Beautiful music from Chicago, set to another Chicago-themed project – a film based around the Roy stories of writer Barry Gifford! Yet that literary reference aside, the music here has fantastic merits of its own, even if you've never read Gifford at all – a very different, more compositional side of the spectrum from vibist Jason Adasiewicz, yet still music that has a loose small combo vibe as well – serve dup by a cool quintet that features Jonathan Doyle on saxes, Josh Berman on cornet, Joshua Abrams on bass, and Hamid Drake on drums! There's a mix of new tones and modern ideas that take us back to that late 50s time on the Chicago scene when Sun Ra's Arkestra was still in town – and the tunes penned by Adasiewicz are not only superb, but a perfect showcase for his incredible tones on vibes. Doyle is a real revelation too – a player we don't know well at all at this point, but whose sense of timing and presence really makes the whole record sparkle – as does the work of the rest of the better-known players in the group. Titles include "Ballad For Kitty", "River Blindness", "Walkin To Clinton", "Rudy's Basement", "Sand", and "Blue People". (Jazz, Soundtracks) LP, Vinyl record album

One of Elmer Bernstein's best soundtracks of the 60s – written for this film set in the brothels of New Orleans in the 30s, with a mix of jazz and dramatic themes. The best cuts are the jazz-based ones – tunes that come across with more of a 60s groove than you'd expect, given the setting of the film, and which are played by a small combo. Other tracks are more serious – and titles include "Juke For Teresina", "Exit Kitty", "Hallie's Jazz", "Iron Rings", "Doll House", and "Walk On The Wild Side". LP, Vinyl record album