The landmark first album from The Band – and along with the follow-up, it's among the greatest records of its time – which is all the more astounding given how independent of late 60s trends it is! Each member of The Band brings such inimitable textures – Garth Hudson's imposing organ grooves, Richard Manuel's aching tenor vocals, Rick Danko's voice and distinctive bass lines, Levon Helm's behind-the-beat drumming and the country wisdom of his voice, Robertson's guitar mastery – this really was THE Band. Includes "Tears Of Rage", "In A Station", "The Weight", "Long Black Veil", "Chest Fever", "Lonesome Suzie", "This Wheels On Fire", "I Shall Be Released" and more. CD

A really cool later album from the great Jack McDuff – nicely stepping out from some of the multi-keyboard modes he forged for Chess Records in the 70s, and still working with a combo here that he calls the Heating System! The group has some key all-star talent – including work from Joe Farrell on saxes and Phil Upchurch on guitar – but it's also noteworthy in that it features early work from Garrick King on drums, a player who was perfect for the sort of rhythms that McDuff forged in the 60s with drummer Joe Dukes! Jack himself handles a variety of key, plus organ – and there's some soulful fusion elements in the mix too, including a bit of vocals – giving the record a feel that's a lot like some of the Charles Earland work for Columbia at the same time. Titles include "Say Sumpin Nice", "Night Fantasies", "Pocket Change", and "Tunisian Affair". CD

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Titles include "Games", "Empty White Houses", "Your Train Is Leaving", "Dadaelus' Unfinished Dream", and "199 Thoughts Too Late". CD

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Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD

Darkly new wave work from Kissing The Pink – a group who are never as well-remembered as Human League or Ultravox, but who often have a very similar feel! As with much British electronica of the time, the vocals are often flat and compressed into the rhythms very strongly – cold, but with a charm that's undeniable – especially on the few more hook-heavy tunes that won the group a bit of crossover fame. CD brings together the full Naked album and the Kissing The Pink EP – a total of 17 tracks that includes "Big Man Restless", "The Last Film", "Frightened In France", "In Awe Of Industry", "Mr Blunt", "Maybe This Day", "Watching Their Eyes", and "Love Lasts Forever". CD

Pick any 10 words out of any Outkast album description on our pages at random, and you'll see how dearly we've loved these boys throughout the years – but truth be told, deep down we didn't think that they would be able to pull off the double album/solo album project(s). We were seriously wrong – Speakerboxxx/Love Below is HUGE in every way, and both halves are great all the way through! If you were worried Big Boi's Speakerboxxx half would be lazy southern hip hop without Andre's freaky presence throughout, you can put those fears to rest right now. Speakerboxxx is a deeply soulful electro hopping pounder from front to back – every bit as innovative as Andre's half! Tracks include "Ghettomusick" (which features one of just two appearances by A3000 on the whole disc), "Bowtie" with Sleepy Brown, "Bust" with Killer Mike, "Church", "Tomb Of The Boom" with Konkrete, Big Gipp and Ludacris, "Flip Flop" with Jay-Z, "The Way You Move" and more. A lot of press has been given to the assumption that Andre 3000 has largely forsaken hip hop on his half (The Love Below) and has instead dived head first into cosmic future funk. Well, the rumors are true. There's lots of straight up jazz piano and horn bits on the Love Below, with Andre's half serious, half tongue-in-cheek romantic soul cabaret croon way over the top. It's steeped in the classic Outkast party vibe, but with lots of Sign Of The Times-era Prince (complete with androgynous distorted vocals), Parliament and Cameo thrown into the mix. Sick, energetic genius! Tracks include the deliriously great "Hey Ya!" single, "She Lives In My Lap", "Love Hater", "Happy Valentine's Day", "Roses", "Good Day, Good Sir", "Behold A Lady", "Pink And Blue", "Spread", "Dracula's Lady" with Kelis, and more. Who the hell knows what they can possibly do to surprise us after this – but wherever Andre 3000 and Big Boi go from here, they each have yet another classic in the discography! CD

Music from Big Bill Broonzy, Sonny Terry & Brownie McGhee, Vera Hall, KC Douglas, Roosevelt Sykes, Etta Baker, Henry Brown, Pink Anderson, Rev Gary Davis, Cat Iron, Willie Dixon, Henry Townsend and more. CD

