Four fantastic albums from Bobby Bland – all brought together in a single package for the first time! First up is Come Fly With Me – great work from Bobby Blue Bland – one of the few artists to rise up at the end of the 50s, and still find a way to chart their own path forward in soul with fresh material like this! Bobby's voice is still incredible here, and he works with production from Al Bell and Monk Higgins, the latter of whom arranged – in this cool style that's a bit like some of the territory that Tyrone Davis was taking on at Columbia Records during the second half of the 70s – fuller arrangements that bring some sophisticated soul touches to the music, but in ways that never lose the core of Bobby's genius! Titles include "Lady Lonely", "Night Games", "You Can Count On Me", "Love To See You Smile", "Come Fly With Me", and "To Be Friends". The next album is I Feel Good I Feel Fine – and Bobby Bland sounds pretty good too – thanks to arrangements from the great Monk Higgins, who does a perfect job of mixing Bland's trademark vocals with some sweet late 70s arrangements! The sound is upbeat, but never in a cliched disco mode – more in the territory that you'd hear Johnnie Taylor using over at Columbia Records – maybe a good comparison, given the Memphis roots that both artists shared – as both also evolved a lot to shift their sound with the changing modes of the time. And as with Johnnie, Bobby never loses the core that makes him great – as you'll hear on titles that include "Tit For Tat", "Soon As The Weather Breaks", "In His Eyes", "Someone To Belong To", "I Feel Good I Feel Fine", and "Little Mama". Sweet Vibrations is a real gem from the start of the 80s – arranged by Monk Higgins, who co-produced the set with Al Bell – a duo who'd already given Bobby some great records before, but who really knock it out of the park with this one. There's an extra-special quality going on here – maybe a slight reintroduction of blues roots, but still with a very contemporary spirit – set up to superb backings throughout. Titles include "Soul With A Flavor", "Hollywood Woman", "You'd Be A Millionaire", "Sweet Vibrator", "Special Kind Of Fool", and "A Real Woman Is What It Takes". Try Me I'm Real is record with a title that certainly fits the bill – as the amazing voice of Bobby Bland is as real here as it ever was, and blended with superbly soulful backings that take the singer's sound forward for a whole new generation! Some of Bobby's contemporaries were content to just stick in a straight blues mode – but Bland really grew and developed a lot as an artist, thanks in part to Monk Higgins and Al Bell – who are both at the production helm of the record, and balance the bluesy roots of Bobby with some richer soul backings that really knock the whole thing out of the park! We love Bobby Blue Bland during his early Duke Records years – but we love him equally as much for music like this, on titles that include "But I Do", "What A Difference A Day Makes", "Givin Up The Streets For Love", "A Song For You My Son", "Just You Just Me", and "Love Is Where It's At". (Blues, Soul) CD

Stunning funky soul by California Playboys – a heck of a record that should have made the Playboys a huge combo at the time! It's a shame the group didn't become millionaires – but the obscurity of the record is maybe also one of its charms – the kind of small label set that never fully got its due at the time, but which is ripe for rediscovery all these many years later! The California Playboys were together for a number of years – forming as a backing band for singer Lester Young (not the sax player), doing session work for others, and otherwise developing their skills for years – all of which really comes through here in their sharp-edged instrumentation, which sounds even sharper in the 70s indie-level production for the album. The killer title tune sounds like it could (and should!) be the namesake tune of a funky mid 70s soundtrack – as it's really got a perfect cinematic soul vibe, ala Bobby Womack and Marvin Gaye – though in a tighter, smaller combo setting. Most tunes start with vocals and end with long instrumental riffing – and titles include"Double Love", "She's A Real Sweet Woman", "Just Say A Four Letter Word", "I've Got To Find Myself Another Girl", and "Turned On For Good". LP, Vinyl record album

