Oscar Brown's score for a hip play that he wrote (one of his many plays!) – performed by him, Sivuca, and Jean Pace. Despite the "show" quality of the material, this actually stands simply as a great Oscar Brown Jr. LP, and the production is nice and intimate, and sounds just like an ordinary studio album. Sivuca's great, and his breathy voice and playing really open up Oscar Brown with some great Brazilian touches. And as usual, the writing's great, especially on tracks like "Brown Baby", "Mother Africa's Day", "Funky World", and the great version of "Afro Blue", featuring Oscar's classic lyrics. Also features a wonderful version of Johnny Alf's "Sky & Sea" – done by Sivuca with an incredible lilting groove! (Vocalists, Soundtracks) LP, Vinyl record album

... CD

Hmmm...we've never heard of the film, but this "soundtrack" is actually a nice Ronco compilation with a lot of groovy 70's soul cuts by both American and UK artists. Titles include "Girls" by The Moments & Whatnauts, "Dance With Me" by The Real Thing, "Living On the Dole" by The Cimarons, "Lonely I" by Lee Vanderbilt, "Darlin Darlin Baby" by The O'Jays, "Don't Leave Me This Way" by Harold Melvin & The Blue Notes, and "When Will I See You Again" by the Three Degrees. (Soul, Soundtracks) LP, Vinyl record album

Includes themes by John Barry, plus selections by Buddy Holly, Dion & The Belmonts, Nicolas Cage with Pride & Joy (!), and Marshall Crenshaw Band. LP, Vinyl record album

One of the funkiest blacksploitation soundtracks of the 70s – a rare indie gem from Nat Dove & The Devils! Dove's got a style that's a lot rougher and rootsier than other soundtrack artists of the 70s – an approach that's more based in the modes of the indie funk underground of the time, and less in the more polished studio funk you'd find on bigger film releases. The grit in the grooves is wonderfully welcome here – and it's a quality that really sets this one apart from the pack, and keeps it in heavy rotation over the years! Most of the tracks on here are instrumentals, and a few of the cuts have vocals by Mary Love – and titles include "Joy", "Petey Wheatstraw", "Steve's Den", Junkie Chase", "Zombie March", "Ghetto Street USA", and "Loving You". (Soul, Soundtracks) CD

One of the funkiest blacksploitation soundtracks of the 70s – a rare indie gem from Nat Dove & The Devils! Dove's got a style that's a lot rougher and rootsier than other soundtrack artists of the 70s – an approach that's more based in the modes of the indie funk underground of the time, and less in the more polished studio funk you'd find on bigger film releases. The grit in the grooves is wonderfully welcome here – and it's a quality that really sets this one apart from the pack, and keeps it in heavy rotation over the years! Most of the tracks on here are instrumentals, and a few of the cuts have vocals by Mary Love – and titles include "Joy", "Petey Wheatstraw", "Steve's Den", Junkie Chase", "Zombie March", "Ghetto Street USA", and "Loving You". (Soul, Soundtracks) CD

A late entry in the Black Emanuelle series starring Laura Gemser and featuring music by Nico Fidenco – La Via Della Prostituzione – featuring a mix of sulty Fidenco sounds and more funky and disco oriented grooves! Much of the material here has never been released before this great CD from Beat Records – and it's full of funky 70s dancefloor styled sounds with spacier touches, clapping rhythms and evocative wordless vocals. Great stuff – benchmark late 70s erotic soundtrack grooves after the international dancefloor sounds seeped into the style! Titles include "Run Cheetah Run", "A Modern Reportage", "Performing Joy", "Red Room", "Lady Surprise", "Reporter In Action", "Strange Hospital", "Lady Fighting", "Too Much AgaiN" and more. CD

One of the greatest Henry Mancini soundtracks of the 60s – and a record that showed the world that he could do a lot more than just crime jazz and groovy tunes! The title track is a well-known gem from the Mancini songbook – perfect for the bittersweet, melancholy of the film – and a great start for Mancini's music – which first shows some of the joy of the couple in the narrative, then moves into much bluer, deeper territory. There's an undercurrent of sadness that haunts even the more sprightly numbers – and some of the best instrumentation is handled by west coast jazzmen who include Pete Candoli and Don Fagerquist on trumpet, Harry Klee and Ted Nash on reeds, Bob Bain on guitar, and Larry Bunker on percussion. The music was never properly issued on record at the time – and this CD features very detailed notes, lots of images, and 27 tracks that include "Cocktail Hour", "No Guts", "A Sad Pop", "I Want To Go Home", "Man Meets Girl", and "Hi Fi". CD