Beautiful and underappreciated 70s soul from Ted Taylor from his stint with Ronn Records – great series of singles and slew of excellent unissued tracks! Ted was a huge talent with a soaring voice, better remembered for his earlier work at Okeh, but still in incredible form and served well by the 70s style southern soul sound! It includes some early 70s singles that would have sounded at home on Hi Records, some mid 70s duets with Little Johnny Taylor, and a treasure trove of newly unearthed numbers. Titles include4 "Farewell", "Call The House Doctor", "Sweet Lovin' Pair", "A Lick And A Promise", "Why Do I Have To Suffer", "Got To Have A Woman", "She's Got A Munchy Tunchy" "Cry It Out Baby", "Funky Ghetto" and more with Little Johnny Taylor, "Cummins Prison Farm", "Let Me Fix Up Your Feelings" and more. 24 tracks in all. CD

A soaring batch of disco gems, club cuts, and undiscovered nuggets – all pulled together to make a set that's even better than the first entry in this Disco Wonderland series! DJ Andy Smith and associates bring together a great array of fresh tracks from back in the day – not massive disco hits, but also not the kind of rare gems that maybe never made the cut for a good reason – and instead, the tracks here work together perfectly, and even get a few special mixes along the way by Smith and the crew, which includes a few contemporary cuts that fit perfectly next to the vintage material. Titles include "Get Up & Dance (Bad Bikini re-edit)" by Disco Circus, "You're The Best" by The Emotions, "Heaven" by The Gibson Brothers, "Dreamin" by Greg Henderson, "You Don't Know (Crissy Kybosh rmx)" by Serious Intention, "For The Love Of Money" by Armada Orchestra, "You & I" by Ronnie Jones, "Sweet Dynamite" by Claudja Barry, "Dance Freak" by Chain Reaction, "Night Of My Life" by Full Intention & Nick Reach Up with Jazz Morley, "I'm In Love" by Cela, "Love Don't Come Easy" by New Jersey Connection, "Lost Without You (Andy Smith re-edit)" by Will Sessions & Amp Fiddler, and "Ghetto Disco" by Ted Taylor. 2CD version features one CD of the songs mix, another unmixed! (Funky Compilations, Soul) CD

A huge package of work from a time when the Jewel/Paula label was a strong force in underground soul – an imprint whose home base was down in Louisiana, but who also had a reach that went up to the Windy City as well! The material here is on the deeper side of the spectrum – some New Orleans modes mixed with other southern soul styles – often recorded with nicely earthy production that really makes the singers come across at their best! Titles include "I Can't Stand To See You Go" by Joe Valentine, "Messed Around & Fell In Love" by Ricky Allen, "Nothing Takes The Place Of You" by Toussaint McCall, "What Is Love" by Jimmy Dobbins, "Cover Me" by Ted Taylor, I Want Everyone To Know" by Fontella Bass, "My Baby's Gone" by Wallace Brothers, "You've Got Me Tamed" by Clay Hammond, "Loosen These Pains & Let Me Go" by Albert Washington, "We Got A Good Thing Going" by Roscoe Robinson, and "Sweet Little Woman" by McKindley Sandifer. CD

A treasure trove of wonderful tunes – all written by the legendary southern soul team of Dan Penn and Spooner Oldham! The pair rarely entered the spotlight themselves, but contributed countless compositions that helped forge the sound of southern soul in the 60s – classic tunes that made the music of Memphis and Muscle Shoals even more mighty than anyone might have expected – thanks to a depth of feeling, sensitivity of emotion, and a trademark undercurrent of sadness that really helped the music set a new level at the time! This collection is the first to really do justice to the full range of the Penn/Oldham catalog – a beautiful batch of soul singles from a variety of different 60s labels – laid out back to back, in a breathtaking tapestry of soulful music. Titles include "Feed The Flame" by Ted Taylor, "Take Me" by Solomon Burke, "I'm Your Puppet" by Dionne Warwick, "Out Of Left Field" by Percy Sledge, "Cry Like A Baby" by Arthur Alexander, "It Tears Me Up" by Jeanne Newman, "I Met Her In Church" by Tony Borders, "I Need Someone" by The Wallace Brothers, "In The Same Old Way" by Arthur Conley, "Let It Happen" by James Carr, "Are You Never Coming Home" by Sandy Posey, and "I Worship The Ground You Walk On" by Etta James. CD

