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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Bill SummersSeventeen ... LP
MCA, 1982. Used ... Temporarily Out Of Stock
Bill Summers is very firmly in his street soul mode here – working with an array of electric beats and keyboards, and even using some processing on the vocals! The style isn't a bad one, though – and given Bill's roots in 70s jazz funk, he's got a good feel for the right elements that keep things sounding soulful, even when the vibe is electric. There's also still a good range of live musicians in the group – enforcing more of a funk combo feel amidst the rhythms of the tracks. Titles include "Throw It Down Shake Your Body", "We Want Heat", "Take A Chance", "Kinky Dink", "Buck's Bizarre", "The Studio", and "Orisha Ache". LP, Vinyl record album
(Cover has a promo stamp.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Bill Summers & Summers HeatGive Your Love To Me (short, long) ... 12-inch
MCA, 1982. Used ... Out Of Stock
12-inch, Vinyl record
(Promo. Label has some marker.)
 
Possible matches: 15
Possible matches3
CD, LP, Vinyl record album cover art
Herbie HancockSunlight/Feets Don't Fail Me Now (plus bonus tracks) ... CD
Columbia/Robinsongs (UK), 1978/1979. New Copy 2CD ... Just Sold Out!
Two late 70s albums from Herbie Hancock – with bonus tracks too! First up is Sunlight – an overlooked little gem in Herbie Hancock's 70s catalog – and a sweet set of funky tunes that adds an R&B edge to the Headhunters sound! Herbie's playing a heck of a lot of keys on the set – from Arp to moog to Rhodes, and everything in between – but the album never gets too crazy, and has a really nice laidback soulful approach that grooves along wonderfully on a small number of very extended tunes! Other players include Headhunters stalwarts Paul Jackson on bass, Bennie Maupin on reeds, Patrick Gleeson on electronics, and Bill Summers on drums – and Herbie does some cool singing through the keyboards in a spacey voice that's really great! Titles include "Good Question", "Sunlight", "Come Running To Me", "I Thought It Was You", and "No Means Yes". Feets Don't Fail Me Now is filled with sweet keyboard grooves from Herbie Hancock – and a set that has him taking up some of the territory of younger players he'd inspired – like Bobby Lyle, Webster Lewis, or Rodney Franklin! There's a fair bit of soul in the mix here, including some great work on vocoder – blended in with Hancock's work on jazzy keyboards – all wrapped up in a cosmic level that really fits the image on the cover, and which acts as a preface for some of the electro work to come in the early 80s! The blend is great – with that sublime balance that Hancock did better than anyone else – and titles include "Trust Me", "You Bet Your Love", "Tell Everybody", "Honey From The Jar", and "Knee Deep". 2CD set features bonus tracks – "I Thought It Was You", "Come Running To Me", "You Bet Your Love (special disco version)", "Tell Everybody (disco version)", and 7" versions of "Honey From The Jar", "Tell Everybody", "Ready Or Not", and "You Bet Your Love". CD

Possible matches4
CD, LP, Vinyl record album cover art
Herbie HancockThrust ... CD
Columbia, 1974. New Copy ... $5.99 6.99
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". CD
Also available Thrust (180 gram pressing) ... LP 16.99

Possible matches5
CD, LP, Vinyl record album cover art
Herbie HancockThrust (180 gram pressing) ... LP
Columbia, 1974. New Copy (reissue)... $16.99
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". LP, Vinyl record album
(Reissued on 180 gram vinyl.)
Also available Thrust ... CD 5.99

Possible matches6
CD, LP, Vinyl record album cover art
HeadhuntersSurvival Of The Fittest ... LP
Arista, 1975. New Copy (reissue)... $9.99
A landmark bit of jazz funk – from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light – working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers – using their sound to give his work the right dose of funk it needed to reach new audiences during the decade. This album's the first to feature the group on their own, without Herbie – and if we don't mind saying so, they sound even better without him! The whole thing's a wonderful mix of jazz funk grooves and very unusual rhythms – and the record contains the monster full length version of "God Make Me Funky", which is 9 minutes and 35 seconds of non stop funk, plus the cuts "If You've Got It, You'll Get It", "Magic", and "Here & Now". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Eddie HendersonMahal ... CD
Capitol (Japan), 1978. New Copy ... $19.99
A stone classic from trumpeter Eddie Henderson – and a record that illustrates why he was such a key part of helping the spiritual jazz underground of the 70s find a wider audience at the time! The album's balanced between the freer styles of Eddie's roots and the tighter, soulful modes of the spiritual fusion generation – put together by producer Skip Drinkwater, who keeps the grooves up, but still lets all the soulful sounds of the musicians open up in a really great way! Players include Herbie Hancock on keyboards, Bennie Maupin on reeds, Paul Humphrey on drums, and Bill Summers on percussion – and they come together in a wonderful way, without ever overstating their own egos, yet still contributing everything they've got to the core. Henderson's trumpet solos over the top beautifully – and titles include "Mahal", "Ecstasy", "Butterfly", and "Cyclops". CD
(SHM-CD pressing!)

