Really great material from Andy Williams – some of the grooviest sounds we've ever heard from the singer, thanks to backings from Quincy Jones! The set features live sides cut for the Let's Go To Town show issued for radio by the National Guard – and the album's got a similar feel to the great Williams/Jones album on Cadence from the same time, but with a vibe that's even more jazz-based overall! Andy's a hell of a singer in the right setting – and this album's even more sublime than his studio album with Quincy – as it offers up a fair bit of instrumental tracks from Jones' great ensemble of the time, which means even more great work on some of the solo passages. Dave Grusin plays piano on a few tracks, too – and titles include "Pleasingly Plump", "Gwan Train", "Boum", "The Midnight Sun Will Never Set", "Domino", "Air Mail Special", "Lester Leaps In", "Mademoiselle De Paris", and "Clap Yo Hands/I Won't Dance". CD

Andy Kirk leading and on bass sax and tuba with Mary Lou Williams on pinao. CD

Includes 20 tracks by Andy Kirk and his Twelve Clouds of Joy, with arrangements and piano by Mary Lou Williams. CD

Virginia Mayhew on tenor saxophone, Ed Cherry on guitar, Harvie S on bass, Andy Watson on drums and Wycliffe Gordon on trombone. CD

Includes performances with Andy Kirk & His Twelve Clouds Of Joy, Booker Collins, Ben Thigpen, Coleman Hawkins, Don Byas, Benny Goodman, Wardell Gray, Mary Osborne, George Duvivier, Denzil Best, Tony Kinsey, and Allan Ganley. CD

With selections by King Kong, Pampiedoo, Derrick Irie, Andy Williams, Frankie Jones, Nathan Skyers, Willie Joseph, Wayne Junior, and Double Ugly. LP, Vinyl record album

A very cool little set – maybe not the deepest dive into the decade of the 70s, in that the package isn't full of unissued tracks or super-rare singles – but it does represent a great look at the decade that goes way past the hits, and much farther than the charts – including the sort of material that was slightly ignored at the time, but has gone on to be really appreciated in more recent years! The book-style set is filled with great choices and unusual tunes – work from both the US and UK scenes, some of it by bigger names represented here by more unusual cuts – some by others who barely cracked the mainstream, but did some great work at the time. There's one full CD of female artists, and a pretty unusual mix of titles – 71 titles in all, by artists who include Murray Head, The Records, Ronnie Lane, Terry Reid, Sandy Denny, Wendy Waldman, Freddie King, Montrose, Tim Buckley, Don Nix, Jerry Williams, Big Star, Tony Joe White, Delaney & Bonnie, John Prine, Michael Franks, Bobby Charles, Andy Pratt, Hirth Martinez, Robert Palmer, Jess Roden, Roy Harper, Patto, Sharks, The Roches, Linda Lewis Valerie Carter, and many others! CD

A heavy package of treasures from the vaults of Studio One – tracks from the early days of the label that really illustrate the special touch that Studio One had right from the start! The work here is some of the most soulful from the early years of reggae – Jamaican music that's clearly drawn strong inspiration from American work, but which is already really finding its own sort of special groove – mellow burning rocksteady, early reggae, and more – still sounding every bit as righteous and powerful as it did back in the day! This double-length set brings together both volumes of the original compilations – and titles include "Peeping Tom" by Brentford All Stars, "Honey Come Back" by Jerry James, "Get You Off My Mind" by Larry Marshall, "I'll Be Waiting" by Alton Ellis, "Got To Be Sure" by Horace Andy, "My Eyes" by John Holt, "He Don't Love You" by Larry Williams, "Psychedelic Rock" by Ernest Ranglin, "Life" by Hortense Ellis, "Always Something There To Remind Me" by Winston Francis, "Old Time Saying" by Burning Spear, "Riddle I This" by Dennis Alcapone, "Feel Good All Over" by King Sporty, "Zion Higher" by Burning Spear, and "Home Home Version" by Dennis Alcapone & Ken Boothe. CD

Rare 78 rpm recordings from Fess Williams, Taylor's Dixie Orchestra, Ross Deluxe Syncopators, Eddie Johnson's Crackerjacks, Williamson's Beale Street Frolics Orchestra, Jimmie Lunceford & his Chickensaw Syncopators, Mart Britt, Blue Steele, Andy Kirk & his Twelve Clouds of Joy, and Slatz Randall. CD

