Blues Spectrum -- Vocalists — LPs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Vocalists — LPs

XSingers we love -- from vintage torch to vocalese, scat, jazz poetry, standards, and more!

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Possible matches: 3
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Joe TurnerEveryday I Have The Blues ... LP
Pablo, 1975. Near Mint- ... $9.99
A great mix of jazz and blues from Joe Turner – a set that seems to draw from his Kansas City roots, yet also inflect the sound with some of the blues changes of the 70s! Joe's got two key soloists here – Sonny Stitt on tenor and alto, and Pee Wee Crayton on guitar – and the vamping piano lines of JD Nicholson ensure some very timely rhythms for the record, maybe tipping things a bit more towards the blues side of the spectrum overall. Titles include a very long take on "Lucille", the nine-minute "Martin Luther King Southside", which is a laidback blues with plenty of solo room – and the cuts "Everyday I Have The Blues", "Shake Rattle & Roll", and "Piney Brown". (Blues, Vocalists) LP, Vinyl record album

Possible matches2
CD, LP, Vinyl record album cover art
Nat King ColeIn The Beginning ... LP
Decca, 1940/1941. Very Good+ ... $14.99
Early sides by Nat King Cole, recorded in the pre-Capitol years – and done in a mixture of vocal and instrumental modes, with trio backing that featured Oscar Moore on guitar and Wesley Prince on bass. The tunes are still very much solid early Nat at his best – a lightly blended mix of blues and jazz, revolutionary at the time, and still refreshing for any era! Titles include "I Like To Riff", "Call The Police", "This Side UP", "Babs", and "Are You Fer It". LP, Vinyl record album
(Mono spectrum label pressing.)

Possible matches3
CD, LP, Vinyl record album cover art
Ernestine AndersonFascinating Ernestine ... LP
Mercury, Late 50s. Very Good+ ... $7.99
A great slice of work from the early years of Ernestine Anderson – one of her key swingers for Mercury, and the kind of record that should have made her huge at the time! There's a hip-stepping quality here that points nicely towards the 60s – a bit more of a bounce in the backings, almost a Basie-esque quality at times – thanks to arrangements from Ernie Wilkins and Gigi Gryce, both of whom bring a great ear for horn charts to the date. Anderson's inherent sense of soul really opens up strongly with both arrangers – swinging with poise one minute, but bluesy undercurrents the next – in ways that really mark the record as coming from the more jazz-based side of late 50s Mercury spectrum. Titles include "Harlem Nocturne", "A New Town Is A Blue Town", "Nobody's Heart", "I Got Rhythm", "Beale Street Blues", "My Heart Belongs To Daddy", and "I Wish I Was Back In My Baby's Arms" LP, Vinyl record album
(Mono white label promo with deep groove. Cover has some staining –but mostly on the back around the edges, tiny splits on the top & bottom seams – but the front cover looks nice overall.)
 
 
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