An excellent early 80s dancefloor groover, with some sweet soulful vocals by Gayle Adams, one of our favorite singers on Prelude from that period. Francois K gives the drums a nice snap, over that great 80s moogy groove! 12-inch, Vinyl record

Nice compilation of tracks by James "D Train" Williams – one of the most soulful artists to arise from the early 80s New York club scene of labels. The tracks are all produced by Hubert Eaves, and they feature a lot of nice keyboard work – presumably from Eaves as well. Includes a remix of "You're The One For Me (Labor Of Love)", plus "Music", "Walk On By", "Just Another Night", and "Something's On Your Mind". CD

Wonderful stuff from one of the best indie soul artists of the early 80s! The cut's a very solid groover, marching along at a midtempo pace while smooth keyboards from Hubert Eaves soar over the top. James D-Train Williams' vocals are wonderful – rich and strong, kind of in the mode of early Luther, who this track reminds us a lot of! 12-inch, Vinyl record

One of the indie soul killers of the early 80s – one of the few early albums cut for Prelude by James "D Train" Williams, one of the best male vocalists of his time! All the tracks were produced and arranged by keyboardist Hubert Eaves – and that aspect is one of the main reasons for the quality of the album, as Eaves brings a strong jazzy sensibility to the grooves, and works with Williams in a truly collaborative way that was unusual for the time. Tracks include "You're The Reason", "Something's On Your Mind", "I Treasure Your Pleasure", "Thank You", and "I'll Do Anything". LP, Vinyl record album

One of the most enduring albums on the Prelude label, and a great bit of modern soul by James "D-Train" Williams. Hubert Eaves produced the album, and he added lots of tasty electro keyboards to the set, played with his usual jazzy touches and a nice flourish that gives Williams' voice a strong kick on the best cuts. Sparklingly sophisticated – and proof that the indie labels could still churn out quality soul as well as they could disco! Includes the cuts "You're The One For Me", "D Train Theme", "Walk On By", "Lucky Day", and "Love Vibration". LP, Vinyl record album

A great little bit of modern soul – smooth, with slight jazzy touches, almost in the mode of some of the club-oriented work by Roy Ayers or Norman Connors from the same time. The album features the excellent mellow groove classic "You'll Never Know", plus other cuts with a similar feel – like "It's Up To You", "I'm Totally Yours", "All Day, All Night", and "I Want Your Love To Last". LP, Vinyl record album

... 12-inch, Vinyl record

Excellent underground disco with a groovy French touch! The cover's a bit campy, but the record's got plenty of nice keyboard work, and offsets the coldness of the keys with some soaring strings and warm basslines. The standout cut is "Disco Circus", a 14 minute romp that's pretty darn great, and which has electronics that are a lot weirder than you'd expect. The other two tracks are "Ite Missa Est" and "Before It Gets Dark", both pretty nice too. LP, Vinyl record album

A pretty wild batch of disco tunes – a suite of tracks loosely based around the Pinocchio theme, with vocals by the group Masquerade and arrangements by Boris Midney! The project's definitely got all the best Midney hallmarks in place – especially his penchant for longer tracks with lots of instrumental flourishes – the kind of grooves that build in a slow sort of way, and really let the vocals layer in with the rhythms! The style has lots of echoes of the best Canadian disco modes of the time – and titles include "Cat Tails", "Open The Secret Door", "LOVE/RSVP", and "I'm Attached To You". LP, Vinyl record album

One of our favorite 80s club cuts – a track with a quick-stepping bassline on the bottom, some nicely snapping beats, and a lightly sung vocal that almost hits the same DJ-conscious territory as work by Indeep! There's some female chorus vocals behind the guy – which also makes the tune great! 12-inch, Vinyl record

A very different album than usual for the Prelude label – not nearly as New York as some of their other albums, and produced by Stax Records legend David Porter in Memphis and Malaco! Also, the record has a lot less of a disco vibe than other Prelude albums – still a bit clubby in points, but with more of a focus on the harmony vocals of the group – with some especially nice mellow moments! Titles include "On Fire", "Party (parts 1 & 2)", "I Know I Didn't Do You Wrong", "Leaving Me", and "Live While You Can". LP, Vinyl record album

