The first album by the second group to call themselves the Last Poets – and as fierce a document of their rich talents as you'll ever find – bursting forth with anger and righteousness at a level as tight as Gil Scott-Heron's first album! The group here is the key second lineup of the ensemble of wordsmiths – comprised of Abiodun Oyewole, Alafia Pudim, and Omar Ben Hassan, plus the percussionist Nilaja – and most cuts feature only spare percussion backing over the spoken protest poetry – delivered with a brutal edge that really sums up the righteous politics of the time. Titles include "Run, N****r", "On The Subway", "When The Revolution Comes", "Jones Comin' Down", "Black Thighs", "N*****s Are Scared Of Revolution", and "Wake Up, N*****s" – all of which should give you a good picture of what's going on with the record! LP, Vinyl record album

An incredible album, and very unique! Sarah Webster Fabio was a hip 70s poet with a very righteous sound – and she's working here with funky backings by a tight group that includes family members, in a style that's similar to early 70s work by artists like Wanda Robinson and Camille Yarborough – both of whom also mixed together funk and poetry! The album's got a massive funky cut called "Sweet Songs" – the kind of groover we never tire of, with tight drums, great guitar, and wonderful vocals by Sarah herself. There's lots of other great tunes too – with titles that include "Juju For Grandma", "Still A Red Hot Axe", "Chromo", "If We Come As Soft Rain", and "Jujus/Alchemy Of The Blues". LP, Vinyl record album

Seminal 70s work from Sarah Webster Fabio – an amazing blend of poetry and music, and incredibly hip all the way through! Fabio's got a depth that goes beyond other commercial poets of the time – a righteousness that's right at home in the spiritual jazz scene of the 70s, and which is supported here by some great backings on guitar, bass, and percussion – plus some especially evocative saxophone, played by Denianke (Leon Williams) on some of the best tracks. The voice of Thomas Fabio joins Sarah on some of the numbers – with a brooding, echoey feel that's really great – and titles include "Eclipse", "Interrogation", "Together To The Tune Of Coltrane's Equinox", and "A Black Girl's Mean Ol Low Down Blues". LP, Vinyl record album

One of the deepest-digging entries in the Super Funk series so far – a blistering batch of underground singles that serve up some of the roughest funk of their generation! We'll be honest in saying that we'd only heard a few of the tracks here before – and our hats are off to BGP for taking this already-great series and making it go even deeper – far past familiar funk classics that usually get showcased on the label, and much more into the realm of the crate-digging underground, or the ebay-rarity stratosphere! A handful of cuts here are previously unreleased – never even issued on wax back in the day – and the rest are all pretty darn hard to find too, and all plenty darn great from a musical perspective. The package features a whopping 21 tracks in all – including a rare 1970 funky remake of "Twine Time" by Alvin Cash, plus "Home Brew" by Miles Grayson, "Just Sitting" by Smithstonian, "Can't Get Enough" by 87th Off Broadway, "Hi Off Life" by Eternal Flames, "Give Me Another Chance" by The Uniques, "Hold On" by Lorenzo Holden, "Free The Soul Man" by La May & Company, "Little Boy Blue" by The Phillips Brothers, "You'd Be Good For Me" by Jeanette Jones, "Who Done It? Who Drained The Pool?" by Big Daddy Green, "Low Rider (Deuce & A Quarter)" by Smokey Wilson, "Can't Buy Soul" by Hebrew Rogers, "Shake A Leg" by Jackie Wilson, "Face To Face" by The Explosions, and "Turn Around & Go" by Lee Bernard. (Funky Compilations, Soul) LP, Vinyl record album

The first album by the second group to call themselves the Last Poets – and as fierce a document of their rich talents as you'll ever find – bursting forth with anger and righteousness at a level as tight as Gil Scott-Heron's first album! The group here is the key second lineup of the ensemble of wordsmiths – comprised of Abiodun Oyewole, Alafia Pudim, and Omar Ben Hassan, plus the percussionist Nilaja – and most cuts feature only spare percussion backing over the spoken protest poetry – delivered with a brutal edge that really sums up the righteous politics of the time. Titles include "Run, N*gger", "On The Subway", "When The Revolution Comes", "Jones Comin' Down", "Black Thighs", "N*ggers Are Scared Of Revolution", and "Wake Up, N*ggers" – all of which should give you a good picture of what's going on with the record! LP, Vinyl record album