A super-huge moment for Miami funk guru Peter Brown – a record instantly recognized by the silhouetted cover image of a perky nude in a window on the front, and for the very famous title hit, "Do You Wanna Get Funky With Me?" Despite its hit status, the record's actually a pretty nice example of Brown's talents – with plenty of spare cuts that feature keyboards, percussion, and synth – plus some occasional vocals by Betty Wright, Pat Hurley, or the vocal group Wildflower. Titles include "Do You Wanna Get Funky With Me", "Dance With Me", "Without Love", "Fantasy Love Affair", "You Should Do It", and "For Your Love". CD features the bonus track "Dance With Me (7" mix)". CD

A super-huge moment for Miami funk guru Peter Brown – a record instantly recognized by the silhouetted cover image of a perky nude in a window on the front, and for the very famous title hit, "Do You Wanna Get Funky With Me?" Despite its hit status, the record's actually a pretty nice example of Brown's talents – with plenty of spare cuts that feature keyboards, percussion, and synth – plus some occasional vocals by Betty Wright, Pat Hurley, or the vocal group Wildflower. Titles include "Do You Wanna Get Funky With Me", "Dance With Me", "Without Love", "Fantasy Love Affair", "You Should Do It", and "For Your Love". LP, Vinyl record album

The monumental debut of BT Express – and an excellent funk album that often gets overlooked by fans of the music because of the band's bigger fame as a disco group! This first record has the combo grooving hard and instrumentally – in the mode of a tight blacksploitation soundtrack, with plenty of tight wah wah guitar riffing, conga beats, and funky flute and sax – topped off by just the right amount of strings to make the set soar even more! The album's best known for the title track "Do It (Til You're Satisfied)" – which was a big hit, but is still an excellent groover – and the set also includes loads of other great cuts too – like "Express", which was the original song that the created the JBs' response track "Monorail"; "This House is Smokin'", which has lots of funky descending horn bits; and other great tunes that include "Mental Telepathy", "If It Don't Turn You On", and "Do You Like It". LP, Vinyl record album

The monumental debut of BT Express – and an excellent funk album that often gets overlooked by fans of the music because of the band's bigger fame as a disco group! This first record has the combo grooving hard and instrumentally – in the mode of a tight blacksploitation soundtrack, with plenty of tight wah wah guitar riffing, conga beats, and funky flute and sax – topped off by just the right amount of strings to make the set soar even more! The album's best known for the title track "Do It (Til You're Satisfied)" – which was a big hit, but is still an excellent groover – and the set also includes loads of other great cuts too – like "Express", which was the original song that the created the JBs' response track "Monorail"; "This House is Smokin'", which has lots of funky descending horn bits; and other great tunes that include "Mental Telepathy", "If It Don't Turn You On", and "Do You Like It". CD features two bonus tracks – the original 7" single versions of "Express" and "Do It". CD

The monumental debut of BT Express – and an excellent funk album that often gets overlooked by fans of the music because of the band's bigger fame as a disco group! This first record has the combo grooving hard and instrumentally – in the mode of a tight blacksploitation soundtrack, with plenty of tight wah wah guitar riffing, conga beats, and funky flute and sax – topped off by just the right amount of strings to make the set soar even more! The album's best known for the title track "Do It (Til You're Satisfied)" – which was a big hit, but is still an excellent groover – and the set also includes loads of other great cuts too – like "Express", which was the original song that the created the JBs' response track "Monorail"; "This House is Smokin'", which has lots of funky descending horn bits; and other great tunes that include "Mental Telepathy", "If It Don't Turn You On", and "Do You Like It". CD features two bonus tracks – the original 7" single versions of "Express" and "Do It". CD

An obscure little set, but a great one too – a joint effort from Charles and Barbara Burton – served up with a really wonderful blend of upbeat club and modern soul modes! The album's got all the indie soul charm you'd expect from its title and cover – a simple, straightforward approach to the music that's often got lots of personal touches and genre-crossing moments – a great antidote to more mainstream soul of the time, but done with a fair bit of skill throughout! Instrumentation includes some great keyboards next to Barbara's vocals – and a few numbers feature chorus vocals that come across with an especially shimmering kind of sound. Titles include "LA Will Make You Pay", "Sincerely Yours", "Who You Gonna Get", "You Know I Love You", "Groovin At The Night Club", and "Nation Song". CD

Incredible work from Bobby Byrd – the man who was literally standing in the shadow of James Brown during the 60s – given how many times Bobby appeared with James on stage, and worked with him in the studio! Yet despite that near-lifetime association with The Godfather, Bobby's a hell of a singer on his own – definitely in the JB mold, but with a voice that can sometimes sweetly crackle in a very personal style – and also open up into different themes that sometimes move his music more towards Stax or Atlantic than some of James' King Records material from the time! All that range and plenty more is presented here – in an overlooked side of Bobby's career – all the wonderfully strong solo tracks he recorded with James Brown as a producer – issued in the mid 60s by the Smash and King Records labels, and a hell of a discography on its own. In fact, had Byrd not worked with James, we'd maybe guess that he would have hit even bigger fame on his own with these singles – such is the quality in both the vocals and overall presentation. This is the first time this material has ever been pulled together like this – and most of it has never been reissued at all – and the 24 track CD is overflowing with great notes that also give Bobby his due. Titles include "Write Me A Letter", "I Found Out", "Ain't No Use", "I'm Just A Nobody (parts 1 & 2)", "Lost In The Mood Of Changes", "You're Gonna Need My Lovin", "Let Me Know", "Time Will Make A Change", "No One Like My Baby", "Funky Soul (parts 1 & 2)", "You Gave Me Heart A Song To Sing", "My Concerto", and "I'm Lonely". CD