Four fantastic albums from Bobby Bland – all brought together in a single package for the first time! First up is Come Fly With Me – great work from Bobby Blue Bland – one of the few artists to rise up at the end of the 50s, and still find a way to chart their own path forward in soul with fresh material like this! Bobby's voice is still incredible here, and he works with production from Al Bell and Monk Higgins, the latter of whom arranged – in this cool style that's a bit like some of the territory that Tyrone Davis was taking on at Columbia Records during the second half of the 70s – fuller arrangements that bring some sophisticated soul touches to the music, but in ways that never lose the core of Bobby's genius! Titles include "Lady Lonely", "Night Games", "You Can Count On Me", "Love To See You Smile", "Come Fly With Me", and "To Be Friends". The next album is I Feel Good I Feel Fine – and Bobby Bland sounds pretty good too – thanks to arrangements from the great Monk Higgins, who does a perfect job of mixing Bland's trademark vocals with some sweet late 70s arrangements! The sound is upbeat, but never in a cliched disco mode – more in the territory that you'd hear Johnnie Taylor using over at Columbia Records – maybe a good comparison, given the Memphis roots that both artists shared – as both also evolved a lot to shift their sound with the changing modes of the time. And as with Johnnie, Bobby never loses the core that makes him great – as you'll hear on titles that include "Tit For Tat", "Soon As The Weather Breaks", "In His Eyes", "Someone To Belong To", "I Feel Good I Feel Fine", and "Little Mama". Sweet Vibrations is a real gem from the start of the 80s – arranged by Monk Higgins, who co-produced the set with Al Bell – a duo who'd already given Bobby some great records before, but who really knock it out of the park with this one. There's an extra-special quality going on here – maybe a slight reintroduction of blues roots, but still with a very contemporary spirit – set up to superb backings throughout. Titles include "Soul With A Flavor", "Hollywood Woman", "You'd Be A Millionaire", "Sweet Vibrator", "Special Kind Of Fool", and "A Real Woman Is What It Takes". Try Me I'm Real is record with a title that certainly fits the bill – as the amazing voice of Bobby Bland is as real here as it ever was, and blended with superbly soulful backings that take the singer's sound forward for a whole new generation! Some of Bobby's contemporaries were content to just stick in a straight blues mode – but Bland really grew and developed a lot as an artist, thanks in part to Monk Higgins and Al Bell – who are both at the production helm of the record, and balance the bluesy roots of Bobby with some richer soul backings that really knock the whole thing out of the park! We love Bobby Blue Bland during his early Duke Records years – but we love him equally as much for music like this, on titles that include "But I Do", "What A Difference A Day Makes", "Givin Up The Streets For Love", "A Song For You My Son", "Just You Just Me", and "Love Is Where It's At". (Blues, Soul) CD

Not really blues, but not really soul either – a wonderful mix of modes that's come to be known as the popcorn sound of the early 60s! The style's hardly "pop" at all – and instead, these tunes are plenty gritty throughout – more like numbers you'd hear blasting out of a backroom jukebox, or on the decks of some deep soul DJ dedicated to serving up a rough-edged groove! Lots of these numbers might be called post-R&B – as they still have some of the styles of the 50s, mixed with the tighter punch of the newborn soul sound – and the set's a wonderful illustration of this magical moment in music, finally getting some credit after all these years. CD features loads of tracks we'd never heard before – and titles include "Don't Knock It" by Sinner Strong, "You Lied" by Marva Josie, "Mr Lonely" by Freddie North, "When You See Me Hurt" by Carl Lester & The Show Stoppers, "Well I Done Got Over It" by Bobby Mitchell, "I'm Comin Home" by Bobby John, "I Ain't Talkin" by Pat Hunt, "This Little Lester" by James Wayne, "Why Oh Why" by Austin Taylor, "Rockin Bed" by Valerie Carr, and "I'm Hurted" by Mamie Perry. CD

