Atlantic -- Vocalists — LPs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Vocalists — LPs

XSingers we love -- from vintage torch to vocalese, scat, jazz poetry, standards, and more!

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Close matches: 20
Close matches1
CD, LP, Vinyl record album cover art
✨✧ Mose AllisonMose Alive ... LP
Atlantic, 1966. Very Good+ ... Just Sold Out!
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his tone – but he's also got some northern distance from his material, bringing a nice bit of wit into the recordings. There's a total of 11 tracks including "Parchman Farm", "Smashed", "Seventh Son", "Fool's Paradise", "Baby Please Don't Go", and "The Chaser". LP, Vinyl record album
(Mono purple and red label pressing. Cover has a promo sticker and light wear. Labels have a promo stamp.)

Close matches2
CD, LP, Vinyl record album cover art
✨✧ Andy BeyExperience & Judgment (180 gram pressing) ... LP
Atlantic/Speakers Corner (Germany), 1974. New Copy (reissue)... Temporarily Out Of Stock
An incredibly righteous record from the legendary Andy Bey – an artist who's risen back to fame in recent years as a relatively straight jazz singer – but who was in some very heady territory here in the early 70s! Bey first rose to fame as part of the vocal trio, Andy & The Bey Sisters – and while that group's 60s recordings were already wonderful, Andy soon stepping out into tremendous territory of his own – working with Max Roach, Horace Silver, and Gary Bartz – and adding some unique spiritual and socially conscious vocals to some of their best jazz records at the end of the 60s! This set's one of Andy's few solo moments from the time – and really follows up the groove strongly – with lots of help from the mighty William Fischer, who wrote some of the tracks, and plays keyboards – although Bey is clearly the main compositional force here. The album includes a remake of "Celestial Blues", which Bey recorded famously with Gary Bartz – and which is in a leaner, even funkier take here – and other titles include "Being Uptight", "Tune Up", "Hibiscus", "Experience", and "The Power Of My Mind". (Soul, Vocalists) LP, Vinyl record album

Close matches3
CD, LP, Vinyl record album cover art
Chris ConnorChris Connor ... LP
Atlantic, 1956. Very Good ... $6.99 11.99
The first album in a legendary run of vocal jazz classics on Atlantic Records – and a set that really helped Chris Connor move to a new level of expression in her music! The sound here is much richer than Connor's previous recordings for Bethlehem – and the small combo jazz backings have been replaced by fuller orchestrations by Ralph Burns – done in a cool, edgey sort of way that really pushes Chris into newly sophisticated territory! The sound's on a par with the best June Christy/Pete Rugolo collaborations on Capitol – and the group's filled with some great jazz players, including Zoot Sims, John Lewis, Milt Hinton, and Oscar Pettiford. Titles include "I Get A Kick Out Of You", "My April Heart", "He Was Good to Me", "Where Are You", and "Get Out Of Town". LP, Vinyl record album
(Black label pressing with deep groove. Cover has splitting on the spine, some surface wear, aging.)

Close matches4
CD, LP, Vinyl record album cover art
Chris ConnorChris Craft ... LP
Atlantic, 1958. Very Good ... $13.99 16.99
Chris' Craft is a great one here – beautifully simple and straightforward jazz vocals, served up at a level that few other singers can match! The album's one of our favorites from Connor's classic years with Atlantic – as it's got a mellow, moody approach that's filled with the darker tones that first caught our ears on Chris' earliest recordings for Bethlehem. Instrumentation here is mostly small combo – arranged by Stan Free, and featuring Free on piano, Bobby Jaspar on flute, Mundell Lowe on guitar, George Duvivier on bass, and Ed Shaughnessy on drums. Titles include "Be A Clown", "Be My All", "Good For Nothin", "Moonlight In Vermont", "The Night We Called It A Day", "Lover Man", and "On The First Warm Day". LP, Vinyl record album
(Black label pressing with deep groove. Cover has clear tape on the bottom seam, light wear along the opening. The back cover has light surface wear, 2 spots of marker. Label has sticker remnant.)

Close matches5
CD, LP, Vinyl record album cover art
Chris ConnorPortrait Of Chris ... LP
Atlantic, 1960. Very Good- ... $5.99
A very moody album from Chris Connor – one that features arrangements by Ronnie Ball and Jimmy Jones, on a somber set of songs that makes the album one of Chris' darkest for Atlantic! Most of the tunes are in small group settings – a bit tightly arranged, but in a good way that gives the record a kind of June Christy sort of sound – never to overdone on the vocal tip, with a sense of restraint that only further creates tensions in the tunes! There's a level of sophistication here that's way different than the somewhat cheesy image on the cover – and titles include "Where Flamingos Fly", "Alone Together", "I'm Glad There Is You", "If I Should Lose You", "Here's That Rainy Day", and "Love". LP, Vinyl record album
(Mono red & purple label pressing. Cover has light surface wear.)