A label-spanning look at the music of Terry Callier – one that starts with his folksy roots, runs through his sublime soul at Chess, and ends with some of his overlooked modern soul numbers from the early 80s! There's been a few other Callier collections on the market, but this one's got the best vibe of all of them – as it really goes out of its way to paint the full picture of Terry's unique music – by weaving together tunes that touch on his strongest moments of genius, and mixing those with some surprising gems that haven't been reissued before! Especially rare bits include the previously unissued "Hangman" – recorded for Cadet in the early 70s; a 45 mix of "You're Going To Miss Your Candyman"; the Erect Records cuts "I Don't Want To See Myself Without You" and "If I Could Make You Change Your Mind", both only issued on 12" single; and the early soul 45 "Look At Me Now". Other tracks include "It's About Time", "Dancing Girl", "Occasional Rain", "Martin St Martin", "Until Tomorrow", "I Don't Want Nobody Else", "Turn You To Love", "Be A Believer", "What Color Is Love", and "Ordinary Joe". CD

A label-spanning look at the music of Terry Callier – one that starts with his folksy roots, runs through his sublime soul at Chess, and ends with some of his overlooked modern soul numbers from the early 80s! There's been a few other Callier collections on the market, but this one's got the best vibe of all of them – as it really goes out of its way to paint the full picture of Terry's unique music – by weaving together tunes that touch on his strongest moments of genius, and mixing those with some surprising gems that haven't been reissued before! Especially rare bits include the previously unissued "Hangman" – recorded for Cadet in the early 70s; a 45 mix of "You're Going To Miss Your Candyman"; the Erect Records cuts "I Don't Want To See Myself Without You" and "If I Could Make You Change Your Mind", both only issued on 12" single; and the early soul 45 "Look At Me Now". Other tracks include "It's About Time", "Dancing Girl", "Occasional Rain", "Martin St Martin", "Until Tomorrow", "I Don't Want Nobody Else", "Turn You To Love", "Be A Believer", "What Color Is Love", and "Ordinary Joe". CD

A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album

A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album

A really obscure soul trio from the New Jersey scene of the 70s – and one who've got a nicely rough-edged approach to their harmonies! The record's definitely in the grittier side of the scene – more funky 45 production overall, and a nice current of funk on the record at times too – mixed with some of the mellower sweet soul styles that Jersey groups were delivering at the time! The approach is a bit like a more streamlined approach to territory that Soul Generation were hitting at the time – and titles include "Trespassin", "I Can't Take No Chances", "Crying Shame", "Love For My Girl", "Taking All The Love I Can", "I Caught You Cheating", and "Birth Of A Playboy". LP, Vinyl record album

A seminal set from the wonderful Clark Sisters – and a record that really has them bringing in a lot of secular soul to their spiritual message – all at the level that would soon make them explode in both the worlds of gospel and R&B in the 80s! The vocals alone are incredible – uplifting and powerful – trained in gospel, but very open to 70s soul expressions too – especially on the upbeat tracks that really make the record shine – in the mix of clubby rhythms and soaring vocals that would soon become the key calling card of the Clark Sisters! Elbernita Twinkie Clark handled most of the music and arrangements – and titles include the soaring club classic "Everything's Gonna Be Alright" – plus "Only Believe", "Nothing To Lose All To Gain", "God Understands All", "Determination", and "My Cup Runneth Over". (Gospel, Soul) LP, Vinyl record album

A fantastic bit of UK soul from the early 90s – a set that was initially only issued as a white label promo, but which has a classic sound that takes us back to the days of Omar and Soul II Soul! The production is nice and lean – a bit in the homegrown style used on Omar's debut – and the rhythms have that nicely chunky quality that the UK was putting forth at the time, in a way that's nicely different than mainstream US R&B, especially of the new jack generation – all a perfect fit for the way that Rick Clarke can sweetly deliver a lyric in collaboration with guests who include Gina Foster, Imaani, Easton, Jill Francis, and others. The guests really help give the record that upbeat vibe from the UK soundsystem mode of the time – often way more collaborative than US soul – and titles include "Share My Love", "Do What We Gotta Do", "Fantasy", "Love Don't Strike Twice", "I Like To Party", and "Gonna Make You Happy". LP, Vinyl record album