Four classic albums from UK singer Tina Charles – an artist who mixes older vocal touches with the swirling sounds of the legendary Biddu – in a groove that's got a heck of a lot to offer! Tina never was one of the most underground singers of her generation – but it's her confidence in that fact that makes this music so great – an unabashed love of the poppier sounds of the dancefloor, in a way that beautifully mixes together 70s AM sensibilities with the growing sounds of the disco movement. Biddu's a great choice for the project – as the use of light strings and disco grooves resonates with his own solo work, but also maybe has more of a crossover focus, thanks to Tina's poppy vocals in the lead! The 2CD set features the full albums I Love To Love, Dance Little Lady, Heart N Soul, and Just One Smile – with a total of 40 tracks in all. CD

Seminal sounds from this great Detroit group – and a key look at their less-remembered music of the 60s! Although Fantastic Four are probably best remembered for their later disco work – including the Alvin Stone album on Westbound – back in their early days, they were a great Detroit vocal group with a sweet raw sound and some excellent harmonies. Although this album says it's a "best of", it's really the only full LP the group cut during the time – and it's a rare treasure of harmony soul, cut with a nicely stripped-down sound that makes the tracks shine like rough indie soul gems instead of Motown numbers. Titles include "I Love You Madly", "The Whole World Is A Stage", "Goddess Of Love", "As Long As I Live", and "Man In Love" – but the whole record's great! CD

A later Motown Christmas session – recorded by The Four Tops in the mid 90s with a decidedly modern soul take on the sounds of The Holiday! Most of the numbers are traditional tunes – both secular and spiritual – and the group's producing their own work throughout the set. Aretha Franklin joins on 3 tracks, and titles include "Christmas Here With You", "This Christmas", "The Christmas Song", "Silent Night", "Twas The Night Before Christmas", "Little Drummer Boy", and "Christmas Delight". (Holiday Music, Soul) CD

An incredible collection of lost recordings by the Four Tops – culled from the groups earliest days with Motown in the early 60s and through the rest of the decade – a mighty testament to the pioneering group's amazing track record! Most of their sessions with Holland-Dozier-Holland actually saw the light of day (there are only a couple here), so this set runs pretty deep, and it honestly sounds as great to our ears as most of their biggest hits do! Many of the earlier tracks on disc one stand up very well with the best soul of the era, with the glorious harmonies and sterling sound you know they laid down – even on the b-sides! Disc one features tracks from '63-'68, with productions by Mickey Stevenson, Smokey Robinson, Ivy Joe Hunter and others. Tracks include "Get My Hands On Some Lovin'", "I Can't Believe You're In Love With Me", "Baby Baby Come Home", "Fantasy", "Sweeter As The Day Days Go By". "Lost For Words", "I'm So Afraid Of Losing You" and many more! Disc two features the tracks we love the most on the set – late 60s numbers in which the lead vocals get grittier, the drums clap harder, the guitar and bass gets fuzzier – looser, funkier stuff – along with straighter soul ballads, so you know they could still do it all! Producers include Raynard Miner, Ron Miller, Pete Moore, Johnny Bristol and others. Tracks include "Same-O", "Clip My Wings", "No Time", "My Love Keeps On Growing", "Never Say No To Your Baby", "Magic Mary", "Rocks In My Bed", Which Way Is The Sky", "You're My Kind Of Woman", "Lost Without You" and more. 41 tracks in all! CD

Eddie's masterpiece LP of late sixties soul, with the classic "Hey There Lonely Girl", the title cut, and a lot of other great original compositions. The sound on here is perfect, and nearly every cut shines. There's almost no filler, and Eddie's voice is strong, beautiful, and has a raspy edge that sounds great! We love this one to death, and it's a surprisingly great album all the way through by a star that you might mistake for a one-hit wonder. Titles include "I Cried", "Let Me Into Your Life", "Am I A Loser", and "Four Walls". CD

