soloist and a competent leader in his own right, and Vee Jay gave him a much-needed crack at this debut album. The session's a perfect showcase for Strozier's lyrical beauty, and given the quality of the work, it's a wonder he was never more famous. The group's a quintet, and Strozier's ably teamed with Booker Little, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Titles include "WK Blues", "Waltz Of The Demons", "Runnin", and "Off Shore". LP, Vinyl record album
(80s UK pressing.)
90
EmArcy, Mid 50s. Near Mint- ... $6.99 9.99
Backings by Eddie Chamblee, on a host of Bessie Smith classics – updated with more of a 50s R&B vibe. LP, Vinyl record album
(Mid 70s issue. Cover has light wear, some aging, and light stains at the opening.)
91
Impulse, Early 60s. Very Good+ Gatefold ... $7.99
The famous 50s team of JJ Johnson and Kai Winding are reunited strongly here – after working alone for several years on their own projects! The groove here is a bit more open and less arranged than some of the pair's earlier projects – mostly just two trombones in the lead, soloing separately, with backing from a rhythm trio – split into two for each half of the album, with Bill Evans, Paul Chambers, and Roy Haynes handling side one; and Evans, Tommy Williams, and Art Taylor on side two. Tunes are short, but include deft demonstrations of the solo talents of each player – and titles include "Judy", "Alone Together", "Going, Going, Going", "Trixie", "This Could Be The Part Of Something", "Georgia On My Mind", "I Concentrate On You", and "Just For A Thrill". LP, Vinyl record album
(80s rainbow label pressing. Cover has surface wear, MCA stamp.)
92
Reprise, 1961. Near Mint- ... $14.99 18.99
Very cool work from Jimmy Witherspoon – a set that's different than some of his looser, bluesier work of the postwar years – as he works here with some tight, soulful arrangements from the great HB Barnum! Barnum brings a very different vibe to the set – almost currents of LA soul, although Jimmy's still working with a group filled with jazz players – on titles that include "Tanya", "I Ain't Mad At You", "Have Faith", "Pink Champagne", "I Don't Know", "In The Dark", and "Hey Mrs Jones". LP, Vinyl record album
(Mono tri-color label pressing with deep groove! Cover has some light wear around the edges, but is very nice overall.)
93
Various —
DJ Qbico Plays A Night With DJ Qbico Vol 2 – Esoteric, Erotic, Exotic 45's from The US ... LP EP Sound (Italy), Late 1950s/
Dj Qbico usually gives us grooves from other parts of the planet – but here, he focuses on rare vintage singles from the US – but all tracks that borrow nicely from other styles around the globe! In other words, the set features American artists working with touches of Eastern, Mid-Eastern, African, or South American elements in their music – often in a cool hybrid that involves plenty of jazz or soul as well, and which, given that most of these are 45s, stand as precursors to longer-form musical experiments to come at the end of the 60s and start of the 70s. Titles on this part 2 include "Mambo Arribique" by Otis Freeman, "Champs Jerk" by M Ali, "Man Want Water" by Elmer Crumbley, "Funk Key" by Jacobs Kelly, "There Will Be Light" by Free Form Experiment, "Your Autumn Of Tomorrow" by The Crow, "Bo Did It" by The Hidden Cast, and "Honkey Tonk Junk" by Pervis Herden. LP, Vinyl record album
(Limited 180 gram pressing!)
94
JCI, 1960s. Sealed ... $6.99 9.99
With selections by Steppenwolf, Santana, Blind Faith, Humble Pie, Traffic, Chambers Brothers, Cream, Velvet Underground, Byrds, Quicksilver, Spirit, and Big Brother. LP, Vinyl record album
(Mid 80s issue. Shrinkwrap has a price code sticker and some marker notations in back.)
95
Storyville (UK), 1963. Near Mint- ... $24.99 29.99
Includes selections by Otis Spann, Speckled Red, Sunnyland Slim, Champion Jack Dupree, Memphis Slim, and Sonny Boy Williamson. LP, Vinyl record album
(In a flip-back cover, with light wear, some aging, and bent a bit at the bottom right corner.)
