Quite a rare vocal jazz session – recorded for the short lived Jazz West label, which was one of the hippest LA imprints of the 50s! Jane Fielding's a pretty decent singer – with kind of a Chris Connor-ish style about her – but the real charm is from Kenny Drew's work as a pianist and arranger, both of which push the session past the usual sleepiness of a Bethlehem or Mode vocal jazz album from the time. Kenny's group features Joe Maini on alto, Ted Efantis on tenor, Lawrence Marable on drums, and either Leroy Vinnegar or Paul Chambers on bass. Titles include "Embers Glow", "Our Waltz", "Right Boy For Me", "Key Largo", "Make The Man Love Me", and "Round Midnight". LP, Vinyl record album

One of Chet Baker's most classic albums of the 50s – a record that features both vocals and strong trumpet solos – all from a time when Baker was one of the hottest things going in jazz! The album's different from records from previous years, in that it moves Baker from LA to New York – where he works with a great quartet that features Kenny Drew on piano, George Morrow or Sam Jones on bass, and Philly Joe Jones or Danny Richmond on drums – all players who have a slightly different approach than some of Baker's compatriots on Pacific Jazz sessions, which also seems to bring out a bit more bite in Chet too. Tracks are still shortish, with those breathy Baker vocals we love so much, balanced with really well-crafted trumpet solos – and titles include "It Could Happen To You", "Do It The Hard Way", "Old Devil Moon", "Dancing On The Ceiling", and "The More I See You". CD features 2 bonus tracks! (Jazz, Vocalists) CD

One of Chet Baker's most classic albums of the 50s – a record that features both vocals and strong trumpet solos – all from a time when Baker was one of the hottest things going in jazz! The album's different from records from previous years, in that it moves Baker from LA to New York – where he works with a great quartet that features Kenny Drew on piano, George Morrow or Sam Jones on bass, and Philly Joe Jones or Danny Richmond on drums – all players who have a slightly different approach than some of Baker's compatriots on Pacific Jazz sessions, which also seems to bring out a bit more bite in Chet too. Tracks are still shortish, with those breathy Baker vocals we love so much, balanced with really well-crafted trumpet solos – and titles include "It Could Happen To You", "Do It The Hard Way", "Old Devil Moon", "Dancing On The Ceiling", and "The More I See You". CD features 2 bonus tracks! (Jazz, Vocalists) CD

One of Chet Baker's most classic albums of the 50s – a record that features both vocals and strong trumpet solos – all from a time when Baker was one of the hottest things going in jazz! The album's different from records from previous years, in that it moves Baker from LA to New York – where he works with a great quartet that features Kenny Drew on piano, George Morrow or Sam Jones on bass, and Philly Joe Jones or Danny Richmond on drums – all players who have a slightly different approach than some of Baker's compatriots on Pacific Jazz sessions, which also seems to bring out a bit more bite in Chet too. Tracks are still shortish, with those breathy Baker vocals we love so much, balanced with really well-crafted trumpet solos – and titles include "It Could Happen To You", "Do It The Hard Way", "Old Devil Moon", "Dancing On The Ceiling", and "The More I See You". (Jazz, Vocalists) LP, Vinyl record album

One of Chet Baker's most classic albums of the 50s – a record that features both vocals and strong trumpet solos – all from a time when Baker was one of the hottest things going in jazz! The album's different from records from previous years, in that it moves Baker from LA to New York – where he works with a great quartet that features Kenny Drew on piano, George Morrow or Sam Jones on bass, and Philly Joe Jones or Danny Richmond on drums – all players who have a slightly different approach than some of Baker's compatriots on Pacific Jazz sessions, which also seems to bring out a bit more bite in Chet too. Tracks are still shortish, with those breathy Baker vocals we love so much, balanced with really well-crafted trumpet solos – and titles include "It Could Happen To You", "Do It The Hard Way", "Old Devil Moon", "Dancing On The Ceiling", and "The More I See You". (Jazz, Vocalists) LP, Vinyl record album

