Saul Williams is one of those hip hoppers who's not really a just a rapper – one who comes to the genre from a background that's already very multi-faceted – one that shows up instantly in the record's blend of sounds and styles, modes and moods! There's a definite political agenda to the set – sometimes delivered in spoken passages, sometimes sung – and the instrumentation includes heavy guitars, noisy beats, and very layered samples and other sonic elements – all given further intensity through Saul's presentation of the lyrics! As with Childish Gambino, Williams is in a space that's all his own within the world of soul and hip hop – even though Saul's spirit is very different and much darker overall – on tunes that include "Talk To Strangers", "Grippo", "Telegram", "Act III Scene 2 (Shakespeare)", "List Of Demands (Preparations)", "African Student Movement", "Control Freak", "Seaweed", and "Notice Of Eviction". (Hip Hop, Spoken Word) CD

Saul Williams is one of those hip hoppers who's not really a just a rapper – one who comes to the genre from a background that's already very multi-faceted – one that shows up instantly in the record's blend of sounds and styles, modes and moods! There's a definite political agenda to the set – sometimes delivered in spoken passages, sometimes sung – and the instrumentation includes heavy guitars, noisy beats, and very layered samples and other sonic elements – all given further intensity through Saul's presentation of the lyrics! As with Childish Gambino, Williams is in a space that's all his own within the world of soul and hip hop – even though Saul's spirit is very different and much darker overall – on tunes that include "Talk To Strangers", "Grippo", "Telegram", "Act III Scene 2 (Shakespeare)", "List Of Demands (Preparations)", "African Student Movement", "Control Freak", "Seaweed", and "Notice Of Eviction". (Hip Hop, Spoken Word) LP, Vinyl record album

One of the strangest albums to come out of the late 60s spoken word record boom – a collection of Bob Dylan tunes, read with a heavy English accent by actor Sebastian Cabot! Cabot's probably best known for his roles in the shows Checkmate and Family Affair – and he uses that familiar growly voice to great effect here on Dylan's tunes – spitting them out with a slightly bitter quality that's a fair bit different than Bob's original versions, but still very much in the same spirit! The backings are relatively spare – bits of strings, guitar, and other instrumentation – all handled by Irving Spice – and tunes include "It Ain't Me Babe", "Don't Think Twice, It's All Right", "Like A Rolling Stone", and "Blowin In The Wind". One of the best examples of "establishment hip" we can think of – and it's records like this that took more steam out of the left than Barry Goldwater ever did! LP, Vinyl record album

A weird little record from John Barry – the soundtrack to a 1963 television special recorded by Elizabeth Taylor at the height of her early popularity, and featuring Taylor reciting a variety of poems and speeches over music by Barry! There's a relatively high concept feel to the album – as Barry's backings are fairly string-laden and serious, penned to match the mood of Taylor's presentation of material written by William Wordsworth, Elizabeth Barrett Browning, William Pitt, Winston Churchill, and Queen Victoria. And although Taylor speaks on about half the record, the best tracks here are actually the instrumental ones – which have more of the depth of Barry's serious soundtrack work from the time, and manage to have their own sense of presence apart from the star quality of Liz on the set. Arrangements are by Johnnie Spence, and titles include "Elizabeth", "London Theme Jazz Waltz", "Queen Elizabeth At Tilbury", "Queen Victoria", "English Garden", "The Fire Of London", "Lovers & Browning", and "London At Dawn". (Soundtracks, Spoken Word) CD

A weird little record from John Barry – the soundtrack to a 1963 television special recorded by Elizabeth Taylor at the height of her early popularity, and featuring Taylor reciting a variety of poems and speeches over music by Barry! There's a relatively high concept feel to the album – as Barry's backings are fairly string-laden and serious, penned to match the mood of Taylor's presentation of material written by William Wordsworth, Elizabeth Barrett Browning, William Pitt, Winston Churchill, and Queen Victoria. And although Taylor speaks on about half the record, the best tracks here are actually the instrumental ones – which have more of the depth of Barry's serious soundtrack work from the time, and manage to have their own sense of presence apart from the star quality of Liz on the set. Arrangements are by Johnnie Spence, and titles include "Elizabeth", "London Theme Jazz Waltz", "Queen Elizabeth At Tilbury", "Queen Victoria", "English Garden", "The Fire Of London", "Lovers & Browning", and "London At Dawn". (Soundtracks, Spoken Word) LP, Vinyl record album

A pretty compelling record issued on Motown's MoWest subsidiary. Tom Clay creates these groovy tracks that mix popular soul instrumentals (arranged by Gene Page and Artie Butler) with recitations that have a very righteous political feel. The single on the record, "What The World Needs Now/Abraham, Martin, & John", features Clay asking kids what prejudice is, while militaristic sound effects and JFK speeches creep in and out of the mix. The rest of the album continues this powerful kind of soundscape experiment, and it's actually a pretty resonant work that still holds up nicely today. (Soul, Spoken Word) LP, Vinyl record album

A really cool little record – way more so than you might expect! Actor Laurence Harvey reads passages from the cheesy book in the title, but the set also features some cool instrumental work from Herbie Mann – with an unusual group that includes Ahmed Abdul-Malik on bass, Hagood Hardy on vibes, Ray Mantilla on conga, and Joe Puma on guitar! LP, Vinyl record album