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Bobby Short Edit search Phrase match

 
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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Bobby ShortSongs By Bobby Short ... LP
Atlantic, 1955. Very Good- ... $1.99
... LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Bobby ShortVery Best Of Bobby Short ... LP
Atlantic, 1950s. Sealed ... $4.99
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Bobby ShortGuess Who's In Town – Bobby Short Performs The Songs Of Andy Razaf ... LP
Atlantic, 1987. Sealed ... Out Of Stock
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Bobby ShortMy Personal Property ... LP
Atlantic, 1976. Sealed ... Out Of Stock
... LP, Vinyl record album
(Cover has a cutout notch.)
 
Possible matches: 4
Possible matches5
CD, LP, Vinyl record album cover art
Bobby ScottCompositions Of Bobby Scott ... LP
Bethlehem, 1955. Very Good ... $19.99
Really wonderful work from pianist Bobby Scott – a perfect showcase not just for his young talents as a composer and arranger, but also for a host of key solo performers as well! This full album brings together two previous 10" LP sessions – both of them brilliant, and graced by some of the most modern talents Bethlehem Records had to offer – which makes for extremely fresh sounds from Scott's wonderful music – jazz that's at a level that's really hard to peg – neither west coast cool, nor east coast arranged – but a really special space of its own! Even when tunes are short, they're full of feeling – and really make tremendous use of the individual players – who include Hal McKusick on alto, Eddie Bert on trombone, and Ronnie Woellmer on the first session – and the amazing Charlie Mariano on alto for the second, sounding incredible here – alongside Conte Candoli on trumpet, Bill Holman on tenor, Jimmy Giuffre on baritone, and Frank Rosolino on trombone. Titles include "Moon Tan", "Kwan Youen", "Wigwam", "The Creed", "A Parable", "The Wig", "Count Bill", and "Cerebellum". LP, Vinyl record album
(Original pressing – red label with deep groove. Cover has split seams and surface wear – mostly on the back.)

Possible matches6
CD, LP, Vinyl record album cover art
Larry Wild WriceWild – The Big Big Sound Of Larry Wild Wrice ... LP
Pacific Jazz, Early 60s. Very Good+ ... $19.99
The only album we've ever seen from jazz drummer Larry Wrice – a Chicago player who really kicks it in a hard and heavy soul jazz groove! Larry's got an approach to the kit that's quite a lot like that of Joe Dukes – one that's always concerned with pushing the rhythms of the tune very strongly, but which is so strong, so confident that it can snap away for some additionally playful work all around the kit – making for a groove that's extremely groovy throughout! For the set, Larry's working in a quartet format – with a young James Spaulding on tenor, alto, and flute (his first session?), Bobby Bryant on trumpet, and Bobby Blivins on organ. Tracks are short, soulful, and very down and dirty – far more so than we would ever expect for a session on Pacific Jazz at the time! Titles include "Husky", "Church Seat", "Travelin", "Swingin & Things", "Santifism", "Antler Rock", "Unholy Four", and "Wild Wrice". LP, Vinyl record album
(Black & silver label stereo pressing with wide deep groove. Cover has light wear, and a bit of splitting in one corner, but this is a nice copy overall.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Loleatta HollowayLove Sensation ... LP
Gold Mind, 1980. Near Mint- ... Temporarily Out Of Stock
Landmark club grooves from the great Loleatta Holloway – and a record that definitely has her at the top of the disco game for the 70s! Holloway's working here with a nice variety of arrangers and producers – including Bobby Womack, Norman Harris, Dan Hartman, and Tom Washington – each of whom add some sweet little touches that let Holloway's vocals really take off, and find a space that's even more proud and powerful than ever before! Rhythms have an incessant Salsoul groove – that great approach that was often tightly funky at the core, and which really helped transform a key few singers like Holloway – taking them to the clubs, but without losing any of the depth of their roots. Key proof of this is the sublime leadoff track – "Love Sensation" – one of the greatest Salsoul tracks ever, and maybe one of the best female disco numbers too. The cut's a monster, one of the most anthemic dance tracks of all time – and it's followed by other good numbers that include "Two Became a Crowd", "My Way", and "Short End of the Stick". LP, Vinyl record album
(Cover has some wear.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ VariousEccentric Soul – The Saru Label ... LP
Numero, Late 60s/Early 70s. New Copy 2LP Gatefold ... Out Of Stock
A great look at an obscure indie soul label from the Cleveland scene at the end of the 60s – and a company that's definitely a cut above, given that it released some early O'Jays singles in the years before their crossover fame in the 70s – and members of that group also wrote a fair bit of singles for the label too! Besides a tie to the O'Jays, the Saru label also had a tight, well-chosen roster – one that really helped make Cleveland a hotbed for sweet soul at the time – easily competing with the hippest singers and groups from Philly, New York, and New Jersey – thanks to a string of excellent 45s on both the Saru imprint, and related Horoscope Records! As usual with Numero, the whole package is filled with fantastic details and photos that are as compelling as the music itself – and as for the music, this time around the Numero folks really get to the heart of the matter with a non-stop array of excellent material – not unreleased tapes, but killer 45s that really show Saru as a hell of a great soul label during its short run of records. Titles include "For The Rest Of My Life" and "Tears Don't Care Who Cry" by The Out Of Sights, "I Believe" and "Are You Man Enough" by Sir Stanely, "Stand In For Love" and "Love's Needed" by Pandella Kelly, "Come Back Boy" and "The Last Time" by The Ba-Roz, "Bound" and "I Remember You" by Ponderosa Twins, "Just To Be With You" and "Got To Make It Right" by Elements, "Can't Make It Without You" by Michael Bell, "Got To Get My Broom Out" by David Peoples, "Just To Be With You" by Bobby Dukes, and "Now He's Home" and "Shattered Man" by The O'Jays. LP, Vinyl record album
Also available Eccentric Soul – The Saru Label ... CD 7.99
 
