Sure it's a soundtrack, and sure it's got a number of songs that are just instrumentals from the film – but the record also features some excellent late Beatles tracks that can only be found here – including the killer tracks "Hey Bulldog" (almost a funky nugget), "Only A Northern Song", and "All Together Now". Also includes "Yellow Submarine" (natch) – plus "It's All Too Much" and "All You Need Is Love" – and side two features a number of groovy instrumentals from George Martin – including "Pepperland", "Sea Of Holes", "March Of The Meanies", and "Pepperland Laid Waste". (Rock, Soundtracks) LP, Vinyl record album

Sure it's a soundtrack, and sure it's got a number of songs that are just instrumentals from the film – but the record also features some excellent late Beatles tracks that can only be found here – including the killer tracks "Hey Bulldog" (almost a funky nugget), "Only A Northern Song", and "All Together Now". Also includes "Yellow Submarine" (natch) – plus "It's All Too Much" and "All You Need Is Love" – and side two features a number of groovy instrumentals from George Martin – including "Pepperland", "Sea Of Holes", "March Of The Meanies", and "Pepperland Laid Waste". (Rock, Soundtracks) CD

(French, Soundtracks) LP, Vinyl record album

Groovy soundtrack for this 60's international intrique film starring a young Horst Bucholz. Georges Garvarentz wrote and directed the music, with the sort of flair that he brings to the best of projects like these. The stuff's not as funky as his 70's stuff, but it's got a lot of nice moments, with good spy and crime themes to them. Tracks include "Fight At The Turkish Bath", "Bulldozer Leads The Dance", "Surprise Depot", "Man With The Steel Hand", and "Chase On The Calatma Bridge". LP, Vinyl record album

One of the grooviest soundtracks ever – an insane treat throughout! The music is very different than anything that George Garvarentz ever did before – and maybe since – as he brings together all sorts of cool jazz, funk, and psychedelic elements with effortless ease – then throws in a bit of the sort of sweetness that you'd find in more familiar Italian and French soundtracks of the time! George will be forever known to groove hounds everywhere for his landmark psych-funk track "Haschisch Party" – one of the gems on this album, and a cut that's got all this great mad sitar alongside really romping percussion– laid out nicely next to to the sweeping easy feel of "Le Mariage De Nathalie", the slinking sex of "Un Bonheur Malheureux", and the vocalizing of "Stay" and "My Way Of Loving You", both wonderful pop numbers with a sublime late 60s feel, and both sung in English! CD

The first-ever issue of music from a short UK film of the 70s – nicely trippy sounds from very familiar instruments! The cool 10" album brings together all the music for the short documentary as one piece – nicely drifting sounds created by a combo that features Julian Furniss on guitar, Geoff Jolliffe on bass, Mick Kirby on drums, and Steve Jolliffe himself on keyboards, flute, and saxophones! Given the instrumentation, you might expect jazz – but the results are a lot more unique, and perfect for the offbeat nature of the film. LP, Vinyl record album

Great stuff! This is the "alternate" version of Michel Legrand's great score to Les Demoiselles De Rochefort – and it's totally great all the way through! The whole thing's nice and jazzy, totally swinging, and has a groove that you don't get in some of Legrand's other work. We've been listening to this for years, and it's never dulled on us. Very groovy, very Frenchy, and very tough to find. Titles include "Chanson De Simon", "Les Rencontres", "Toujours Jamais", "De Dephine A Lancien", "Nous Voyageons De Ville en Ville", and "Marins, Amis, Amants, Ou Maris". LP, Vinyl record album

A gorgeous second volume to this amazing set – every bit as career-spanning as the first edition, but with a nicely different focus! This time around, the set has some especially rare material for fans of the Italian soundtrack genius – including a full CD of rare TV soundtracks scored by Ennio Morricone – plus additional themed CDs that include one disc of Vocal Songs and Covers, one of Lost Horizons, one of Unique Collaborations, and other CDs titled Comedy, Faces Of Italian Cinema, French Cinema, American Cinema, War Stories, and International productions! The package is stunning too – a book-style hardcover set, with 48 pages of notes and interviews! There's a massive 310 tracks on the 14 CDs – and the set mixes classics with rare material and some previously unreleased tracks – further testament to the endless depths of the soundtrack genius of Ennio Morricone. CD

A great combination of two French soundtracks – Flic Ou Voyage and Le Guignolo – both written by Philippe Sarde for films directed by Georges Lautner and starring Jean-Paul Belmondo, and both featuring jazz-based groups led by Nat Peck. Players on the set include Hubert Laws, Chet Baker, Ron Carter, Maurice Vander, and Toots Thielmans – and the tracks on both sets is a mix of sombre scoring and freer jazz numbers. Tracks include "Stan", "Ou Voyou", "Variation Voyou", "Pour Chet", "Pour Toots", "Venise", "Pour Jean Paul", and "Bibou Blues". CD

Lots of Penderecki compositions – including his great "Cannon For Orchestra & Tape" – plus George Crumb's "Night Of The Electric Instruments", the great "Beginnings" from the Wind Harp record, and Mike Oldfield's "Tubular Bells" – the haunting theme of the film! LP, Vinyl record album

That's Miles Davis and Jeanne Moreau on the cover – and image is a perfect summation of what makes this period in film music so unique! The set brings together music from the French new wave of the late 50s and early 60s – a time when revolutionary directors were putting fresh new images on screen, and also turning to lots of new ideas for their music, too – using jazz musicians like Miles to create some of their soundtracks, and also moving past some of the more overblown orchestral styles that had dominated most of the world of film scores during the postwar years. Much of the work used by these directors was in a style that was closer to the people, and more fitting for the sorts of themes in the films – and this 3CD collection features a wonderful array of different modes from the period. Many films are included here with a few selections from their famous soundtracks – and the 3CD package includes work from Tires Sur Le Pianiste (Shoot The Piano Player) by Georges Delerue, A Bout De Souffle (Breathless) by Marial Solal, L'Eau A La Bouche by Serge Gainsbourg, A Double Tour by Paul Misraki, Les Liaisons Dangereuxes by Art Blakey with Barney Wilen, La Tete Contre Les Murs by Maurice Jarre, Le Bel Age by Georges Delerue, Les Bonnes Femmes by Paul Misraki, Jules Et Jim by Georges Delerue, Lola by Michel Legrand, Les 400 Coups (400 Blows) by Jean Constantin, Une Femme Est Une Femme by Michel Legrand, Zazi Dans Le Metro by Fiorenzo Carpi, Ascenseur Pour L'Echafaud by Miles Davis, and Cleo De 5 A 7 by Michel Legrand. CD