A really cool set, and one that goes way past the usual 60s soul and pop modes that usually define a girl group compilation – as this one goes way way back, and traces female harmony modes from the early swing years onwards – served up in a massive 82 track package that's overflowing with surprises! The material really shows the evolution of the mode in a great way – mixing early 78rpm tracks with postwar 45s and LP titles – in modes that include jazz, soul, R&B, and pop – all supported by the usual great French and English notes that we love from this label! CD3 features all early 60s material, with a few decades spanned on the previous 2CDs – work by artists who include Daindridge Sisters, Angels, Blossoms, Cookies, Poni-Tails, Bonnie Sisters, Beverly Sisters, Clark Sisters, Shirley Gunter & The Queens, Paulette Sisters, Chordettes, Raelettes, Quin-Tones, Paris Sisters, Royalettes, Starletts, Charmaines, Dinning Siters, Fontaine Sisters, Boswell Sisters, The Enchanters, and others. (Soul, Vocalists) CD

A different James Brown album – but a nice one! James doesn't sing soul, so much as jazz – in front of large backings by Louis Bellson, with arrangements by Oliver Nelson that are in his best 60s soul mode – and which give the album a very very groovy feel overall! The record's not funky, but James' vocals are plenty darn soulful – and the album is proof that he could be a huge talent in just about any mode that he chose – shining with a brilliance that was irrepressible! James covers a few of his older tracks on the album, and sings a few other pop standards – and titles include nice versions of "It's Magic", "The Man In The Glass", "Papa's Got A Brand New Bag", "That's My Desire", and "I Need Your Key (To Turn Me On)". CD features the previously unissued bonus track "There Was A Time" – plus the full, unedited versions of 4 other tracks – appearing here for the first time ever! (Soul, Vocalists) CD

Two great lost albums from Carmen – very different than her earlier work, kind of a mixture of jazz, soul, and pop, in territory that's a bit like work by Nancy Wilson or Marlena Shaw. Sound of Silence has Carmen working with arrangments by Shorty Rogers and Jimmy Jones – nicely jazzy, but with other sophisticated touches that open up Carmen's palette a lot. Titles include "Watch What Happens", "Sound Of Silence", "MacArthur Park", "Can You Tell", and "Gloomy Sunday". Portrait Of Carmen is one of her hippest LPs ever, and a great set of vocal gems that often gets overlooked. Arrangements are by Benny Carter, Shorty Rogers, and Oliver Nelson – and the album's got a swinging groovy style that pushes Carmen past her schmaltzier jazz vocal roots. The album kicks off with an amazing reading of Tommy Wolf's "I'm Always Drunk In San Francisco", done by Carmen in a way that makes you know she owns the song – and then it moves through a compelling blend of compositions that includes "My Very Own Person", "Ask Any Woman", "Boy, Do I Have A Surprise For You", and "Elusive Butterfly". CD

A timeless mix of heart tuggingly intimate strings and beautiful vocals by Esperanza Spalding – a set that feels deep down close to the heart, and in turns, quite soaring – all the while wonderful! The aspects we loved so dearly on Esperanza's previous albums are also done here – touching on soulful Brazilian, soul jazz and chamber pop & soul influences, lovely wordless vocals as well as sweeter singing, and beautiful performances by the players. Ms Spalding is on bass and vocals with Leo Genovese on piano, Rhodes & melodica, Terri Lyne Carrington on drums and Quintino Cinalli on percussion. The great Milton Nasciemento guests on "Apple Blossom", and other titles include "Little Fly", "Knowledge Of Good And Evil", "Really Very Small", "Chacarera", "Wild Is The Wind", "Apple Blossom" and "Short And Sweet". (Neo Soul, Vocalists) CD