Classic album of NY club grooves, including their big hit "Body Music", mixed here by Francois Kevorkian and Larry Levan. Unlike a lot of groups on Prelude, these guys didn't seem to cut a whole lot of singles or LPs, but like a lot of the Prelude stable, this album's filled with catchy club cuts. Overall, the sound's reminiscent of the the early 80s in the best possible way, tight club grooves filled out nicely with some jazzy touches but in a really accessible way. Also includes "Inch By Inch", "Strike It Up", "Hold Onto The Feeling","Bring Out The Devil" and "Give It What You Got". LP, Vinyl record album

An excellent bit of 80s groove! Unlimited Touch have a cool 2-female lead vocal style – and they keep it tight and soulful on grooves that have a nice tight club sound, in a style that often reminds us of Roy Ayers produced albums, like Ladies Of The 80s, or some of the more uptempo tracks on the Ramp album. The record's one of the more soulful efforts to come out on the Prelude label at the time – and it's got lots of nice tracks like "Private Party", "In The Middle", "Happy Ever After", and "I Hear Music In The Streets". LP, Vinyl record album

Pretty great stuff from Unlimited Touch – grooving here in a sound that's got a bit more of an 80s feel than their previous album, but which still works well for their dual-female vocal lead style. There's a bit of an electro "wheeet" in some of the tracks, but the vocals and the songwriting are still in a tightly soulful mode. Titles include "Love Explosion", "Your Love Is Serious", "No One Can Love Me", and a remake of "Yes, I'm Ready". LP, Vinyl record album

Includes "Hey Girl", "Nassau Day", "Livin Inside Your Love", "Welcome Into My World", "Before You Go", "Unchained Melody", "Love Ballad", "Prelude To Fall", and "Soulful Strut". (Jazz, Soul) LP, Vinyl record album

We've never been sure if Johnny Chingas ever cut a record for Columbia, because we've only known this one on 12" single version, but the cut's strong enough that we'd love to find one if it's out there. A very nice mellow soul groove, with some touches of 80's production, and a sweet soul track about the virtues of the telephone. Nice stuff, and with an instrumental b-side! 12-inch, Vinyl record

James D-Train Williams' first album for a major label – and a really great follow-up to the indie success of his initial recordings for Prelude Records! The style here is very similar to the clubby grooves of D-Train's earlier sides – thanks to strong keyboards, production, and songwriting help from Hubert Eaves – the jazzy talent who helped give Williams' his trademark sound! Instrumentation veers slightly more towards mainstream 80s soul at times, but the Eaves' sound is still very firmly in place here – and titles include the groovers "Oh How I Love You (Girl)", "Misunderstanding", and "Let Me Love You" – plus "You Are Everything", "I Got Your Number", "Stand Up & Fight", and "Miracle Of The Heart". CD features some great bonus tracks – "Oh How I Love You (12" mix)", "You Are Everything (acapella)", "Misunderstanding (12" mix)", "Misunderstanding (acapella & house dub)", "Let Me Love You (12" mix)", and "Let Me Love You (dub)". CD

A righteous underground soul classic from Del Jones – message-oriented funk at its best! Jones is working here in the spirit of some of the best locally-crafted indie outings of the time – like work by Mike James Kirkland, Oneness Of Juju, The Pharoahs, and other important righteous regional acts of the 70s. The lyrics are extremely progressive, and deal with hard themes of African-American life at the time – stated clearly enough by titles that include "Soul of Black Folks", "Court Is Closed", "Needle & Spoon", "Prelude Ta Hell", "Needle N Spoon", and "Inside Black America" – and backed up by some great arrangements that throw a lot of fuzzy funky guitars into some tight, jazzed-up grooving. The album also includes the massive "Vibe-Ing Theme" – and the whole thing's a treasure that we'd rank with the best of its sort! And this very cool pressing brings together two different versions of the record – an original stripped-down presentation that was titled Court Is Closed – plus the better-known mix that ended up on the Positive Vibes album – all in a great package with detailed notes! LP, Vinyl record album