Southern soul galore – a wonderful range of tracks that are done in that best deep soul mode that borrowed heavily from country music – but also really transformed things to fit their own righteous needs! Make no mistake, the collection is all soul music all the way through – but the songs also echo some of the more heartbreaking themes and local needs you'd find in country music – and also use some isolated elements in the instrumentation and production too! The best way to think of the package is as a collection of southern soul, but one that shows a surprising lack of color barrier when it comes to musical styles – and as always with Ace/Kent, the notes and overall conception of the whole thing is really wonderful. 24 tracks in all – including "Easy Loving" by Bo Kirkland & Ruth Davis, "Big Blue Diamonds" by Little Johnny Taylor, "I Hang My Head & Cry" by Arthur Alexander, "True Love Travels On A Gravel Road" by Percy Sledge, "Touch Your Woman" by Margie Joseph, "Who Will The Next Fool Be" by Bobby Bland, "Stand By Your Man" by The Mirettes, "Till I Get It Right" by Bettye Swann, "Another Man's Woman Another Woman's Man" by Laura Lee, and "Jambalaya" by Ralph Soul Jackson. CD

Excellent early work by Zulema – high-minded and righteous soul, with a really expansive sound that's in keeping with the best on Sussex at the time! The arrangements are nicely complicated – arranged by Bobby Taylor and Gene Page with a good blend of funk, righteous soul, and some heavier themes – and even Zulema herself throws in some "special arrangements" for a few tracks. The tunes are mostly originals, sung in a heartfelt and rich style – and titles include "Giving Up", "Tree", "I Was There", "I'm Watching You", "Love Train", "You Changed On Me", and "Telling The World Good Bye". CD

A really heady dip into the mighty large catalog of P&P Records – a small family of New York labels in the late 70s/early 80s, and a powerhouse of production who were cutting grooves that were years ahead of their time! P&P was one of those companies that always seemed to get more attention overseas than on our shores – and that legacy is supported here with a superb track list from DJ Kenta – who brings together 19 gems from the label's far-ranging roster, in a cool blend of funky club tracks that even include a few of his own original edits! Titles include "Dance Freak" by Chain Reaction, "African Rock" by Licky, "Roller Rink Funk" by Shift, "Stomp Your Feet & Dance" by Kim Taylor, "Out Of Work (voc)" by Jesse Gould, "Turn Up Your Radio" by Kessler, "I Did It Again" by Jesse Henderson, "Spring Rain" by The Destiny Orchestra, "Feel The Spirit (long disco version)" by Foster Jackson Group, "Dance Dance Dance (disco version)" by Marta Acuna, and "Super Jay Love Theme" by Super J. (Funky Compilations, Soul) CD

Pure gold from the second chapter of Stax Records – that wonderful time when the label parted company from Atlantic Records, and started making even more righteous music than before! And although many of these numbers had some sort of chart presence – hence the "gold" in the title – they still pack a punch that holds up wonderfully all these many years later, that trademark blend of deep soul and funky touches that Stax really perfected at the time. Titles include "Soul Limbo" by Booker T & The MGs, "Private Number" by Judy Clay & William Bell, "Respect Yourself" by The Staple Singers, "Son Of Shaft" by The Bar Kays, "I'll Take You There" by The Staple Singers, "Starting All Over Again" by Mel & Tim, "I'll Be The Other Woman" by The Soul Children, "Woman To Woman" by Shirley Brown, "Theme From Shaft" by Isaac Hayes, "Do The Push & Pull (part 1)" by Rufus Thomas, and "Who's Making Love" by Johnnie Taylor. (Funky Compilations, Soul) CD

