A wonderful vocal set – with jazzy backings by Bill Holman! Titles include "Impossible", "Hooray For Love", "Shake Down The Stars", "I've Got The Sun In The Morning", and "They All Laughed". LP, Vinyl record album
(Mono black label pressing with deep groove. Cover has light wear and a vintage price sticker.)
A great collection of bop sides from 40s LA – tracks that ostensibly feature Cole on piano, jamming with Lester Young on tenor and Red Callender on bass! Oddly, no other players are listed in the notes – even though there's clearly a drummer and trumpeter on the session – so it's a bit hard to date the material, or figure out the actual source of the work. But we can say that Young's tone alone is more than worth the price of admission – beautifully firm and strong – blown in a way that rivals his best early performances for Verve, but perhaps even with a bit more grit and soul. Titles include "SM Blues", "Jammin With Lester", "Can't Get Started", "Body & Soul", and "Indiana". (Jazz, Vocalists)LP, Vinyl record album
(Heavy maroon label pressing, with deep groove. Cover has a split spine.)
Late Nat King Cole – an album from the early 60s for Capitol, featuring expansive arrangements from Ralph Carmichael! The style here is a bit more flowery than on Nat's earlier work – with him singing in kind of a grand voice, amidst large orchestrations and occasional backing chorus vocals – in a mode that's not as smooch or intimate as his classic Capitol sides, but which still has some nice merits – especially in the way that Nat's voice seems to still have a tremendous amount of presence in the setting. Titles include "I've Grown Accustomed To Her Face", "Hymn To Him", "With A Little Bit Of Luck", "The Rain In Spain", and more. LP, Vinyl record album
(Mono pressing – W 2117 – still sealed with price sticker remnants. Shrinkwrap has a small hole at the bottom right corner.)
6
Ella Fitzgerald —
30 By Ella ... LP Capitol, Mid 60s. Sealed ...
$11.9914.99
... LP, Vinyl record album
(Capitol re-issue pressing, still sealed with a Capitol Value sticker and some price sticker remnants.)
The first Riverside album by Bev Kelly – an obscure ice-blond singer from the late 50s, with a sound that's much more in keeping with some of the vocalists on the Bethlehem label, than the few singers who cut sides for Riverside. Bev's got the great fortune to be working here with Jimmy Jones, who's done some great work for Sarah Vaughn over the years – and the small group backing on the album includes strong players like Kenny Burrell, Jerome Richardson, Milt Hinton, Roy Haynes, and Jones himself. Titles include "My Ship", "Lonelyville", "Lost April", "Love Look Away", "Thursday's Child", "Love Locked Out", and "Gloomy Sunday". A nice sad one – in case you couldn't guess by the titles! LP, Vinyl record album
(70s stereo Japanese Victor pressing – SMJ 6052 – with insert. Cover has a cut corner, some ring and edge wear, light stained spots, yellowed price sticker remnants, and a small patch of paper stuck to the back.)
A pretty weird one! Vicky Lane's always been one of the more dramatic singers from RCA's 50s gal catalog – and she's working here with LA jazzer Pete Condoli, who conducts a small jazz combo with lots of added percussion! The style's halfway between straight vocals and hi-fi type numbers with lots of added instrumental twists – and players on the set include Barney Kessel, Jimmy Rowles, Alvin Stoller, and Joe Mondragon, plus percussionists Milt Holland, Gene Estes, Larry Bunker, and Lou Singer. Tracks include "I Love You", "My Heart Stood Still", "My Romance", "Our Very Own", "The Trolley Song", "The Song Is You", and "Love Isn't Born". LP, Vinyl record album
(Black label Living Stereo pressing with deep groove. Cover has some wear and aging, some light marks from price sticker removal, and a small sticker oscuring some marker in front.)
11
Ellis Larkins & Tony Middleton —
Swingin For Hamp ... LP Concord, 1979. Near Mint- ...
$2.99
... LP, Vinyl record album
(Cover has a cutout hole and a small trace of a price sticker.)
A sweet 80s set from Johnny Mathis – one of those great later albums when he brought a good deal of soul into the mix! The feel here is almost more modern R&B than the vocal jazz mode that first brought Johnny fame – and it turns out that the Mathis mode is wonderful for such a setting – rich and full of feeling, and arguably better than some of his younger contemporaries on the charts! The ballads are beautiful, but there's also a few surprising midtempo numbers – and titles include a sublime remake of "Love Won't Let Me Wait", done with Deniece Williams – plus "Love Never Felt So Good", "Simple", "Priceless", "One Love", "Right Here & Now", and "Lead Me To Your Love" – plus "You're A Special Part Of Me", a duet with Angie Bofill. LP, Vinyl record album
Includes a whopping thirty-two selections over 2 LPs, with "Love Is A Simple Thing", "Yesterdays", "Good Morning Heartache", "Lush Life", "Summertime", "Perdido", "Baltimore Oriole", "All The Things You Are", and more! LP, Vinyl record album
(Mid 70s issue in a gatefold cover, still sealed, with a cutout hole and price sticker remnants.)
