Havana Candy, indeed – as singer Patti Austin's in her sweetest mode of the 70s – stepping off of years of background vocals for others, and really emerging as a great soul star on her own! Patti got the chance to cut some soul singles back in her early days – but work like this really unlocks her jazzier side, too – that spirit she developed in her work with Quincy Jones, taken to even more expressive heights on her own. Arrangements are by Larry Rosen and Dave Grusin – moody, mellow in a style that's perfect for Patti's voice – and players on the set include Grusin on keyboards, Eric Gale on guitar, Richard Tee on keyboards, and Ralph MacDonald on percussion – all-star CTI players who really keep things rights! Titles include "I Need Somebody", "We're In Love", "Lost In The Stars", "Havana Candy", and "I Just Want To Know". (Soul, Vocalists) LP, Vinyl record album

A sublime little set from the legendary Dave Frishberg – his first vocal effort ever, and quite different than most of his later work! At the time of the record, Frishberg was a songwriter who penned such underground hipster jazz vocalist classics as "I'm Hip" and "Peel Me A Grape" – and the set has a clever, laidback feel that's very much in the spirit of those two great tunes – Dave singing and playing electric piano, clavinet, and organ – with some great jazzy touches by a group that includes Al Cohn on tenor, Bill Berry on trumpet, and Garnett Brown on trombone. There's a nicely offbeat feel to the record – both the tunes and the vocals – that reminds us a lot of the work of Bob Dorough – and part of this may have to do with the fact that Dorough cronie Stuart Scharf played guitar on the album. But the real genius is up to Frishberg, who's clever without being cloying – witty without ever being full of himself – and incredibly charming in the way he delivers the lyrics with a simple, honest approach. Titles include "The Prophet Of Doom", "Oklahoma Toad", "One Horse Town", "Van Lingle Mungo", "The Secret Of Successd", "Wallflower Lonely Cornflower Blue", and "Nasty Nasty Habit". LP, Vinyl record album

Incredible 70s work from the lovely Astrud Gilberto – a rare effort for the CTI label that has her teaming up with arranger Eumir Deodato and saxophonist Stanley Turrentine – all in a groove that's totally different than most of her earlier work! Astrud's breathy vocals are still wonderfully intact – but they're given a more spacious approach in the arrangements – strings mixes with rolling basslines, soaring keyboards, and stone cold tenor from Stanley – in a groove that's simply wonderful, and which takes off in a whole new direction than before! Other players include Airto, Sivuca, Hubert Laws, and Dom Um Romao – and tracks include classic versions of "Ponteio", "Vera Cruz", and "Zazueira" that are all some of the most grooving takes on the tunes ever – plus "Historia De Amor", "Where There's A Heartache", "Brazilian Tapestry", and "Wanting Things". (Brazil, Vocalists) LP, Vinyl record album

An excellent 70s set by Jackie & Roy – very different than their work of the 50s and 60s, with an approach that's much more far-reaching and complicated – a style that opens up their vocal talents majestically! Gone are the simpler ditties of earlier years, and in their place are warmly gliding numbers that open up to really unique vocal interplay – sometimes with Jackie in the lead, but other times trading back and forth with all the kind of complicated inflections you'd expect from early 70s CTI! Don Sebesky handled the arrangements with a great mix of spacey and breezy sounds – some slight electric touches at the bottom, but never in a way that makes the record too slick or smooth. Titles include a great version of "Bachinas Brasileiras #5", plus "Heading", "Summer Song", and "Lazy Afternoon". CD

An excellent 70s set by Jackie & Roy – very different than their work of the 50s and 60s, with an approach that's much more far-reaching and complicated – a style that opens up their vocal talents majestically! Gone are the simpler ditties of earlier years, and in their place are warmly gliding numbers that open up to really unique vocal interplay – sometimes with Jackie in the lead, but other times trading back and forth with all the kind of complicated inflections you'd expect from early 70s CTI! Don Sebesky handled the arrangements with a great mix of spacey and breezy sounds – some slight electric touches at the bottom, but never in a way that makes the record too slick or smooth. Titles include a great version of "Bachinas Brasileiras #5", plus "Heading", "Summer Song", and "Lazy Afternoon". CD