Post Funkadelic and Parliament work from George Clinton – an assortment of tracks from a variety of Columbia and Sony-related albums by artists who include Sweat Band, Mutiny, Junie, Bootsy Collins, Mico Wave, Philippe Wynne, and the P-Funk All-Stars! Most of the material here has an early 80s sort of feel – that second wave of P-Funk inspiration after so many other groups were grabbing the Clinton groove – and bass is especially upfront in the mix on most of these numbers, topped with vocals that are definitely in the style first encouraged by George back in the day. Titles include "Funky Kind" and "If Anybody Gets Funked Up" by George Clinton & The P-Funk All Stars, "Leakin" and "Party On Plastic" by Bootsy Collins, "Lump" and "Funk N Bop" by Mutiny, "Rappin About Rappin" and "Love Has Taken Me Over" by Junie Morrison, "Instant Replay" by Mico Wave, "Freak To Freak" by Sweat Band, "Breakout" and "Never Gonna Tell It" by Philippe Wynne, and "One Of Those Summers" and "Pumpin It Up" by P-Funk All Stars. CD

Hey, don't hold Wayne Cochran's hair against him – because he's one massively soulful dude, despite a high white pompadour – and really knew how to rock the clubs back in the 60s! Cochran's a really unique figure – working with a look that was whiter-than-white, but coming across with a groove that was right up there in the best funky soul mode of the time! Wayne played for the same sort of crowds that went to see Baby Huey & The Babysitters – blending together soul and R&B influences with a really party-oriented groove laid down by his legendary CC Riders backup group – and crossing countless borders along the way, all in pursuit of a socking soul sound! This wonderful set is the best we've ever seen on his music – and features tracks pulled from his sessions for King, Chess, and Mercury – plus a full never-issued live album for King, titled The Wayne Cochran Show. There's more than a few covers here of other 60s soul tunes, but Wayne somehow manages to make most of them sound even better than the originals – bringing in funky arrangements that weren't even used on the hits, and making us wish we'd had a chance to catch his cooking show back in the day. 38 tracks in all – with titles that include "Dance To The Music", "Hold On I'm Coming", "Fa Fa Fa Fa Fa (Sad Song)", "I Can't Turn You Loose", "Hard To Handle", "Chopper 70", "Everybody", "Let Me Come With You", "My Machine", "Get Ready", "Which One Should I Choose", "I'm In Trouble", "The Peak Of Love", "Somebody Please", "I'm Leaving It Up To You", and "Big City Woman". CD

Two rare European records from Freddy Cole – best known to most of us in the US as a jazz singer! One More Love Song is surprisingly soulful set from Freddy – quite different than some of the straighter jazz vocals he's cut over the years! This rare gem was recorded in The Netherlands in the mid 70s – and features backings from Jerry Van Rooyen and Tony Noite, both of whom mix jazzy inflections with fuller orchestrations – helping to bring Cole's rich background into a whole new light! Freddy's voice still has that wonderful trademark rasp – familiar to, yet quite different than brother Nat – and the use of some smoother soul modes makes for a really great contrast. Titles include "One More Love Song", "I Loved You", "I Need You So", "Still Wanna Be With You", "Isn't She Lovely", and "Here Is Where Your Love Belongs". Right From The Heart has Freddy Cole taking on a mix of adult ballads and some groovier numbers – set to arrangements by John Gally, Hennie Bekker, and Steve Gray – and recorded in London with a nicely mature feel. There's a bit of polish to the production, especially on the more upbeat cuts – but the mellower numbers still have Cole singing in a great old school mode. Titles include "The Girl From The Piano Bar", "To Be With You", "Teach Me Tonight", "Summer Love", "Somewhere Down The Line", and "Right From The Start". (Vocalists, Soul) CD

One of the less-remembered acts of the Solar Records west coast soul scene – but a great one too – and a group who step out beautifully on this killer set, thanks to great production help from The Whispers! Collage themselves have a tight, funky approach – heavy on basslines and keyboards, and almost setting the stage for Midnight Star – but they also have a nice sense of soul that The Whispers really bring out, especially on the mellower cuts, which may well be our favorites on the record. Titles include the wonderful slow stepper "Feelings" – a complete transformation of the hit to a slow jam soul classic – plus "Money In Your Pocket", "When You Smile", "Special Occasion", "Do You Like Our Music", and their cover of "Groovin". CD features bonus tracks "Groovin (single version)" and "Money In Your Pocket (single)". CD

Smoking Hammond work from the young Dave Cortez – sounding grittier here than on some of his other albums of the time – less pop, and almost with a soul jazz vibe overall – especially given some of his snakey solos! The record may be the closest that Cortez ever came to sounding like Jimmy McGriff – and the backings are tight and soulful, very similar to McGriff at Sue Records – handled by Henry Grover, who also produced. There's an uncredited tenor player on the record who's mighty nice – and a few cuts feature cool female backing vocals – and titles include "Belly Rub (parts 1 & 2)", "In Orbit", "Countdown (parts 1 & 2)", "Sticks & Stones", and "Peg Leg". LP, Vinyl record album

A surprisingly great set of new recordings from Bill Curtis, founding member of Fatback – done here in a style that nicely links together a few different strands of the Fatback sound! Some cuts have the funky groove of the early years, especially the Event Records era – while others have that tighter soul approach of the time when Fatback were really riding the crest of their popularity – a great mix that mostly comes off with sort of an early 80s soul quality overall – production that's still more than rough around the edges to let the soulful side of Fatback come through! The "friends" listed include Willie Bridges, Gerry Thomas, Isabella Gordon, Quenetta Simpson, and others – and titles include "Truckin", "All About U Baby", "Gooshy Sushi", "He's A Player", "Open House", "Dem Words", and "Do It To Me Now". CD

