One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskridge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". CD

An interesting little record from Geraldine DeHaas – a Chicago-based jazz vocalist who's probably best known to Dusty Groove customers as Geraldine Bey, which was her name when she was part of the legendary Andy & The Bey Sisters! This record bears few traces of her earlier work, and is more in kind of a "classy jazzy soul" mode, ala 70s work by Marlena Shaw. The arrangements are by Tom Washington, who did a bunch of Chicago soul work for Brunswick, and Bob Perna. The set list leans heavily to Paul Anka numbers, but Geraldine actually makes them sound pretty decent. Titles include "Keep On Walkin", "Wheels Of Life", "Everything's Been Changed", "We Made It Happen", and "Your Love". LP, Vinyl record album

A never-heard third Dusty Springfield album for Atlantic Records – issued here for the first time ever, and very much in the same soulful spirit as her other records for the label! Springfield tackled Memphis and Philly soul on her previous two albums for Atlantic – and here, she hits a New York groove with producer Jeff Barry – who is equally well-suited to carry that special balance that Dusty brings to her music – that mix of British pop roots with a real understanding of the American scene – a quality that Springfield never had as strongly after these early years. Titles are a varied lot, but all come together with a really unified feel, thanks to Dusty's strengths as a performer – and tunes include "Haunted", "Someone Who Cares", "Natchez Trace", "You've Got A Friend", "All The King's Horses", and "I'll Be Faithful". CD

Prime late 60s work from Dusty Springfield – an excellent American album that compiles some of her best singles from the UK! The sound is incredible – a blend of easy, soul, and tight British pop orchestrations – with arrangements handled by Pat Williams, Ivor Raymonde, Reg Guest, and Wally Stott. Dusty's voice never sounded better, and tracks include "The Look Of Love", "Give Me Time", "Come Back To Me", "Sunny", "What's It Gonna Be", "Welcome Home", and "Take Me For A Little While". LP, Vinyl record album

That title exclamation's an apt one – as the album's one of the first few from the great Dusty Springfield – whose sense of soul is already a thing of joy! The record bursts out with a punch-packing power that really rises Dusty up from her contemporaries – no tears jerked too long, no overdone humility – and instead this subtle energy that has her completely in control, even when opening up on more emotive lyrics – polished in the right ways, but never in the too-bright styles that UK pop was trapped in a few years before. The whole thing's years before Springfield recorded over on these shores, but you can already hear that direction – on titles that include "Once Upon A Time", "You Don't Own Me", "Now That You're My Baby", "If Wishes Could Be Kisses", "I Wanna Make You Happy", "Your Hurtin Kind Of Love", and "I Want Your Love Tonight". LP, Vinyl record album

A sparkling set of early work from the great Dusty Springfield! Tracks include "You Don't Have To Say You Love Me", "If It Don't Work Out", "Won't Be Long", "Oh No! Not My Baby", "It Was Easier To Hurt Him", "Long After Tonight Is All Over", and "I Had A Talk With My Man". LP, Vinyl record album

One of the more obscure albums by Lambert, Hendricks, and Ross – a session of Basie tunes, performed with backing by the Count, plus additional lead vocals by Joe Williams, the voice most closely associated with the Basie group at the time! The style is similar to the trio's Sing A Song Of Basie album for ABC, but handled here with a bit more of an edge, and a rougher, more freewheeling groove that's a better fit for the great Basie sound of the late 50s – a great adaptation of the groove by Jon Hendricks, Dave Lambert, and Annie Ross! The record's a nice sometimes-overlooked chapter in the excellent Count Basie run on Roulette – and titles include "Every Tub", "Rusty Dusty Blues", "The King", "Shorty George", and "Let Me See". CD

One of the more obscure albums by Lambert, Hendricks, and Ross – a session of Basie tunes, performed with backing by the Count, plus additional lead vocals by Joe Williams, the voice most closely associated with the Basie group at the time! The style is similar to the trio's Sing A Song Of Basie album for ABC, but handled here with a bit more of an edge, and a rougher, more freewheeling groove that's a better fit for the great Basie sound of the late 50s – a great adaptation of the groove by Jon Hendricks, Dave Lambert, and Annie Ross! The record's a nice sometimes-overlooked chapter in the excellent Count Basie run on Roulette – and titles include "Every Tub", "Rusty Dusty Blues", "The King", "Shorty George", and "Let Me See".oss! Titles include "Every Tub", "Rusty Dusty Blues", "The King", "Shorty George", and "Let Me See". CD

One of the more obscure albums by Lambert, Hendricks, and Ross – a session of Basie tunes, performed with backing by the Count, plus additional lead vocals by Joe Williams, the voice most closely associated with the Basie group at the time! The style is similar to the trio's Sing A Song Of Basie album for ABC, but handled here with a bit more of an edge, and a rougher, more freewheeling groove that's a better fit for the great Basie sound of the late 50s – a great adaptation of the groove by Jon Hendricks, Dave Lambert, and Annie Ross! The record's a nice sometimes-overlooked chapter in the excellent Count Basie run on Roulette – and titles include "Every Tub", "Rusty Dusty Blues", "The King", "Shorty George", and "Let Me See".oss! Titles include "Every Tub", "Rusty Dusty Blues", "The King", "Shorty George", and "Let Me See". CD