Close matches6
CD, LP, Vinyl record album cover art
Chris ConnorWitchcraft ... LP
Atlantic, 1959. Very Good ... $4.99
A lovely side by Chris Connor for Atlantic, recorded not too long after her stint at Bethlehem – where she'd perfected an icy cool style of singing that's still to be matched to this day! The album features larger arrangements by Richard Wess – but still has a light jazzy feel, intimate in approach, despite the larger musical backings. Chris' voice is at once personal and removed – a razor's edge of emotion, repressing some impulses, and opening up surprisingly at other moments. Titles include "Skyscraper Blues", "The Lady Sings The Blues", "Come Rain Or Come Shine", "When Sunny Gets Blue", "Just In Time", "Baltimore Oriole", and "How Little We Know". LP, Vinyl record album
(Early 60s blue & green label stereo pressing with deep groove. Cover has light wear and aging, mostly in back.)
Also available Witchcraft (Japanese paper sleeve edition) ... CD 18.99

Close matches7
CD, LP, Vinyl record album cover art
Roberta FlackRoberta Flack – Lost Takes (180 gram pressing) ... LP
Atlantic/ARC (UK), 1968. New Copy 2LP Gatefold ... $35.99 44.99
A lost early chapter in the career of Roberta Flack – material recorded during the sessions for her legendary First Take album, but unissued at the time – and presented here with an amazing demonstration of the depth of her young talents! All the genius of First Take is in place here – that groundbreaking territory between jazz and soul that set Roberta apart from the pack, right from the start – but there's also a wider range of currents going on – maybe some more jazz-based numbers, mixed with other soul-referenced titles too – a wider span that furthers the role that Flack plays as a bridge between the 60s innovations of Nina Simone and a host of others to follow. The group is just a trio – Flack on piano with Marshall Hawkins on bass and Bernard Sweetney on drums – but the tunes have a very wide-open vibe that's very visionary, and every bit as great as Roberta's debut! Titles include a stunning version of "Afro Blue", plus "It's Way Past Suppertime", "This Could Be The Start Of Something", "Groove Me", "To Sir With Love", "The Song Is Love", "Ain't No Mountain High Enough", "Nobody Knows You When You're Down & Out", "The House Song", and "Hush A Bye". (Soul, Vocalists) LP, Vinyl record album
(First-ever vinyl release – 180 gram pressing!)

Close matches8
CD, LP, Vinyl record album cover art
Manhattan TransferBop Doo Wopp ... LP
Atlantic, 1984. Near Mint- ... $4.99
... LP, Vinyl record album
(Japanese promo pressing, with obi, insert, and several pages of production notes! Cover has light wear and a promo sticker. Obi is lightly crinkled, with a small tear in the side.)
Also available Bop Doo Wopp ... CD 1.99

Close matches9
CD, LP, Vinyl record album cover art
Manhattan TransferLive (1978) ... LP
Atlantic (UK), 1978. Sealed ... $7.99
... LP, Vinyl record album
(Still sealed, with a small hole and sticker spots. Cover is lightly bent at the bottom right corner.)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Carmen McRaeSound Of Silence ... LP
Atlantic, 1968. Near Mint- Gatefold ... $9.99
One of Carmen McRae's great 60s albums for Atlantic Records – a set that's still strongly jazz-based overall, but which seems to have an extra dose of soul at the bottom! The approach is a bit like the best late 60s sides by Nancy Wilson or Marlena Shaw – rooted in jazz, but hipper with some soulful elements in the backdrops – penned in this case by Jimmy Jones and Shorty Rogers, both of whom do a great job with the arrangements. The crispness of Carmen's voice works perfectly in the setting – and titles include "Watch What Happens", "Sound Of Silence", "MacArthur Park", "Can You Tell", and "Gloomy Sunday". LP, Vinyl record album
(Green & red Broadway label stereo pressing. Cover has light wear, some aging, and a round sticker in back.)

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Mabel MercerArt Of Mabel Mercer ... LP
Atlantic, Early 50s. Very Good 2LP Gatefold ... Temporarily Out Of Stock
Accompanied by Sam Hamilton on piano, Stan Freeman and Cy Walter on twin pianos, and Cy Coleman and his band. LP, Vinyl record album
(Original black label pressing with deep groove. Cover has some splitting on the top seams, light spine wear.)