Partial matches: 12
Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMoanin' (75th anniversary edition) ... LP
Blue Note, 1958. New Copy (reissue)... $20.99
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his power at this point. The record really shines in ways that few Blakey albums shone since his days with Horace Silver – in that it's a forum for fresh new writing, most importantly Golson's landmark compositions "Blues March" and "Along Came Betty", and Timmons' instant classic "Moanin". The whole album's wonderful, though, and Golson's edgey modernism adds a strong dimension to the group's usual soulful romping groove! (And in fact, as a tribute to the group's success, the album was initially named Art Blakey & The Jazz Messengers, but quickly retitled Moanin in this version, after the big hit single!) LP, Vinyl record album

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. Very Good+ ... $69.99
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album
(Original pressing in the textured cover, with a cut corner.)

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Archie SheppCoral Rock (French pressing) ... LP
America (France), 1970. Near Mint- ... $69.99
One of Shepp's best sessions from the Paris days, offered here on an original America pressing with a nice cartoony cover. The group features Bobby Few on piano, Alan Shorter on flugelhorn, Joseph Jarman on trumpet, Clifford Thornton on trombone, and Mohamed Ali on drums. Each track covers a full side, and the titles are Shorter's "Coral Rock", and a nice out version of the standard "I Should Care". LP, Vinyl record album
(Cover has an unglued top seam and a small worn spot at the spine, looks great otherwise.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyBig Beat ... LP
Blue Note, 1960. Good ... Temporarily Out Of Stock
One of the greatest Art Blakey Blue Note sessions of all time – and perhaps one of the greatest to realize the genius of the Jazz Messengers lineup that included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The trio of young talents are at the height of their early soulful powers here – working with Blakey and bassist Jymie Merritt in a set of tunes that are overflowing with expressive solos, unusual timings, and the Blakey genius for mixing bold statements with personally introspective moments. Nearly every track on the record's a classic – and titles include an early version of Bobby Timmons' "Dat Dere", plus Wayne Shorter's beautiful tunes "Lester Left Town", "Chess Players", and "Sakeena's Vision". LP, Vinyl record album
(Mono 63rd Street pressing with deep groove, RVG stamp, and ear. Cover has small seam splits, some gloss peel along the opening, and some light stains on back.)
Also available Big Beat (XRCD24 pressing) ... CD 29.99

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Noah HowardSpace Dimension ... LP
America/SeriE.WOC (Netherlands), Early 70s. New Copy (reissue)... Temporarily Out Of Stock
One of the few key pairings of Noah Howard and Frank Wright – and a great session that stands perfectly next to those recordings made by the pair under Wright's name! The record bristles with the best energy of the BYG and America sides from the time – but possibly goes even beyond those with a sense of cohesion and soulfulness that is especially gripping. The pairing of Howard's alto and Wright's tenor is one of those few avant matches made in heaven, and they work together wonderfully in freely exploratory territory that recalls the best of the ESP scene of the 60s. The group's a quartet – with Bobby Few on piano and Art Taylor on drums – and tracks include the Howard originals "Space Dimension", "Viva Black", "Song For Poets", and "Blues For Thelma" – plus a shorter version of Wright's classic "Church Number Nine", recorded with Muhammad Ali on drums. LP, Vinyl record album
(Limited edition of 250!)

