A special vinyl-only collection of tracks from the legendary Dave Godin Deep Soul series – a set that's kind of the best of the best – given the strength of those all-great soul collections! All the cuts here offer a perfect definition of the deep soul groove at its best – a rich, heartfelt approach to the genre that's heavy on sounds from the southern soul scene of the 60s, but which also features a few inflections from other styles too! Vocals are always at the forefront, sung in a mindblowing way that may well even surpass some of the bigger names of the period – like artists on Atlantic or Stax – and titles include "Like It Stands" by Robert Ramsey, "These Four Walls" by Irma Thomas, "Losin Boy" by Eddy Giles, "Just Loving You" by Ruby Andrews, "You Got Me" by Jaibi, "Try Love" by Dori Grayson, "I'm Sorry I Hurt You" by Nat Phillips, "I Don't Cary Anymore" by Doris Duke, "Who Are You Gonna Love" by Rozetta Johnson, "You Make Me Feel Good" by Jawrence & Jaibi, and "It's Not That Easy" by Reuben Bell & The Casanovas. LP, Vinyl record album

A great solo album from Cuba Gooding – his first project on his own, done after a classic stretch in the Main Ingredient! Gooding's working here with help from Dennis Lambert and Brian Potter – the hit 70s soul team who really help him find a great new groove on his own – a sound that's rooted in the sweeter vocal modes of The Main Ingredient, but which has a sparklingly sophisticated quality of its own! The music is mature and upbeat – a bit like some of David Ruffin or Eddie Kendricks' solo work of the 70s – and nearly all tunes here are originals by Potter and Lambert. Titles include "Fool Of The Year", "Mind Pleaser", "Hold On To What You Got", "All I Can Give You Is Love", and "As Long As There's You". LP, Vinyl record album

A long-overdue entry in this amazing series – a set of music that's gone on to be a genre unto itself, and which stands as a tribute to the song-picking genius of the great Dave Godin! The music here is a really special breed of soul – sounds that start out in the heart-worn style of southern work of the 60s, but which also expand to encompass other modes of very expressive singers – music that definitely lives up to the "deep" in the deep soul title! Godin's been gone from the planet for a number of years, but the set list is based on suggestions he had when compiling the earlier versions of the famous series – and Dave lives again in the notes, which include an interview with the soul music expert by Jon Savage. But even without the words, the music is more than enough – on titles that include "Without Love" by Ronnie Taylor, "Where Is The Party" by Helena Ferguson, "Dead" by Carolyn Sullivan, "Who Knows" by Soul City, "I Will" by Lattimore Brown, "Right Here Is Where You Belong" by Jerry Washington, "Can't Last Much Longer" by Betty Harris, "Standing At The Crossroads" by Eddie & Ernie, "What Can I Do Without You" by Linda Jones, "It's Too Late For Tears" by Rene Bailey, and "All I Want Is You" by Zilla Mayes. CD

A long-overdue entry in this amazing series – a set of music that's gone on to be a genre unto itself, and which stands as a tribute to the song-picking genius of the great Dave Godin! The music here is a really special breed of soul – sounds that start out in the heart-worn style of southern work of the 60s, but which also expand to encompass other modes of very expressive singers – music that definitely lives up to the "deep" in the deep soul title! Godin's been gone from the planet for a number of years, but the set list is based on suggestions he had when compiling the earlier versions of the famous series – and Dave lives again in the notes, which include an interview with the soul music expert by Jon Savage. But even without the words, the music is more than enough – on titles that include "Without Love" by Ronnie Taylor, "Where Is The Party" by Helena Ferguson, "Dead" by Carolyn Sullivan, "Who Knows" by Soul City, "I Will" by Lattimore Brown, "Right Here Is Where You Belong" by Jerry Washington, "Can't Last Much Longer" by Betty Harris, "Standing At The Crossroads" by Eddie & Ernie, "What Can I Do Without You" by Linda Jones, "It's Too Late For Tears" by Rene Bailey, and "All I Want Is You" by Zilla Mayes. CD