Seminal work from the lovely Basia – and an album that's a wonderful hybrid of jazz, soul, and pop – all put together at a level that really goes beyond most of her contemporaries! There's a vibe here that's almost like Swing Out Sister at their best – catchy, but never cloying – and done in an 80s style that refers strongly back to 60s and 70s styles, yet still keeps things quite contemporary overall. And although most of the tunes are pretty poppy, they're also pretty great, and really hold up over the years – thanks to slight undercurrents of jazzy instrumentation, of the sort you'd get from Brit artists like Working Week or Sade. Titles include "Promises", "From Now On", "Freeze Thaw", "How Dare You", "Astrud", and "Miles Away". 2CD version is amazing – and features 5 bonus instrumental tracks, plus 8 more remix tracks, and 5 more single versions, and the non-album track "Give Me That". 30 titles in all! (Soul, Vocalists) CD

The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD

A landmark record – not only in the career of Grady Tate, but in the realm of adult vocals as well! Grady's incredible here – cool, classy, and amazingly stepping from the role of being a simple jazz drummer, into a world of sophisticated vocals that really caught the world by surprise. The backings are lush, but light – as cooly poised as Grady's own vocals, and still able to hit the right amounts of soulfulness to make the tunes come across with a sound that was quite different than the usual adult pop record of the time. The whole thing's an amazing mix of jazz, soul, and vocals – set to arrangements by Gary McFarland and Mike Abene, and supported by wonderful backings from Jerome Richradson. Includes the sublime "Sack Full Of Dreams", a swirling track that sounds a lot like Scott Walker to us – plus Grady's classic reading of "Windmills Of Your Mine", and the tunes "TNT", "Would You Believe", "All Around The World", and "A Little At A Time". ! CD

A landmark record – not only in the career of Grady Tate, but in the realm of adult vocals as well! Grady's incredible here – cool, classy, and amazingly stepping from the role of being a simple jazz drummer, into a world of sophisticated vocals that really caught the world by surprise. The backings are lush, but light – as cooly poised as Grady's own vocals, and still able to hit the right amounts of soulfulness to make the tunes come across with a sound that was quite different than the usual adult pop record of the time. The whole thing's an amazing mix of jazz, soul, and vocals – set to arrangements by Gary McFarland and Mike Abene, and supported by wonderful backings from Jerome Richradson. Includes the sublime "Sack Full Of Dreams", a swirling track that sounds a lot like Scott Walker to us – plus Grady's classic reading of "Windmills Of Your Mine", and the tunes "TNT", "Would You Believe", "All Around The World", and "A Little At A Time". ! CD

One of Mel Torme's hippest albums of the 60s – and a strong shift towards more swinging material after some of his mellower work for other labels! There's a bit of electric piano in the mix, and plenty of that Atlantic records pop/soul jazz approach – a take on soul jazz that's similar to tunes by Herbie Mann at the same time, but with vocals. The whole thing's filled with greatly grooving tracks – and it draws no small influence from Jon Hendricks' excellent work of the time! Titles include "Hi Fly", "Comin Home Baby", "Dat Dere", "Sidney's Soliloquy", and "Moanin". CD

The music of Leonard Cohen, but served up in a style that's quite different than you might expect – yet that's maybe no surprise, as right from the start, Cohen's magical songs were already getting interpretations by artists in a range of different styles! The setting here is Blue Note, but the artists are a wider range than those you'd normally hear on the label – with a mix of rock and soul talents next to jazz artists – on titles that include "If It Be Your Will" by Mavis Staples, "Suzanne" by Gregory Porter, "Steer Your Way" by Norah Jones, "Avalanche" by Immanuel Wilkins, "Hey That's No Way To Say Goodbye" by Luciana Souza, "Bird On The Wire" by Bill Frisell, "Famous Blue Raincoat" by Nathaniel Rateliff, "Coming Back To You" by James Taylor, "Here It Is" by Peter Gabriel, and "You Want It Darker" by Iggy Pop. CD