The title's a great one – as Tyrone Davis has always had it, and has never lost it – but he sounds especially wonderful here during his legendary run for the Dakar/Brunswick label, where he was really able to forge a unique groove! Davis' vocals are wonderful – proud and powerful, but with this little rasp that brings in a great sense of humanity – and the backings are soaring in a Chicago soul style, but have a few bluesy undercurrents that really show off the west side roots of Davis. Arrangements are by Gene Barge, Tom Tom Washington, and Jerry Long – and titles include "I Had It All The Time", "Your Love Keeps Haunting Me", "After All This Time", and "Was I Just a Fool" – all great songs about love lost and love's worries! CD

Sam Dees was one of the greatest unsung talents in 70s soul music – an important writer, arranger, and general background talent who helped so many other singers hit the heights – but who hardly ever issued much work under his own name! Apart from key singles and an important album on Atlantic, the recorded legacy of Dees isn't what it should be – given his impact on music, especially deep soul – but fortunately, sets like this have come along to correct that lack! As part of Sam's creative process, he would often record songs first on his own – not as rough demo tracks, but as surprisingly well done studio versions to illustrate the material – tracks that were often better than later versions of his tunes, and most of the other commercial soul on the market. This sweet set brings together 12 of those tracks – private recordings from Sam, of songs he'd later give to singers like Loletta Holloway, Ben E King, and others – an essential record from the great Dees, pressed up on super-heavy vinyl! Titles include the previously unissued "Married But Not To Each Other" – plus "Good Guys Don't Always Win", "Who Are You Gonna Love", "Con Me", "Only Lonely People", "False Alarms", "Standing In The Wings Of A Heartache", "The World Don't Owe You Nothing", and "Black Tattler". LP, Vinyl record album

Smooth jazzy work from Deodato – a record that takes off from his electric keyboard work of the early 70s, and shows his growing interest in modern soul and R&B a the time! Deodato's still a few years way from some of his famous soul production work, but he's already got a great ear for a groove – and works in a style that's tight, but never too slick – the best Joe Sample or Crusaders territory, but even more groove oriented too. You can definitely hear Deodato's growing taste for modern soul here – especially on the seminal club jammer "Whistle Bump", which is a tight keyboard-driven groove, with some sweeping strings underneath wah wah guitar. The cut's the real standout on the album – although there's a few other nice moments, like "Space Dust" and "Lovely Lady", which has a great mellow Bob James-ish sound. (Jazz, Soul) LP, Vinyl record album

Two Capitol classics from the great Gene Dunlap – back to back on a single CD! First up is It's Just The Way I Feel – a classic soulful fusion album recorded and released during the crucial years of the "Capitol Rare" sound! Gene Dunlap is a jazz drummer at heart – but he's got a flair for the modern soul song – and in the same style as Norman Connors or Harvey Mason before him, he manages to put together a strong record of grooves and ballads from behind the kit! The strongest point of the record is work by The Ridgeways, a female soul trio who sing on the best tracks, giving them a smooth Jones Girls-ish kind of sound. The album includes two modern soul classics – "Before You Break My Heart" and "It's Just the Way I Feel" – plus "Love Dancin", "Rock Radio", "I Got You", and "Surest Things Can Change". Party In Me is wonderful work from Gene Dunlap – a jazzy soul drummer, and also a maestro with a killer ear for a modern soul groove! The album's got a mix of grooves and sophistication that are a bit like the best early 80s material from Roy Ayers – never chartbound, and never too commercial – but nice and tight, and really well put together! The instrumentation has plenty of jazzy 80s groove touches – especially in the keyboards – and Dunlap does a nice job of balancing up beat tracks with the mellow moments we love so much in his work. Vocals are from a variety of singers – including the great Ethel Beatty, who'd sung with Roy Ayers – plus Phillippe Wynne, Pam Lawson, and Gene himself – and titles include "Something Inside My Head", "Something Special", "Corner Pocket", "There Will Never Be Another (Like You)", "Party In Me", "Jam City", and "This One's On Me". CD

Earth Wind & Fire cut this one a few years before the actual turn of the century – but that's a-ok with us, because Maurice White & company were always years ahead of their time! The record steps nicely off the modes used by EWF during the 80s – the tighter, more focused approach to the groove that showed up on their later Columbia sides, but which was still quite a bit better than most of their contemporaries – especially the legions of groups who grew up to copy their sound through the years! Production and percussion are a bit 90s-sounding, but surprisingly undated years later – thanks to a continuing commitment to righteous themes and jazz-based flourishes in the tunes – as well as some nice use of kalimba interludes to give the record occasional earthy moments! Philip Bailey still holds sway on some of the mellower ballads – and titles include "Even If You Wonder", "Sunday Morning", "Blood Brothers", "Divine", "Honor The Magic", "Super Hero", "Just Another Lonely Night", "Love Across The Wire", and "Chicago Blues". CD

