One of the first albums ever by this legendary jazz vocal group! LHR do the incredible – and create a set of vocal renditions of standards by the Basie band, putting jazzy lyrics in to replace the instrumental solos, but keeping the same vibe as the original tracks. The sound and approach is amazing – and it's no wonder this record made them instant legends. Titles include "Down For The Count", "Fiesta In Blue", "Blues Backstage", and "It's Sand, Man!" LP, Vinyl record album
(Mono pressing with deep groove. Label on Side 1 has a small peeled spot at the spindle hole. Cover has a wide center split in the bottom seam, some gloss separation at the bottom left corner, and a round sticker in back.)
One of the first albums ever by this legendary jazz vocal group! LHR do the incredible – and create a set of vocal renditions of standards by the Basie band, putting jazzy lyrics in to replace the instrumental solos, but keeping the same vibe as the original tracks. The sound and approach is amazing – and it's no wonder this record made them instant legends. Titles include "Down For The Count", "Fiesta In Blue", "Blues Backstage", and "It's Sand, Man!" CD
One of the first albums ever by this legendary jazz vocal group! LHR do the incredible – and create a set of vocal renditions of standards by the Basie band, putting jazzy lyrics in to replace the instrumental solos, but keeping the same vibe as the original tracks. The sound and approach is amazing – and it's ndo wonder this record made them instant legends. Titles include "Down For The Count", "Fiesta In Blue", "Blues Backstage", and "It's Sand, Man!" LP, Vinyl record album
One of the first albums ever by this legendary jazz vocal group! LHR do the incredible – and create a set of vocal renditions of standards by the Basie band, putting jazzy lyrics in to replace the instrumental solos, but keeping the same vibe as the original tracks. The sound and approach is amazing – and it's no wonder this record made them instant legends. Titles include "Down For The Count", "Fiesta In Blue", "Blues Backstage", and "It's Sand, Man!" Includes 3 bonus tracks! CD
Given what a freewheeling, open-minded, and lyrical jazz singer Mark Murphy is, it's hard to imagine him really loving "the blues" – and fortunately, most of that love is extended in the title, because the album itself is less of the blues effort that you might think. True, the tracks are numbers that often have "blues" in the title – but the arrangements are by Al Cohn, and have a swinging approach that's in keeping with Murphy's other early 50s work. Titles include "Blues You're The Mother Of Sin", "Blues In My Heart", "Fiesta In Blue", "That's How I Love The Blues", "Blues In The Night", and a reading of "Senor Blues" that's worth the price of the record alone! CD
Given what a freewheeling, open-minded, and lyrical jazz singer Mark Murphy is, it's hard to imagine him really loving "the blues" – and fortunately, most of that love is extended in the title, because the album itself is less of the blues effort that you might think. True, the tracks are numbers that often have "blues" in the title – but the arrangements are by Al Cohn, and have a swinging approach that's in keeping with Murphy's other early 50s work. Titles include "Blues You're The Mother Of Sin", "Blues In My Heart", "Fiesta In Blue", "That's How I Love The Blues", "Blues In The Night", and a reading of "Senor Blues" that's worth the price of the record alone! LP, Vinyl record album
(Black label Bill Grauer pressing with deep groove and microphone logo.)
One of a few great vocal jazz records cut by singer Kim Parker in the early 80s – a spare set that features backing by Mal Waldron on piano, Isla Eckinger on bass, and Ed Thigpen on drums. The tunes are all pretty hip – well chosen, with some good obscure numbers – and Kim's tone here is a bit lighter than on other albums, languidly drifting along with the gentle style of the set. Titles include "Devil May Care", "Angel Eyes", "Wistful Samba", "Pretty Girl", "Fiesta In Blue", and "Singing Dancing (On My Way)". CD
One of a few great vocal jazz records cut by singer Kim Parker in the early 80s – a spare set that features backing by Mal Waldron on piano, Isla Eckinger on bass, and Ed Thigpen on drums. The tunes are all pretty hip – well chosen, with some good obscure numbers – and Kim's tone here is a bit lighter than on other albums, languidly drifting along with the gentle style of the set. Titles include "Devil May Care", "Angel Eyes", "Wistful Samba", "Pretty Girl", "Fiesta In Blue", and "Singing Dancing (On My Way)". LP, Vinyl record album
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