A very strange record that mixes funky backing with steel guitar playing, for a weird guitar-based soulful sound that's unlike anything else we can describe! Harvey Mandel produced the album, and it's got a little bit of the feel of his work from the same time, but the drums are tighter, and heavier, and there's some very nice moments on here with a good break-heavy potential. Cuts include "Million Dollar Feeling", "Del Conto Shuffle", "Joaquin", "Cause & Effect", and "Smoked Fish". LP, Vinyl record album

Smoking Hammond work from the young Dave Cortez – sounding grittier here than on some of his other albums of the time – less pop, and almost with a soul jazz vibe overall – especially given some of his snakey solos! The record may be the closest that Cortez ever came to sounding like Jimmy McGriff – and the backings are tight and soulful, very similar to McGriff at Sue Records – handled by Henry Grover, who also produced. There's an uncredited tenor player on the record who's mighty nice – and a few cuts feature cool female backing vocals – and titles include "Belly Rub (parts 1 & 2)", "In Orbit", "Countdown (parts 1 & 2)", "Sticks & Stones", and "Peg Leg". LP, Vinyl record album

A strange bit of country soul – but a great one, and unique gem from Don Crawford! Another Shade Of Black was recorded by Don Crawford in New York, with bit of a crossover folksy feel that's more like work you'd hear from Muscle Shoals, but it's in a slightly more experimental mode. The album's got Crawford on vocals and acoustic guitar, and instrumentation includes a string quartet, banjo, dulcimer, and a bit of organ. Titles include "Keep Yourself Together", "Song For Sister Angela", "For All The Ladies", "If It Feels Good – Do It", and "Goofin Away The Day". CD

A legendary Latin funk album – spearheaded by Eddie Palmieri! The record is a landmark crossover album from the early 70s – cut at the end of the Latin soul era, but featuring that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk – which are then given a new sort of push in this era of strong Latin pride and new opportunities for the youthful scene in New York! The grooves are all nice and long – with plenty of hard jamming, Latin rhythms, funky solos, and even soulful lyrics in English – sung with a very righteous, positive message that's kept the album at the top of the stacks for years. Eddie Palmeri plays piano and directs the group – and titles include "Seeds Of Life", "Harlem River Drive", and "Idle Hands". (Latin, Soul) CD

A legendary Latin funk album – spearheaded by Eddie Palmieri! The record is a landmark crossover album from the early 70s – cut at the end of the Latin soul era, but featuring that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk – which are then given a new sort of push in this era of strong Latin pride and new opportunities for the youthful scene in New York! The grooves are all nice and long – with plenty of hard jamming, Latin rhythms, funky solos, and even soulful lyrics in English – sung with a very righteous, positive message that's kept the album at the top of the stacks for years. Eddie Palmeri plays piano and directs the group – and titles include "Seeds Of Life", "Harlem River Drive", and "Idle Hands". (Latin, Soul) CD

... 12-inch, Vinyl record

A sweet set of 70s Latin Disco – less Afro-Cuban than you might expect, but a great illustration of the way that older Latin modes had filtered down to more mainstream dancefloors at the time! There's definitely still some Latin elements in the mix – but the set's also got Michael Zager arranging and producing, and giving the whole thing more of a disco focus overall – in ways that criss cross nicely throughout the record. Titles include a sweet clubby cover of Joe Cuba's "Bang Bang", a remake of Sly Stone's "Life & Death In G&A", and the titles "Black Skin Blue Eyed Boys", "Once You Get Started", and "Get Dancin". LP, Vinyl record album

20 classic tracks from one of the greatest groups of the doo wop years – all material pulled from singles and albums on the Roulette and Gee labels! LP, Vinyl record album

One of those obscure split 12" singles from the early days – when labels clearly thought nobody would pay full price for a large single that only included one band! This one features a tight extended funk cut from Poison – a fast jamming number with some funky keyboards, a bit of moog, plenty of wah wah, and the usual breakdown in the middle! "You've Got The Power", on the flip and by Camouflage, is not nearly as nice – and is kind of a silly disco number without much going on until the breakdown, which finally adds in some strong elements, like funky bass, echoey piano, and conga beats. 12-inch, Vinyl record

(Rock, Soul) LP, Vinyl record album

An album recorded relatively early in the career of singer Nina Simone – but a set that already shows the very unique approach that would make her a legend by the time the 60s moved on! Even the very first tune is a stunner – a haunting reworking of the favorite "Just In Time", but with Nina grunting instead of singing at the start – as the bass comes across with more power than the drums or piano – really shaping the song in moody tones! That sort of inventiveness follows on every other tune – making the familiar numbers sound very unique, and the unusual ones even more striking – as the set list also features numbers by Oscar Brown Jr, Olatunji, and Simone herself. The recording quality is great – intimate, yet lively – and the set's filled with longish readings of some great tunes that include "Bye Bye Blackbird", "Brown Baby", "Zungo", "Children Go Where I Send You", and "He Was Too Good To Me". (Vocalists, Soul) CD

With selections by The Heartbeats, The Angels, The Harptones, The Echoes, Frankie Lymon, The Devotions, Tiny Tim & The Hits, and The Valentines. LP, Vinyl record album