Carla Bley on piano, Wolfgang Puschnig on alto saxophone and flute, Roberto Ottini on baritone and soprano saxophone, Christof Lauer on tenor and soprano saxophone, Andy Sheppard on tenor saxophone and clarinet, Daniel Beaussier on oboe and flute, Bob Stewart on tuba, Jens Winther and Lew Soloff on trumpet, Gary Valente on trombone, Frank Lacy on French horn and flugelhorn, Karen Mantler on harmonica, organ, vibes, and chimes, Steve Swallow on bass, Buddy Williams on drums, and Don Alias on percussion. CD

Carl Saunders on trumpet, Roger Kellaway on piano, Buster Williams on bass, and Santo Savino on drums – with special guests Jerry Pinter on sax and Andy Martin on trombone. CD

Music from Jones-Smith Incorporated, Gene Krupa's Swing Band, Art Tatum, Teddy Hill And His NBC Orchestra, Jay McShann And His Orchestra, Cab Calloway And His Orchestra, Clark Monroe's Band, Minton's Playhouse Band, Andy Kirk And His Twelve Clouds Of Joy, Lucky Millinder And His Orchestra, Cootie Williams Sextet, Coleman Hawkins, and more. CD

Masterful later work from saxophonist Gary Bartz – proof that he kept on growing and maturing his style after his initial explosive years in the 70s! This album is a bit more subtle than those righteous classics, but still carries a lot of message in the music – a suite of tracks composed by Gary Bartz and pianist Larry Willis – whose sharp-yet-round tones are a perfect accompaniment to Gary in the quartet alongside the bass of Buster Williams and the drums of Ben Riley! And yes, there's no vocals, nor funky bits – but the maturing power of Gary's message really comes through loud and clear – on titles that include "Children Of Harlem", "Tico Tico", "Amos & Andy Theme", "Heavy Blue", and "Tap Dancer". CD

A fantastic trip through the archive with Volcov – even if most of the cuts here are a bit more recent than those that usually get archival status! And yet in a way, many of these cuts almost went to the archives directly – especially in this digital age for modern soul and club, where so many great singles and albums don't make it onto vinyl – and fade fast in the fast rush of new music hitting the internet. That's why we love collections like this so much – as Volcov's done a great job of grabbing the best bits from the past decade or so, and weaving them together as a strong reminder of how much wonderful soul music is being created on this planet – most of it still waiting to be discovered. There's a few older bits here, but most tracks are contemporary – and titles include "Caterpillar" by Rebirth, "All That Glitters" by Carleen Anderson, "Let The Music Play" by Collective Peace, "Spiraling Prism" by Ian O'Brien, "Ori Space" by Ron Trent, "Turn It Around (Eric Lau rmx)" by Ruth Koleva, "Planet Birth (Xantone Blacq rmx/Volcov edit)" by Intuit with Andy Bey, "Lawra (Volcov edit)" by Tony Williams, "Blue Room (Kaidi Tatham's shokazulu rmx)" by Quentin Kane & Simon Sheldon with TK Blue, "Finding The Peace" by Skymark, "I Put A Spell On You" by Honey Sweet with Cindy Mizelle, and "After Life (part 2)" by Harry Whitaker. CD

A really great genre-hopping Christmas collection – one that features jazzy tunes, vocal numbers, and a few rock and country tracks as well – all of which really live up to the vintage spirit of the image on the cover! The set follows nicely in the style of the similarly-titled predecessor – and features an array of 29 postwar tracks that come from that moment when the marketing of Holiday spirit was a very big part of the music business! There's plenty of familiar tunes here, done in unusual versions – and some more obscure Christmas cuts that definitely make the set worthwhile – on titles that include "Mrs Santa Claus" by Nat King Cole, "Peace On Earth" by Peggy Lee, "Hello Mr New Year" by The Coolbreezers, "Merry Christmas To You All" by Elton Britt, "Christmas Candy" by Margaret Whiting & Jimmy Wakely, "It's A Marshmallow World" by Vic Damone, "Snowbound For Christmas" by The DeCastro Sisters, "Be A Santa" by McGuire Sisters, "When Santa Claus Gets Your Letter" by Gene Autry, "Sleigh Ride" by Johnny Desmond, "Here Comes Santa Claus" by Sammy Kaye with Don Cornell, "Christmas Is A Feeling In Your Heart" by Andy Williams, "Rudolph The Red Nosed Reindeer" by 101 Strings, "Jingle Bell Rock" by Eddy Arnold, and "Snowy White Snow & Jingle Bells" by Vaughn Monroe. CD