Given what a freewheeling, open-minded, and lyrical jazz singer Mark Murphy is, it's hard to imagine him really loving "the blues" – and fortunately, most of that love is extended in the title, because the album itself is less of the blues effort that you might think. True, the tracks are numbers that often have "blues" in the title – but the arrangements are by Al Cohn, and have a swinging approach that's in keeping with Murphy's other early 50s work. Titles include "Blues You're The Mother Of Sin", "Blues In My Heart", "Fiesta In Blue", "That's How I Love The Blues", "Blues In The Night", and a reading of "Senor Blues" that's worth the price of the record alone! LP, Vinyl record album
(Black label Bill Grauer pressing with deep groove and microphone logo.)
Annette Peacock —
X-Dreams ... LP Tomato, 1979. Very Good ...
$11.99
Pretty wild stuff from Annette Peacock – almost a "no wave" record at times, with lots of quirky art rock overtones next to the jazz vocal stylings that are more of her typical bag. The album's got lots of heavy guitars from rockers that include Mick Ronson, Chris Spedding, Bill Bruford, and Brian Godding – but it's also got a kind of cool approach to the music that goes for some nice faux-soulful takes on a few tracks, creating funk where we wouldn't expect it – and going for some warmer moments that soften Annette in ways that sound very nice. Our favorites are the cuts "This Feel Within", "Real & Defined Androgens", and "Questions" – and other titles include "Don't Be Cruel", "Dear Bela", and "My Mama Never Taught Me How To Cook". LP, Vinyl record album
(Original pressing. Cover has a cutout notch, light ring impressions, heavy edge wear, and a small mark from price sticker removal.)
A Swingin Affair indeed – as the album's one of our favorite ever from Frank's Capitol years! Nelson Riddle shows here that he can be just as great on the uptempo numbers as he is on the ballads – and casts Sinatra's full rich vocals into a great set of older swinging tunes. Frank really breathes new life into these standards – completely transforming them and making them his own – and in the process making us love tunes that we never thought we'd care for! Titles include "Oh Look At Me Now", "At Long Last Love", "From This Moment On", "I Got Plenty O Nuttin", "I Wish I Were In Love Again", and "Night & Day". LP, Vinyl record album
(UK mono grey label pressing, in a flip-back cover, with light wear and a small trace of a price sticker.)
This is Mel Torme's best-ever album, and it's one that we'd recommend to anyone who likes jazz vocals at all – even if you can't usually stand Mel! The Velvet Fog is backed by a great 10-piece group, led by the great Marty Paich, and featuring excellent west coast players like Pete Candoli, Jack Montrose, Bob Cooper, and Bud Shank. The whole group wails tremendously, and they make Mel get a bit more swingin and a bit more jazzy than usual – especially on cuts like "Lulu's Back In Town", "The Carioca", "Sing For Your Supper", and "Lullaby Of Birdland". 70s pressing of the album Mel Torme & The Marty Paich Dek-Tette – with a different title and cover. LP, Vinyl record album
(Late 70s pressing – BCP 6042. Cover has light wear and a small trace of a price sticker.)
20
Jimmy Witherspoon —
Spoon Concerts ... LP Fantasy, 1959. Very Good+ 2LP Gatefold ...
$7.99
... LP, Vinyl record album
(Late 70s lightning label pressing. Cover has price sticker remnants and light wear.)
21
Jimmy Witherspoon with Ben Webster —
Roots (Jazzlore) ... LP Reprise, 1961. Near Mint- ...
$9.99
Jimmy Witherspoon pays tributes to his roots in rhythm and blues – but he does so in a wonderful way, by bringing a more jazz-focused approach to the material here – thanks to some nice tenor work from Ben Webster! Back in the 60s, Witherspoon always sat easily on the fence between jazz and blues – but a few key recordings really bring out that aspect of his work – and this obscure session for Reprise is one of them! Spoon's singing in a laidback, small combo setting here – very similar to the style he'd use on live dates in California – and Webster gets in some wonderful moments on the record too, blown with the boozy, late nite style used on his own Reprise album at the time. Titles include "Key To The Highway", "Confessing The Blues", "Did You Ever", "Rain Is Such A Lonesome Sound", "Cherry Red", "Just A Dream", and "Please Mr Webster". LP, Vinyl record album
(80s Jazzlore pressing. Cover has a small trace of a price sticker.)
22
Richie Cole with Eddie Jefferson —
Hollywood Madness ... LP Muse, 1980. Very Good ...
Temporarily Out Of Stock
A great example of the Muse Records charm of altoist Richie Cole – bop-fired creativity at its peak, mixed with some added contemporary elements to keep things fresh! In this case, Richie's horn takes on some key bop classics, but also opens up a bit with vocalsits too – Eddie Jefferson on versions of "Hi Fly", "Relaxin At Camarillo", and "Waiting For Waits" – the latter of which also features Tom Waits as well! The Manhattan Transfer make some subtle guest appearances too – but in ways that are much more restrained than their own albums, really leaving most room for Richie's horn. Bruce Forman plays guitar and Dick Hindman piano – and titles include "Hi Fly", "Relaxin At Camarillo", "Hooray For Hollywood", "I Love Lucy", "Malibu Breeze", "Waiting For Waits", and "Tokyo Rose Sings The Hollywood Blues". (Jazz, Vocalists)LP, Vinyl record album
(Cover has light wear and some price sticker remnants.)
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