Could anyone ever utter a sexier line than "Don't go to strangers, come to me?" We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had enough of an edge to be interesting. Backing is by a small group that includes Frank Wess, Roy Haynes, and Richard Wyands – and the album has a relaxed, jazzy quality that easily makes it one of the real standouts in Etta's career! Titles include "All The Way", "Where Or When", "Yes Sir, That's My Baby", "If I Had You", "Something To Remember You By", and "Don't Go To Strangers". CD

The first Riverside album by Bev Kelly – an obscure ice-blond singer from the late 50s, with a sound that's much more in keeping with some of the vocalists on the Bethlehem label, than the few singers who cut sides for Riverside. Bev's got the great fortune to be working here with Jimmy Jones, who's done some great work for Sarah Vaughn over the years – and the small group backing on the album includes strong players like Kenny Burrell, Jerome Richardson, Milt Hinton, Roy Haynes, and Jones himself. Titles include "My Ship", "Lonelyville", "Lost April", "Love Look Away", "Thursday's Child", "Love Locked Out", and "Gloomy Sunday". A nice sad one – in case you couldn't guess by the titles! CD

One of Sarah Vaughan's best albums from the 50s – a swinging live set caught at Chicago's Mister Kelly's night club – and recorded with very small combo backing! The album's a great contrast to some of Sarah's more fully arranged sets of the era – and it features piano from Jimmy Jones, bass from Richard Davis, and drums from Roy Haynes – all served up in a great blend of sensitive modes on the ballads, and more swinging styles on the upbeat numbers. There's a bit more of the latter, given the swinging feel of the set. The best part of this CD, though, is that it adds 11 extra tracks to the original album – for a whopping 20 tracks of beautiful live jazz vocals. Titles include "September In The Rain", "Alone", "Dancing In The Dark", "Lucky In Love", "Dream", "Willow Weep For Me", and "Just A Gigolo". CD

Could anyone ever utter a sexier line than "Don't go to strangers, come to me?" We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had enough of an edge to be interesting. Backing is by a small group that includes Frank Wess, Roy Haynes, and Richard Wyands – and the album has a relaxed, jazzy quality that easily makes it one of the real standouts in Etta's career! Titles include "All The Way", "Where Or When", "Yes Sir, That's My Baby", "If I Had You", "Something To Remember You By", and "Don't Go To Strangers". CD

A bit of blues, and a bit of jazz – in that sweet style that Jimmy was handling so well on his 60s recordings for Prestige. Backing is by a small combo that includes Gildo Mahones on piano, Kenny Burrell on guitar, and Roy Haynes on drums – and titles include "The Time Has Come", "I'll Never Be Free", "I Wonder", "It's All In The Game", and "Blues In The Morning". (Blues, Vocalists) CD