A really unique record, and one with a very unusual pedigree – as the group features key members of some acts from the Ivory Coast in the late 70s, mixed with various Motown session players in the studio – all in a way that offers up a completely different take on Cali soul from the time! The African artists contribute a lot of vocals and work on kora that's especially beautiful – and the other players are led by Gregg Middleton on bass, who also does all the arrangements – and the combo features Ernie Fields on saxes, Nolan Smith on trumpet, and Fred Wesley on trombone! Every song has a nicely different flavor – and titles include "Fasso", "Sing A Happy Song", "Desire", "I Love All", and "Mogofindeou Sopeunte". (Global Grooves, Soul) LP, Vinyl record album

A really beautiful album of harmony soul – and a set that we'd already love for its music, even if the group didn't have an interesting story! Edge Of Daybreak are part of a small sub-culture of 70s soul groups – an ensemble who existed behind prison bars, like Power Of Attorney or The Escorts – and like both of those groups, they've got an amazingly strong sound – one that goes way beyond their incarcerated status, and which should have made them (like the other two) worthy of greater attention in the outside world! The material was recorded in 1979, but it's got a fragile early 70s vibe – maybe because that was the last time these guys heard work in the mainstream – and the voices come together with a style that's proud, but quite heartbreaking at times too – a bit like The Whatnauts on their best ballad material. If you dig harmony soul, you'll find plenty to love here – especially if you like early 70s material from Philly and New Jersey – and don't even worry about the behind bars gimmick, because the record has way more to offer than that! Titles include "Let Us", "Eyes Of Love", "I Wanna Dance With You", "Bring Me Down", "Edge Of Daybreak", and "Your Destiny". CD

Wonderfully groovy soul from The Entertainers – a group who's recording here strongly for the beach music scene in the Carolinas, but who have an appeal that's much more universal! The tunes are mostly in an upbeat, midtempo mode – with a gentle bounce and a nice sort of step in the rhythms – that sweet groove that shows up in the best beach music classics – and which The Entertainers really have a lock on for this set! But there's also a warmer, more seductive feel going on too – a groove that fits in nicely with some of the early 80s modern soul work of the indie underground – and which helps get this album past any overdone cliches you might expect from the Carolinas – especially on some of the numbers that have a nicely compressed, almost poppish approach to the vocals. There's a depth here that makes the record way more than just a bunch of simple steppers for the dancefloor – and titles include "Hot On A Thang", "Pour Your Little Heart Out", "It's Not What You Got", "I'm Leavin", "In This Moment", "I Won't Cry Anymore", "What Are We Gonna Do", "Livin For The Summer", "Kidnapper", and "I'm In Love With You". LP, Vinyl record album

Wonderfully groovy soul from The Entertainers – a group who's recording here strongly for the beach music scene in the Carolinas, but who have an appeal that's much more universal! The tunes are mostly in an upbeat, midtempo mode – with a gentle bounce and a nice sort of step in the rhythms – that sweet groove that shows up in the best beach music classics – and which The Entertainers really have a lock on for this set! But there's also a warmer, more seductive feel going on too – a groove that fits in nicely with some of the early 80s modern soul work of the indie underground – and which helps get this album past any overdone cliches you might expect from the Carolinas – especially on some of the numbers that have a nicely compressed, almost poppish approach to the vocals. There's a depth here that makes the record way more than just a bunch of simple steppers for the dancefloor – and titles include "Hot On A Thang", "Pour Your Little Heart Out", "It's Not What You Got", "I'm Leavin", "In This Moment", "I Won't Cry Anymore", "What Are We Gonna Do", "Livin For The Summer", "Kidnapper", and "I'm In Love With You". CD

There's three Evas on the cover, three Evas in the name, and three Evas in the group – a trio of Italian singers whose voices work together in a playful blend of disco and pop! There's almost an Abba-like appeal to the music – really catchy tunes that are unabashedly poppy – upbeat rhythms that borrow plenty from disco, but aren't afraid to add in some other touches too – with some especially cool hints at the Italian cosmic club approach to come on a few more moogy moments! Titles include "Invasione", "Tennis Club", "Argentina", "Love Me Please Forever", "Do", "Vedrai", and an Italian cover of "Stayin Alive"! LP, Vinyl record album

A never-heard album from this excellent Detroit vocal group – recorded for Motown at the end of the 60s, but appearing here for the first time ever – and compiled with lots of bonus tracks from the vaults! The Fantastic Four never hit the bigger heights of some of the big Motown male groups of the 60s – but in some way, especially at this time in the label's history, they were a much more cohesive, organic ensemble – one that's a bit like The Originals in their strong commitment to great harmonies, and ability to always hold onto their own sort of personality, even amidst the larger Motown production machine. As with most great "lost" projects, we're not sure why this record never saw the light of day – because every aspect is great, from the vocals down through the arrangements and instrumentation – and although a few shorter singles came out over the years the rest of the set is wonderful – and matched here by another 13 rare bonus tracks, including many other unreleased singles! Titles include "A Little Too Much", "We Can Work It Out", "Take Him Back If It Makes You Happy", "You Turn Me Around", "I Feel Like I'm Falling In Love Again", "How Big Is Your Heart", "It Keeps Raining Down Tears", "In A Bad Way", "Fan The Flame", "I Shall Not Be Moved", "Double Cross", and "Loving You Is Hurting Me". CD

