Accompanied by Ray Brown on bass, Benny Carter on alto, Ron Eschete on guitar, Marshall Otwell on piano, and Jimmie Smith on drums. LP, Vinyl record album

Ernestine Anderson at the height of her powers – caught during a very successful run at Concord Records, where she was easily one of the hippest things going down at the time! The group here is a trio, and very tight – Hank Jones on piano, Monty Budwig on bass, and Jeff Hamilton on drums – all shifting easily to fit the mood and personal demeanor of Anderson's performance, which is a fair bit more dynamic than other jazz singers of the period. In a way, the record's got a similar feel to Lorez Alexandria's albums from the time – hip soul jazz vocals at its best, with just the right twists, turns, and rhythmic impulses to keep things interesting – but not enough to goof things up too much! Titles include "Big City", "Welcome To The Club", "All Blues", "All I Need Is You", "Spring Is Here", and "I'll Never Pass This Way Again". LP, Vinyl record album

A key moment in the career of vocalist Ernestine Anderson – a record that not only returned her to the public eye after a flurry of initial sides in the late 50s and early 60s, but which also finally helped Anderson find a sound that worked! The album's done with backing by the Monty Alexander trio – in a style that's bluesy and soul jazz inflected, but with a sweeter west coast sound – almost an early 80s equivalent of the groove explored by Lou Rawls or Ernie Andrews in LA during the mid 60s, but done with an even more relaxed, jazz-based approach here. The title track – "Never Make Your Move Too Soon" – was an instant standout that got Anderson play in many corners of the US – and other tracks are more familiar numbers, but done in a similar mode – with titles that include "Old Folks", "As Long As I Live", "Just One More Chance", "Poor Butterfly", and "My Shining Hour". LP, Vinyl record album

A great cooker from the glory days of Ernestine Anderson on Concord Records – a time when the singer was rediscovered, and revamped in a bit of a bluesy mode – reaching a wide new audience at the time! Her vocals really shine at this point in her career, as she lets loose with a bit more personality too – as you'll hear on this swinging set of down home numbers, cut with a combo that includes Red Holloway on tenor, Ray Brown on bass, and Gene Harris on piano! Titles include "Someone Else Is Steppin", "Goin To Chicago Blues", "Alone On My Own", "Mercy Mercy Mercy", and "I Love Being Here With You". LP, Vinyl record album

Accompanied by Eddie Duran on guitar, Stan Getz on tenor, Chuck Bennett on trombone, Charlie McCarthy Jr on alto, Al Plank on piano, Willie Colon on congas, Jim Dukey on baritone, Rob Fisher and Dean Reilly on bass, and Vince Lateano on drums. LP, Vinyl record album

With Red Callendar on bass, John "Ironman" Harris on drums, Dinky Morris on saxophones, Jimmie Noone on tenor and clarinet, Curtis Peagler on alto, Snooky Young on trumpet, and special guest Eddie "Lockjaw" Davis on tenor. Titles include "Big Fat Daddy", "Piney Brown", "Finance Company Blues", "How Long Blues", and "Reel Ya Deel Ya Dee Dee Dee". LP, Vinyl record album

Accompanied by Scott Hamilton on tenor, Warren Vache on cornet, Cal Collins on guitar, Nat Pierce on piano, Monty Budwig on bass, and Jake Hanna on drums. LP, Vinyl record album

Accompanied by Jeff Hamilton on drums, Ralph Hardimon on percussion, Paul Johnson on vibes, and Brian Torff on bass. Titles include "Don't Be Blue", "D'Light", ""East Of Suez", "Wings Of Love", "Anthropology", and more. LP, Vinyl record album

These guys never miss! For years, we'd always passed up the later work of Jackie & Roy – thinking, in our elitist minds, that only their early work was worth merit. But this session from 1982 proves how wrong we were – as it's a stellar batch of small group tracks – sung in the same sweet mode as their best 50s work! The group's a nice one – with some great vibes by Paul Johnson – and the style has Jackie singing some songs in the lead, others in duet with Roy, and still others in a wonderful wordless mode that we really love. Titles include "Loving You", "I Watch You Sleep", "Too Marvelous For Words", "Am I Blue", "Bidin My Time", "Mine", and "Joy Spring". LP, Vinyl record album

Delightful later work – with a bit of a Brazilian twist, too! Features cuts that include "Dindi", "Samba Do Aviao", "Star Sounds", "Wheelers & Dealers", and "Crystal Illusions". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

12 sublime spells from Esperanza Spaulding – with 4 more spells added to the mix for the physical release of the album! The record's got Esperanza really blowing us away – not content to just stay in the safer territory that she virtually invented a few years back, and which could sustain her entire career – and instead coming across with a mode that's more complicated, more edgey, and more message-oriented than ever before – all awash with a pastiche of sonic colors that's echoed by the image on the cover! Spaulding's vocals just seem to get better and better as the years go on – but she also leads strongly with her basslines on most numbers too – while the production really lets some of the more cosmic-styled elements flow around the edges. Titles include "12 Little Spells", "To Tide Us Over", "Til The Next Full", "Thang", "You Have To Dance", "Now Know", "All Limbs Are", "Readying To Rise", and "Dancing The Animal". Bonus "spells" include "Lest We Forget", "How To", "Move Many", and "Ways Together". (Neo Soul, Vocalists) LP, Vinyl record album

One of the hippest records we've ever heard from Esperanza Spalding – a set that almost feels as if she's stepping back into some of the more experimental, individual qualities that made her so different at the start! There's definitely some appealing, catchy songs here – but the record is one to definitely be taken as a whole – this really lovely tapestry of voice and music that shimmers and glistens throughout – tunes that work together as a single suite that really keeps the album sounding fantastic all the way through, in this blend of jazz and soul that comes not just from Esperanza's vocals and work on bass, but also from the piano of Leo Genovese, who co-wrote most of the material on the album. Wayne Shorter plays on one track, the record features guest vocals from Corey King and Ganavya, and the set features 13 tracks, all numerically titled "Formwela". (Neo Soul, Vocalists) LP, Vinyl record album

One of the great Mel Torme comeback albums of the 80s – with piano from George Shearing! Titles include "I'll Be Seeing You", "You Changed My Life", "You're Driving Me Crazy", "My Foolish Heart", "Last Night When We Were Young", and the cool "Moon Medley" and "Dream Medley". LP, Vinyl record album

A key pairing of vocalist Mel Torme and pianist George Shearing – two aging jazz artists who really helped re-ignite each others' careers in the 80s! The format here takes Torme back to the best years of his jazz roots – and features spare backing from Shearing's trio, at a level that's intimate, but never too sleepy or prone with cliche. Shearing's touch on the keys is wonderfully sensitive – never just standard backing to a singer – and in a way, he brings out a new sense of depth in Torme's vocals, one that never showed itself so strongly, or so personally in the past. And best of all, at the time of this recording, the duo haven't yet lapsed into the cliches that would later mar their pairing – and instead really work together beautifully in a fresh sense of discovery and joy in each others' company. Titles include "The Midnight Sun", "Someday I'll Find You", "Whisper Not/Love Me Or Leave Me", "Since I Fell For You", "Out Of This World", and "Little Man You've Got The Blues". LP, Vinyl record album