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ JBsThese Are The JBs ... LP
Now Again, 1970. New Copy ... Temporarily Out Of Stock
A stunner of a record – the first-ever album by The JBs, never issued back in the day – and lost for years until it recently resurfaced on a test pressing! The set features a leaner, more stripped-down version of the group – one that features Bootsy Collins on bass, and which doesn't rely as much on the horns as it does some very upfront playing by the rhythm section – who really set fire to the extended instrumental solos on the album's very long tracks! Group members include Robert McCullough on tenor, St Clair Pickney on flute and baritone, Bobby Byrd on piano, Catfish Collins on guitar, and James Brown himself on organ – and the mighty Clyde Stubblefield handles drums, as well as Frank Kash Waddy. All tracks are very long – quite different than the shorter single-type cuts on Pass The Peas – and the record features the first recording of "The Grunt", plus the long jams "I'll Ze", "These Are The JBs (parts 1 & 2)", and "When You Feel It Grunt If You Can". LP, Vinyl record album
(Also comes with a great book – detailing the album and its rescue from obscurity!)

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album
Also available Spiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD 18.99

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. New Copy (reissue)... Out Of Stock
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Lee MorganRoulette Sides (10 inch LP) ... LP
Roulette/Warner, 1960. New Copy ... Out Of Stock
A lost treasure from Lee Morgan – three superb tracks that were initially issued as one side of a split record done with John Coltrane – at a time when neither of them were really signed to the Roulette Records label! That obscurity led both sets of material to quickly disappear from the record racks – and although the Coltrane material has since been rediscovered, and hailed as a key part of his catalog – this is the first time these Lee Morgan tracks have seen proper release since the 60s! The material is wonderful – really almost a Jazz Messengers session, but with some of the more exotic currents Morgan could bring to his recordings – and the lineup features Lee on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – a trio that sounds as great on record as you'd expect. Art Taylor handles drums – instead of Blakey – and the bassist is Jimmy Rowser – and despite the apparent casualness of the recordings, the quality is wonderful – very much in the best spirit of Morgan's Blue Note classics. Titles include the Morgan composition "A Bid For Sid", plus Bobby Timmons' "Minor Strain" and Wayne Shorter's "Suspended Sentence". LP, Vinyl record album

Partial matches18
CD, LP, Vinyl record album cover art
Art BlakeyMeet You At The Jazz Corner Of The World Vol 1 ... LP
Blue Note, 1960. New Copy (reissue)... $22.99 24.99
Art Blakey and the Jazz Messengers, recording in the very familiar territory of the Birdland nightclub – in a format that was handled previously by the Blue Note label, but maybe never with a lineup this great! The performance features the sublime frontline trio of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – all players that are their youthful best, and completely on fire with creative imagination under Blakey's leadership – the start of a great run for all of them as solo stars too. The tracks are long, and even if the tunes are sometimes familiar, the performances are spectacular – that special Jazz Messengers energy that makes records like this so great. This first volume includes the tracks "The Opener", "What Know", "Round About Midnight", and "The Breeze and I". LP, Vinyl record album

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMeet You At The Jazz Corner Of The World Vol 2 ... LP
Blue Note, 1960. Near Mint- ... Out Of Stock
Art Blakey and the Jazz Messengers, recording in the very familiar territory of the Birdland nightclub – in a format that was handled previously by the Blue Note label, but maybe never with a lineup this great! The performance features the sublime frontline trio of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – all players that are their youthful best, and completely on fire with creative imagination under Blakey's leadership – the start of a great run for all of them as solo stars too. The tracks are long, and even if the tunes are sometimes familiar, the performances are spectacular – that special Jazz Messengers energy that makes records like this so great. This second volume includes the tracks "Night Watch", "The Summit", "High Modes", and "The Things I Love". LP, Vinyl record album
(70s white b label pressing.)

Partial matches20
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMeet You At The Jazz Corner Of The World Vol 2 ... LP
Blue Note, 1960. New Copy (reissue)... Out Of Stock
Art Blakey and the Jazz Messengers, recording in the very familiar territory of the Birdland nightclub – in a format that was handled previously by the Blue Note label, but maybe never with a lineup this great! The performance features the sublime frontline trio of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – all players that are their youthful best, and completely on fire with creative imagination under Blakey's leadership – the start of a great run for all of them as solo stars too. The tracks are long, and even if the tunes are sometimes familiar, the performances are spectacular – that special Jazz Messengers energy that makes records like this so great. This second volume includes the tracks "Night Watch", "The Summit", "High Modes", and "The Things I Love". LP, Vinyl record album
 
 
 



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