Sweet electric magic from Ramsey Lewis – four 70s albums in a single collection! First up is Don't It Feel Good – massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". Salongo is a tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". Tequila Mockingbird is an overlooked gem from the Columbia Records years, filled with loads of great grooves, and some pretty mighty keyboards! Part of the record has Ramsey working with Larry Dunn of Kalimba Productions – getting plenty of the Earth Wind & Fire groove that made so much of his Columbia sessions sparkle – while the rest of the set has the great Bert DeCoteaux handling things, and giving Lewis just the right mix of sophistication and soul he was using with other Columbia acts at the time. The album's a perfect example of the way that Ramsey stepped way ahead of the pack during this time in his career – using keyboards and grooves together in ways that so many artists today are still trying to match – but never hit it this right! Titles include "Camino El Bueno", "Caring For You", "Intimacy", "That Ole Bach Music", "Skippin", "Tequila Mockingbird", and "Wandering Rose" – that cool cut by Neal Creque! Love Notes is a great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-produced albums from a few years before! Ramsey plays Fender Rhodes, mini moog, and Arp – and he gets help on keyboards from Stevie Wonder and Derf Reklaw, who also plays saxes and percussion on the set. Features versions of Wonder's "Love Notes" and "Spring High", plus Reklaw's "Chili Today Hot Tamale", "Shining", and "Stash Dash". (Jazz, Soul) CD

Sweet electric magic from Ramsey Lewis – four 70s albums in a single collection! First up is Don't It Feel Good – massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". Salongo is a tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". Tequila Mockingbird is an overlooked gem from the Columbia Records years, filled with loads of great grooves, and some pretty mighty keyboards! Part of the record has Ramsey working with Larry Dunn of Kalimba Productions – getting plenty of the Earth Wind & Fire groove that made so much of his Columbia sessions sparkle – while the rest of the set has the great Bert DeCoteaux handling things, and giving Lewis just the right mix of sophistication and soul he was using with other Columbia acts at the time. The album's a perfect example of the way that Ramsey stepped way ahead of the pack during this time in his career – using keyboards and grooves together in ways that so many artists today are still trying to match – but never hit it this right! Titles include "Camino El Bueno", "Caring For You", "Intimacy", "That Ole Bach Music", "Skippin", "Tequila Mockingbird", and "Wandering Rose" – that cool cut by Neal Creque! Love Notes is a great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-produced albums from a few years before! Ramsey plays Fender Rhodes, mini moog, and Arp – and he gets help on keyboards from Stevie Wonder and Derf Reklaw, who also plays saxes and percussion on the set. Features versions of Wonder's "Love Notes" and "Spring High", plus Reklaw's "Chili Today Hot Tamale", "Shining", and "Stash Dash". (Jazz, Soul) CD

A sweetly soulful set that has Taj Mahal really trying on some new flavors – yet still keeping things strongly in the bluesy territory of his roots! In addition to the lead vocals and lots of acoustic guitar, the set also features key contributions from Rudy Costa on a range of saxes, plus flute and kalimba too – plus other unusual elements that include steel drums, timbales, and banjo – all of which inflect different moments with freshly playful sounds, and a surprisingly Caribbean vibe at times. Titles include "You Got It", "Sailin", "Truck Driver's Two Step", "Curry", and "The Four Mills Brothers". (Blues, Soul) LP, Vinyl record album

Funky sound library instrumentals, done for Polish radio at the end of the 70s – which means they've got a fair bit of disco and club influences thrown into the rhythms for good measure! In fact, there's plenty of tracks here that would be great to drop on a disco dancefloor – although most are just a few minutes long, which will leave you moving fast for your next segue – as bumping basslines, soaring strings, and solo instrumentation serve up sounds that are maybe a tighter take on territory of groups like MSFB and Salsoul Orchestra from the US. Titles include "Anonimowy Sen", "Widok Swiata", "Net", "C'Est Si Bon", "Cztery Godziny Spoznienia", "Szybkie Rozdanie", and "Meczbol". CD features four bonus tracks too! (Sound Library, Soul) CD

A landmark album from Nina Simone – a set that really pushes her far past just the standard realm of jazz vocals, and which also helped really establish her role as one of the most righteous singers of the 60s! The set's maybe extremely noteworthy for Nina's original tune "Four Women" – a righteous portrait of four different women and their struggles – unique for its time, and a key part of the early Women's Liberation movement! The rest of the album has a similar political undercurrent – sometimes subtle, but there nonetheless – as Nina works magic on tunes that include "Break Down & Let It All Out", "Either Way I Lose", "Black Is The Color Of My True Love's Hair", and "That's All I Ask". (Vocalists, Soul) LP, Vinyl record album