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Mabel MercerMabel Mercer Sings Cole Porter ... LP
Atlantic, 1955. Very Good+ ... $9.99
A classic album of Cole Porter tunes – sung by Mabel Mercer with just a bit of tinkling piano in the background! The overall sound's a bit older than you might guess from the date of the record – a mode that takes most of the Porter tunes relatively straight, served up in Mercer's trilling style of vocals – which have more of a 20s approach to the material than other 50s singers who were making Porter swing a bit more. Backing is by Cy Walter or Stan Freeman on piano, plus a bit of bass by Frank Carroll – and titles include "Ours", "Where Oh Where", "After You", "So In Love", "Looking At You", "Ace In The Hole", and "It's Delovely". LP, Vinyl record album
(Mono black label pressing with deep groove. Cover has some surface wear and aging, white tape holding the top seam and spine, partially removed at the bottom 3 inches, and some gloss peel at the opening.)

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Mabel MercerOnce In A Blue Moon ... LP
Atlantic, 1958. Very Good ... Temporarily Out Of Stock
... LP, Vinyl record album
(Original black label pressing. Vinyl has discoloration on the edge, but plays great.)

Close matches14
CD, LP, Vinyl record album cover art
Esther PhillipsConfessin' The Blues ... LP
Atlantic, 1976. Near Mint- ... $6.99
A 70s album, issued at a time when Esther Phillips was really riding high with her records on the Kudo label – but a set that brings together unissued sides recorded for Atlantic in the 60s! The style is a great mix of rootsy soul and hipper jazz – arranged by Onzy Matthews on side one, with a care and quality that almost rivals Capitol jazz vocal sessions of the time – and performed live at Freddie Jett's Piper Club on side two – in the same mode as her classic Burnin album from the time locale! Philips is wonderful in both settings – with that distinct approach that's unlike any other singer we know – quite versatile, and at a critical point between her R&B work of the 50s, and her smoother Kudu jazz of the 70s. Titles include include "Cherry Red", "In The Evenin", "I Wonder", "Romance In The Dark", "I Love Paris", and "I'm Gettin' Long Alright". (Soul, Vocalists) LP, Vinyl record album
(Cover has a cutout notch and a scrape across the front.)

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Kenny RankinAfter The Roses ... LP
Atlantic, 1980. Near Mint- ... Temporarily Out Of Stock
Mellow magic from Kenny Rankin – an album that follows nicely from his Kenny Rankin album of a few years before, and which has a relatively similar approach! Like that one, Don Costa's at the helm – producing as well as arranging – and most instrumentation is from a core small combo that includes some great keyboard work from Wendy Haas, who warms up Kenny's sound a bit, but never in a too-smooth sort of way. A few tracks bring in some bigger strings, but still keep up the rasp and personal feel of Rankin's music – and titles include "Down The Backstairs Of My Life", "Woman Woman", "Lyin Eyes", "Strings", "After The Roses", and "What Matters Most". LP, Vinyl record album
(Cover has a cutout notch, some ringwear, and bent corners.)

Close matches16
CD, LP, Vinyl record album cover art
Max Roach (with Andy Bey)Members Don't Get Weary (180 gram pressing) ... LP
Atlantic/ARC (UK), 1968. New Copy (reissue)... $29.99 39.99
Fantastic stuff, and a record that was virtually the blueprint for spiritual soul jazz in the 70s! Although Max Roach first rose to fame during the bop years, by the time of this set he'd really stretched out a lot – moving past initial righteous projects in the Civil Rights era, to even more progressive work with a group like this! The players are all youthful geniuses who would go onto shape the sound of 70s jazz tremendously – working here at a point that already shows their brilliance – Gary Bartz on alto, Charles Tolliver on trumpet, Stanley Cowell on piano, and even Andy Bey, who sings vocals on the title track. The overall style is very similar to Bartz's early albums on Milestone, or to some of the Music Inc records on Strata East, which feature Cowell and Tolliver. It's no surprise that Cowell contributed 3 tracks to the set – "Effi", "Equipoise", and "Abstrutions" – and the group also performs a great version of Bartz's "Libra"! (Jazz, Vocalists) LP, Vinyl record album
(Excellent 180 gram pressing – remastered from the original tapes by Bernie Grundman, with new sleeve notes too!)