Director John Hughes gave the world some pretty great movies back in the 80s – and in most of those movies, music was a very big part of the experience – as Hughes had a way of using just the right songs in just the right moments, and also helped get wider mainstream exposure for some of the hipper acts of the time! This package is a great tribute to the kinds of cuts that Hughes would use – some done especially for his films, most from other records but used in key scenes – in a package that collects together songs from films that include Some Kind Of Wonderful, Ferris Bueller's Day Off, Pretty In Pink, She's Having A Baby, Weird Science, Sixteen Candles, The Breakfast Club, and Planes Trains & Automobiles. 4CD version comes in a great book-styled package, with plenty of notes – and includes 74 cuts in all – with titles that include "Do Anything (soundtrack version)" by Pete Shelly, "Eighties" by Killing Joke, "Full Of Love" by Dr Calculus, "Beat City" by Flowerpot Men, "She's Having A Baby" by Dave Wakeling, "I Go Crazy" by Flesh For Lulu, "Don't You Forget About Me" by Simple Minds, "If You Leave" by OMD, "This Woman's Work" by Kate Bush, "Oh Yeah" by Yellow, "Pretty In Pink" by Psychedelic Furs, "Brilliant Mind" by Furniture, "Six Days On The Road" by Steve Earle, "Crazy Love" by Bryan Ferry, "You Just Haven't Earned It Yet Baby (soundtrack version)" by Kirsty MacColl, "Please Please Please Let Me Get What I Want (inst)" by Dream Academy, "Tenderness" by General Public, "Bring On The Dancing Horses" by Echo & The Bunnymen, "Can't Help Falling In Love" by Lick The Tins, "Weird Science" by Oingo Boingo, "Left Of Center" by Suzanne Vega & Joe Jackson, and "If You Were Here" by Thompson Twins. CD

A huge look at the Liverpool scene in the UK – but one that doesn't focus on the generation of the Beatles and Brit Invasion groups – and instead brings some great attention to the city's contribution to the post-punk years and beyond! The package is tremendous – 100 songs in a huge booklet of notes – tracing an evolution from the late 70s years, when Liverpool was as creative and fervent of a scene as other North England territories, like Manchester and Sheffield – but also one that could quickly develop some tuneful aspects too, which no doubt helped the rest of the UK music scene of the 80s find a way to expand in some great global directions! Throughout the whole time covered here, there's a great tension between experimentation and commercial success – one that's covered beautifully by the many tracks in the collection, and also documented in the hefty notes within. There's far too many tracks here for us to list – but let us say that the package is overflowing with work by artists as diverse as Dalek I, The Wild Swans, China Crisis, Pink Industry, Care, Box Of Toys, Deaf School, Big In Japan, Pale Fountains, Icicle Works, Dead Or Alive, The Lotus Eaters, Frankie Goes To Hollywood, Mr Amir, Brenda & The Beach Balls, Jegsy Dodd & The Sons Of Harry Cross, The La's, Jactars, Magic Carpets, Barbel, The Walking Seeds, Thomas Lang, Ministry Of Love, Nightmares In Wax, OMD, The Planets, Spitfire Boys, Geisha Girls, Royal Family & The Poor, Public Disgrace, It's Immaterial, The Balcony, The Yachts, Teardrop Explodes, Original Mirrors, The Press Gang, Moderates, Egypt For Now, Those Naughty Lumps, Flock Of Seagulls, Freeze Frame, Echo & The Bunnymen, and many more! CD

Features Randy Brecker on trumpet, Frank Lacy on trombone, Gary Smulyan on baritone sax, Craig Handy and Chris Potter on tenor sax, Kenny Drew on piano, and others. Includes the songs "Gunslinging Bird", "Reincarnation Of A Lovebird", "O.P. (Oscar Pettiford)", "Please Don't Come Back From The Moon (Pinky)", "Fables Of Faubus", "Jump Monk", "Noon Night/Celia Medley", "Hog Callin' Blues", and "Started Melody". CD

Jelly Roll Morton on piano with George Mitchell, Ward Pinkett, Ed Anderson, Edwin Swayzee,Red Rossiter, Barclay "horsecollar" Draper, Walter Briscoe & Sidney De Paris on trumpet, Kid Ory, Gerald Reeves, Geechy Fields, William Cato, Charlie Irvis & Claude Jones on trombone, Quinn Wilson, Bill Benford, Bass Moore & Harry Prather on tu, Omer Simeon, Barney Bigard, Darnell Howard, Johnny Dodds, Russell Procope, George Bacquet, Albert Nicholas on clarinet, Stump Evans, Paul Barnes, Joe Garland, Paul "polo" Barnes, Joe Thomas, Walter "foots" Thomas, Sidney Bechet & Happy Cauldwell on saxophone, Rod Rodriguez on ensemble piano, Johnny St. Cyr, Bud Scott, Lee Blair, Barney Alexander, Lawrence Lucie on banjo & guitar, John Lindsey & Wellman Braud on bass, Andrew Hilaire, Baby Dodds, Tommy Benford, Manzie Johnson, William Laws, Zutty Singleton on drums & Marty Bloom on effects. CD