... LP, Vinyl record album

With selections by The Dreamlovers, The Valentines, The Five Satins, The Eldorados, The Moonglows, The Pastels, The Chantels, The Four Seasons, The Willows, The Spaniels, and The Channels. LP, Vinyl record album

With selections by The Drifters, The Moonglows, The Flamingos, The Eldorados, The Chantels, Lee Andrews & The Hearts, The Temptations, The Bobettes, The Crests, and The Cadillacs. LP, Vinyl record album

With selections by The Monotones, The Nutmegs, The Dells, The Spaniels, Dion & The Belmonts, The Moonglows, The Pastels, The Cadillacs, The Chanels, The Fiestas, and The Heartbeats. LP, Vinyl record album

A very unusual setting for the legendary Ruth Brown – the singer who first rose to fame singing raw-edged R&B tracks for Atlantic Records in the 50s – but who works here in a much jazzier mode overall! The set features backings from Peter Matz – who often accompanied the classier singers of the time – and Ruth really does a great job of mixing her bold vocals with his jazzy charts – soaring to new heights in a way that swings nicely, and makes for much deeper soul than most of Matz's other projects. Musicians include Hank Jones on piano, Clark Terry on trumpet, Barry Galbraith on guitar, Urbie Green on trombone, and Richard Davis on bass – and there also seem to be some female backup singers in a few spots too. Titles include two from Nellie Lutcher "Hurry On Down" and "He's A Real Gone Guy" and Dick Hyman's "Watch It", "Whispering Grass", "I Know Why", "Here's That Rainy Day", and a very interesting interpretation of "On The Good Ship Lollipop" – which almost makes the whole tune sound like a sad ballad. LP, Vinyl record album

In our opinion, The Exciters stood head and shoulders above a lot of the other rockin' soul groups of the 60's – partly because of the great raspy female lead vocals, but also because of the swingin' instrumentation and the great writing that characterized most of their sessions. This CD's got some of their rarest stuff – the sides recorded for Roulette in the mid-60's, which we've never actually seen on LP. The title cut's a nice hit, but there's also 14 other great tracks like "Run Mascara" and "My Father". CD

One of the great End LPs by The Flamingos, who at this point were at their peak, and were recording with these amazing studio arrangements by Sammy Lowe. Lots of cool stuff in the same vein as "I Only Have Eyes For You", like "Besame Mucho", "You Belong To My Heart", "Tell Me How Long", and the stellar "Mio Amore". LP, Vinyl record album

The title's certainly right on this one, because the album is soft and beautiful – recorded by Aretha Franklin in a moody late nite mode that's similar to early 60s work by Sarah Vaughn or Dinah Washington on Roulette! Backings are by Belford Hendricks – relatively full, with strings and sometimes a bit of backing vocals – and Aretha's vocals drift nicely over the top with a relatively slow pace overall. And while this isn't the hard-hitting Atlantic soul that made her fame, the record's still a great demonstration of Franklin's many talents – and heck, if she'd cut a set like this these days, we're sure she'd get a Grammy for returning to the classics! Titles include "Only The Lonely", "Shangri-La", "A Mother's Love", "Jim", "Friendly Persuasion", and "People". LP, Vinyl record album

They may be Teenagers, but this is hardly teen pop – as the album's a key step in the direction towards soul music for the 60s – thanks to the mighty power of the tragic Frankie Lymon! There's a sense of darkness to the album right from the start – even in the hit that kicks things off – and Lymon's heartbreaking quality never lets up – with a deep soul sensibility that may well top the group leads of Clyde McPhatter or Jackie Wilson in the same generation. Even some of the more playful moments have an undeniable power – and titles include the classic "Why Do Fools Fall In Love", plus "I'm Not A Juvenile Deliquent", "I'm Not A Know It All", "Love Is A Clown", and "Please Be Mine". LP, Vinyl record album

Storming old school R&B, simmering southern soul, stirring gospel soul, and some tender balladry – prime ingredients of some of the best material ever recorded by the incalculably iconic Aretha Franklin! This great collection of tracks cut in the 50s & 60s for Atlantic, Duke, Coral, Scepter, Savoy, Roulette, Mercury and other labels is easily imaginable as the source of inspiration and influence of the Queen Of Soul. Includes tracks by pivotal singers and soul stars, and some lesser known (but hardly lesser in quality) numbers – each and every one top notch and worthy of any conscientious collector of prime soul, and most importantly, it all works well together in the set, sequenced thoughtfully with a deep depth of styles. 24 tracks in all: "Respect" by Otis Redding, "The House That Jack Built" by Thelma Jones, "Sit Down And Cry" by Jean Walls, "Soulville" by Dinah Washington, "Try A Little Tenderness" by Little Miss Cornshucks, "Prove It" by Mary Wheeler, "Let Me Me In your Life" by Bill Withers, The Day Is Past And Gone" by Clara Wind and much more – with notes on each track in the nicely done booklet. CD

Music from The Five Satins, The Roulettes, The Scarlets, The Spaniels, The Starlarks, The Vocaleers, The Veltones, Lewis Lymon & The Teenchords, The Kings, The Kodaks, and more. CD