2 Nancy Wilson Capitol sets from 1966 – back to back on one CD! From Broadway With Love is Broadway material – but given the Nancy Wilson twist – and sung in a mode that's a lot more soulful than other records of its type! Nancy's at her strong early Capitol best here – working with arranger Sid Feller in a set of tunes that get some nice syncopation and jazzy inflections from Sid – pushing them past their showier roots, and into leaner territory that really matches the class of the Nancy Wilson voice! And although they all came from musicals, most titles have had their own life as standards and pop songs – making the record less of a dip into Broadway than just a continuation of modes that Wilson was already exploring at Capitol in the 60s. Titles include "I've Got Your Number", "He Loves Me", "Here's That Rainy Day", "Hey There", "Makin Whoopee", and "Young & Foolish". Tender Loving Care has Nancy singing with arranger Billy May – who comes across here with a bit more sensitivity than usual for his Capitol work, especially given the 60s time of the recording! Sometimes, May is using full strings as a broad pillow of sound for Nancy's vocals – but other times, he strips things down and goes for a livelier, jazzier approach that's even better – one that helps give the familiar tunes a new lease on life in the hip Wilson style of the 60s. Titles include "As You Desire Me", "Like Someone In Love", "Don't Go To Strangers", "Tender Loving Care", "Love-Wise", "Try A Little Tenderness", and "Close Your Eyes". CD

2 key albums in the early career of Nancy Wilson – back to back on one CD! For Hollywood My Way, Wilson turns her wonderfully sophisticated vocal style towards a batch of hits from Hollywood films of the 40s, 50s, and 60s – arranged and conducted by Jimmy Jones, in that classy blend of jazz and soul that suited Wilson so well in the 60s! The style is really a cut above the usual – handled with great poise by Nancy throughout, but also done in a mode that's relaxed enough to get past some of the stodgier sounds of records like this. The mellower tunes are actually some of the best here – personal, reflective, and echoing the "Guess Who I Saw Today" sound of Wilson in the 60s. Titles include "You'd Be So Nice To Come Home To", "Almost In Your Arms", "When Did You Leave Heaven?", "My Shining Hour", "Days Of Wine & Roses", and "Wild Is The Wind". Broadway My Way is also arranged and conducted by Jimmy Jones – and as usual with Wilson in this sort of setting, the material is really transformed by her presentation – taken way past its roots in popular shows of the time. Titles include "Loads Of Love", "My Ship", "Getting To Know You", "Tonight", "You Can Have Him", and "I Believe In You". 24 tracks in all. CD

2 swingers from Nancy – 2 of her first albums, back to back on one CD! Both sides feature jazzy arrangements from Billy May – backings that put Nancy in prime vocal mode, with less of the pop soul touches of her late 60s work – and more of the strong Capitol singer mode that May forged with Sinatra and other big acts during the 50s. Nancy, as always, really shines in the setting – working wonderfully through a mixture of older standards and some fresher tunes – on a set of 24 titles that include "Something Happens To Me", "He's My Guy", "I Wish You Love", "Teach Me Tonight", "Night Mist", "You Leave Me Breathless", "On The Street Where You Live", "If It's The Last Thing I Do", and her sublime reading of "Guess Who I Saw Today". CD

A rare bossa treat – and one of the best albums ever recorded by jazz vocalist Jon Hendricks! The album came out only briefly, at the start of the bossa craze in the US – and it features Hendricks singing a batch of tracks popularized by Joao Gilberto, translated into English, and backed by arrangements by Johnny Carisi and Johnny Mandel. The album's way more than just a bossa cash-in session – as Jon was comitted to Brazilian sounds from the start, and really presents the material here in a wonderful way – mixing his fragile vocal style with lightly jazzy arrangements, in a manner that's both in keeping with the greatness of bossa recordings from Brazil, yet also infused with all the soulfulness of America. Tracks include "Jive Samba", "Chega de Saudade", "Outra Vez", "O Pato", "Bolinha De Papel", and "Coisa Mais Linda". CD