Ember -- Vocalists — LPs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Vocalists — LPs

XSingers we love -- from vintage torch to vocalese, scat, jazz poetry, standards, and more!

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CD, LP, Vinyl record album cover art
Max Roach (with Andy Bey)Members Don't Get Weary (180 gram pressing) ... LP
Atlantic/ARC (UK), 1968. New Copy (reissue)... $29.99 39.99
Fantastic stuff, and a record that was virtually the blueprint for spiritual soul jazz in the 70s! Although Max Roach first rose to fame during the bop years, by the time of this set he'd really stretched out a lot – moving past initial righteous projects in the Civil Rights era, to even more progressive work with a group like this! The players are all youthful geniuses who would go onto shape the sound of 70s jazz tremendously – working here at a point that already shows their brilliance – Gary Bartz on alto, Charles Tolliver on trumpet, Stanley Cowell on piano, and even Andy Bey, who sings vocals on the title track. The overall style is very similar to Bartz's early albums on Milestone, or to some of the Music Inc records on Strata East, which feature Cowell and Tolliver. It's no surprise that Cowell contributed 3 tracks to the set – "Effi", "Equipoise", and "Abstrutions" – and the group also performs a great version of Bartz's "Libra"! (Jazz, Vocalists) LP, Vinyl record album
(Excellent 180 gram pressing – remastered from the original tapes by Bernie Grundman, with new sleeve notes too!)

Partial matches2
CD, LP, Vinyl record album cover art
Ella FitzgeraldElla Fitzgerald Sings The Songs From The Film – Let No Man Write My Epitaph (180 gram pressing) ... LP
Verve, 1960. New Copy Gatefold ... $36.99 38.99
An album that's often overlooked amidst some of the bigger "songbook" Verve sessions by Ella Fitzgerald – yet a really special record that shows off a side of Ella that's not ever captured this well on other records! The record was also initially billed as tied into the book and film Let No Man Write My Epitaph – but there's nothing soundtrack-like at all about the performance, as Fitzgerald works with only backing from pianist Paul Smith – a player who sounds wonderful next to the singer, and brings just the right sort of inflections to open up Ella's vocals for the date! There's a spare quality that's completely captivating – proof that Fitzgerald was a hell of a jazz singer at the core, even when her star was rising on the international scene – maybe even more compelling without any large arrangements at all, as she takes on superb material that includes versions of "Misty", "Black Coffee", "Angel Eyes", "I Cried For You", "Who's Sorry Now", "September Song", "Then You've Never Been Blue", and "Reach For Tomorrow". LP, Vinyl record album
(Part of the Verve Acoustic Sounds series – heavy vinyl and cover!)
 
 
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