A funky classic from the Brothers Johnson – sweet funky soul, done with a polish few could match! The pair are still working with Quincy Jones at this point, and the record's filled with lots of tight jazzy grooves that certainly show Quincy's touch – and which set the record apart from a number of similar mainstream funk records flooding the market at the time. The standout cut on the album is their great reading of "Strawberry Letter 23" – originally done by Shuggie Otis in a stoner version, but nicely stripped down here by the Bros, and given a very nice pop psychedelic soul twist! Other tracks include "Right On Time", "Q", "Free Yourself, Be Yourself", and "Love Is". LP, Vinyl record album

A groundbreaking little record – and one that's hardly ever been matched again! Liquid Liquid sprang onto the scene with this amazing debut EP for 99 Records – a set that's got a wicked blend of funky drums, post-punk darkness, and this cool criss-crossing of modes that perfectly sums up the genius of the New York scene at the time! The record features lots of percussion throughout – drums, roto toms, congas, and plenty more – mixed with these brooding basslines that remind us of Jah Wobble at his best, and echoey production that almost feels like an American take on Martin Hannett at his best – especially at those moments when weird, eerie vocals drift through the instrumentation, barely at the edge of hearing. Titles include the classic "Bellhead" – plus "Groupmegroup", "Rubbermiro", "Lub Dupe", and "New Walk". LP, Vinyl record album

A mindblowing solo set from Curtis Mayfield – a record that not only foregrounds all the subtle politics he'd been forging in the Impressions during the 60s – but one that also really has Mayfield exploding as a force to be reckoned with in the studio! The album's a personal masterpiece – to the career of Curtis what the early solo albums of Issac Hayes were to his own genius – a bold, unfettered statement of pride and power – of the sort that would both make Mayfield and the Curtom Records label forces to be reckoned with in the 70s. Every cut is a classic – and titles include "Move On Up", "If There's a Hell Below We're All Gonna Go", "Miss Black America", "Wild & Free", "Give It Up", "The Makings Of You", "The Other Side Of Town", and "We the People Who Are Darker Than Blue". LP, Vinyl record album

One of the biggest albums ever for Ohio Players – a set that took their earlier funk sound and targeted firmly at the mainstream with a lean, mean groove that a million other groups copied at the time! There's still plenty of the soul of the early years in the group's approach here – and sometimes, the mellower tracks show a wonderful talent for harmonies coming even more fully to the top. But the real appeal of the record has always been the bold, bassy grooves that hit strongly just as ensemble funk was exploding in the mainstream during the early years of disco – making plenty of space for the Players and their contemporaries to grab up new audiences who never would have touched a record like this five years before! There's plenty of grit in the grooves on the best numbers – a style that's maybe not as dirty as on Westbound, but still more than enough to make any real funk fan proud. Titles include "Fire", "Together", "Together/Feelings", "It's All Over", "Runnin' From the Devil", "Smoke", "What The Hell", and "I Want To Be Free". LP, Vinyl record album

2 Ohio Players classics – back to back on one CD! Skin Tight is the band's first album for Mercury – and although one might have the temptation to say that the label cut down the radical funk sound of the trippy Westbound years, the move also taught the band to sharpen up their act, and get out of the repetitive sloppy groove into which they'd been lapsing during the past few years. The record's a lot smoother than earlier work – with a polished funky sound that would soon push the band right up there with Earth Wind & Fire at the top of the soul charts. And although there's familiar funky numbers like "Skin Tight", "Jive Turkey", and "Streakin Cheek To Cheek" – the best moment on the entire album is the wonderful spacey soul number "Heaven Must be Like This", a seven minute mellow groover that's got a sophisticated jazzy soul style, with voices and piano soaring into the heavens, in a way that always still sends chills down our spine! That cut shows the band's tremendous growth – and it's one of their best-ever! Fire is one of the biggest albums ever for Ohio Players – a set that took their earlier funk sound and targeted firmly at the mainstream with a lean, mean groove that a million other groups copied at the time! There's still plenty of the soul of the early years in the group's approach here – and sometimes, the mellower tracks show a wonderful talent for harmonies coming even more fully to the top. But the real appeal of the record has always been the bold, bassy grooves that hit strongly just as ensemble funk was exploding in the mainstream during the early years of disco – making plenty of space for the Players and their contemporaries to grab up new audiences who never would have touched a record like this five years before! There's plenty of grit in the grooves on the best numbers – a style that's maybe not as dirty as on Westbound, but still more than enough to make any real funk fan proud. Titles include "Fire", "Together", "Together/Feelings", "It's All Over", "Runnin' From the Devil", "Smoke", "What The Hell", and "I Want To Be Free". CD