A huge collection of work from the second chapter in the career of long-running New Orleans soul singer Johnny Adams – work after his initial rise to fame on the SSS International label, from a time when he was working with producer Senator Jones, in a groove that nicely updated an older deep soul style! In later years, Adams would emerge as a more traditional artist, but here he's doing a great job of working with larger charts alongside his well-crafted vocals – in a style that's not unlike that used by Johnnie Taylor and Tyrone Davis in the late 70s too – a more sophisticated take on southern soul, and one that seems to push some of Adams' vocals even more than before! Most of the work was recorded at the Seasaint studios in the late 70s – and titles include "Nothing Takes The Place Of You", "After All The Good Is Gone", "Feel The Beat", "Chasing Rainbows", "It's Been So Long", "Think About You", "Your Love Is All I Need", "Baby Baby I Love You", "She's Only A Baby Herself", "Stay With Me & Stay In Love", "I Don't Want To Cry", and "Memories". 2CD set features 30 tracks in all – including the live cuts "Lost Mind", "Road Block", and "I Cover The Waterfront". CD

Boogie, electro, and 80s groove – all sorted out nicely in this killer collection of ultra-rare cuts! As with previous volumes, this edition of Nighttime Lovers shows a side of the 80s that hardly got any play at the time – the more underground work by lesser-known artists, much of which was issued on the bigger labels, but failed to crack the charts! You'll recognize a few familiar names here, but even those are represented by under-discovered corners of their work – and in true early 80s spirit, most tracks here are heavy on beats and keyboards – yet still leave plenty of room for real soul vocals. Titles include "So Delicious" by Point 3 FM, "What Am I Gonna Do" by Streetlife, "Never Gonna Give You Up (12" version)" by Gwendolyn Lassic, "Make It Easy" by Cross-Phyre with Demetrius, "You're My Doll Baby" by Norfolk, "Special Part Of Me (12" version)" by Charles Blackman, "The Same For Me" by California Executives with Ronald Dudley, "Magic Touch" by Gang's Back, "Love I Thought I Never Would Find Love" by James Govan, "Seconds Of Your Love" by Johnny Taylor, and "I Got My Game Plan Working Baby" by Arlene Bailey. (Funky Compilations, Soul) CD

Fantastic work from Abiodun Oyewole – best known as one of the founding members of the legendary Last Poets – but a singer who works here with a contemporary crispness that goes way beyond his roots! The message in Abiodun's older recordings is still alive and well here – in part because the challenges continue, making his themes more important now than ever – updated with elements taken from 21st century soul, jazz, and even a bit of hip hop on the production tip – with contributions from other artists who include Ada De Poet, J Ivy, Jessica Care Moore, and Taylor Pace. Yet it's clear that Abiodun is the star at the center of the constellation – really sounding as important here as ever, at a level that maybe makes this record so much more crucial than some of the Last Poets revival projects of years past. Titles include "Brooklyn", "Harlem", "My Life", "Spirit", "Right Here Waiting", "What I Want To See", and "To Begin". CD

Really great work from the Kent/Modern family of labels on the LA scene of the 60s – a company that initially broke big during the postwar years of R&B, but continued to record a huge amount of wonderful artists as the years went on! Because of their ties to R&B in the previous decade, Kent also had a great ear for the deeper side of soul music – so there's plenty of tracks on this set that may well have come from Memphis, Muscle Shoals, or other points south – mixed in with others that have a cool Cali vibe, including a few great early funk tracks, and some crossover gospel gems! The collection is the sort that Ace does the best – and is filled with rare singles, unreleased tracks, and other gems – all supported by very detailed notes. Titles include "At Last" by Jimmy bee, "Where She Att" by ZZ Hill, "Like I Do" by Bobby John, "Don't Believe Him" by Stacy Johnson, "Mighty Clouds Of Joy" by BPS Revolution, "Nobody But Me" by The Other Brothers, "Ghetto Child" by Johnny Copeland & His Soul Agents, "What Is This World Coming To" by Charles Taylor, "Jodine" by Earl Foster, "It's Getting Late" by Al King, "Whole World Down On You" by Larry Davis, "The Good Side Of My Girl" by Clay Hammond, "I'll Be Standing By" by Chuck Walker & The VIPs, "You're Still My Baby" by Venetta Fields, and "Rock Me Baby" by Millie Foster. CD

