A hard to find soundtrack for this famous TV show – featuring Quincy Jones' great theme to the show, offered up here in a 50 second version, plus lots of little bits taken straight off the TV. Titles include "Lamont's Wedding", "That's Poor", "Fred's Birthday", "Social Security", "Ugly White Woman", and "We Were Robbed". Nice cover image, too! (Soul, Soundtracks) LP, Vinyl record album

A strange little film with a western motif – starring Bill Cosby, Leif Erikson, and Yaphet Kotto! Fortunately, Quincy Jones was the musical supervisor – so the tracks are hip enough in the best parts – a bit rootsy at times, but with a 70s soul approach that keeps things real. The best cuts include the vocal number "Better Days" by Bill Withers – but even better are the instrumental numbers by JJ Johnson, including the oft-sampled groover "Pull, Jubal, Pull". LP, Vinyl record album

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes! CD

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes! CD

... LP, Vinyl record album

One of Quincy Jones' best soundtracks of the 70s – a massively funky record that's full of the kind of hip electric grooves you always look for on some of his other albums, but don't always find in such strong supply! The lineup here is great – wicked guitar lines from Arthur Adams and David T Walker, keyboards from Clare Fischer, and heavy drums from the great Paul Humphrey – and the whole thing follows nicely in a "Hicky Burr" sort of mode – with some especially nice Fender Rhodes moments in the mix! There's a few more complicated cuts that really round out the sound wonderfully – and the whole thing has had a heck of a lot more staying power than the film! Heck, even the appearance of Little Richard on vocals at a few points sounds surprisingly great – and titles include the classic sample cut "Snow Creatures", which has an amazing intro and a very dark mood – next to other cuts that include "Passin The Buck", "Rubber Ducky", "Money Is", "Do It Do It", and "Money Runner". (Soul, Soundtracks) CD

One of Quincy Jones' best soundtracks of the 70s – a massively funky record that's full of the kind of hip electric grooves you always look for on some of his other albums, but don't always find in such strong supply! The lineup here is great – wicked guitar lines from Arthur Adams and David T Walker, keyboards from Clare Fischer, and heavy drums from the great Paul Humphrey – and the whole thing follows nicely in a "Hicky Burr" sort of mode – with some especially nice Fender Rhodes moments in the mix! There's a few more complicated cuts that really round out the sound wonderfully – and the whole thing has had a heck of a lot more staying power than the film! Heck, even the appearance of Little Richard on vocals at a few points sounds surprisingly great – and titles include the classic sample cut "Snow Creatures", which has an amazing intro and a very dark mood – next to other cuts that include "Passin The Buck", "Rubber Ducky", "Money Is", "Do It Do It", and "Money Runner". (Soul, Soundtracks) LP, Vinyl record album

There's some pretty great moments in Quincy Jones' original score to the film version of Truman Capote's chilling book – most of them in a darkly tinged crime jazz mode, with flowing, complicated orchestrations that are mixed with breakout solos, and some very strangely arranged instrumental elements – almost more in some of the territory of Kenyon Hopkins, and some of his more dramatic jazz scores of the 60s! Titles include "In Cold Blood", "Seduction", "Down Clutter's Lane", "Murder Scene", "The Corner", "Lonely Bottles", and "No Witnesses". LP, Vinyl record album

A really wonderful Quincy Jones soundtrack from the end of the 60s – and one that's a bit different than some of his other work of the decade! The film's a very cool British heist story, with Michael Caine in the lead – and while Quincy brings in plenty of the jazz of his background, there's also some warm elements that feel like some of the best British sound library material of the period – particularly in the use of electric bass on some of the more open, airy numbers – creating this great stepping vibe and subtle groove amidst the changing moods of the music! The title song is the great "On Days Like These" – sung at first by Matt Monro, then done in an instrumental version – and other titles include "It's Caper Time", "Greensleeves & All That Jazz", "Getta Bloomin' Move On", and "Somethings Cookin". CD