96
Word, 1986. Near Mint- ... $4.99
Includes tracks by Glen Cambell, Bill Champlin, Betty Buckley, Wintly Phipps, Marie Osmond, Dobie Gray, Mark Isham, Sandi Patti, and more. LP, Vinyl record album
97
Impact (UK), 1960s. Near Mint- ... $9.99
With selections by Jackie Wilson, Len Barry, The Chiffons, Shirley Ellis, Music Explosion, Roy Head, The Surfaris, Isley Brothers, Dion, The Champs, The Kingsmen, Ikettes, Four Pennies, Jarmels, and The Shirelles. LP, Vinyl record album
(Mid 80s issue. Cover is bent a bit a the top left corner.)
98
Muhal Richard Abrams —
Blues Forever ... LP Black Saint (Italy), 1981. Near Mint- ... Temporarily Out Of Stock
Hardly the blues that you might expect from the title – although knowing Muhal Richard Abrams, there's no doubt some sort of blues influence lurking in the background of his complicated orchestrations for the date! The album's a suite of original compositions by Abrams – all numbers played by a largeish group with lots of wonderful horn patterns – complexly woven together with lots of shifting shapes and tones, then sometimes breaking out in bold, free moments of improvisation! It's records like these that show why Abrams was one of the leading lights of the AACM by the early 80s – as much an important composer as a musician – equally skilled at both levels, and very sensitive to the strengths of the players he chose to work with. Muhal plays piano here – and other group members include Baikida Carroll on trumpet, Craig Harris on trombone, Wallace Laroy McMillan on baritone and flute, Jimmy Vass on alto and flute, Eugene Ghee on tenor and clarinet, Howard Johnson on tuba, Jean-Paul Bourelly on guitar, Michael Logan on bass, and Andrew Cyrille on drums. Titles include "Cluster For Many Worlds", "Quartet To Quartet", "Ancient & Future Reflections", "Du King", "Chambea", and "Duet For One World". LP, Vinyl record album
99
Jaki Byard —
On The Spot! ... LP Prestige, 1967. Very Good+ ... Temporarily Out Of Stock
One of the great ones! No kidding, Jaki Byard was an amazing talent in the 60s – and records like this one are rare treasures to be sought-after by any serious jazz fan. Byard had an incredible range of talents and influences – and, like his frequent bandmate Roland Kirk, he could often run through all of them in a very short stretch, packing each song with a wealth of feeling, technique, and sheer raw fun. This album's a darn tough one to find on vinyl. The group includes Byard on piano and alto, plus Jimmy Owens, Paul Chambers, and Billy Higgins. Tracks include "Spanish Tinge", "Olean Visit", "Geb Piano Roll", "Second Balcony Jump", and "On The Spot". LP, Vinyl record album
(Blue trident label stereo pressing with Van Gelder stamp. Cover has light edge & ring wear.)
100
Sonny Clark —
Cool Struttin' ... LP Blue Note, 1958. Very Good+ ... Temporarily Out Of Stock
One of the most legendary albums on Blue Note – or maybe THE most legendary albums on Blue Note – a stunning session that shows what the label was capable of when it was really hitting on all burners – from the lineup to the music to the production – and even the classic cover art on the front! The album's a crowning achievement for pianist Sonny Clark – a player who'd already brought greatness to the world before the record, but really knocks it out of the park during the session – leading a razor sharp lineup that includes Art Farmer on trumpet, Jackie McLean on alto, Paul Chambers on bass, and Philly Joe Jones on drums – all coming together with some magic in the studio, crafting a sound that forever put Blue Note on the map! Tracks are long, open-ended, and almost effortlessly soulful – and titles include Clark's classics "Cool Struttin" and "Blue Minor", plus versions of "Sippin At Bells" and "Deep Night". LP, Vinyl record album
Also available Cool Struttin' (180 gram pressing) ... LP 25.99(70s black b label pressing. Cover has minimal wear and minor flaking at the opening.)
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