Music from Fletcher Henderson And His Orchestra, Sidney Bechet And His New Orleans Feetwarmers, Al Cooper And His Savoy Sultans, Chick Webb And His Orchestra, Coleman Hawkins And His Orchestra, Erskine Hawkins And His Orchestra, Claude Hopkins And His Orchestra, Benny Carter And His Orchestra, Lucky Millinder And His Orchestra, Teddy Hill And His NBC Orchestra, Andy Kirk And His Clouds Of Joy, Jay McShann And His Orchestra, Count Basie Orchestra, Cab Calloway And His Orchestra, Duke Ellington And His Orchestra, Buddy Johnson And His Orchestra, The Buddy Tate Celebrity Club Orchestra, Tab Smith Orchestra, and Cootie Williams And His Orchestra. CD

With Cleanhead Vinson, Bud Powell, Lockjaw Davis, Ed Burke, Sandy Williams, Charlie Holmes, Sam Taylor, and Louis Bacon. CD

Excellent work from pianist Art Hodes – tracks he recorded in the early years of Blue Note – with help from players who include Baby Dodds on drums, Sandy Williams and Ray Coniff on trombones, Rod Cless on clarinet, Bob Hggart on bass, and Max Kaminsky on trumpet! Hodes was a great player in the trad tradition, but he was also sharp enough to be reflecting on the music, too – finding ways to push it forward in the postwar years. The set features rare tracks from 78rpm singles and early 10" releases – plus a few unissued numbers too! CD

Includes work with The Jungle Band and with Webb's orchestra, with featured soloists that include Benny Carter, Taft Jordan, Sandy Williams, and Elmer Williams. LP, Vinyl record album

Classic work from some of the best years of the Chick Webb group – with solos from Mario Bauza and Taft Jordan on trumpets, Edgar Sampson on alto, Elmer Williams on tenor, and Sandy Williams on trombone. LP, Vinyl record album

124 tracks in all – all late 30s/early 40s recordings from the HRS label, mostly issued initially on 78s! Includes groups led by Harry Carney, Joe Thomas, Jimmy Jones, Sandy Williams, Billy Taylor, Rex Stewart, Brick Fleagle, Buck Clayton, Trummy Young, Russell Procope, and JC Higginbotham. CD

Rare work by Dicky Wells Big Seven, Sandy Williams Big Eight, Joe Thomas Big Six, and JC Higginbothams Big Eight. Lots of big groups here! LP, Vinyl record album

Incredible early work from Curt Boettcher and Sandy Salisbury – best known for their collaboration in the fantastic groups Ballroom and Millennium – but heard here in a set of intimate demos the pair recorded around the same time! There's plenty of Sunshine Pop genius on these cuts, even if the production isn't at a full studio level – as the tunes are wonderful even at the core, and the vocals by either of the pair really make the magic of the tunes shine through – with a warmth and intimacy that's even more striking than some of their better-known material. We'd rank this right up there with similar material from Roger Nichols and Paul Williams – and titles include "Spell On Me", "Opus To A Friend", "Really & Truly", "Sweet Tangerine", "Next Day Sad", "Love Is Good", "Soft Words", "The Sun Is Shining Now", and "Oops". LP, Vinyl record album

Incredible early work from Curt Boettcher and Sandy Salisbury – best known for their collaboration in the fantastic groups Ballroom and Millennium – but heard here in a set of intimate demos the pair recorded around the same time! There's plenty of Sunshine Pop genius on these cuts, even if the production isn't at a full studio level – as the tunes are wonderful even at the core, and the vocals by either of the pair really make the magic of the tunes shine through – with a warmth and intimacy that's even more striking than some of their better-known material. We'd rank this right up there with similar material from Roger Nichols and Paul Williams – and titles include "Spell On Me", "Opus To A Friend", "Really & Truly", "Sweet Tangerine", "Next Day Sad", "Love Is Good", "Soft Words", "The Sun Is Shining Now", and "Oops". CD features three bonus tracks! CD

