Light In The Attic -- Soundtracks — All (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Soundtracks — All

XFilm noir to new wave, Italian film scores, cop movies, crime jazz, blacksploitation funk, spaghetti westerns, and more!

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✨✧ VariousCiao! Manhattan ... CD
Cinewax/Light In The Attic, 1973. Used ... Temporarily Out Of Stock
The lovely and late Edie Sedgwick is the cover draw on the record and movie – but the music within is maybe an even more interesting blend of sounds, and very different than what you might expect to come from the famous star of Andy Warhol's Factory scene! Some of the music here is by Gino Piserchio – and is spare, electronic material – of the creepy style that you'd hear in underground films of the time, but sometimes almost given a Brian Eno sort of tunefulness too. Other tracks are vocal numbers, and have a rootsy rock vibe that seems much more west coast than New York – which makes a nice contrast. There's even a few spoken passages that feature Edie's voice from the film – which balances things out in a great way. Titles include "Angel Shock", "Driving Verdeccio", "Revolution Of Youth", and "Night Riders" by Gino Piserchio – plus "I Can't Make It Anymore" by Richie Havens, "Citizen Kane" by Skip Battin & Kim Fowley, "To Give All Your Love Away" by Richie Havens, "Malibu People" by John Phillips, "Justice" by Kim Milford, and "Shouldn't All The World Be Dancing" by Richie Havens. CD
 
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CD, LP, Vinyl record album cover art
✨✧ Piero UmilianiL'Uomo Elettronico – Cosmic Electronic Environments From An Italian Synth Music Maestro 1972 to 1983 ... LP
Four Flies (Italy), 1970s/Early 80s. New Copy 2LP Gatefold ... Out Of Stock
Weird and wonderful sounds from a very electric man – the mighty Piero Umiliani, an Italian composer who first rose to fame for a set of groundbreaking film scores in the 60s – then moved into even more experimental sound library work in the following decade! This set has Piero working in all sorts of cool electronic styles – never too outside or avant, but definitely in the darker side of his spectrum – although almost always with that playful sense of a tune that made his 60s music such a delight! The range of instruments varies – Umiliani clearly had a studio that was full of brand-new, top-shelf technologies – and titles are mostly from the mid 70s, with a few later cuts from 1983. Tunes include "Danza Magica", "Soundmaker Blues", "Fruitori", "Batticuore", "Sinistro Carillon", "Dolomiti", "Apocolaisse Atomica", "Description", "Lavorazione A Mare", and "Elettrone". (Sound Library, Soundtracks) LP, Vinyl record album
 
 
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