Wanda Robinson was one of the first hip, black, female poets to set righteous words to funky music – and this album is one of her two classic sides for the Perception label from the early 70s. The format is spoken word over funky instrumentals – and backing is by Patrick Adams, James Moody, and others, mixing jazz, soul, and funk conceptions to fit the mood of each of Wanda's tracks on the set. The titles should give you a good flavor of the material – as the set includes "The First Time I Saw Loneliness", "The Great American Passtime", "Parting Is Such", "Tragedy No 456", "A Black Oriented Love Poem", "Instant Replay", "The Trouble With Dreams", and "Grooving". (Soul, Spoken Word) LP, Vinyl record album

Saul Williams is one of those hip hoppers who's not really a just a rapper – one who comes to the genre from a background that's already very multi-faceted – one that shows up instantly in the record's blend of sounds and styles, modes and moods! There's a definite political agenda to the set – sometimes delivered in spoken passages, sometimes sung – and the instrumentation includes heavy guitars, noisy beats, and very layered samples and other sonic elements – all given further intensity through Saul's presentation of the lyrics! As with Childish Gambino, Williams is in a space that's all his own within the world of soul and hip hop – even though Saul's spirit is very different and much darker overall – on tunes that include "Talk To Strangers", "Grippo", "Telegram", "Act III Scene 2 (Shakespeare)", "List Of Demands (Preparations)", "African Student Movement", "Control Freak", "Seaweed", and "Notice Of Eviction". (Hip Hop, Spoken Word) CD

Saul Williams is one of those hip hoppers who's not really a just a rapper – one who comes to the genre from a background that's already very multi-faceted – one that shows up instantly in the record's blend of sounds and styles, modes and moods! There's a definite political agenda to the set – sometimes delivered in spoken passages, sometimes sung – and the instrumentation includes heavy guitars, noisy beats, and very layered samples and other sonic elements – all given further intensity through Saul's presentation of the lyrics! As with Childish Gambino, Williams is in a space that's all his own within the world of soul and hip hop – even though Saul's spirit is very different and much darker overall – on tunes that include "Talk To Strangers", "Grippo", "Telegram", "Act III Scene 2 (Shakespeare)", "List Of Demands (Preparations)", "African Student Movement", "Control Freak", "Seaweed", and "Notice Of Eviction". (Hip Hop, Spoken Word) LP, Vinyl record album