A great set of tracks that shows an oft-hidden side of The Fatback Band – their talent for smooth, mellow numbers! Despite the fame of the group as a funky act and as dancefloor favorites, they could kick back and lay out a good ballad or a love song when they wanted to – something they did once or twice an album on their sides for the Spring label, from which the 10 tracks on the CD are pulled. The approach is a great one – as the group have a sweet sound that's perfect for mellow harmonies, drifting as effortlessly here as the band grooves on their funkier numbers. Titles include "Oh Girl", "She's My Shining Star", "I'm So In Love", "Please Stay", "I Found Lovin", "Sunshine Lady", "At Last", "Can't You See", "Is This The Future", and "Do It To Me Now". CD

A really well-chosen set of classic Afro Funk records from Fela Kuti – hand-picked by Idris Elba, and brought together in this limited box set! Open & Close is an early classic from Fela Kuti & Africa 70 – the kind of early 70s record that helped both the leader and the group establish themselves as a global powerhouse of funk and soul! The set begins with the side-long "Open & Close" – a righteous tune that's driven onward by lots of tight drums from Tony Allen – young, focused, and completely amazing here – while Fela delivers all these madly leaping electric piano lines amidst the super-sharp horn section – all moving instrumentally for many minutes before the vocals come into play! Side two features two shorter tracks, but still nice and long in comparison to most funky groups – the wonderful "Swegbe & Pako" and "Gbagada Gbagada Gbogodo Gbogodo" – tunes that really send the record over the top! Fela teams up with vibist Roy Ayers on Music Of Many Colors – one of the best soul collaborations ever – a whopping album that brings together the best sides of these monster soul talents of the 70s! In keeping with Fela's work, the tracks are long and Afro-tinged, with a complicated groove that grows over the length of the track. And in keeping with Roy's work, the album has a sweet soulful feel, with lots of nice jazzy touches, cool vibes, and great vocals by Roy. Two long tracks, both classics: "2000 Black" and "Africa, Center of the World". Opposite People is seminal work from one of Fela's most crucial periods – recorded at a time when his soul was the deepest! The album features 2 long tracks – "Opposite People" and "Equalisation Of Trouser & Pant" – and they both have beautiful spooky keyboards in the instrumental passages, then leap into hard soul vocals by Fela. Tremendous stuff – done in a style that shows that no matter how many people cop or remake Fela's sound, he's still the best one to do it! The rare Stalemate album features the side-long tracks "Stalemate" and "Don't Worry About My Mouth" – both really hard-driving numbers, with a fantastic mix of vocals and grooves! Live In Amsterdam is an excellent live set from Fela – one that shows that he was still very capable of going over the top during the 80s! The set's a double LP – and it features 4 great numbers by the group, with Fela on soprano sax, piano, and organ, and plenty of other great work on tenor, alto, and trumpet. Titles include "Gimme Shit I Give You Shit", "Custom Check Point", "Movement Of The People", and "Political Statement Number 1". I Go Shout Plenty is a great one from Fela – with a date of 1986, but a sound that's pure late 70s! The record features 2 long tracks – "I Go Shout Plenty" and "Why Black Man Dey Suffer" – and they're both hard groovers with a strong political feel. "Why Black Man" is especially nice, and has some great keyboard riffing in the middle, with that great tinny sound that you'll hear on the best Fela albums. One that we almost never see – and issued on the Decca subsidiary Afrodisia. (Global Grooves, Soul) LP, Vinyl record album

One of the most compelling Fela albums of the 70s – and one that's got a very different feel than some of his others. The album features one long track – "Coffin For Head Of State" – and although the track still has the usual Fela staples of horn riffs, chopping vamps, and electric piano – it's also got a sad dirge-like sound that is incredibly soulful, and filled with sorrowful emotion that you don't normally catch on Fela's albums. Side two is especially great – as it's mostly instrumental, and features some great interplay between a spacey electric piano and the horn section. (Global Grooves, Soul) LP, Vinyl record album

A pair of albums from saxophonist Wilton Felder – back to back on a single CD! We All Have A Star offers up solo sounds from Crusaders reedman Wilton Felder – a really great set that's very much in the best vibe of his larger group at the time – yet one that also offers up a stronger focus on Wilton's sublime solo work on tenor! The album's got plenty of Crusaders help on board – given that Stix Hooper and Joe Sample produced the set along with Wilton – and the vibe's a wonderful blend of electric backings, with especially great keyboard lines, and Felder's well-phrased saxophone lines over the top! A few cuts feature vocals – sung by Angela Bryant or Debbie Demoia Ross – and titles include "We All Have A Star", "I Know Who I Am", "The Cycles Of Time", "Why Believe", "Ride On", and "You & Me & Ecstasy". Inherit The Wind is one of the best Crusaders-related solo projects – a soulful bit of fusion from saxophonist Wilton Felder, co-produced with his fellow Crusaders! The album's got the best sunny finish of the group's late 70s albums – traces of Latin, funk, and soul bubbling through a warm jazzy mix – staying soulful all the way through, and coming up with a sound that's smooth, but never sleepy. The blueprint for a million other records – none of which ever sounded this good! Titles include "Insight", "LA Light", "Until The Morning Comes", "Someday We'll All Be Free", and "Inherit The Wind". (Jazz, Soul) CD

