... LP, Vinyl record album

... LP, Vinyl record album

Gritty funk from East Of Underground – an uber-obscure LP recorded in 1971 by a group of US Army serviceman at the Armed Forces Network studios in Frankfurt, Germany – originally used as a recruiting tool during the Vietnam war! Given the strength of the set, we wouldn't be surprised if plenty of folks signed up for a tour of duty after hearing it – as the set cooks like some of the best American funk from the indie 45 world at the time. The production is nice and dark – with an echoey quality that makes us guess the album was a live recording – done by American servicemen with the feel of some backroom funk show from the Indy or Ohio scene of the 70s. Some of the tracks are familiar numbers from American hits – but redone here with a nicely gritty feel – and titles include the awesome medley "Bet'Ya Never Lose My Love California Dreamer" – plus "Higher", "Smiling Faces", "Hell Below", "Getting Over", "Popcorn/Santana", "I Love You", "Java Girl", and "Walk On By". LP, Vinyl record album

A legendary record from one of the most unique Latin groups of their time! In an early 70s world where many Latin combos were going for class and poise, the Ghetto Brothers moved in another direction entirely – working here with a fair bit of electric guitar alongside more familiar Latin rhythms – all to push along some wonderfully soulful vocals! The record's got a very different feel than most east coast Latin work of the time – one that's a bit like some of the Chicano soul of the west coast, but not nearly as smooth, and with a definite nod towards both funk and singer/songwriter work of the mainstream! The guitar's really upfront in the mix – riffing off at the start of most tracks – and the vocals have a slightly sweet quality, supported by harmonies from the rest of the group at times – making for a wicked blend of modes that's extremely compelling. A record that's as filled with soul and feeling as it is with hard-edge groovers – featuring titles that include "You Say You Are My Friend", "Ghetto Brothers Power", "I Saw A Tear", "Girl From The Mountain", "There Is Something In My Hearth", "Got This Happy Feeling", and "Viva Puerto Rico Libre". (Latin, Soul) LP, Vinyl record album

Crucial cuts from The Investigators – a UK lovers rock group, but one who borrow plenty from American soul as well – as you might guess from their look on the cover, which almost makes them appear like some east coast indie act from the early 80s! The rhythms are definitely reggae on most tracks, but they're blended with a warmer modern soul style too – easygoing, in true lovers rock style – and given some great vocals from lead singers Michael Gordon and Lorenzo Hall. Titles include remakes of "Close To You" and "How Could I Let You Get Away" – plus originals "Run Away Child", "Marley's Gone", "Baby I Am Yours", "Turn Out The Light", "Living In A World Of Magic", and "Woman I Need Your Loving". LP, Vinyl record album

The first-ever full length album of work by Candy & The Kisses – a really great east coast girl group who recorded these tracks for Scepter Records in the mid 60s! The trio are great – and have a way of snapping sweetly and hitting a groove that might have sounded very familiar with a bit of Motown polish, but which is maybe even nicer here with some looser handling by Scepter – a nice sort of bite that's a bit like The Exciters at times! The label only issued a few singles by the group back in the day, which means that eight of the tracks here are previously unissued, and one more was only ever released as a promo track – brought together to give the world a long-overdue full picture of this really lovely group from Staten Island. There's a number of early Ashford & Simpson compositions in the mix – and titles include "The Last Time", "Out In The Streets Again", "I'll Settle For You", "Let Love Win", "Together", "Are You Trying To Get Rid Of Me", "Looky Looky What I Got", "Keep On Searchin", "You Did The Best You Could", "Smokey Joe's", and "One Sweet Kiss". LP, Vinyl record album