The complete Monument recordings of southern soul-tinged swamp rock trailblazer Tony Joe White – in a wonderful box set from the deep catalog explorers at Rhino Handmade! Swamp Rock contains everything from the Black & White, Continued and Tony Joe LPs – with dozens of previously unreleased work from the era. Unlike the most famous dude we can think of who wears the swamp rock genre tag, Tony Joe White really was reared in the swamp country of Louisiana – and genuineness shows on these fine recordings! His vocals here have a bit of that laconic storyteller vibe of a Bobby Bare type character – but the production and arrangements have a real feel for the Stax and Muscle Shoals sounds. It's a blend of styles that's quite unique – and well worth rediscovery! Includes all the tracks from Tony Joe's 3 LPs for Monument plus a swampful of great bonus numbers from those sessions and more – a whopping 81 tracks on four CDs! Disc one includes the Black & White LP and much more: "Willie And Laura Mae Jones", "Soul Francisco", "Whompt Out On You", "Wichita Lineman" and more. Disc 2 features the Continued LP and more: "Elements And Things", "Woodpecker", "Old Man Willis", "Woman With Soul" and much more. Disc 3 includes the Tony Joe LP tracks and more: "Stud-Spider", "Widow Wimberly", "Save Your Sugar For Me", "Hard To Handle" and more. Disc 4 includes a slew of previously unreleased material cut at Barclay Studios in Paris, plus live work from Tony Joe at the Isle Of Wight: titles include "Mississippi Delta", "Chain Of Blues", "Ballad Of Hollis Brown" and more from the Barclay sessions, plus "Boom Boom", "I Want You", "Groupy Girl" and more from Isle Of Wight. (Rock, Soul) CD

Think you know the sound of Atlantic Records in the 60s? Think again – because this stunning series opens the vault to a huge amount of rare treasures from the legendary label! The package is amazing – and offers up rare tracks that were mostly only issued by Atlantic on singles – including some on the other imprints associated with the company – some by names we never even knew recorded for the label, others by bigger names, but represented here by obscure material that goes way past their hits – and which is ultra cool because of that. There's also a fair bit more deep soul than you might expect from the usual Atlantic mix – tremendous vocals, and often in less hit-heavy modes – which makes the whole thing a great revelation – and just one more reason to bow down and give even more expect to one of the key companies who helped soul music find a home in the 60s. Plus – as if that's not enough – the whole thing comes in a very cool 7" gatefold package – which emphasizes the from-singles nature of the collection. Volume 3 is overflowing with amazing sounds from the heart of the 60s – rare 45rpm tracks by Atlantic stars, Stax artists, and a few lesser-knowns too. Titles include "Hello Stranger" by The Capitols, "Help Me (parts 1 & 2)" by Ray Sharpe, "Long Distance Love" by Ted Taylor, "Lonely Soldier" by Mike Williams, "How Can You Babysit A Man" by Ned Towns, "Keep Looking" by Solomon Bourke, "I'm Sorry" by Fred Lowrey, "Please Uncle Sam" by The Charmels, "Share What You Got" by William Bell, "Reputation" by The Four Shells, "Me & My Baby" by Mary Wells, "Got No One" by The Delcardos, "Weak Spot" by Ruby Johnson, "Good Love Bad Love" by Eddie Floyd, "Bingo" by Ned Towns, "I Had A Dream" by Johnny Taylor, "I Can't Take It" by Ray Sharpe, "You Can't Love Them All" by The Drifters, "Believe It Or Not" by Rex Garvin & The Mighty Cravers, "Patch My Heart" by The Mad Lads, "She's The One I Love" by The Delcardos, "Find Me Somebody" by Bobby Womack, "Hello Stranger" by The Capitols, "So Much Love" by Ben E King, "Help The Bear" by Ted Taylor, and "I Feel A Sin Coming On" by Solomon Burke. CD