Close matches17
CD, LP, Vinyl record album cover art
Bobby ShortBobby Short Is Mad About Noel Coward ... LP
Atlantic, 1972. Near Mint- 2LP Gatefold ... $3.99
... LP, Vinyl record album
(Cover has light wear, a cutout notch, and a small split in the bottom seam.)

Close matches18
CD, LP, Vinyl record album cover art
Bobby ShortSpeaking Of Love – The Songs Of Bobby Short ... LP
Atlantic, 1958. Near Mint- ... $0.99 7.99
... LP, Vinyl record album
(Green label stereo pressing with deep groove. Cover has light wear and aging, a small cutout hole, and is bumped and split a bit at the bottom of the spine.)

Close matches19
CD, LP, Vinyl record album cover art
Mel TormeSunday In New York & Other Songs About New York ... LP
Atlantic, 1963. Very Good ... $9.99
One of our favorite-ever albums from Mel Torme – a set that sparkles with the same smooth swing as his best late 50s dates for Bethlehem records! Like those sets, this one features Torme's voice really taking off over some tight jazzy charts – arranged by Johnny Williams, Shorty Rogers, and Dick Hazard – all in styles close to those used previously by Marty Paich. But almost even better is the New York theme of the record – surprising, given the anti-NYC vibe of Torme's classic "California Suite" – but perfect, too, as it really ties the whole thing together wonderfully – creating this beautiful picture of the Big Apple in the postwar years. Titles include the greatest version of "Sunday In New York" you'll ever hear – plus "Let Me Off Uptown", "Autumn In New York", "New York New York", "Manhattan", and "My Time Of Day". LP, Vinyl record album
(Mono red & purple label pressing.)

Close matches20
CD, LP, Vinyl record album cover art
Jimmy WebbEl Mirage ... LP
Atlantic, 1977. Near Mint- ... $5.99
The songwriting of Jimmy Webb meets the studio genius of producer/arranger George Martin – for this one-off Atlantic album from 1977, a strange little set that almost has Jimmy sounding far older than his young years at the time! Martin's working in a style that follows nicely from Webb's earlier Land's End album – using full backings to color in the tunes with just the right shades and sounds to flesh them past Jimmy's vocals. But the unusual thing is the raspy, almost faltering quality of Jimmy's vocals – sung in a style that moves into his own words tentatively, as if he's rediscovering the lyrics after many years, or making them up on the spot. The mix of Webb's roughness and Martin's warmth makes the album more compelling than it might be otherwise – and titles include a version of Jimmy's classic "The Moon Is A Harsh Mistress", plus "The Highwayman", "Christiaan No", "Moment In A Shadow", "Sugarbird", "Where The Universes Are", and "Mixed-Up Guy". (Rock, Vocalists) LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a cutout hole, some edge wear, X in marker at the top left, and a tracklis sticker.)
 
Partial matches: 7
Partial matches21
CD, LP, Vinyl record album cover art
Bob DarinCommitment (blue vinyl pressing – with bonus tracks) ... LP
Direction, 1969. New Copy (reissue)... $20.99 24.99
Really fantastic later work from Bobby Darin – material that's quite different than the simple pop of his early Atco years, and even the jazzier style he used earlier on in the 60s! The set is one of two issued by the Direction label – and features Bobby taking off from some of the Tim Hardin-inspired modes he was using later on at Atlantic – picking up some of the deeper themes of the earlier singer-songwriter years – and singing in a very moody, contemplative style! According to some, Darin was aware that his health only gave him a few more years to live – which was part of the introspection of the music – and although the style owes a lot to Tim Hardin and some of his contemporaries, the songs are all originals by Darin – with some elements that are very different than before. Tracks include "Hey Magic Man", "Light Blue", "Distractions", and "Song For a Dollar". Features four bonus tracks too – "Sweet Reasons", "Maybe We Can Get It Together", "Baby Man", and "RX Pyro (Prescription Fire)". LP, Vinyl record album
Also available Commitment (with bonus tracks) ... CD 12.99

Partial matches22
CD, LP, Vinyl record album cover art
Bobby DarinBobby Darin Born Walden Robert Cassotto ... LP
Direction, 1968. Near Mint- Gatefold ... $9.99
An incredible late album from Bobby Darin – and a real treasure! The record was cut after Darin's mid 60s fascination with the work of Tim Hardin, most of which he re-recorded for Atlantic during that time – but it's got a similar style to the Hardin years, yet features some stunning original compositions by Darin. After the confidence of his early show days, it's amazing to hear Bobby D singing songs like this – filled with sadness, insecurity, and kind of a mind-numbing inability to cope with the times. Of course, part of this has to do with Darin's increasingly poor health conditions (he was predicted to live a very short life at an early age) – and the raw honest experimental quality of the album's a real testament to Darin's perpetual struggle to combine a strong professional bent to be a crossover entertainer with an increasing (and surprising) desire to emerge as a creative force on his own. Includes the sublime "I Can See The Wind", plus "Change", "Sunday", "Questions", and "The Proper Gander". LP, Vinyl record album
(Cover has a cutout hole and light wear.)

