A really unique little record – this amazing mix of keyboard jazz and spoken word – and unlike anything else we can think of! We might be tempted to think of the set as a more spiritual journey into territory that Rick Holmes explored with Roy Ayers – but the record is much more open and free-flowing – with a range of different keyboards from leader Abdur Razzaq, who plays Fender Rhodes, Wurlitzer, and other keys – and also delivers a lot of percussion too! Rafiyq performs the vocals – and is recorded with this slight echo that makes his wisdom sound even more majestic – and titles include the long "Night Of Power (parts 1 & 2)", and the shorter "Reflections From The Grave". (Jazz, Spoken Word) CD

One of the strangest albums to come out of the late 60s spoken word record boom – a collection of Bob Dylan tunes, read with a heavy English accent by actor Sebastian Cabot! Cabot's probably best known for his roles in the shows Checkmate and Family Affair – and he uses that familiar growly voice to great effect here on Dylan's tunes – spitting them out with a slightly bitter quality that's a fair bit different than Bob's original versions, but still very much in the same spirit! The backings are relatively spare – bits of strings, guitar, and other instrumentation – all handled by Irving Spice – and tunes include "It Ain't Me Babe", "Don't Think Twice, It's All Right", "Like A Rolling Stone", and "Blowin In The Wind". One of the best examples of "establishment hip" we can think of – and it's records like this that took more steam out of the left than Barry Goldwater ever did! LP, Vinyl record album

A great little album – a lot better than you might think from the concept! After the death of JFK, Oliver Nelson penned this extremely strong tribute to the man – featuring snippets of speeches made by Kennedy during his time in office as president, used as bridges between jazz based backings by Nelson that are filled with some of his strongest writing of the time. The notes are more devoted to Kennedy's memory and Nelson's genius than the usual liner notes – so we're not sure who the players are – but the overall style is right up there with some of Nelson's best serious work from the time, and features a striking use of strings against jazz solo instrumentation, almost in a manner that recalls Ralph Burns' best styles of the 50s. Titles include "The Artists Rightful Place", "Jacqueline", "Day In Dallas", "Let The Word Go Forth", and "John Kennedy Memory Waltz". (Jazz, Spoken Word) CD