A smoothly soulful set from Sade – with a bit more heartbreak and sometimes a bit heavier moodiness in the compositions – changing up the groove just enough on her first album in 8 years and reminding us how much we miss her in her years between albums! The first couple of tunes on the album, particularly the excellent title track, bring the more insistent sound, but, Sade is still Sade – the more smoothed out sounds and more lilting melodies come into play, leaving the tear welling passion of her voice to pull us in all the more effectively. Titles include "The Moon And The Sky", "Soldier Of Love", "Morning Bird", "Babyfather", "Long Hard Road", "Be That Easy", "Bring Me Home", "In Another Time", "Skin" and "The Safest Place". LP, Vinyl record album

A trio of mid 80s albums from Narada Michael Walden – all together in one 2CD set! First up is Looking At You Looking At Me – an album with plenty of beats– so much so you might forget that Narada Michael Walden first rose to fame as a drummer – but all the electricity is fine with us, given the 80s groove sound of the set! There's a nice sense of energy that informs most of the tracks – a somewhat funky undercurrent that almost shows traces of the Minneapolis influence on soul at the time, but without a too-Prince sort of sound overall. There's also a few key ballads too – some gentler cuts that round out the set nicely, and which showcase the increasing confidence Walden's had with his vocals over the years. Titles include "Reach Out", "Looking At You Looking At Me", "Burning Up", "Shake It Off", "Dream Maker", and "Tina". Nature Of Things is a highly electric set from Narada Michael Walden – a mid 80s effort that's filled with catchy little tunes! The style's certainly more mainstream than we might have guessed, given Walden's early career – but it's still much better than most of the pop of its generation – thanks to Michael's strong jazz pedigree, which does seem to inform some of his arrangements and instrumental choices on the album. Most of the percussion is in the form of beats, but Walden's also credited with playing drums (roto-toms, perhaps?) – and in addition to his own lead vocals, the set also features work by Patti Austin and Marth Wash. Titles include "Live It Up", "Nature Of Things", "High Above The Clouds", "Gimme Gimme Gimme", "Suspicion", and "Dancin On Main Street". Divine Emotion is sweet 80s soul from Narada Michael Walden – a set that has the singer/drummer very confidently in the tight R&B territory that served him so well during the decade! As with previous records, there's a fair bit of 80s electronic elements in the mix – bursting, bubbling, and exploding with a joyful groove that really fits Walden's spirit – and serves to emphasize his ever-growing talent for penning at catchy tune! Titles include "Wild Thing", "Explosion", "Jam The Night", "Divine Emotions", "Can't Get You Outta My Head", "That's The Way I Feel About Cha", and "Certain Kind Of Lover". CD

A mindblowing solo set from Curtis Mayfield – a record that not only foregrounds all the subtle politics he'd been forging in the Impressions during the 60s – but one that also really has Mayfield exploding as a force to be reckoned with in the studio! The album's a personal masterpiece – to the career of Curtis what the early solo albums of Issac Hayes were to his own genius – a bold, unfettered statement of pride and power – of the sort that would both make Mayfield and the Curtom Records label forces to be reckoned with in the 70s. Every cut is a classic – and titles include "Move On Up", "If There's a Hell Below We're All Gonna Go", "Miss Black America", "Wild & Free", "Give It Up", "The Makings Of You", "The Other Side Of Town", and "We the People Who Are Darker Than Blue". Extra tracks include demo versions of "Power to the People", "Underground", "Readings in Astrology", "Suffer", and the single version of "(Don't Worry) If There Is a Hell Below We're All Going To Go". CD