Partial matches23
CD, LP, Vinyl record album cover art
Carmen McRaeBittersweet ... LP
Focus, Mid 60s. Near Mint- ... $6.99 9.99
Here's a rare one from Carmen – a beautifully understated session recorded for the tiny Focus label, done with spare and soulful backings from Norman Simmons, who leads the album's small combo on the backing. Tracks are nice and mellow – very different than some of the later work Carmen would do for Atlantic, and with a solid jazz-based approach that really lets her work through some wonderful vocal inflections. Titles include "How Did He Look", "Ghost Of Yesterday", "I'm Lost", "Come Sunday", "Second Chance", "If You Could Love Me", and "I'm Gonna Laugh You Right Out Of My Life". LP, Vinyl record album
(Maroon label stereo pressing. Cover has light wear.)

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Carmen McRaeIt Takes A Whole Lot Of Human Feeling ... LP
Groove Merchant, Early 70s. Very Good+ ... Just Sold Out!
A sweet and jazzy little session from Carmen McRae – an overlooked batch of groovy tunes recorded with small combo backing – with a hip vibe that's a bit different than some of her other 70s work! The sound's pretty soulful overall, and takes off nicely from Carmen's best moments on Atlantic a few years before – mixing in just a bit of electricity to keep things sounding a bit 70s-styled without losing any of Carmen's talent for interpreting a tune. The group features Joe Pass on guitar and Larry Bunker on vibes – and titles include Blossom Dearie numbers "Hey John" and "Inside A Silent Tear", plus "All The Things You Are", "The Right To Love", "Where Are The Words", "It Takes A Whole Lot Of Human Feeling", and "Imagination". LP, Vinyl record album
(Cover has light wear.)

Partial matches25
CD, LP, Vinyl record album cover art
✨✧ Carmen McRaeVelvet Soul (It Takes A Whole Lot Of Human Feeling/Ms Jazz) ... LP
Groove Merchant, 1973/1974. Near Mint- 2LP Gatefold ... $4.99
This double-length set brings together two albums' worth of work that Carmen McRae recorded for the Groove Merchant label in the early 70s! The style here is strongly jazzy, but with a firm dose of soul too – all in a mode that follows nicely from Carmen's late 60s sessions for Atlantic Records, but with a sound that's almost even more focused and in the pocket. The band is largeish, but the rhythms are tight – and even the mellower tunes seem to have a nice sort of lilt at the bottom, one that goes great with the way that Carmen spaces out her vocals on the set. Players include Joe Pass on guitar, Larry Bunker on vibes, Zoot Sims on tenor, and Dick Shreve on piano – and the CD features 19 tracks that include "Hey John", "Inside A Silent Tear", "The Right To Love", "You & I", "Sunshine Of My Life", "The Good Life", "It Takes A Whole Lot Of Human Feeling", "Livin", "Masquerade", "You're Mine You", and "There Will Come A Time". LP, Vinyl record album
(Cover has a cutout notch, some ring and edge wear, and small blemish spots in back.)

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsAlone Again, Naturally ... LP
Kudu, 1972. Very Good+ ... $14.99
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". (Soul, Vocalists) LP, Vinyl record album
(Original pressing with Van Gelder stamp. Cover has a touch of edge wear.)

Partial matches27
CD, LP, Vinyl record album cover art
Esther PhillipsBlack-Eyed Blues ... LP
Kudu, 1973. Near Mint- ... $9.99
One of Esther's strong winners for Kudu – a record that takes her soulful style of earlier years, and wraps it around some sly 70s funky arrangements! Ex-James Brown hornman Pee Wee Ellis arranged the album, and gave Esther a nice little dose of funk that really helped her groove – getting out of the sad bag of her Atlantic recordings, and sounding hipper than anyone would have expected! The record features the great slow funk groover "Black Eyed Blues" – and other tracks include "I've Only Known A Stranger", "You Could Have Had Me, Baby", and "Too Many Roads". (Soul, Vocalists) LP, Vinyl record album
(Cover has some edge wear.)
 
 
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