An overlooked, but very groovy soundtrack by Quincy Jones! The record has a mix of easy jazz and a few harder-edged themes – dramatic throughout, but with washes of crime jazz, bossa, and some floating easy scoring. Players aren't listed, but you can bet they're the usual high-level crop of jazzmen that Quincy would get for his mid 60s Mercury sides. Titles include "Dead Duck", "Purple Prose", "Boobie Baby", "Shoot To Kill", "A Shot In The Park", and "Turtles Last Lap". LP, Vinyl record album

A nice one by Quincy! Although the material here isn't funky like his 70's work, it does show Quincy as a strong composer of serious thriller-type material – working in a style that produces a nice amount of tension and mood, and which still has some nice touches of jazz. The group is filled with strong jazz players like Freddie Hubbard, Anthony Ortega, Oliver Nelson, Elvin Jones, and others – and the album features a vocal version of the theme by Marc Allen, plus a crazy spoken bit from the movie, by Rod Steiger! Other titles include "Harlem Drive", "Naked Truth", "Rack 'Em Up", and "Death Scene". LP, Vinyl record album

Quincy Jones may be best remembered for his funky soundtrack work of the 70s – but the man can also hit a deeper, more serious vein when he wants – as he does on this ambitious album-length project inspired by the landmark Roots mini-series! The music isn't a straight soundtrack from the program, but instead evokes the longer narrative over the passage of its different selections – working as its own "saga of an American family", as it moves from African roots, through years of oppression, to moments of pride and power – amidst larger orchestrations from Jones, with help from Letta Mbulu on some key vocals, and more help from Bill Summers, James Cleveland, and even Lou Gossett. Titles include "Many Rains", "Free At Last", "Jumpin De Broom", "Ole Fiddler", "Boyhood To Manhood", "Oluwa", and "Motherland". LP, Vinyl record album

Starring Diana Ross, Michael Jackson, Nipsey Russell, Ted Ross, Lena Horne and Richard Pryor. Soundtrack features work by Toots Thielemans, Jerome Richardson, Eric Gale, and Michael Brecker, with compostions by Ashford & Simpson and Luther Vandross. LP, Vinyl record album

A groovy soundtrack, written for this film that starred Dustin Hoffman and Mia Farrow as two young lovers on a one night stand. The film sports a great vocal theme – "Maybe Tomorrow", sung by Evie Sands in a haunting airy way, and also performed at another point by the Morgan Ames Singers, and instrumentally by Quincy. Other tracks include Quincy's own number "Silent Moovies", the vocal cuts "Bump In The Night" by The Strange Things and "Lost In Space" by Jeff Bridges, and a number of classical themes played by a brass group led by Quincy. LP, Vinyl record album

A pretty darn groovy soundtrack – one of Neal Hefti's best of the 60s, and the score to a silly sex comedy that starred Natalie Wood and Tony Curtis! Fran Jeffries sings vocals on a few cuts – like "Sex & The Single Girl" and "Anniversary Song" – but the best tunes are the instrumentals, which mix together a lot of electric harpsichord (ala Odd Couple), a bit of flute, and which have a style that's in the mode of the best Quincy Jones or Henry Mancini scoring from the time! Titles include "Legs", "The Game", "Midnight Swim", "City Style", "I Must Know", and "I've Got Love". LP, Vinyl record album

Funky soundtrack tunes from the early 70s – a great mix of lesser known album cuts and a few other rare gems pulled from Universal's Soul Cinema series! The groove is wah-wah funk, fast riffing drums, tight "chase" theme grooves, and even a bit of soul – and tracks include "Monkey Hustle" by Jack Conrad, "It's Hard To Say Goodbye To Yesterday" by GC Cameron, "Fat Poppadaddy" by Quincy Jones, "I'm Gonna Catch You" by The Hues Corporation, "The Boss" by James Brown, "Bus Stop" by Harry Betts, "King George" by Roy Ayers, "Give It To Me" by Isaac Hayes, "She Did It" by Barbara Mason & Monk Higgins, and "It Sure Is Groovy" by Gil Bernal. 13 cuts in all! (Funky Compilations, Soundtracks) CD

Features Metallica, Yo-Yo Ma, Quincy Jones and Herbie Hancock, Eumir Deodato, Roger Waters, Renee Fleming, Celine Dion, and others. CD