A really great entry in the excellent Super Funk series – one that offers up cuts that are every bit as strong on their soulful vocals as they are their funky grooves! The track selection is wonderful – rare cuts from 45s, of the sort that funk diggers have been trading for years – plus some of those extra-special unreleased tracks, which the folks at Ace/BGP always seem able to dig up through their access to the vaults! The notes are filled with rare photos, label scans, and loads of information on the cuts – showing that their selection here wasn't just a random process – and despite the title, most tracks here are 70s numbers from the heavy funk years. Titles include "Dark Skin Woman" by Billy Cee, "Love Highjacker" by George Jackson, "You Bring The Tears" by Sampson & Delilah, "Born To Live With Heartache" by Mary Lvoe, "Sweet Thang" by William Bostic, "Foolish Man (part 2)" by The Huck Daniels Co, "Work It Out" by Marcene Harris, "Jodine" by Earl Harris, "Funky Kingston" by Tribe, "Brother Jack" by The Funky Kids, "Forgotten" by Lamont Johnson, "Daddy Please Stay Home" by Obrey Wilson, and "So Fine" by Chet Ivey & His Fabulous Avengers. (Funky Compilations, Soul) CD

Seminal 70s work from Sarah Webster Fabio – an amazing blend of poetry and music, and incredibly hip all the way through! Fabio's got a depth that goes beyond other commercial poets of the time – a righteousness that's right at home in the spiritual jazz scene of the 70s, and which is supported here by some great backings on guitar, bass, and percussion – plus some especially evocative saxophone, played by Denianke (Leon Williams) on some of the best tracks. The voice of Thomas Fabio joins Sarah on some of the numbers – with a brooding, echoey feel that's really great – and titles include "Eclipse", "Interrogation", "Together To The Tune Of Coltrane's Equinox", and "A Black Girl's Mean Ol Low Down Blues". LP, Vinyl record album

A mindblowing solo set from Curtis Mayfield – a record that not only foregrounds all the subtle politics he'd been forging in the Impressions during the 60s – but one that also really has Mayfield exploding as a force to be reckoned with in the studio! The album's a personal masterpiece – to the career of Curtis what the early solo albums of Issac Hayes were to his own genius – a bold, unfettered statement of pride and power – of the sort that would both make Mayfield and the Curtom Records label forces to be reckoned with in the 70s. Every cut is a classic – and titles include "Move On Up", "If There's a Hell Below We're All Gonna Go", "Miss Black America", "Wild & Free", "Give It Up", "The Makings Of You", "The Other Side Of Town", and "We the People Who Are Darker Than Blue". LP, Vinyl record album

Diana Ross gets some great assistance on this set – the club classic team of Ashford & Simpson, who help give Diana a groove that's very much like their own great work of the time! Tunes are long and clubby, but never throwaway pop disco – and with Ashford & Simpson at the helm, Diana Ross sounds better here than on most of her other late 70s work! There's a tight-stepping groove to most numbers – never too fast, and exploding with that fuller soulful undercurrent we love so much in Ashford & Simpson. Titles include "No One Gets The Prize", "The Boss", "All For One", "I Ain't Been Licked", "It's My House", "Sparkle", and "Once In The Morning". LP, Vinyl record album

The second essential LP from the Time that would solidify Jimmy Jam and Terry Lewis' position as a force to be dealt within commercial R&B for years to come, cut during the early 80s, when Minneapolis seemed like it was exploding at the seams with great music. With Morris Day's nice extended dance cut "The Walk" featuring a nice popping beat, plus the excellent and very Prince sounding slow jam "Gigolo's Get Lonely Too" and the percolating pre-New Jack funk of "777-9311". CD

The second essential LP from the Time that would solidify Jimmy Jam and Terry Lewis' position as a force to be dealt within commercial R&B for years to come, cut during the early 80s, when Minneapolis seemed like it was exploding at the seams with great music. With Morris Day's nice extended dance cut "The Walk" featuring a nice popping beat, plus the excellent and very Prince sounding slow jam "Gigolo's Get Lonely Too" and the percolating pre-New Jack funk of "777-9311". LP, Vinyl record album

Includes music Stephanie Mills, New Edition, Silvia Striplin, Eighties Ladies, Thelma Houston, Cuba Gooding, Gwen Guthrie, the Bar-Kays, Atlantic Starr, and more – 30 tracks total. (Funky Compilations, Soul) CD

One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". (Jazz, Soul) CD