A special vinyl-only collection of tracks from the legendary Dave Godin Deep Soul series – a set that's kind of the best of the best – given the strength of those all-great soul collections! All the cuts here offer a perfect definition of the deep soul groove at its best – a rich, heartfelt approach to the genre that's heavy on sounds from the southern soul scene of the 60s, but which also features a few inflections from other styles too! Vocals are always at the forefront, sung in a mindblowing way that may well even surpass some of the bigger names of the period – like artists on Atlantic or Stax – and titles include "Like It Stands" by Robert Ramsey, "These Four Walls" by Irma Thomas, "Losin Boy" by Eddy Giles, "Just Loving You" by Ruby Andrews, "You Got Me" by Jaibi, "Try Love" by Dori Grayson, "I'm Sorry I Hurt You" by Nat Phillips, "I Don't Cary Anymore" by Doris Duke, "Who Are You Gonna Love" by Rozetta Johnson, "You Make Me Feel Good" by Jawrence & Jaibi, and "It's Not That Easy" by Reuben Bell & The Casanovas. LP, Vinyl record album

A great great great collection of rare soul tracks – all pulled from the east LA powerhouse Rampart Records – a key force for fresh sounds in the 60s! Rampart was at a crossroads between soul and Latin scenes in the larger Los Angeles area – and as such, was able to grab music from both sides of the fence – including artists who had this amazing power to reach out for new styles to bridge previous gaps between different audiences! Make no mistake, the sound here is soul throughout – but it's also soul that helped set the stage for a bigger wave of soul, rock, and Latin changes to come from LA at the start of the 70s – and the positive force of this music is stunning, especially when taken together in a big serving like this. Titles include "Come Swim With Me" by Little Ray, "Girl I Love You" by Ron Holden, "Tracy" by Barry White & The Atlantics, "I'm In Love With Your Daughter (part 1)" by Thee Enchantments, "Hey Joe Where You Gonna Go" by Sammy Lee & The Summits, "The Panther" by The East Bay Soul Brass, "Listen To The Wise Man" by East Side Kids, "Poquito Soul" by One G Plus 34, "Evil Ways" by The Village Callers, "One Like Mine" by The Salas Brothers, "I Had A Strange Dream" by Four Tempos, and "Chinese Checkers" by The Mixtures. CD

The Numero Group takes a great step backwards – returning to the capital city of Ohio, Columbus – to mine the same soul and funk treasure trove of their Capsoul collection! The music here comes from the same scene – and often from Capsoul or related labels – and the set offers up a stunning array of rare gems, many of which were never even pressed on record – all showing Columbus to be one of the funkiest, grooviest cities in the US during the early 70s! Lots of the work here has that same heavy groove that we love from the Capsoul collection – and since that initial Numero foray into the compilation business, the label has only become more skilled at unearthing and presenting great sounds like this. The package features notes on both the music and the project of researching it – plus a long appendix on the local labels featured, along with photos and label scans too! Titles include "Woe Is Me" by Kool Blues, "I Need Your Love" by Chandlers, "Funky Disposition" by Dean Francis & Soul Rockers, "Lose The One You Love" by Soul Partners, "Look In The Mirror" by Vondors, "Hysteria" by Four Mints, "This Is The Way That I Am" by La Fez, "When He's Gone" by Associated Press, "Excuse Me Miss" by Jupiter's Release, and "I've Been Trying" by Love Maximum. (Funky Compilations, Soul) CD