A great entry in one of our favorite series for rare soul tracks these days – a really special sort of collection that brings together tracks with a vibe that's very much all its own! The set definitely serves up the "real side" that it promises in the title – tunes that aren't showy or full of fuss – and instead, these easygoing soul tracks that hit their mark, right from the start – then go long with tremendous staying power, and a sense of warmth that has us returning to the set again and again for repeated listenings! The choice of cuts is sublime – a few familiar numbers mixed with overlooked tracks from artists we know, but haven't heard from in this way before – served up on 20 tracks that include "Never Set Me Free" by Continental Showstoppers, "I'm Coming Home" by Gerald Taylor, "I Can Remember" by The Whispers, "I'd Believe Him" by Deniece Chandler, "What Does It Take" by The Electrifying Cashmeres, "If You Decide" by Bull & The Matadors, "Try Something New" by Eddie Billups, "When" by Joe Simon, "Lover Come Back" by Jackey Beavers, "Nobody But You" by Willie Hightower, "I Hate Hate" by Razzy Bailey, "Why Don't You Write" by Lee Bates, "Grooving With My Thing" by The DeVons, and "Smooth Sailing" by Three Shades Of Soul. (Funky Compilations, Soul) CD

There have been lots of Lowrider soul compilations on the market over the years – documenting the great of of mellow cuts on the LA scene of the 60s – particularly the kind that could move slow, but with a heavy groove at the bottom – perfect for chilling out in the back of a car on an endless summer night! Yet few have ever done the job as well as this collection – because in the hands of Ace/Kent Records, the music finally gets proper historical context – moved past the jargon of the East LA in crowd, and presented with great sound, and the kind of detailed notes that really get at the special qualities that made the west coast soul scene so different than the east in the 60s! The set list is superb – fantastic mellow soul tracks that are perfect, even if you don't care about this history – and titles include "It's Not That Easy" by Reuben Bell with The Casanovas, "I Really Love You" by The Ambassadors, "As I Sit Here" by The Whispers, "One More Chance" by The Four Tees, "Take A Step" by Aesop's Fables, "Why'd You Put Me On" by Bobbi Row & The Englishmen, "I Wanna Chance" by The Vows, "Second Hand Happiness" by Jimmy Conwell, "Be Kind To Love" by The Interpreters, "As Long As I've Got You" by The Charmels, "Don't Forget About Me Baby" by Jeff Dale, "I'm A Lonely Man" by Bobby Burn, "Crying All By Myself" by William Bell, "I'm Just Passing Time" by Melvin Hicks & The Versatiles, "When You're Poor" by The Lovers, "It's So Hard To Break A Habit" by The Webs, "Find Me" by The Attractions, "Never Gonna Let Him Know" by Debbie Taylor, and "Pretending Dear" by The Lovelles. CD

An insane package – one that features the material from the 6CD Complete Concert Wattstax set, plus 5 more CDs from Summit Club Recordings in 1972, plus one more CD of additional material too! First up are 6 CDs that feature a stunning presentation of the legendary Wattstax concert – that huge moment of pride and power when the folks at Stax Records filled up the Los Angeles Coliseum with one of the most memorable shows of the 70s! The meeting of talents here is the stuff of legend – and this great package brings together the complete show in running order – really building up excitement as the concert progresses – with different acts each bringing their own sort of fire to the stage, culminating in a fantastic long finale by Isaac Hayes! The presentation is different than the two double albums that Stax issued back in the 70s – and this expanded package features a number of unreleased tracks in place of material the label later added – such as work from Richard Pryor and The Emotions. There's a whole instrumental section at the start, and more spoken links between some parts – and new material includes unissued work from Kim Weston, Freddie Robinson, Ernie Hines, Eric Mercury, Tommy Tate, Billy Eckstine, and Isaac Hayes – in addition to famous performances by The Soul Children, Jesse Jackson, Rufus Thomas, Albert King, Carla Thomas, William Bell, The Bar Kays, David Porter, The Temprees, Eddie Floyd, and David Porter – plus plenty more from Isaac Hayes too! Great package – with a full color book with new notes and essays, and plenty more too. The Summit Club material follows on five more CDs – material that was partly issued on some other reissues by individual artists, but augmented here with a wealth of unreleased material too! There's a a full show of work from Johnnie Taylor and Rufus Thomas – the latter of whom even does some comedy bits – plus some extra funky performances from The Sons Of Slum, heavy blues from Little Milton, great soul from The Emotions, and a huge amount of never-issued work from the great duo Mel & Tim – arguably better here than on their Stax studio sessions. CD12 features additional recordings that were layered into some of the LP releases issued under the Wattstax name – 15 more tracks that include titles by The Emotions, Isaac Hayes, The Dramatics, Staple Singers, and Eddie Floyd – plus some comedy routines by Richard Pryor. CD