Possible matches8
CD, LP, Vinyl record album cover art
Joe HendersonBlack Miracle ... LP
Milestone, 1976. Very Good ... $9.99
Not Joe's most cutting-edge album, but a sweet warm batch of tracks with a good California/Fantasy records feel! The group includes Dawilli Gonga (aka George Duke) on electric piano, Harvey Mason on drums, and Bill Summers on conga – so the group has a nice groove to them. Henderson's joined by Hadley Caliman, Oscar Brashear, George Bohannon, and Snooky Young on horns – and the tracks include "Immaculate Deception", "Black Miracle", "Gazelle", and "Solution". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
Quincy JonesRoots – Original Soundtrack ... CD
A&M/Varese, 1976. New Copy ... $12.99 13.99
Quincy Jones may be best remembered for his funky soundtrack work of the 70s – but the man can also hit a deeper, more serious vein when he wants – as he does on this ambitious album-length project inspired by the landmark Roots mini-series! The music isn't a straight soundtrack from the program, but instead evokes the longer narrative over the passage of its different selections – working as its own "saga of an American family", as it moves from African roots, through years of oppression, to moments of pride and power – amidst larger orchestrations from Jones, with help from Letta Mbulu on some key vocals, and more help from Bill Summers, James Cleveland, and even Lou Gossett. Titles include "Many Rains", "Free At Last", "Jumpin De Broom", "Ole Fiddler", "Boyhood To Manhood", "Oluwa", and "Motherland". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockDirectstep ... CD
CBS/Sony/Wounded Bird, 1978. New Copy ... Temporarily Out Of Stock
A rare Japanese-only session from Herbie Hancock – very electric, and nicely funky in all the right parts! The set was recorded at the end of the 70s with amazing fidelity – and features a unique lineup that includes Webster Lewis on additional keyboards and Alphonse Mouzon on drums – alongside more familiar partners Bennie Maupin on reeds, Paul Jackson on bass, and Bill Summers on percussion! Given these last three, there's almost a slight Headhunters feel to the set – but the overall groove is a bit more mellow, with some wonderfully spacey touches that are super-soulful – and miles above anything that Herbie was recording in the US at the time. Titles include the sublime mellow groover "Butterfly", plus "Shiftless Shuffle", and the side-long jazzy jammer "I Thought It Was You"! CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHeadhunters ... CD
Columbia, 1974. Used ... Temporarily Out Of Stock
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is the work from the rest of the group – including Bennie Maupin on soprano and tenor sax, Paul Jackson on bass, Harvey Mason on drums, and Bill Summers on percussion! The earthier elements of the rhythm players really keep Herbie on track – bringing him back to the planet from previous trips into space, and helping him hit an all-solid, all-righteous funky groove! Titles include a great remake of "Watermelon Man", the classic original recording of "Chameleon", and the cuts "Vein Melter" and "Sly" – all nice and long! CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockThrust/Man-Child/Secrets (with bonus tracks) ... CD
Columbia/Robinsongs (UK), Mid 70s. New Copy 2CD ... Temporarily Out Of Stock
A trio of heavy-hitting albums from Herbie Hancock – served up together in one collection, with bonus tracks too! First up is Thrust – killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". Next is the album Man-Child – funky mid 70s Herbie Hancock – one his funkiest albums of the era! Herbie plays a host of cool keyboards – like Fender Rhodes, Arp, and clavinet – and he's joined by a group that includes just about all of the Headhunters – including Paul Jackson on bass and Mike Clarke on drums – plus help from a great array of other excellent guests – including Bennie Maupin and Wayne Shorter on reeds, Harvey Mason on drums, and even some guest keyboards from Stevie Wonder! The album's great – maybe a bit understated than Thrust, but still equally wonderful – and the whole thing's worth it alone for the classic uptempo cut "Hang Up Your Hang Ups" – alongside other cuts that include "Bubbles", "Heartbeat", and "Sun Touch". Last up is Secrets – soulful 70s work from Herbie Hancock – a record that tightens things up from the Headhunters and Sextant sessions, but which still retains a lot of their depth and charm! Players here including some previous partners – like Bennie Maupin on reeds and Paul Jackson on bass – plus the mighty Wah Wah Watson on guitars, James Levi on drums, Kenneth Nash on percussion, and Ray Parker on additional guitar. Tracks are tightly electric fusion, but still have some of the sharper tones of Herbie's electric work – weird moogy moments mixed into more straight ahead funk – all with a sound that's not unlike some of Ramsey Lewis' best Columbia work of the period. Herbie plays Fender Rhodes, Arp, clavinet, mini-moog, and more – and titles include "Doin' It", "Spider", "Swamp Rat", "People Music", and a remake of "Cantelope Island" that's pretty darn tasty! 2CD set features 8 bonus tracks – all the single mixes of the 45s from all three albums! CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineEverybody Come On Out ... LP
Fantasy, 1976. Used Gatefold ... Temporarily Out Of Stock