An explosion of groundbreaking sounds from the 60s – all records issued in the magical year of 1965 – with a fresh vibe that would influence years of soul, psych, and garage styles to come! Jon Savage has already given us two other great year-based collections on Ace, but this one might be one of his most impressive – given that most folks tend to overlook the musical power of 1965, in favor of bigger explosions later in the 60s – but all of which were inspired by these earlier moments of fire! You'll definitely recognize some of the tunes here, but with his usual genius, Jon Savage has a way of mixing the familiar with the obscure – coming up with new ways to put everything together, and really opening up our ears in the process. As with previous volumes, the notes are huge – with plenty of details on the sounds within – and the 2CD package features a whopping 48 tracks in all – with titles that include "You've Got To Hide Your Love Away" by The Silkie, "Concrete & Clay" by Unit Four Plus Two, "I'll Feel A Whole Lot Better" by The Byrds, "Buttermilk (part 1)" by Sly, "Boot Leg" by Booker T & The MGs, "Fortune Teller" by Tony Jackson with The Vibrations, "That's The Way It's Got To Be" by The Poets, "Come & Stay With Me" by Marianne Faithful, "See My Friends" by The Kinks, "Too Many People" by The Leaves, "I've Got Mine" by The Small Faces, "The Duck" by Jackie Lee, "The Story Of John Hardy" by Sir Douglas Quintet, "We Sell Soul" by The Spades, "Blow Your Mind" by The Gas Co, "You Just Gotta Know My Mind" by Karen Verros, "Can You Hear Me" by Lee Dorsey, "London Town" by Pretty Things, "Are You A Boy Or Are You A Girl" by The Barbarians, "I'm Alive" by The Hollies, "Leaving Here" by The Birds, and "Twine Time" by Alvin Cash & The Crawlers. (Rock, Soul) CD

An explosion of groundbreaking sounds from the 60s – all records issued in the magical year of 1965 – with a fresh vibe that would influence years of soul, psych, and garage styles to come! Jon Savage has already given us two other great year-based collections on Ace, but this one might be one of his most impressive – given that most folks tend to overlook the musical power of 1965, in favor of bigger explosions later in the 60s – but all of which were inspired by these earlier moments of fire! You'll definitely recognize some of the tunes here, but with his usual genius, Jon Savage has a way of mixing the familiar with the obscure – coming up with new ways to put everything together, and really opening up our ears in the process. As with previous volumes, the notes are huge – with plenty of details on the sounds within – and the 2CD package features a whopping 48 tracks in all – with titles that include "You've Got To Hide Your Love Away" by The Silkie, "Concrete & Clay" by Unit Four Plus Two, "I'll Feel A Whole Lot Better" by The Byrds, "Buttermilk (part 1)" by Sly, "Boot Leg" by Booker T & The MGs, "Fortune Teller" by Tony Jackson with The Vibrations, "That's The Way It's Got To Be" by The Poets, "Come & Stay With Me" by Marianne Faithful, "See My Friends" by The Kinks, "Too Many People" by The Leaves, "I've Got Mine" by The Small Faces, "The Duck" by Jackie Lee, "The Story Of John Hardy" by Sir Douglas Quintet, "We Sell Soul" by The Spades, "Blow Your Mind" by The Gas Co, "You Just Gotta Know My Mind" by Karen Verros, "Can You Hear Me" by Lee Dorsey, "London Town" by Pretty Things, "Are You A Boy Or Are You A Girl" by The Barbarians, "I'm Alive" by The Hollies, "Leaving Here" by The Birds, and "Twine Time" by Alvin Cash & The Crawlers. (Rock, Soul) CD

Mellow soul heaven – and one of the greatest compilations of this style we've ever heard! This is exactly the kind of laidback, tripped-out soul we totally love – a host of rare ballads and love songs pulled from the 45 underground of the late 60s and early 70s – sometimes by groups who are better known for funky tracks, other times by overlooked harmony groups and solo singers who rival the greatness of east coast artists like The Moments or Whatnauts! Titles include "I Don't Think I'll Ever Love Another" by Darling Dears, "Slippin Around" by Thomas East, "Since You've Been Gone" by Little Janice, "Love" by Black Conspirators, "What Am I Waiting For" by Black Exotics, "Who Do You Think You're Fooling (part 1)" by Symphonic Four, "I'll Find A True Love" by Lee Bonds, "Young Girl" by Jazzie Cazzie & The Eight Sounds, and "Is It Me You Really Love" by Black Velvet. (Funky Compilations, Soul) LP, Vinyl record album