An excellent 70s set by Jackie & Roy – very different than their work of the 50s and 60s, with an approach that's much more far-reaching and complicated – a style that opens up their vocal talents majestically! Gone are the simpler ditties of earlier years, and in their place are warmly gliding numbers that open up to really unique vocal interplay – sometimes with Jackie in the lead, but other times trading back and forth with all the kind of complicated inflections you'd expect from early 70s CTI! Don Sebesky handled the arrangements with a great mix of spacey and breezy sounds – some slight electric touches at the bottom, but never in a way that makes the record too slick or smooth. Titles include a great version of "Bachinas Brasileiras #5", plus "Heading", "Summer Song", and "Lazy Afternoon". LP, Vinyl record album

Jackie & Roy are definitely getting bit wilder here – hitting an electric early 70s CTI mode, and really growing a lot in the process! The session has the vocal pair working with CD players who include Hubert Laws on flute, Joe Farrell on saxes, Roy Pennington on vibes, and Steve Gadd on drums – all working with arrangements from Roy that are every bit as hip as the Don Sebesky treatments they previously got on CTI. The tracks are all longish, with plenty of room for complex vocals and great interaction with the instruments – and the titles are all originals, sounding really great and creative! Titles include "Good & Rich", "The Way We Are", "Waltz For Dana", "Niki's Song", and "A Wilder Alias". CD

Jackie & Roy are definitely getting bit wilder here – hitting an electric early 70s CTI mode, and really growing a lot in the process! The session has the vocal pair working with CTI players who include Hubert Laws on flute, Joe Farrell on saxes, Roy Pennington on vibes, and Steve Gadd on drums – all working with arrangements from Roy that are every bit as hip as the Don Sebesky treatments they previously got on CTI. The tracks are all longish, with plenty of room for complex vocals and great interaction with the instruments – and the titles are all originals, sounding really great and creative! Titles include "Good & Rich", "The Way We Are", "Waltz For Dana", "Niki's Song", and "A Wilder Alias". LP, Vinyl record album

Jackie & Roy are definitely getting bit wilder here – hitting an electric early 70s CTI mode, and really growing a lot in the process! The session has the vocal pair working with CTI players who include Hubert Laws on flute, Joe Farrell on saxes, Roy Pennington on vibes, and Steve Gadd on drums – all working with arrangements from Roy that are every bit as hip as the Don Sebesky treatments they previously got on CTI. The tracks are all longish, with plenty of room for complex vocals and great interaction with the instruments – and the titles are all originals, sounding really great and creative! Titles include "Good & Rich", "The Way We Are", "Waltz For Dana", "Niki's Song", and "A Wilder Alias". CD

A breezy jazz vocal classic from the San Francisco scene of the 80s! Joyce Cooling plays guitar in a mellow jazzy way – a bit influenced by Brazilian fusion, and a bit by the CTI/Kudu styles of the mid 70s – warm and soulful, with a flowing, glowing kind of style that actually even reminds us a bit of Brazilian singer Joyce during the same period. And although Cooling's sounded a bit smooth in recent years, this album's got a nicely indie feel – a stripped-down set of grooves that's held up wonderfully over the years – and which still may be the best thing she ever recorded! Other instrumentation includes keyboards and lots of percussion – and titles include "It's You", "Ve", "The Way Out", "It's On You", and "It's Time I Do". LP, Vinyl record album

