One of the first albums ever made by Bruce Haack – the mad musician who's best known for his electronic work, but who also left behind a huge legacy of self-produced work for children! This album was done in collaboration with Miss Nelson – Esther Nelson, a dance instructor who worked heavily with kids – and it's got a naive, post-beat sort of feel that predates Haack's later hippie work, but which is equally charming. There's some very primitive electronic work on the record, next to odd instrumentation, and some very weird vocals from both Nelson and Haack – aimed at the kids who were the supposed audience for this one, but which make the whole thing sound more like an Ernie Kovacs episode gone mad! Definitely songs in the key of z – with tracks that include "Clap Your Hands", "Sunflowers", "Sailing", "A Stuffy Story", "Pussycats", "Trains", and "My Bones". CD

An underground funky gem – one that never made it past the collections of the elite sound library audience in the 70s – but which is well deserving of global acclaim! Yan Tregger works here in this style that's every bit as funky as his contemporaries on bigger library labels, but which also shows a strong love of club music too – not straight disco, at least not in any sort of "easy" way – but a real ear for just the right sort of basslines, keyboard parts, and uptempo rhythms to keep things moving throughout! Given the all-instrumental approach, think of this set as a jazzy take on clubby grooves – or maybe an instrumental funk record for the clubs – with great cuts that include "The Girl In The Gold", "Dawn & Darkness", "Friend Island", "The Last Girl", "Haunting Refrain", "Girls Will Be Girls", and "The Way Of All Flesh". CD

One of the coolest, moogiest records we've ever heard from Mort Garson – and that's saying a lot, given that the man gave us the Wozzard Of Iz and a host of moog-based astrological records too! The album's billed as "mood music especially composed to aid the growing of your plants" – and while we doubt that claim, it's more than groovy enough without any herbaceous activity at hand – these cool keyboard lines that are often sweetly tuneful, but nicely tripped-out too – played by one of the best cats to really grab hold of the moog right at the start of its great musical run! Titles include "A Mellow Mood For Maidenhair", "You Don't Have To Walk A Begonia", "Concerto For Philodendron & Pothos", "Ode To An African Violet", and "Plantasia". CD

One of the coolest, moogiest records we've ever heard from Mort Garson – and that's saying a lot, given that the man gave us the Wozzard Of Iz and a host of moog-based astrological records too! The album's billed as "mood music especially composed to aid the growing of your plants" – and while we doubt that claim, it's more than groovy enough without any herbaceous activity at hand – these cool keyboard lines that are often sweetly tuneful, but nicely tripped-out too – played by one of the best cats to really grab hold of the moog right at the start of its great musical run! Titles include "A Mellow Mood For Maidenhair", "You Don't Have To Walk A Begonia", "Concerto For Philodendron & Pothos", "Ode To An African Violet", and "Plantasia". LP, Vinyl record album

One of the coolest, moogiest records we've ever heard from Mort Garson – and that's saying a lot, given that the man gave us the Wozzard Of Iz and a host of moog-based astrological records too! The album's billed as "mood music especially composed to aid the growing of your plants" – and while we doubt that claim, it's more than groovy enough without any herbaceous activity at hand – these cool keyboard lines that are often sweetly tuneful, but nicely tripped-out too – played by one of the best cats to really grab hold of the moog right at the start of its great musical run! Titles include "A Mellow Mood For Maidenhair", "You Don't Have To Walk A Begonia", "Concerto For Philodendron & Pothos", "Ode To An African Violet", and "Plantasia". LP, Vinyl record album

An underground funky gem – one that never made it past the collections of the elite sound library audience in the 70s – but which is well deserving of global acclaim! Yan Tregger works here in this style that's every bit as funky as his contemporaries on bigger library labels, but which also shows a strong love of club music too – not straight disco, at least not in any sort of "easy" way – but a real ear for just the right sort of basslines, keyboard parts, and uptempo rhythms to keep things moving throughout! Given the all-instrumental approach, think of this set as a jazzy take on clubby grooves – or maybe an instrumental funk record for the clubs – with great cuts that include "The Girl In The Gold", "Dawn & Darkness", "Friend Island", "The Last Girl", "Haunting Refrain", "Girls Will Be Girls", and "The Way Of All Flesh". LP, Vinyl record album