A huge amount of music from Liquid Gold – a UK studio group formed during the late 70s disco years, but one that was maybe a bit better than most of their commercial contemporaries! These guys have the slick clubby sound you might guess from their image on the cover, but often work with instrumentation that's nice and sharp – not totally underground, but sometimes with the better funky touches at the core that you might find from better club acts on labels like Prelude or TK – a legacy that we mostly know from their one big album of the time, but which is presented here on a 3CD set that's overflowing with rare mixes from singles, the different US and UK track lists from the album, and even bonus instrumental cuts and solo material from group member Ellie Hope. There's a massive 46 tracks in all – and titles include "Substitute", "Secret Love", "My Baby's Baby", "Mr Groovy", "Dance Yourself Dizzy", "Don't Panic", "Anyway You Do It", "Hit The Roof", "The Night The Wine & The Roses", "What's She Got (John Luongo club mix)", "Lucky (12" version)", "Shake", "Dance Yourself Dizzy (Yomanda synth & strings mix)", and "One Of Us Fell In Love". CD

Harmony soul heaven – and the only full album from The Montclairs! The group were a sublime vocal group from the 70s – one with a sound to rival The Whatnauts or The Moments, but which also had a bit more of the super-dope touches you'd expect from their look on the cover of the record – a bit like Soul Generation at their best! The sound is sweet, but with an edge – and a young Phil Perry wrote most of the tracks on the record, with a really unique feel that goes beyond simple cliches from the better-known groups of the genre. Oliver Sain produced, and although the record came out on Jewel, it's got much more of a New Jersey feel than other work on the label. Titles include "Dreaming's Out Of Season", "Grand Finale", "Just Can't Get Away", "Prelude to a Heartbreak", "Do I Stand a Chance", and "Unwanted Love". CD features 9 more bonus tracks from singles – including "Make Up For Lost Time", "I Need You More Than Ever", "Hung Up On Your Love", "I'm Calling You", "Dawn Of My Life", "Out My Back Door", and "Ease The Pain". CD

Harmony soul heaven – and the only full album from The Montclairs! The group were a sublime vocal group from the 70s – one with a sound to rival The Whatnauts or The Moments, but which also had a bit more of the super-dope touches you'd expect from their look on the cover of the record – a bit like Soul Generation at their best! The sound is sweet, but with an edge – and a young Phil Perry wrote most of the tracks on the record, with a really unique feel that goes beyond simple cliches from the better-known groups of the genre. Oliver Sain produced, and although the record came out on Jewel, it's got much more of a New Jersey feel than other work on the label. Titles include "Dreaming's Out Of Season", "Grand Finale", "Just Can't Get Away", "Prelude to a Heartbreak", "Do I Stand a Chance", and "Unwanted Love". LP, Vinyl record album

Wonderful! Shawn Phillips started his career as a shaggy folk rocker with a bit of a jazzy twinge – but this album collects odd bits and pieces that were left off of earlier albums, and works perfectly as a record that shows a whole new side of his genius! The album shows Phillips as a master of the funky jazz groove – and although he's still singing on some of the songs, he also lets loose with a number of instrumental cuts, laid out in a tight well-produced mode that puts them up there with some of the best work coming out on labels like Fantasy or Blue Note during the mid 70s. The centerpiece of these is the massive long cut "We Came To Say Goodbye", which builds and builds over the course of 15 minutes, with cool keyboards, great guitar, and the kind of tightly compressed grooves you'd expect to find on a Headhunters album (no surprise, since Headhunters Mike Clark, Bill Summers, and Paul Jackson are on the cut!) Other instrumental tracks include "Prelude To A Leaving" and "Italian Phases" – and strong vocal numbers include "Parisian Plight 1" and "Your Eyes". (Rock, Soul) LP, Vinyl record album

Amazing is right – as Nina Simone is really taking off here – showing the world that she's way more than just another jazz singer – able to hit some righteous currents that would only explode even more in years to come! Nina's emotion is subtle, but extremely powerful – maybe not as bold as in her late 60s recordings, but already very much part of the performance – even on some of the more standard jazz tunes. Arrangements are by Bob Mersey, and titles include "Blue Prelude", "You've Been Gone Too Long", "Chilly Winds Don't Blow", "Can't Get Out Of This Mood", and "That's Him Over There". (Vocalists, Soul) LP, Vinyl record album

Amazing is right – as Nina Simone is really taking off here – showing the world that she's way more than just another jazz singer – able to hit some righteous currents that would only explode even more in years to come! Nina's emotion is subtle, but extremely powerful – maybe not as bold as in her late 60s recordings, but already very much part of the performance – even on some of the more standard jazz tunes. Arrangements are by Bob Mersey, and titles include "Blue Prelude", "You've Been Gone Too Long", "Chilly Winds Don't Blow", "Can't Get Out Of This Mood", and "That's Him Over There". (Vocalists, Soul) CD

