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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Bill Summers & Summer's HeatLondon Style ... LP
MCA, 1983. Near Mint- ... $2.99
Bill Summers' London Style here is one that's definitely influenced by the changes on the dancefloor coming from the UK in the early 80s – and the groove is a slightly more electrified take on the rhythms that Bill was laying down on previous albums for MCA! Overall, though, the sound's still nice and warm at points – thanks to jazzy input from group members who keep things real enough to avoid any of the too-electric styles of British pop at the time. Most numbers have vocals – sung by Bill and others – and titles include "London Town", "Tech No Bop", "City Boy Lover", "Burn Out", "Born To Die", "It's Over", and "Privacy". LP, Vinyl record album
(Cover has a cutout notch and is bent a bit at the top.)
 
Possible matches: 11
Possible matches2
CD, LP, Vinyl record album cover art
Johnny HammondStorm Warning ... LP
Milestone, 1977. Very Good+ ... $7.99
Recorded after his classic work with Larry Mizell, and produced by Johnny himself, but still trying to be very much in the Mizell-sounding vein. The group includes Carol Kaye on guitar, Ron Carter on bass, Ndugu on drums, and Bill Summers on percussion – and while the album is as over-the-top fantastic as Johnny's Gears LP, it's still a nice batch of California funky fusion tracks. Titles include "Lonely Dreamer", "Lady Smooth", "California Lovers", and "Quiet Storm". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches3
CD, LP, Vinyl record album cover art
Herbie HancockThrust (180 gram pressing) ... LP
Columbia, 1974. New Copy (reissue)... $16.99
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". LP, Vinyl record album
(Reissued on 180 gram vinyl.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ HeadhuntersSurvival Of The Fittest ... CD
Arista (Japan), 1974. New Copy ... $13.99
A landmark bit of jazz funk – from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light – working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers – using their sound to give his work the right dose of funk it needed to reach new audiences during the decade. This album's the first to feature the group on their own, without Herbie – and if we don't mind saying so, they sound even better without him! The whole thing's a wonderful mix of jazz funk grooves and very unusual rhythms – and the record contains the monster full length version of "God Make Me Funky", which is 9 minutes and 35 seconds of non stop funk, plus the cuts "If You've Got It, You'll Get It", "Magic", and "Here & Now". CD

Possible matches5
CD, LP, Vinyl record album cover art
Joe HendersonBlack Narcissus ... LP
Milestone, 1976. Near Mint- ... $13.99
A later album from Joe Henderson's ultra-hip 70s period for Milestone – a sweetly electric session with the mighty Patrick Gleeson on keyboards! Gleeson is as strong of a force here as he is on other essential albums from the time – including some of Herbie Hancock's work – and the keyboardist handles E Mu Polyphonic synth, which really fits the flowing style of the music! Henderson's great, as always, on tenor – blowing the instrument with a searching quality that's a fair bit different than some of his contemporaries, a unique space that further pushed the instrument in the years after the passing of John Coltrane. The rhythm section holds its end up nicely too – bringing in some key modal moments with players who include Joachim Kuhn on piano, JF Jenny-Clark on bass, and Bill Summers on drums. Tracks are a bit more open than some of Joe's early 70s work – but still done with a hip Bay Area groove – and titles include "Black Narcissus", "Hindsight & Forethought", "Amoeba", and a studio version of "Power to the People", which Henderson had done earlier on a live set. LP, Vinyl record album
(Cover has light wear.)

Possible matches6
CD, LP, Vinyl record album cover art
Bobby HutchersonConception – The Gift Of Love ... LP
Columbia, 1979. Very Good- ... $5.99
A really beautiful album from Bobby Hutcherson – late in his 70s career, but handled with the soulful depth of his brilliant early 70s work on Blue Note! The group's got George Cables on piano and Eddie Marshall on drums, plus a bit of extra percussion work by Bill Summers – and they're augmented by some larger arrangements on a number of tracks, but in a way that never gets in the way of the core souful playing on the record. Cedar Walton put the whole thing together with a masterful talent – both leading, arranging, and producing – and Bobby's never sounded better carving out his message on vibes. Titles include "Remember To Smile", "No Siree Bob", "Dreamin", "Dark Side Light Side", and "Quiet Fire". LP, Vinyl record album
(White label promo. Cover has some wear & a note card taped to the bottom right corner.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockThrust ... CD
Columbia, 1974. New Copy ... Temporarily Out Of Stock
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". CD
Also available Thrust (180 gram pressing) ... LP 16.99

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockThrust ... LP
Columbia, 1974. Used ... Temporarily Out Of Stock
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". LP, Vinyl record album
(Original pressing. Cover has some wear.)
Also available Thrust (180 gram pressing) ... LP 16.99