A killer live set from Eddie Taylor – recorded in Japan, but with a core Chicago combo that really keeps things tight! The vibe here is maybe more like a Delmark live album than you'd expect from any overseas session – with Eddie on great guitar and vocals, and additional vocals from Louis Myers, who handles second guitar and harmonica – in a combo with Odie Payne Jr on drums and Dave Myers on bass. Titles include "Hoy Hoy", "Goin Down Slow", "I Don't Know", "Tin Pan Alley", "Blow Wind Blow", "Kind Hearted Woman", "You're Gonna Look For Me", "Crossroads", and "Bad Boy". 2CD version features 32 tracks in all – all the material recorded on two different live nights, with a lot of variety in the songs! (Blues, Soul) CD

A treasure trove of funk and soul from one heck of a great little label – Columbus, Ohio's short-lived Capsoul imprint – only around for 5 years in the 70s, but home to a great flurry of indie singles! We first caught onto the label's brilliance with their funky classics "Hot Grits" by Elijah & The Ebonies and "Sock It To Em Soul Brother" by Bill Moss – but as this set wonderfully demonstrates, the label's got a heck of a lot more to offer – and all of it great! The label's brilliance has been masterfully unearthed by the crate-digging team at Numero Records – who've brought together 19 of the best Capsoul singles in a beautiful package that really tells the story of the tiny imprint, getting at the details and struggles that faced independent soul in the marketplace of the 70s. Way more than just a set of old singles, the set's a rich document of indie soul in one of the near-forgotten corners of the Midwest – filled with great tunes that may well have you booking the next flight you can find to Columbus! Titles include "Sock It To Em Soul Brother" by Bill Moss, "Pure Soul" by Elijah & The Ebonies, "Without Love" by Ronnie Taylor, "You're All I Need To Make It" by Johnson, Hawkins, Tatum, & Durr, "Hot Grits" by Elijah & The Ebonies, "Too Far Gone" by Four Mints, "I Want To Be Ready" by Kook Blues, "Go On Fool" by Marion Black, and "Number One" by Bill Moss. Updated version features new mastering and additional notes – plus the bonus track "All I Need To Make It" by The Capsoul Group. (Funky Compilations, Soul) CD

Deep deep work from an under-tapped reservoir of soul – the legendary Sounds Of Memphis label – a key contemporary of Stax Records, but one with a huge amount of material that never got issued at the time! This excellent set corrects that fact, by bringing forth a batch of material that's almost all fresh here for the first time ever – and mixed with just a few rare SOM singles that were issued in the early 70s – all cuts that really show the righteous power of this tiny little label! There's a fair bit of artists here who touched the scene with work in other ways, and others we're really hearing for the first time ever in their company – an amazing picture into the mighty Memphis scene at the time, in a treasure trove of southern soul, deep ballads, and even a few funky numbers too. 22 tracks in all – and titles include "You're Using Me" by Rudolph Taylor, "You Don't Love Me" by Tommy Raye, "A Great Big Thing" by Carroll Lloyd, "Tempted" by Marjorie Ingram, "Hold On Hold Out" by George Jackson, "That's Why I Keep Her" by William Bollinger, "Since My Baby Left Me" by Dan Greer, and "Lost In A Dream" by Vision. CD