An amazing record! By all rights, this shouldn't be so good – but it's an incredible album of haunting tracks that really has us coming back again and again over the years. The formula is simple: Jose plays late 60s pop tunes on acoustic guitar, and sings them in his spacey soulful voice. Backings are by George Tipton, plus a jazz combo made up of Jim Horn, Ray Brown, and Milt Holland – but it's Jose that really makes the whole thing amazing! His style of presentation is like anything else we can describe – filled with sadness and soul, but enough joy to keep moving forward. He takes tracks like "Light My Fire", "In My Life", "Sunny", and "California Dreamin", and transforms them into an amazing document of the darkness hidden behind the sun of southern California. "California Dreamin" is especially amazing – and Jose's version is one of the best soul songs of all time! (Rock, Soul) LP, Vinyl record album

An overlooked 70s gem from the great Jose Feliciano – a set that really continues the warm soul styles he'd hit on his last few years at RCA – a wonderful blend for his unique vocals and his tremendous way of putting over a tune! The set was recorded down at Muscle Shoals, but it's got a nicely subtle approach that never tries to lean on the modes of that studio too strongly – avoiding some of the cliches that other records might showcase in such a setting – and throughout it all, it's clear that Jose's the star in the spotlight, using that warmly crackling vocal approach in a wonderful way – especially on the more upbeat modern soul moments. Titles include "Every Woman", "Marguerita", "Loving Her Was Easier", "Sweet Soul Music", "I Love Making Love To You", "Love Comes From Unexpected Places", and "Funny/Night Life". CD features the bonus track "What I Wanna Do". (Rock, Soul) CD

A surprise hit for Richard Dimples Fields – and one of those albums that seems to turn up in just about every collection of records from the 80s! Although Fields first got his start turning out self-produced soul albums, and you'd expect him to sound a lot slicker here, recording for MCA's Boardwalk imprint, the record's still got a nice down-home feel that almost makes it feel like an indie soul record, despite the fact that Richard is going for a smooth modern sound on most cuts. Our standout favorite is the classic "She's Got Papers On Me", Richard's entry into the Barbara Mason/Shirley Brown song cycle ("you got my man", "he's your man, but he's my lover", etc) – one that takes the view of the man, but which has a sassy female monologue coming in at the end, telling him off! Other tracks include "I Like Your Lovin", "Let Me Take You In My Arms Tonight", "Let The Lady Dance", "In The Still Of the Night", "I've Got To Learn To Say No", and "Don't Ever Take Your Love". CD

Righteous soul from late 60s Chicago – a killer collection of early singles from the great Darrow Fletcher – only a youngster at the time, but already working at a level that's as strong as most of his older contemporaries! Darrow's got this soaring voice that really sends us every time we hear him sing – a style that's possibly a bit like Jackie Wilson, but both deeper and lighter at the same time – very unique, especially in these early years – and perfect for helping Fletcher stand out from the pack! The grooves here are nice and deep – socking hard in the best Chi-town styles of the time, with the sort of punch you'd get on the best One-Der-Ful/Mar-V-Lus recordings – with arrangements by Mike Terry, Phil Wright, Burgess Gardner, and others. Tracks were originally issued on a variety of labels – Groovy, Jacklyn, and Genna – and titles include "The Pain Gets A Little Deeper", "Hope For Love", "No Limit", "Now Is The Time For Love (part 1)", "My Judgement Day", "Little Girl", "What Have I Got Now", "What Good Am I Without You", "That Certain Little Something", and "Gotta Draw The Line". LP, Vinyl record album

Righteous soul from late 60s Chicago – a killer collection of early singles from the great Darrow Fletcher – only a youngster at the time, but already working at a level that's as strong as most of his older contemporaries! Darrow's got this soaring voice that really sends us every time we hear him sing – a style that's possibly a bit like Jackie Wilson, but both deeper and lighter at the same time – very unique, especially in these early years – and perfect for helping Fletcher stand out from the pack! The grooves here are nice and deep – socking hard in the best Chi-town styles of the time, with the sort of punch you'd get on the best One-Der-Ful/Mar-V-Lus recordings – with arrangements by Mike Terry, Phil Wright, Tom Tom, and others. Tracks were originally issued on a variety of labels – Groovy, Jacklyn, Uni, Congress, and Genna – and titles include "The Pain Gets A Little Deeper", "Now Is The Time For Love (parts 1 & 2)", "What Have I Got Now", "What Is This", "Gotta Draw The Line", "My Young Misery", "Infatuation", "When Love Calls", "My Judgement Day", "Sitting There That Night", "Changing By The Minute", "What Good Am I Without You", "We Can't Go On This Way", and "That Certain Little Something". CD