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Kimiko KasaiRound & Round ... CD
Columbia (Japan), 1978. New Copy ... Temporarily Out Of Stock
A rare set from Japanese vocalist Kimiko Kasai – one recorded in America, but only issued in Japan – and featuring a set of tunes with English language lyrics, all done in a great mix of jazz, disco, and R&B! Herbie Hancock makes a great guest appearance on the set's funky remake of "Chameleon" – and other key players include Paul Jackson, Cedar Walton, Bill Summers, Benny Maupin, and The Waters – all of whom contribute to give the session a warm California vibe. Other tracks include "Chain Reaction", "The Rest Of My Life", "Chain Reaction", "Don't Forget You Are", and "And It All Goes Round & Round". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonHighway One/Conception The Gift Of Love/Un Poco Loco ... CD
Columbia/BGO (UK), 1978/1979/1980. New Copy 2CD ... Out Of Stock
A trio of incredible records from Bobby Hutcherson – two on CD for the first time ever! Highway One is a wicked post-Blue Note session from Bobby Hutcherson – one that's put together in a different way than his previous work, but still completely sublime throughout! The feel is almost to Hutcherson's earlier work what Woody Shaw's Columbia recordings were to his – tighter, with sharper production – yet still wonderfully soulful and with a strong sense of spirit. Key soloists include Freddie Hubbard on trumpet and Hubert Laws on flute – and the record also features George Cables on acoustic and electric piano, Cedar Walton on acoustic piano, and Eddie Marshall on drums. Includes the lovely "Sweet Rita Suite", plus "Circle", "Secrets Of Love", and "Bouquet". Conception is a really beautiful album from Bobby Hutcherson – late in his 70s career, but handled with the soulful depth of his brilliant early 70s work on Blue Note! The group's got George Cables on piano and Eddie Marshall on drums, plus a bit of extra percussion work by Bill Summers – and they're augmented by some larger arrangements on a number of tracks, but in a way that never gets in the way of the core souful playing on the record. Cedar Walton put the whole thing together with a masterful talent – both leading, arranging, and producing – and Bobby's never sounded better carving out his message on vibes. Titles include "Remember To Smile", "No Siree Bob", "Dreamin", "Dark Side Light Side", and "Quiet Fire". Un Poco Loco is a surprisingly great album by Bobby Hutcherson – and like his other albums for Columbia, a record that manages to be smooth, yet still has an edge! The format's bigger and more ambitious than previous years, but it's also an extension of the modal soulful style he forged with Harold Land – a really stretched out approach to the vibes that differs nicely from his 60s work, and which has some really soulful touches throughout. The group features George Cables on electric and acoustic piano, John Abercrombie on guitar, and Peter Erskine on percussion – but the real strength of the set is Bobby, who slides between vibes and marimba with a skittish energy that really cracks a lot of life into the set. Titles include "Un Poco Loco", "Ivory Coast", "The Sailor's Song", "Ebony Moonbeams" and "I Wanna Stand Over There". CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHeadhunters ... LP
Columbia, 1973. Used ... Out Of Stock
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is the work from the rest of the group – including Bennie Maupin on soprano and tenor sax, Paul Jackson on bass, Harvey Mason on drums, and Bill Summers on percussion! The earthier elements of the rhythm players really keep Herbie on track – bringing him back to the planet from previous trips into space, and helping him hit an all-solid, all-righteous funky groove! Titles include a great remake of "Watermelon Man", the classic original recording of "Chameleon", and the cuts "Vein Melter" and "Sly" – all nice and long! LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Shawn PhillipsSpaced ... LP
A&M, 1977. Used ... Out Of Stock
Wonderful! Shawn Phillips started his career as a shaggy folk rocker with a bit of a jazzy twinge – but this album collects odd bits and pieces that were left off of earlier albums, and works perfectly as a record that shows a whole new side of his genius! The album shows Phillips as a master of the funky jazz groove – and although he's still singing on some of the songs, he also lets loose with a number of instrumental cuts, laid out in a tight well-produced mode that puts them up there with some of the best work coming out on labels like Fantasy or Blue Note during the mid 70s. The centerpiece of these is the massive long cut "We Came To Say Goodbye", which builds and builds over the course of 15 minutes, with cool keyboards, great guitar, and the kind of tightly compressed grooves you'd expect to find on a Headhunters album (no surprise, since Headhunters Mike Clark, Bill Summers, and Paul Jackson are on the cut!) Other instrumental tracks include "Prelude To A Leaving" and "Italian Phases" – and strong vocal numbers include "Parisian Plight 1" and "Your Eyes". LP, Vinyl record album
(White label promo, including the printed inner sleeve. Cover has a promo sticker and cutout hole. Labels have ink stamps.)
 
 
 



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