The setting is the Golden Gate, but the sound is pure Philly International – a rare early live performance from the label, featuring some of its key vocal heavyweights working here with live accompaniment from MFSB! Although the instrumental group backed Philly artists often in the studio, this 1973 concert marks the only time they worked live with the singers – in a stunning showcase for the young label, performed as part of a Columbia Records convention in San Francisco! Given the setting, and the uniqueness of the whole event, the release of this rare material is a treasure for soul fans of many generations – a rare addition to the amazing run of music the label first started giving us at the time. The set begins with MFSB doing a version of "Freddie's Dead" – then runs into Harold Melvin & The Blue Notes singing "I Miss You", "The Love I Lost", and "If You Don't Know Me By Now" – followed by Three Degrees on "I Didn't Know" and "Dirty Ol Man". MFSB then follow with "TSOP", then Billy Paul sings "East" and "Me & Mrs Jones", and the set ends with The O'Jays on "Love Train", "Sunshine", "Back Stabbers", and "When The World's At Peace". LP, Vinyl record album

We don't know much about Bill Brown and his group – but they're a fantastic lost act from the 70s, and one who have a fantastic way of mixing warm soul harmonies with some very sharp grooves! The rhythms are pretty upbeat on most tracks, but the vibe is before the disco and club years – that special moment when funk musicians were able to move quick, and never lose their groove – and singers like Bill were able to slide into the mix and really soar with their vocals! We've never heard any of these cuts before, and the whole thing is like discovering a lost chapter of 70s soul that we'd completely missed – one that we'd rank right up there with some of the hippest east coast group soul of the time. Titles include "Bip Bam (parts 1 & 2)", "Stay Off The Moon", "Sock It To The Landlord", "Rainbow", "Time After Time", "Fool-Ology", "Love Under The Apple Tree", and "Dreamworld Fantasies". Also includes an instrumental of "Time After Time" – and a Billy Wilson version of "Fool-Ology". LP, Vinyl record album

The title's almost redundant – as the words "Westbound" and "Funk" mean virtually the same thing! From the late 60s through the mid 70s, Westbound was one of the key record labels in the sound of raw heavy funk – working with hit groups like Funkadelic and the Ohio Players to craft a sound that laid the blueprint for countless other groups of the time, and also featuring a wealth of obscurer artists with an even harder-hitting sound! The key styles of Westbound and related jazz label Eastbound were heavy and fuzzy ones – picking up off the heady and trippy styles of the late 60s Detroit scene, mixing things up with MC5 guitars, Norman Whitfield bass, and deep underground Tribe-styled jazz touches. This 20 track masterpiece is a brilliant summation of the important Westbound sound – and includes a few hits, some funky 45 classics, and an even bigger number of tracks we might not have heard otherwise! The notes are great, the tunes are super-funky, and the whole thing's one of the best funky collections you could ever hope to purchase. Titles include "You're Messing Up My Mind" by Albert Washington, "Back To Funk" by Robert Lowe, "You Caught Me Smilin" by The 19th Whole, "Conga Man" by King Errison, "Shake Your Head" by Spanky Wilson, "I Love You" by The Motivations, "I Don't Know What It Is But It Sure Is Funky" by Mighty Elegant, "Crazy Legs" by Donald Austin, "Stone Thing (part 1)" by Alvin Cash, "RPM" by Boots, "Funky World (part 1)" by Silky Vincent, "Get Funky Sweet A Little Bit" by Jackie Harris & The Exciters, "I'll Bet You" by Funkadelic, and "Why Not Start All Over Again" by The Counts. (Funky Compilations, Soul) LP, Vinyl record album

Early work from the great Willie Hutch – a set that's different than his more famous Motown music of the 70s, but which already shows a nicely ambitious approach! Willie's a warmer, sweeter-voiced singer here – working through some great original tunes of his own, plus a few well-chosen classics – all in a mix of soul and strings that definitely grooves, but which could also have gotten Hutch some bigger exposure in the larger music world as well. A few numbers are almost more in a jazz vocal territory – or at least in territory of artists like Lou Rawls or Arthur Prysock – while others have the righteous energy of Willie's later sound too. The arrangements are by Rene Hall and Perry Botkin Jr – and titles include "Season for Love", "The Shortest Distance", and "Trying To Understand A Woman", plus covers like "Hurt So Bad" and "Twelfth of Never". LP, Vinyl record album