2 LP set compiling some of the greatest tracks by this legendary Chicago studio assemblage led by the great bassist/arranger Richard Evans. The track list is a perfect example of the sound that they did so well, and is more proof that Chicago had one of the most interesting soul scenes in the world. Cuts include "Burning Spear", "Zambezi", "The Stepper", "Soul Prelude", "Groovin", "Listen Here", and lots lots more! LP, Vinyl record album

A soul fusion set from David Spinozza – a player who managed to cross over nicely, but never without losing the depth in his sound! The set features Spinozza in the lead on guitar, working in a soulful setting that's often laidback – rhythms stepping along gently, allowing for some glide in the instrumentation – sometimes hitting a bit hard, yet never in the jamming side of the fusion spectrum. The arrangements are a big part of the success of the album – nice and lean, and handled by Mike Mainieri, Leon Pendarvis, and Spinozza himself – who seems to have a good ear for vocals, using them sparingly, with just the right blend. Luther Vandross sings a bit on the record, and titles include "Country Bumpkin", "Superstar", "On My Way To The Liquor Store", "Prelude To The Ballerina", "Airborne", and "Doesn't She Know By Now". (Jazz, Soul) LP, Vinyl record album

A mid 70s classic from Donna Summer – and a follow up to her huge, chart-toppiong Love To Love You Baby – and once again produced by Giorgio Moroder! The record didn't hit the commercial heights of the preceding one, though they did utilize the same sort of Euro-disco approach – and it sounds just as great to us! The first half is a longer suite of 4 tracks – "Try Me", "I Know", "We Can Make It" and "Try Me, I Know We Can Make It", and side 2 features 4 more numbers "Prelude To Love", "Could It Be Magic", "Wasted" and "Come With Me". LP, Vinyl record album

Landmark work by one of the hippest gals on the Chicago scene of the past 50 years – blues singer Koko Taylor, an artist who also had a heck of a lot of soul as well! Titles include "I Got What It Takes", "Um Huh My Baby", "Twenty Nine Ways", "I Don't Care Who Knows", "Blue Prelude", "What Came First The Egg Or The Hen", "Insane Asylum", "Wang Dang Doodle", and "Bills Bills & More Bills". (Blues, Soul) CD

Masterpiece records from Philly soul maestro Dexter Wansel – stepping out here in a beautiful blend of jazz and soul! Life On Mars is a fantastic bit of space age funk, easily the best album that Wansel ever recorded – and a sublime blend of Wansel's Philly grooving sensibility with some of the more keyboard-oriented funk that was coming out of the Herbie Hancock camp during the mid 70s. The result is a tight batch of crossover tracks that work well both as jazz funk groovers, and as smoother modern soul tracks. Includes the version of "Theme From the Planets" with the much sampled breakbeat at the beginning – plus lots of other nice ones, including "Life On Mars", "Rings Of Saturn", and "Stargazer". What The World Is Coming To moves the focus back to soul a bit more than Life On Mars – but also keeps in plenty of jazzy touches! Dexter's groove here is similar to the best work he did with other Philly vocalists in the same time – and the set features guest vocals from Jean Carn and Terri Wells, sliding into a warmly soulful realm on the mellower tracks, and stepping out with a fully jazzed up groove on the more upbeat numbers. Titles include "What The World Is Coming To", "Dreams Of Tomorrow", "Holdin On", "Dance With Me Tonight", "Disco Lights", and "Prelude #1". 1978's Voyager is a bit like Dexter's space jazz classic Life On Mars – and with those fat, thumping bass lines, elastic lead guitar, atmospheric soul vocals and loads and loads of keys – spatial work on Rhodes, Moogs and ARPs! It's all done in a funky style not always heard on Philly – plus Dexter arranged and produced just about everything! Tracks include "Solutions", "Voyager", "I'm In Love", "Latin Love", and "I Just Want To Love You". 1979's Time Is Slipping Away is a straighter Philly soul outing than some of Wansel's earlier work – a nice batch from a talent that was responsible for crafting some of the best smooth modern numbers at the end of the 70s! It features the killer cut "The Sweetest Pain" – a smooth stepper with some subtle keyboard grooving behind warm female vocals by Terri Well – plus "Funk Attack", "New Beginning", "One For the Road", "It's Been Cool", and "I'll Never Forget (My Favorite Disco)". CD

