A huge array of soul tracks from the Mainstream label – an imprint that was probably best known for its jazz work of the early 70s, and as the launching pad for a few key rock groups – but one who also cut some killer soul tracks in the best New York and Philly styles of the period! Mainstream only ever issued most of its soul material as singles – 45s issued on their own label, and under the IX Chains, Brown Dog, and New Moon imprints too – spread out in an array of under-circulated, poorly-distributed releases that never fully got their due at the time – partly because much of the music was years ahead of its time! There's a groove here that reminds us of the hippest sounds from bigger labels – including Philly International or All-Platinum – with a similar blend of sweetness, honest vocal performances, and some top-shelf studio work that gives the lyrics a hell of an instrumental push, but all without ever sounding slick or commercial. The package is a much-needed look at this scattered legacy – and brings together 24 rare cuts that include "These Memories" by Almeta Lattimore, "I'm The One Who Loves You" by JG Lewis, "Come Back (part 1)" by The Fantastic Puzzles, "I Can't Give You Up" by Linda Perry, "It Ain't Like It Used To Be" by Randolph Brown & Company, "No Rebate On Love" by The Dramatics, "You're A Friend Of Mine" by Words Of Wisdom, "Satisfy My Woman" by Calvin Arnold, "Plain Out Of Luck" by Nia Johnson, "We're Not Too Young To Fall In Love" by Jackey Beavers Show, "Let The People Talk" by The Steptones, "To Whom It May Concern" by Ellerine Harding, "It's So Real" by McArthur, "Stop & Think A Minute" by Charles Beverly, and "That's The Way She Is" by Bobby Earl Williams. CD

Four fantastic records from a time when Johnny Mathis was really evolving his sound! On Me & Mrs Jones, Johnny Mathis takes on the sophisticated soul modes of the 70s, and also adds in a few other styles too – on an album that shows just how much the singer had changed in nearly 20 years of recording – sometimes shaped by all those other artists he'd inspired along the way! The title version of the Billy Paul classic "Me & Mrs Jones" is superb – maybe worth the price of the record alone, and perfect for the mature Mathis approach – and Johnny shines equally well on the album's blend of other 70s tunes, arranged by D'Arneill Pershing with a bit of help from Larry Muhoberac. Titles include "Summer Breeze", "Sweet Surrender", "Corner Of The Sky", "Remember", "You're A Lady", "If I Could Reach You", "Don't Let Me Be Lonely Tonight", "Soul & Inspiration/Just Once In My Life", and "Me & Mrs Jones". Johnny takes on a mix of sweet & tender and more melancholy tunes on Killing Me Softly, showing a surer hand at making a batch of then contemporary hits his own much more successfully than other veteran pop vocalists of his generation. Jerry Fuller produced, and the titles Includes "Aubrey", "And I Love You So", "Break Up To Make Up", "Sing", "Good Morning Heartache", "Neither One Of Us Wants To Say Goodbye", "Show And Tell" and "Ariane". On I'm Coming Home, Johnny Mathis gets a great new sound – thanks to Philly production and arrangements from the great Thom Bell! Thom had quite a hand in the songs, too – as almost all numbers were written by the team of Bell and Linda Creed – really sensitive songwriters who've got an adult, mature approach to the music – one that still respects Mathis' roots in other vocal territory, but which also gives him a bit more soulful depth, too. The setting is wonderful, and the record's a real standout in Johnny's 70s career – one that helped reignite interest in the singer at a time when so many folks had left him behind. Titles include "I'm Coming Home", "Foolish", "I'm Stone In Love With You", "A Baby's Born", "Life Is A Song Worth Singing", "I Just Wanted To Be Me", and a classic version of "Stop Look & Listen To Your Heart". Feelings is a prime 70s Columbia era Mathis gem, with production by Jack Gold and this time out, arrangements by Gene Page that mix tender hearted intimacy and lightly sweeping touches as sweetly as can be. Titles include "One Day In Your Life", "Stardust", "Midnight Blue", "Feelings", "That's All She Wrote", "Solitaire" and more. CD features the bonus track "Crazy Little Love Makin Ways". (Vocalists, Soul) CD

Landmark harmony soul from The Stylistics – a set that's every bit as wonderful as their debut, with the kind of sweet, soulful sound that got played over and over and over and over again back in the day! The album's got a subtle sort of power, though – one that lies not only in its classic cover image, but also in the way that the group mix up the fragile themes of love with some deeper aspects of the human condition – heard to best effect on the classic "Children Of The Night" – a massive 7 minute number that stands nicely next to the shorter singles. Thom Bell produced and arranged the whole thing to Philly perfection – with lots of help from Linda Creed on the songwriting – and titles include "Children of the Night", "Break Up To Make Up", "You'll Never Get To Heaven", "Stone In Love With You", "It's Too Late", "If You Don't Watch Out", and "Peek A Boo". CD