Not rock n roll, but some great King Records R&B from the 50s – work by Titus Turner, Annie Laurie, Bill Jennings, 5 Royales, Otis Williams & The Charms, James Brown, Hank Ballard, Little Willie John, and others! LP, Vinyl record album

Finnish soul by an American singer – not the same Charles Williams that you might know from 70s jazz funk albums – but an even earlier talent, really shining brightly here in a soulful Scandinavian setting! The album's a really lost rare groove treasure – a record that almost has the same sort of depth as American soul albums of the time – thanks in large part to Williams' great arrangements on the set, which are a mix of funky club and jazz, with room enough for some nice instrumental passages next to the vocals. The mellower cuts showcase Williams' deeper soul styles, and the more upbeat ones have this sweet lead gliding beautifully over tight instrumentation – never too polished or commercial. Titles include the wicked funk classic "Change It", plus "Standing", "Your Life", "Love Is A Very Special Thing", "Helen", "Standing In The Way", and "Theme From Long Road". LP, Vinyl record album

Not as folksy as you might think from the title – thanks to a really powerful presentation by Sonny Boy Williamson! The style here has echoes of Bo Diddley or Jimmy Reed's sense of rhythm – a more upbeat and electrified Chicago approach than Chess was serving up a decade before – obviously influenced by the strength of R&B, but also still presented with a sound that's stripped-down and raw enough to be called blues. Players on the sessions include Matt Murphy and Luther Tucker on guitars, Willie Dixon on bass, Otis Spann on piano, and Lafayette Leake on organ – and titles include "One Way Out", "Too Young To Die", "Trust My Baby", "Peach Tree", "Down Child", "Bring It On Home", "Too Old To Think", and "Got To Move". (Blues, Soul) LP, Vinyl record album

Mellow magic from Johnny Mathis – a late 70s set that updates his older style for a crossover audience in adult contemporary! The style is smooth and polished, but never so much so that Johnny's amazing voice can't shine through – thanks to soulful arrangements from Gene Page, who'd done plenty of work with hipper soul artists in the 70s – and Deniece Williams makes a great guest appearance on a number of tracks – really bringing Mathis into that duet style that would hit even bigger for the singer in the 80s. Titles include "If You Believe", "To Much Too Little Too Late", "How Deep Is Your Love", "It Was Almost Like A Song", and "Till Love Touches Your Life". (Vocalists, Soul) LP, Vinyl record album

A really classic album from The Emotions – much harder and grittier than their earlier singles from Chicago, and quite different than their later sounds in the Earth Wind & Fire generation! The style here is almost funk – and definitely gets pretty close on a few cuts – thanks to sharp production from David Porter and Ronnie Williams, who dredge up some of the deeper sounds of the Stax label at the time, and match them with the trio's impeccable vocals! The record's got a down-looking vibe that really lives up to the cover image – a kind of subtle pride that really comes through in the music, and which may well make this album the greatest the girls ever cut. Titles include the stellar cut "Blind Alley" – a famous sample from years back, and a wonderful funk tune on its own – plus "Boss Love Maker", "Love Ain't Easy Onesided", "Show Me How", "Love is The Hardest Thing To Find", and "Boy I Need You". LP, Vinyl record album

Sweet electric soul from Carol Williams – a rich voice from the disco generation, served up here with some great Philly club arrangements from Vince Montana! The groove is great, right from the get-go – thanks to rhythm from the team of Bobby Eli, Norman Harris, and Ronnie Baker – and Carol's vocals slide in strongly with a style that echoes soul styles from a few years before – and reminds us at this great point, the singer wasn't always subservient to the grooves on the cuts! Vince Montana plays a bit of vibes on the record – and titles include "Rattlesnake", "Just Feel", "My Time Of Need", "This Time May Be The Last Time", "Love Is You", and "Come Back". LP, Vinyl record album

One of the indie soul killers of the early 80s – one of the few early albums cut for Prelude by James "D Train" Williams, one of the best male vocalists of his time! All the tracks were produced and arranged by keyboardist Hubert Eaves – and that aspect is one of the main reasons for the quality of the album, as Eaves brings a strong jazzy sensibility to the grooves, and works with Williams in a truly collaborative way that was unusual for the time. Tracks include "You're The Reason", "Something's On Your Mind", "I Treasure Your Pleasure", "Thank You", and "I'll Do Anything". LP, Vinyl record album

A great entry in this wonderful series – a set that's full of rare 7" singles from the late 60s and early 70s, but with a vibe that's very different than other collections of this nature! As with previous volumes, the sound is warm and uplifting – not heavy funk or deep soul, but tunes that soar and glide on soulful energy – showcasing a few early modern soul elements that were years ahead of their time, and often using just the right sort of production and arrangements to really expand the sound of a singer or harmony vocal group! The whole thing's wonderful – fantastic rare soul listening all the way through – and titles include "Standing In The Way" by Charles Williams, "Reason To Survive" by Rance Allen Group, "Consider The Source" by Leon Haywood, "Oh Mama" by CM Lord, "Thank You Girl For Loving Me" by Enchantment, "The Game Is Over" by Brown Sugar, "Get Involved" by George Soule, "Too Late"b y Tavares, and "My Heart Is Closed For The Season" by Bettye Swann. (Funky Compilations, Soul) LP, Vinyl record album