A hugely expanded version of the classic double live album by Ella Fitzgerald – featuring a total of 48 tracks in all, recorded over 2 nights at a French jazz festival in 1964, with backing by a group that includes Roy Eldridge and Tommy Flanagan. More than half of the set appears to be previously unissued – and the whole thing's packaged in a wonderful wraparound cover, with great art and notes, and new remastering on the CD. Titles include "Day In Day Out", "Just A Sittin & A Rockin", "People", "Someone To Watch Over Me", "Boy From Ipanema", "The Cricket Song", "Perdido", "Summertime", "The Lady Is A Tramp", "I Love Being Here With You", "Goody Goody", "Cutie Pants", and "Mack The Knife". Some of the cuts repeat over the course of the performance, but they're done in slightly different versions. CD

Killer work by Astrud Gilberto – very different than her Verve sides of the 60s! The album was produced by Astrud, arranged by Deodato – and has that wonderful warm full jazz feel of her classic album on CTI, but also a bit more like some of the funky work of Jorge Ben at the time – choppy at the bottom, with a sound that's a bit samba, and a bit funky at times. Mike Longo and Deodato play keyboards on the session, giving it an electric groove that works perfectly with Astrud's soaring vocals – and the whole album really holds together wonderfully! There's a nice bit of funk on the cut "Take it Easy My Brother Charlie" – and other tracks include "Zigy Zigy Za", "Baiao", "Gingele", "Bridges", and "Where Have You Been?" DVD side features include linear notes, artist photos plus the whole album in 5.1 surround sound!. (Brazil, Vocalists) CD

A sweet 70s set from Jackie & Roy – just the kind of record that shows that their genius kept on growing and growing as the years went on! The album's a nice change from the fuller, freer sound of the pair's earlier 70s sides on CTI – but it's also not the straighter jazz of the 50s and 60s either – kind of a wonderful fusion of both eras, brought together in a really groovy way! Instrumentation is small combo throughout – piano from Roy, plus vibes, bass, and drums – all used in a sweetly swinging sort of way to match the melodic quality of the pair's vocals. Titles are a really well-selected batch of numbers – and include "Tiny Told Me", "Good & Rich", "The Runaround", "Born To Be Blue", "Waltz For Dana", "Cheerful Little Earful", and "Magic To Do". LP, Vinyl record album

A key moment in the career of Esther Phillips – and a record that really has her shaking off the rougher bluesy styles of the earlier years, and pointing the way towards strong jazz success in the 70s! The album's definitely burnin, but with a sophisticated vibe too – as Esther works with backing from a small combo that includes Jack Wilson on piano, Richard Tee on organ, Chuck Rainey on bass, and Cornell Dupree on guitar – a lineup that almost hits the same vibe as her later work on CTI/Kudu – and which brings out a new depth in Esther's vocals that's simply amazing! There's a heartbreaking quality to most of the numbers – a mix of roots and class, depth and poise – all served up in a style that's unlike any other singer before or since. Titles include "Don't Let Me Lose This Dream", "And I Love Him", "Shangri-La", "I'm Getting Long Alright", and "Please Send Me Someone To Love". (Soul, Vocalists) LP, Vinyl record album

Some of our favorite work ever by Esther Phillips – served up on a compilation that does a great job of sorting through her classic 70s sides for Kudu, CTI, and Mercury! Back in the 60s, Esther sung in a sad and bluesy sort of soul style – but in the 70s, at the time of these recordings, Esther picked up a sweet electric vibe, really hipping up her sound with lots of funky guitar, bass, and keyboards. The result is tremendous – as you'll hear on this set – as Esther works with arrangers that include Pee Wee Ellis, Bob James, Benny Golson and Harvey Mason to cut some wickedly soulful tunes! The set includes 18 tracks in all, with titles that include "Use Me", "Home Is Where The Hatred Is", "That's All Right With Me", "I've Never Found A Man", "Brother Brother", "From A Whisper To A Scream", "All The Way Down", "Black Eyed Blues", "Native New Yorker", "Changing", "SOS", "We've Got A Good Thing Going", "You Think Of Him", "Bedtime Stories", and "I Hope You'll Be Very Unhappy About Me". (Soul, Vocalists) CD