Really fantastic later work from Bobby Darin – material that's quite different than the simple pop of his early Atco years, and even the jazzier style he used earlier on in the 60s! The set is one of two issued by the Direction label – and features Bobby taking off from some of the Tim Hardin-inspired modes he was using later on at Atlantic – picking up some of the deeper themes of the earlier singer-songwriter years – and singing in a very moody, contemplative style! According to some, Darin was aware that his health only gave him a few more years to live – which was part of the introspection of the music – and although the style owes a lot to Tim Hardin and some of his contemporaries, the songs are all originals by Darin – with some elements that are very different than before. Tracks include "Hey Magic Man", "Light Blue", "Distractions", and "Song For a Dollar". Features four bonus tracks too – "Sweet Reasons", "Maybe We Can Get It Together", "Baby Man", and "RX Pyro (Prescription Fire)". LP, Vinyl record album

If you've ever doubted the real jazz sensibility of Tony Bennett, then this is an album to change your mind – because Tony's working here in a marvelously unadorned setting – with only the piano of Bill Evans to back him up! The record's a rare gem from years after Bennett was cracking the pop charts, but was willing to pull back to the jazz of his roots – and the session's equally rare for Evans, who rarely worked with vocalists at this point in his career. The simplicity of the album is its strength – and together, the pair really sound tremendous – slightly faltering at times, but in a way that exposes a sense of humanity you might not find in other records, especially those by Bennett. Titles include "When In Rome", "Some Other Time", "The Touch Of Your Lips", "My Foolish Heart", "Waltz For Debby", and "Young & Foolish". LP, Vinyl record album

An incredible full length debut from vocalist Mario Biondi – a jazz singer we'd rank right up there with the legendary Mark Murphy – supported here with great backings from the High Five Quintet! The grooves here are in a soaring, tightly-stepping style – very much the best club jazz mode of the contemporary European scene – with all-acoustic instrumentation, and rhythms that move along at a really great dancefloor pace! Mario's vocals are really unique too – with a little rasp that catches slightly, and really brings a timeless quality to his voice – mixing personal feeling into the lively numbers on the album, with an unexpected depth that really makes the album stand out from similar sessions of this type! There's echoes of hip vocal jazz work from years past by artists like The Peddlers, Bobby Cole, or Mark Murphy – and titles include "A Child Runs Free", "No Mercy For Me", "This Is What You Are", "I Can't Keep From Cryin Sometimes", "Rio De Janeiro Blue", "Handful Of Soul", "On A Clear Day", "Never Die", "No Trouble On The Mountain", "Slow Hot Wind", and "Gig". (New Grooves, Vocalists) LP, Vinyl record album

An overlooked album from the legendary Nina Simone – recorded in Paris in the early 80s, and not circulated as much as some of her records from the 60s and 70s – but every bit as compelling in its own sort of way! Nina's working here with a greater array of global elements than on previous recordings – very much in that way that the French scene was embracing sounds from the Caribbean and African cultures in these post-colonial years, and using them to forge a wealth of wonderful new styles in the studios of Paris. The approach is still jazz-based, but with lots of earthy percussion, including some handled by Nina with her own piano work – a mode that's not foisted on Simone by another producer, but arranged and conceived by the lady herself. Lyrics are in French and English, and titles include "I Sing Just To Know That I'm Alive", "They Took My Hand", "Stop", "Liberian Calypso", "Vous Etes SEuls Mais Je Desire Etre Avec Vous", "Fodder In Her Wings", "Thandewye", "Heaven Belongs To You", and "Le Peuple En Suisse". LP, Vinyl record album

A set that's a great bridge between the fuller sound of Nina Simone's late 60s material and some of smaller jazz combo work – as the album mostly features Nina working with a smaller group, but already at a level that hints at the righteous rising power in her music! The core combo features Rudy Stevenson on guitar and flute, Bobby Hamilton on drums, and Lisle Atkinson on bass – and one track, "For Myself", features arrangements by Horace Ott – and another, "Images", was recorded live – but overall, the album's got a warmly intimate feel that's really great, and which has Nina singing in that perfect sharp-edged mode of the time. Titles include "Chauffeur", "The Other Woman", "This Year's Kisses", "Nearer Blessed Lord", "Ballad of Hollis Brown" and "Don't Explain". LP, Vinyl record album