A rare 60s meeting of groovy talents from both sides of the Atlantic – and a record that matches the trumpet of Dizzy Gillespie with the hiply swinging vocals of The Double Six Of Paris! The group were a wonderfully groovy precursor to the Swingle Singers – and sung in a scatting approach to jazz vocals that was very much in the tradition of Lambert, Hendricks, & Ross – but also drew inspiration from the earlier work of Eddie Jefferson, King Pleasure, and others. Their sound is great – much more 60s groovy than some other vocal groups – and pairing them with Dizzy gives this record an added punch that some of their other sessions are missing! Backing is small combo throughout – with either Bud Powell or Kenny Barron on piano, Kenny Clarke on drums, and James Moody on tenor – and with the presence of Diz, most of the material here is of bop orientation – taken at a fast and lively clip! Lalo Schifrin arranged the whole session too – and titles include "One Bass Hit", "Blue N Boogie", "Emanon", "Groovin High", "Ow", "The Champ", "Tin Tin Deo", "Hot House", and "Con Alma". (Jazz, Vocalists) LP, Vinyl record album

A rare 60s meeting of groovy talents from both sides of the Atlantic – and a record that matches the trumpet of Dizzy Gillespie with the hiply swinging vocals of The Double Six Of Paris! The group were a wonderfully groovy precursor to the Swingle Singers – and sung in a scatting approach to jazz vocals that was very much in the tradition of Lambert, Hendricks, & Ross – but also drew inspiration from the earlier work of Eddie Jefferson, King Pleasure, and others. Their sound is great – much more 60s groovy than some other vocal groups – and pairing them with Dizzy gives this record an added punch that some of their other sessions are missing! Backing is small combo throughout – with either Bud Powell or Kenny Barron on piano, Kenny Clarke on drums, and James Moody on tenor – and with the presence of Diz, most of the material here is of bop orientation – taken at a fast and lively clip! Lalo Schifrin arranged the whole session too – and titles include "One Bass Hit", "Blue N Boogie", "Emanon", "Groovin High", "Ow", "The Champ", "Tin Tin Deo", "Hot House", and "Con Alma". (Jazz, Vocalists) CD

A fantastic tribute to the legendary Karin Krog – one of our favorite jazz singers of all time – and maybe one of the most creative talents to emerge from the European jazz scene in the past 50 years! Karin's not just a regular singer – she's a hell of a collaborator, and a great experimentalist who's always willing to try out new sounds and styles – modes she's explored since her initial recordings of the 60s, and the wonderful legacy of music she's given us on record from that time onwards – which still results in fantastic new music in recent years too! This package goes way beyond any other Krog collection we've ever seen – not just because it offers up differing discs that look at her many musical "faces" – but also because it brings together recordings for a number of different labels across a great span of time – all to really show the full range of her music! Even if you've got as many of Karin's records as we do, there's plenty that's new here too – and the well-done package divides each disc up into a special theme – with standard material, key collaborations, vocal experiments, and more. The set includes work with John Surman, Steve Kuhn, Marty Paich, Georgie Fame, Don Ellis, Slide Hampton, Red Mitchell, Dexter Gordon, Kenny Drew, Bengt Hallberg, Archie Shepp, and others – and one CD features just spare duets with musicians, and another features some great bigger band material. 59 tracks in all – with loads of surprises! CD

The icy voice of Norwegian singer Karin Krog is a perfect match for Dexter's deep soulful saxophone, and the two of them perform wonderfully together in this rare set of tracks recorded in 1970 with Kenny Drew on piano and Niel Henning Orsted-Peterson on bass. Krog has always been tremendously respectful of the players that she records with, and unlike other jazz vocal recordings, where the soloists take back seat to the singer, her recordings have them coming out front, and really sharing the spotlight – both in solo space, and in the interplay between the singer and musicians. Tracks include "Blue Eyes", "How Insensitive", "Some Other Spring", "Blue Monk", and her "Tribute To Jimmy Scott". CD

Lilian Terry on vocals – with Dizzy Gillespie, Kenny Drew, Isla Eckinger, and Ed Thigpen! CD