Incredible work by Randy Weston – light years ahead of his trio material from just a few years before! The album is one of his most progressive from the early years, and features an extended suite dedicated to the newly-won freedoms of the African Nations – with occasional lyrics by Langston Hughes, and arrangements by the great Melba Liston! The material's political, radical, and modernist – but it never fails to groove, and uses its politics to achieve an added emotional punch, as in the best work from the same time by Max Roach and Charles Mingus – and some of their larger progressive projects. The group is much larger than you'd expect from Randy – with Benny Bailey and Richard Williams on trumpets, Slide Hampton on trombone, Sahib Shihab on reeds, and Candido and Olatunji on percussion – which really dominates the record. The whole thing is amazing – one of the purest realizations of the African influence in Weston's music – and movements of the suite are entitled "Uhuru Kwanza", "African Lady", "Bantu", and "Kucheza Blues" CD

One of the coolest soundtracks ever for a Burt Reynolds film – an a hip mix of soul and jazz tracks that's gone onto become a classic over the years! The album's a compilation of sorts, but most of the material was recorded fresh for the film – and the different artists really work together here to forge some great backdrops for the action on the screen! Al Capps handled the larger charts, but most numbers really spotlight an individual artist – and highlights include Randy Crawford singing a new version of "Street Life" – different than the one with The Crusaders – Sarah Vaughan singing "Love Theme From Sharky's Machine", Peggy Lee vocals on "Let's Keep Dancing", and Julie London singing "My Funny Valentine" – as one of the first recordings after many years of retirement. Other great numbers include "Dope Bust" by Flora Purim & Buddy DeFranco, "Sharky's Theme" by Eddie Harris, "Before You" by Sarah Vaughan & Joe Williams, "8 To 5 I Lose" by Joe Williams, and the instrumental cuts "Sexercise" and "High Energy" by Doc Severinsen. LP, Vinyl record album

Early genius from the great saxophonist John Handy – working here at a time when he was fresh from some key experience with Charles Mingus, and ready to try out some of his own great ideas as a leader on his own! The album's a stunner right from the start – a record of subtle power and very deep soul – one that's also different than some of the directions Handy would take in years to come – both in some of his more freewheeling hippy modes, or his slicker jazz funk of the 70s. Instead, this set's a mix of modern ideas and sharper swing – a bit like Jackie McLean during some of his pivotal early 60s years, but with raspier soul too – delivered by a perfect group that also features great work on trumpet from Richard Williams, plus piano from Roland Hanna, bass from George Tucker, and drums from the great Roy Haynes. Titles include "Blues In The Vernacular", "Suggested Line", "First Time", "I'll Close My Eyes Again", "Quote Unquote", and "Dance To The Lady". LP, Vinyl record album

Light, lively piano work from Claude Williamson – a set that almost takes us back to his famous dates of the 50s, but one that's also got some great mature depth as well! This second layer of Williamson's expression really comes through nicely on the ballads – which have a slow-burning warmth we really like – a sound that's also augmented greatly by the basslines of Andy Simpkins, who has a great depth of feeling in a setting like this. The more upbeat numbers have more of the Williamson of earlier years, and a bit more work on drums from Albert Tootie Heath as well. Titles include "Pretendo", "Corcovado", "Star Crossed Lovers", "South Of The Border", and "Robbin's Nest". CD