Sweet, smooth, and soulful – a heck of a great album from Stanley Turrentine, and one that's recorded in a mode that steps off nicely from his best work at CTI! The sound's a bit tighter than most of his sides as Mister T, but the groove is still quite similar – a warm approach to electric soul jazz, played by the best in the business, and topped off by some great lead solo work from Stan – all in that impeccable tone, and with some surprisingly creative solo flourishes that seem to pop out of nowhere and keep the record interesting! Wade Marcus arranged, and players include Paul Jackson, Harvey Mason, Bill Summers, and Joe Sample – on tunes that include "I'm Not In Love", "There Is A Place", "Stairway To Heaven", "Everybody Come On Out", "Hope That We Can Be Together Soon", and "Airport Love Theme". LP, Vinyl record album
(Cover has unglued seams.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHeadhunters ... LP
Columbia, 1973. Used ... Temporarily Out Of Stock
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is the work from the rest of the group – including Bennie Maupin on soprano and tenor sax, Paul Jackson on bass, Harvey Mason on drums, and Bill Summers on percussion! The earthier elements of the rhythm players really keep Herbie on track – bringing him back to the planet from previous trips into space, and helping him hit an all-solid, all-righteous funky groove! Titles include a great remake of "Watermelon Man", the classic original recording of "Chameleon", and the cuts "Vein Melter" and "Sly" – all nice and long! LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Eddie HendersonEddie Henderson Anthology Vol 2 – The Capricorn Years: Realization/Inside Out ... CD
Soul Brother (UK), 1973. New Copy ... Out Of Stock
Massive work from Eddie Henderson – 2 spaced-out jazz classics that put him right up there with Miles Davis and Herbie Hancock for pure 70s genius! The set kicks off with the very cosmic Realization – a tripped-out set with Herbie on keyboards, Pat Gleeson on Arp and moog, Bennie Maupin on reeds, Buster Williams on bass, and Lenny White on drums – all grooving together in a style that's some elements of Herbie's work of the time, especially his later sides for Warner Brothers. The blend of players is magnificent – and produces a really righteous sound that's picked up nicely by the album Inside Out, recorded slightly later in the same year. That set also features Maupin, Hancock, Gleeson, and Williams – plus Billy Hart on drums and Bill Summers on percussion. Together, the albums represent one of the most fruitful periods in Eddie Henderson's career – a freewheeling soul jazz era that was never to be duplicated on later albums! Titles include "Moussaka", "Anua", "Spiritual Awakening", "Mars In Libra", "Dreams", and "Inside Out". CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Joe HendersonBlack Narcissus (Japanese pressing) ... CD
Milestone (Japan), 1976. Used ... Temporarily Out Of Stock
A later album from Joe Henderson's ultra-hip 70s period for Milestone – a sweetly electric session with the mighty Patrick Gleeson on keyboards! Gleeson is as strong of a force here as he is on other essential albums from the time – including some of Herbie Hancock's work – and the keyboardist handles E Mu Polyphonic synth, which really fits the flowing style of the music! Henderson's great, as always, on tenor – blowing the instrument with a searching quality that's a fair bit different than some of his contemporaries, a unique space that further pushed the instrument in the years after the passing of John Coltrane. The rhythm section holds its end up nicely too – bringing in some key modal moments with players who include Joachim Kuhn on piano, JF Jenny-Clark on bass, and Bill Summers on drums. Tracks are a bit more open than some of Joe's early 70s work – but still done with a hip Bay Area groove – and titles include "Black Narcissus", "Hindsight & Forethought", "Amoeba", and a studio version of "Power to the People", which Henderson had done earlier on a live set. CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Shawn PhillipsSpaced ... LP
A&M, 1977. Used ... Out Of Stock
Wonderful! Shawn Phillips started his career as a shaggy folk rocker with a bit of a jazzy twinge – but this album collects odd bits and pieces that were left off of earlier albums, and works perfectly as a record that shows a whole new side of his genius! The album shows Phillips as a master of the funky jazz groove – and although he's still singing on some of the songs, he also lets loose with a number of instrumental cuts, laid out in a tight well-produced mode that puts them up there with some of the best work coming out on labels like Fantasy or Blue Note during the mid 70s. The centerpiece of these is the massive long cut "We Came To Say Goodbye", which builds and builds over the course of 15 minutes, with cool keyboards, great guitar, and the kind of tightly compressed grooves you'd expect to find on a Headhunters album (no surprise, since Headhunters Mike Clark, Bill Summers, and Paul Jackson are on the cut!) Other instrumental tracks include "Prelude To A Leaving" and "Italian Phases" – and strong vocal numbers include "Parisian Plight 1" and "Your Eyes". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a cutout notch and some wear.)
 
 
 



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