One of the last great moments from The Village People – an album released in conjunction with their huge screen debut in the film Can't Stop The Music – a huge media blitz from their producer Jacques Morali – and a record that also marked the first film appearance of the young Bruce Jenner, and which opened with a sexy Valerie Perinne on roller skates! The title hit was the biggest number here – and in addition to "Can't Stop The Music", the group also reprise "YMCA", and perform "Liberation", "Magic Night", "I Love You To Death", and "Milkshake". The group also features two tracks from David Landon – "The Sound Of The City" and "Samantha" – plus two more by The Ritchie Family, "Give Me A Break" and "Sophistication". (Soul, Soundtracks) LP, Vinyl record album

Includes selections by Mick Jagger, Luther Vandross, Billy Joel, Paul Young, Machinations, Dan Hartman, Kool & The Gang, Michel Colombier, Bruce Springsteen, and Nicole. LP, Vinyl record album

Beautiful music from Chicago, set to another Chicago-themed project – a film based around the Roy stories of writer Barry Gifford! Yet that literary reference aside, the music here has fantastic merits of its own, even if you've never read Gifford at all – a very different, more compositional side of the spectrum from vibist Jason Adasiewicz, yet still music that has a loose small combo vibe as well – serve dup by a cool quintet that features Jonathan Doyle on saxes, Josh Berman on cornet, Joshua Abrams on bass, and Hamid Drake on drums! There's a mix of new tones and modern ideas that take us back to that late 50s time on the Chicago scene when Sun Ra's Arkestra was still in town – and the tunes penned by Adasiewicz are not only superb, but a perfect showcase for his incredible tones on vibes. Doyle is a real revelation too – a player we don't know well at all at this point, but whose sense of timing and presence really makes the whole record sparkle – as does the work of the rest of the better-known players in the group. Titles include "Ballad For Kitty", "River Blindness", "Walkin To Clinton", "Rudy's Basement", "Sand", and "Blue People". (Jazz, Soundtracks) LP, Vinyl record album

British soundtrack great Ron Grainer makes a great American appearance here – turning in music for the early 70s film The Omega Man – the first film version of I Am Legend! The styles here are much more fitting for the time of the movie's release than the world of America in the future – as there are plenty of great blacksploitation and cop/crime elements that really fit the 70s urban setting of the story – really great elements that make the whole thing very different than the usual horror soundtrack of the period, and which also widen the palette of Grainer's style too! There's also a few familiar themes that are used almost tongue in cheek – instrumental hits that offset the darker mood of the action – and together, the blend of sounds is wonderful – presented here in an overstuffed collection that's well worth the 2.0 billing in the title. Given that the original score never showed up on record in the 70s, this release is long overdue – with titles that include "The Omega Man/Where Have All The People Gone", "Surprise Party/After The Ball", "Zachary Makes His Move", "Richie On The Roof", "The Trap/Nemesis For Neville/Matthias The Victor", "Dutch Takes Over", "Swinging At Nevilles", "Jumped By The Family/The Trial", and "Dutch Takes Over". CD

A stunner of a soundtrack from the maestro Barry White – his only entry into the blacksploitation film genre of the 70s, and a complete doozy throughout! For the album, Barry's stripped down the bigger space of his own records, and his Love Unlimited productions – into some shorter tracks that really focus on that blend of funk and strings that he could do so well – making for a batch of killer instrumentals that really offer up a special Barry White take on the funky film sound of the 70s! Love Unlimited also sing on two tracks – "Somebody Is Gonna Off The Man" and "People Of Tomorrow Are The Children Of Today _- but most of the record is instrumental, played by the Orchestra – and tracks include "Killer's Lullaby", "So Nice To Hear", "Killer Don't Do It", "Can't Seem To Find Him", "Alive & Well", "Theme From Together Brothers", "Do Drop In", and "Here Comes The Man". (Soul, Soundtracks) CD

The lovely and late Edie Sedgwick is the cover draw on the record and movie – but the music within is maybe an even more interesting blend of sounds, and very different than what you might expect to come from the famous star of Andy Warhol's Factory scene! Some of the music here is by Gino Piserchio – and is spare, electronic material – of the creepy style that you'd hear in underground films of the time, but sometimes almost given a Brian Eno sort of tunefulness too. Other tracks are vocal numbers, and have a rootsy rock vibe that seems much more west coast than New York – which makes a nice contrast. There's even a few spoken passages that feature Edie's voice from the film – which balances things out in a great way. Titles include "Angel Shock", "Driving Verdeccio", "Revolution Of Youth", and "Night Riders" by Gino Piserchio – plus "I Can't Make It Anymore" by Richie Havens, "Citizen Kane" by Skip Battin & Kim Fowley, "To Give All Your Love Away" by Richie Havens, "Malibu People" by John Phillips, "Justice" by Kim Milford, and "Shouldn't All The World Be Dancing" by Richie Havens. CD

That's Miles Davis and Jeanne Moreau on the cover – and image is a perfect summation of what makes this period in film music so unique! The set brings together music from the French new wave of the late 50s and early 60s – a time when revolutionary directors were putting fresh new images on screen, and also turning to lots of new ideas for their music, too – using jazz musicians like Miles to create some of their soundtracks, and also moving past some of the more overblown orchestral styles that had dominated most of the world of film scores during the postwar years. Much of the work used by these directors was in a style that was closer to the people, and more fitting for the sorts of themes in the films – and this 3CD collection features a wonderful array of different modes from the period. Many films are included here with a few selections from their famous soundtracks – and the 3CD package includes work from Tires Sur Le Pianiste (Shoot The Piano Player) by Georges Delerue, A Bout De Souffle (Breathless) by Marial Solal, L'Eau A La Bouche by Serge Gainsbourg, A Double Tour by Paul Misraki, Les Liaisons Dangereuxes by Art Blakey with Barney Wilen, La Tete Contre Les Murs by Maurice Jarre, Le Bel Age by Georges Delerue, Les Bonnes Femmes by Paul Misraki, Jules Et Jim by Georges Delerue, Lola by Michel Legrand, Les 400 Coups (400 Blows) by Jean Constantin, Une Femme Est Une Femme by Michel Legrand, Zazi Dans Le Metro by Fiorenzo Carpi, Ascenseur Pour L'Echafaud by Miles Davis, and Cleo De 5 A 7 by Michel Legrand. CD