Five years of amazing sounds from Dexter Wansel – a keyboardist who could be as far out as his fiercest fusion contemporaries of the 70s, yet also groove with enough soulful styles to be a key part of the Philadelphia International explosion of the 70s! This massive collection really gets at all that made Wansel so great back in the day – his incredible ear for inventive arrangements, spacey way of spinning out a soul tune, and great sense of balance that never made his music sound overdone – always an effortless blend of jazz, soul, and funk – in ways that few of his contemporaries could ever hope to touch! Many of these tunes have vocals, but they also have plenty of keyboard solos too – kind of like CTI hitting a Philly groove, but one that was definitely reserved for the hipper spaces of the clubs – or the hipper clubs out there in outer space. 2CD set features great notes, sublime sound, and a killer batch of 32 tracks that includes "Life On Mars", "Disco Lights", "Let Me Rock You", "I'll Never Forget My Favorite Disco (12" version)", "The Sweetest Pain", "Holdin On", "One Million Miles From The Ground", "Rings Of Saturn", "Theme From The Planets", "Funk Attack", "Stargazer", "Ode Infinitum", "Latin Love", "Let Me Rock You", "Holdin On", "Prelude 1", "New Beginning", "Time Is The Teacher", "A Prophet Named KG", "I Just Want To Love You", "All Night Long", "It's Been Cool", "Voyager", and "Time Is Slipping Away". CD

Brilliant work from Philly arranger Dexter Wansel – an album that moves the focus back to soul a bit more than on his Life On Mars set, but which also keeps in plenty of jazzy touches! Dexter's groove here is similar to the best work he did with other Philly vocalists in the same time – and the set features guest vocals from Jean Carn and Terri Wells, sliding into a warmly soulful realm on the mellower tracks, and stepping out with a fully jazzed up groove on the more upbeat numbers. Titles include "What The World Is Coming To", "Dreams Of Tomorrow", "Holdin On", "Dance With Me Tonight", "Disco Lights", and "Prelude #1". LP, Vinyl record album

One of the greatest Nancy Wilson albums of the 60s – a small combo jazz date, done with a style that's different than some of Wilson's larger sessions of the time! The group has a relaxed, easygoing feel – and Wilson slides in with a style that's a lot more laidback and subtle than on other Capitol dates – almost the mellow feel of a late 50s Dakota Staton date, but still song with all the careful class that Nancy brings to her vocals! The group's a quartet, led by pianist Hank Jones – and featuring Gene Bertoncini on guitar, Ron Carter on bass, and Grady Tate on drums – on titles that include "Happiness Is A Thing Called Joe", "Do it Again", "Glad To Be Unhappy", "Prelude To A Kiss", "Supper Time", and "I Thought About You". (Vocalists, Soul) LP, Vinyl record album

One of the greatest Nancy Wilson albums of the 60s – a small combo jazz date, done with a style that's different than some of Wilson's larger sessions of the time! The group has a relaxed, easygoing feel – and Wilson slides in with a style that's a lot more laidback and subtle than on other Capitol dates – almost the mellow feel of a late 50s Dakota Staton date, but still song with all the careful class that Nancy brings to her vocals! The group's a quartet, led by pianist Hank Jones – and featuring Gene Bertoncini on guitar, Ron Carter on bass, and Grady Tate on drums – on titles that include "Happiness Is A Thing Called Joe", "Do it Again", "Glad To Be Unhappy", "Prelude To A Kiss", "Supper Time", and "I Thought About You". (Vocalists, Soul) CD

Nancy Wilson remakes American classics of the 20th century – taking a host of tunes from Gershwin, Ellington, Arlen, Porter, and Berlin – and remaking them in her sophisti-soul style of the 60s! She's got plenty of great help on the sessions – with arrangers that include Gerald Wilson, Jimmy Jones, and Billy May – plus accompaniment from players that include Cannonball Adderley, Hank Jones, and George Shearing. The collection features a total of 44 tracks in all – and titles include "Supper Time", "Sleepin Bee", "Secret Love", "My Ship", "Dearly Beloved", "Sophisticated Lady", "You Don't Know What Love Is", "All Of You", "Bewitched", "The More I See You", "Never Will I Marry", "This Time The Dream's On Me", "Prelude To A Kiss", and "By Myself". (Vocalists, Soul) CD