A spy film – and with a mix of jazz and orchestral themes that's similar to some of Henry Mancini's work from the same time. The main theme is nice and jazzy, with some good guitar, and a great crime theme sound. Two other nice tracks are "The Pussy Willow Club" and "Pussy Willow Girl" – both with a loungey groove that's again a bit Mancini-ish. Other numbers include "Waltz For A Spy", "The Compound", and "Piano Prelude". LP, Vinyl record album
Not a bad little soundtrack – filled with sleazy 70s soul tunes! Given that the movie features Diane Keaton trawling her way through the singles underground of the time, the music goes pretty darn well with the film – and in fact is almost better, as it keeps a sunny optimism, without the darker turn of the narrative. Titles include "Don't Ask To Stay Until Tomorrow" by Marlena Shaw, "Don't Leave Me This Way" by Thelma Houston, "She Wants To Get On Down" and "She's Lonely" by Bill Withers, "Prelude To Love" and "Could It Be Magic" by Donna Summer, "Backstabbers" by The O'Jays, "Love Hangover" by Diana Ross, "Machine Gun" by The Commodores, and "Lowdown" by Boz Scaggs. LP, Vinyl record album
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