Think you've heard everything on Motown? Think again – because this sweet little set is filled with unissued 60s recordings by some of the best male singers on the label! The collection is a soul fan's dream come true – as the music here represents some real lost corners of Motown, with sounds that span almost the full stretch of the 60s – and really show the label's greatness at work – because if most of these tracks were recorded by other labels, they would have been pushed as potential hits! There's great work from artists who were just starting out, surprising moments from big names at the time, and a few entries we wouldn't have guessed without looking at the notes – and titles include "Headin North" by Shorty Long, "Only On The Weekend" by The Headliners, "Satisfaction Is Guaranteed" by Bobby Taylor & The Vancouvers, "Safety Zone" by Marv Johnson, "Hold On To Me" by The Spinners, "Show Me You Can Dance" by The Hit Pack, "Tell Me How To Forget A True Love" by Johnny Bristol, "Mojo Hannah (studio)" by Marvin Gaye, "I Wanted To Cry" by Bruce Channel, "I'm Gonna Make It To The Top" by Freddie Gorman, "This Ole Heart" by The Quails, "The Night We Called It A Day" by The Four Tops, and "Just Your Love" by Ivy Jo. CD

A massive package of work from the mighty Kool & The Gang – 6 full albums from the 80s, served up here in a 3CD set! First up is Ladies Night – a shameless dancefloor cash-in move – but a record that's still pretty darn great as well! You all know the big title cut "Ladies Night", so we won't bother to describe it – but we can say that the group wisely hooked up with Deodato, who produced, mixed, and even played keyboards on the album. Deodato keeps a nice jazzy punch in the tracks, while still moving towards the slickly produced funk sound that was the group's main approach at the time of the record. JT Taylor's on vocals, and the album's even got a few mellow cuts – like the crossover easy number "Too Hot" – amidst the midtempo 80s grooves that really step out and make the whole thing move. Other tracks include "Ladies Night", "Hangin Out", "Tonight's The Night", "If You Feel Like Dancin", and "Got You Into My Life". The next album is Something Special indeed – as the album was one of the biggest hits for Kool & The Gang, and showed that the group still had plenty of energy left to groove into the 80s! The record features production work by Brazilian music maestro Eumir Deodato – who by this point had become a sweet and smooth talent with a real flair for putting over a modern soul groove! Deodato's approach is really great – smooth, yet soulful, without any tricks or gimmicks – and a real appreciation for lead vocals and a catchy little hook! The album features the group's party classic "Get Down On It", plus "Steppin Out", "No Show", "Pass It On", "Be My Lady", "Take My Heart", and "Good Time Tonight". As One is solid 80s grooving from Kool & The Gang – a group who inspired so many others in the early 80s soul generation, but who could still do it better than most of the rest! The style here is tight and smooth, but never too slick – and Deodato's giving the group some really great production for the album – helping them to focus their energy and soar soulfully, but without resorting to any stiff gimmicks or cliches! There's a great groove running through most of the numbers here – a confident quality that's never too commercial, and which bubbles along nicely throughout. Titles include "Street Kids", "Big Fun", "As One", "Hi De Hi Hi De Ho", "Let's Go Dancin", and "Pretty Baby". In The Heart is a sweet set that's part of a big early 80s run from Kool & The Gang – a time that saw the funk legends really hitting the mainstream, and winning over a huge new audience in the process! Given that the Gang virtually invented ensemble funk at the start of the 70s, they're perfectly poised here to move into modes that so many of their younger competition were trying – but never did so well – that blend of 80s elements and more sharply-fused funk instrumentation, all honed down into a tightly snapping groove. The real surprise, though, is the group's growing ability for ballads – which put records like this into hands of folks who never would have dug their funk a few years before. And while we might have had a few problems with that shift at the time, the passage of years has got the whole thing sounding pretty darn great to our ears – especially in comparison to so much weaker work from the time. Titles include "In The Heart", "Joanna", "Tonight", "Straight Ahead", "September Love", "You Can Do It", and "Home Is Where The Heart Is". Last up is Emergency – one of the key classics from the second chapter of the group – when their lineup and sound were a lot leaner than before, and they managed to cross over big to a much wider audience than before! The upbeat cuts show that the group were still kings of the funky dancefloor – and the mellower ones are equally great too – showing a rising ballad style that proved to be the group's big crossover card at the time – a way of putting over a laidback track, but with plenty of soul. This approach is heard to great effect on the album's great single "Cherish" – and other tracks include "Bad Woman", "Surrender", "Emergency", "Misled", "Fresh", and "You Are The One". CD