Three wonderful albums from this legendary Brazilian singer – all presented in a single set! First up is Nothing Will Be As It Was Tomorrow – a record that's quite different from Flora's earlier work, but in a way that we find very compelling! The record was produced by Leon Ndugu Chancler, and it's got a smooth fusion sound that's kind of in a southern California R&B mode, played by a huge range of excellent Brazilian and west coast talents that include Patrice Rushen, Dorothy Ashby, Fred Jackson, Raul De Souza, Toninho Horta, and Airto. While this sound overwhelms the core of Flora's usual Brazilian jazz approach, it also expands some of the tracks to a great groove – with Flora's vocals on top, stretching out in a whole new way! Includes a great English language version of the Milton Nascimento classic "Nada Sera Como Antes", plus the cuts "You Love Me Only", "I'm Coming For Your Love", "Corre Nina", "Angels", "Bridges", and "Fairy Tale Song". Every Day Every Night is a beautifully soulful record from Flora Purim – still awash with touches from her Brazilian roots, but also done with a great 70s LA sound! Airto's helping Flora out on production, but the real hero here is Michel Colombier – who handles most of the arrangements and wrote a good deal of the tunes with Purim and Airto – mixing his own expansive studio talents with their organically-forged groove, in a way that makes the record a real standout from the California fusion scene of the 70s! Players include Randy Brecker, Lee Ritenour, George Duke, Herbie Hancock, Harvey Mason, and other jazz heavyweights – and titles include "The Hope", "I Just Don't Know", "In Brasil", "Blues Ballad", "Why I'm Alone", "Walking Away", and "Samba Michel". Carry On is one of Flora Purim's more R&B-sounding albums from the 70s, produced by George Duke with an appreciation for Flora's Brazilian jazz roots, but with a smoother sound that's in keeping with Duke's own work of the time! The combination is pretty sweet – a professional culmination of the mixture of fusion and Brazilian jazz that had been happening in the San Francisco scene during most of the 70s, and featuring many of the musicians who had helped make that groove so strong. Players include Airto, Sheila Escovedo, Joe Farrell, Ronnie Foster, Bobby Lyle, and Larry Williams – and tracks include "Niura Is Coming Back", "From The Lonely Afternoon", "Freeway Jam", "Beijo Partido", "Corine", and "Love Lock". Includes bonus tracks too – "Tango Blues" and "Sad Song". CD

Forget the cheapo look of the cover, as the set's a classic batch of gems from the Trojan Records catalog – 2CDs worth of material, with 55 titles that go way past the obvious hits – served up in a great mix of rocksteady and early reggae modes, and filled with the kind of tunes that instantly bridged the space between Kingston and London at the end of the 60s! The package takes off from a mainstream Trojan set from back in the day, and offers the much deeper dig that we love from the Doctor Bird label – tunes that make the whole thing more of a journey of discovery than you might guess from the simple statement of the title. Tracks include "Build It Up" by Tito Simon, "Sweet Sensation" by The Melodians, "This Is Reggae Music" by Zap Pow, "Floating" by Greyhound, "Black Pearl" by Horace Faith, "Liquidator" by Harry J Allstars, "Elizabethan Reggae" by Boris Gardiner & The Love People, "I Need Your Sweet Inspiration" by The Pioneers, "Red Red Wine" by Tony Tribe, "Think About That" by Dandy Livingston, "Down In The Boondocks" by Delroy Williams, "Reggae From The Ghetto" by John Holt, "Yesterday Man" by Nicky Thomas, "Who's That Lady" by Paris Connection, and lots lots more! CD

A trio of later gems from this legendary South African pianist! Mindif is a great set that features Abdullah Ibrahim's soundtrack music for the 1988 Clair Denis film Chocolat – some of his best group recordings of the 80s! The feel here is a bit more African-styled than usual – even for Ibrahim – with strong use of reeds to inflect the tunes with the right degree of color and tone for their use in the film. The ensemble on the record features Ricky Ford on tenor and soprano, Craig Handy on flute and tenor, Benny Powell on trombone, David Williams on bass, and Billy Higgins on drums – and the tracks have a languid groove that recalls some of Dollar Brand's best South African recordings with Kippie Moketsie. Titles include "Earth Bird", "African Market", "Pule", "Star Dance", and "Serenity". African River is one of the great larger group recordings that pianist Abdullah Ibrahim gave us in the 80s – from a moment when he was able to use added horns to really expand that amazing sense of color and rhythm he'd brought to his music on earlier trio recordings! There's a sense of musical vision here that really lives up to Abdullah's majestic look on the cover – a fantastic merging of flute and tenor from John Stubblefield, soprano and alto from Horace Alexander Young, tuba and baritone from Howard Johnson, and trombone from Robin Eubanks – all vibrant horn players who seem to have just about every tone and mood covered with their horns – given this wonderfully warm support from Buster Williams on bass, and Brian Adams on drums. All titles are originals by the leader – and tunes include "Chisa", "Sweet Samba", "Duke 88", "The Wedding", and "Joan Capetown Flower". Yarona is a beautifully sensitive set from Abdullah Ibrahim – recorded live at the Village Vanguard, and with an open, lyrical sound that almost seems to recall some of Bill Evans' magical moments in the venue! Ibrahim's quite a different player, of course – but there's an open, exploratory quality to his music that's a bit unusual here – maybe not as rhythmically based as it is balanced between sound and silence – given very respectful company in the bass of Marcus McLaurine and drums of George Johnson. Titles include "Cherry/Mannenberg", "Duke 88", "African River", "Stardance", "Tuang Guru", "Tintinyana", and "African Marketplace". CD

A great late 60s gem from pianist Horace Silver – and a great bridge between his earlier soul jazz for Blue Note, and some of his more righteous work to come in the 70s! At one level, the sound here steps off from classics like Serenade To A Soul Sister or The Jody Grind – but at another level, there's a more open approach to the music – one that has Horace sliding into new tones and colors, with a slightly lyrical undercurrent as well. As on some of his later dates, the mellower moments are often the most compelling – showing a newly mature side of Silver's talents, and a new love of space between the notes that really helps to break the mode of previous recordings! The group here features the great Bennie Maupin on tenor and flute, Randy Brecker on trumpet and flugelhorn, John Williams on bass, and Billy Cobham on drums – and titles include "Lovely's Daughter", "Risin Sun", "You Gotta Take A Little Love", "Down & Out", and "Brain Wave". LP, Vinyl record album

Music from Gandy Dancers, John Cephas And Phil Wiggins, Warner Williams, Robert Jr. Lockwood, Etta Baker, Abner Jay, Claude Williams, Sammy Price, Booker T. Laury, White Cloud Hunters Mardi Gras Indians, and more. CD

Ralph J Gleason might just be one of the coolest cats to ever write about music – a key part of the San Francisco scene during the postwar years – where his talents helped illuminate both the worlds of art and music during the beat generation – then really helped shine a spotlight on all the cultural changes in the city during the 60s – which even led to Gleason's role in the founding of Rolling Stone magazine! Gleason always had a great eye (and ear) for things that were new and special, but never in a way that was slavish to the moment – or to its creator – and the book features an initial section on his writings on jazz and blues – with essays on John Coltrane, Charles Mingus, Carmen McRae, BB King, John Handy, Vince Guaraldi & Bola Sete, Cal Tjader, Ben Webster, the San Francisco Jazz scene, and other diverse topics. The second section features Gleason on folk and rock – with bits on Jefferson Airplane, Hank Williams, Lenny Bruce, Odetta, The Beatles, Bob Dylan, and others – and the final section features articles on politics and culture – covering topics that include Richard Nixon, radio payola, Law & Order, flower children, and other slices of society, seen from the Gleason viewpoint. Book is hardcover, and 309 pages. Book

A wonderful testament to the soul and sensitivity of the music of John Hicks – a loving tribute to the late, great pianist – handled here by some of his closest jazz associates! Even without Hicks' compositions, the group would be great enough – but given that John's musical legacy lives on in the songs, there's a deeper sense of feeling here that really unites the music – a rich extension of that flowing, spiritual side of his music that first flowered most strongly in the 70s, then continued to please us for years in a series of excellent later albums. Elis Wood-Hicks delivers some great work on flute throughout the set – and other players include Craig Handy on tenor and soprano, Eddie Henderson on trumpet, and core rhythm from Larry Willis on piano, Curtis Lundy on bass, and Steve Williams on drums. Willis' later tones on the keys are a wonderful complement to Hicks' tunes, and Lundy's bass is always an element that makes a set great – and continues that legacy here. Titles include "Mind Wine", "After The Morning", "Blues In The Pocket", "Single Petal Of A Rose","Avotcja", and "Yemenja". CD

A great late 60s gem from pianist Horace Silver – and a great bridge between his earlier soul jazz for Blue Note, and some of his more righteous work to come in the 70s! At one level, the sound here steps off from classics like Serenade To A Soul Sister or The Jody Grind – but at another level, there's a more open approach to the music – one that has Horace sliding into new tones and colors, with a slightly lyrical undercurrent as well. As on some of his later dates, the mellower moments are often the most compelling – showing a newly mature side of Silver's talents, and a new love of space between the notes that really helps to break the mode of previous recordings! The group here features the great Bennie Maupin on tenor and flute, Randy Brecker on trumpet and flugelhorn, John Williams on bass, and Billy Cobham on drums – and titles include "Lovely's Daughter", "Risin Sun", "You Gotta Take A Little Love", "Down & Out", and "Brain Wave". CD