Aretha Franklin has a really classic sort of look on the cover – which is quite fitting, as the album's maybe one of her most classic records in years! The album has Franklin taking on songs by other famous female singers, but reworking nearly all of them in a style that's all her own – based around that legendary vocal approach, and given a sweet R&B twist from producers who include Terry Hunter, Andre Benjamin, and Kenny Babyface Edmonds! Franklin's range may not be what it was in her youth, but her expressiveness hasn't dimmed at all – and titles include "I Will Survive", "No One", "I'm Every Woman/Respect", "At Last", "Rolling In The Deep", "Nothing Compares 2U", and "Teach Me Tonight". CD

Despite the title, this isn't really Aretha's greatest hits – as it includes no numbers from the Atlantic years – but it is a pretty good selection of Aretha's earlier work for Columbia, and features some real gems that should have been bigger hits than they were. Titles include "Runnin Out Of Fools", "Try A Little Tenderness", "Sweet Bitter Love", "Today I Sing The Blues", "Without The One You Love", and the sweet sample cut "One Step Ahead". LP, Vinyl record album

Pretty great stuff by Aretha – despite what the pro-Atlantic Records books say! The record is one of the first she cut with John Hammond at Columbia, and although it's not in the classic soul mode of the Atlantic sessions, it's a darn nice batch of bluesy jazz tracks that would still stand the test of time well if people weren't so hung up on the propaganda that plays down the Columbia years. Backings are by Richard Wess on most tracks, and at times Aretha's voice is recorded with a nice echoey touch that gives the material almost an R&B-ish feel. Titles include "Rough Lover", "You Made Me Love You", "It's So Heartbreakin", "Nobody Like You", "I Told You So", and "Just For You". LP, Vinyl record album

Essential work by Aretha Franklin – one of her best albums for Atlantic in the late 60s, with tracks that virtually define the sound of hard soul during the late 60s! The album's filled with excellent material – featuring 2 killer tracks recorded in Muscle Shoals ("Do Right Woman, Do Right Man" and "I Never Loved A Man"), plus lots of other great hard soul groovers done with Aretha's guiding light, Arif Mardin, in Atlantic's New York studios – including the tracks "Respect", "Baby, Baby, Baby", "Save Me", and "Dr. Feelgood". LP, Vinyl record album

A sweet overview of the early years of Aretha Franklin's career – her formative days at Columbia Records, when she was working in a variety of styles before heading over to bigger fame at Atlantic! Even at this early stage, Aretha's one hell of a singer – and, despite what folks who listen to Jerry Wexler might say, this early Columbia work is pretty darn amazing throughout – steeped in a number of different modes, with bits of jazz, R&B, and early soul sewn together beautifully throughout. The double-length set is filled with key early moments from Aretha – and titles include "Don't Cry Baby", "Lee Cross", "Skylark", "One Step Ahead", "Evil Gal Blues", "Take A Look", "Runnin Out Of Fools", "People", "Try A Little Tenderness", and "Take It Like You Give It". LP, Vinyl record album

A completely cooking little live set from Aretha Franklin – and a crowning moment not just in her career, but for Atlantic Records soul in general! Aretha's working here before a very enthusiastic crossover crowd at the Fillmore West in San Francisco – getting tight backing from the combo of King Curtis (Memphis Horns, Billy Preston, and Pretty Purdie in tow!) – and hitting a groove that's often rawer, grittier, and more deep-soul tuned than some of her studio sides from the time! The recording quality is totally great – and goes out of its way to preserve the presence of the audience, and showcase Aretha's own interaction and strong sense of personality. Ray Charles makes a surprising guest appearance on one track, but the whole show is really Franklin's own – a majestic little live date that features the tunes "Spirit In The Dark", "Respect", "Make It With You", "Don't Play That Song", "Dr Feelgood", and "Love The One You're With". LP, Vinyl record album

Fuzzed out funk from the legendary Fugi! The groove is incredibly sinister – a blend of Detroit funk (ala The Counts, Funkadelic, and others in the Westbound crew), and some of the more guitar-based influence from the Hendrix soul generation (especially the styles that were beginning to show up on the Bar-Kays albums at the time!) Fugi have a groove that's gotta be heard to be believed – hard, heavy, and filled with soul – dipping down down down into the dirt on the bass, and riffing up to the top again on a wave of heavy guitars! 6 tracks in all – the complete Chess recordings by Fugi – and titles include "Mary Don't Take Me On No Bad Trip", "Revelations", "Jo Jo", "Save A Little", and "I'd Rather Be A Blind Man". LP, Vinyl record album

One of the crowning moments of genius from the great George Clinton – a record that has Funkadelic really finding their groove, in the same way that Parliament were helping push underground funk into both the clubs and the mainstream – while also showing that the P-Funk empire can jam better than just about anyone else! The whole thing is hitting on all burners throughout – with an impeccable sense of instrumentation, balanced with an easygoing attitude that makes the whole thing seem effortless – especially compared to other funk ensembles who were picking up the speed a bit too much in the disco generation. The centerpiece of the album is the classic "One Nation Under A Groove" – a monster cut with a hook that won't quit, spun out here in a great extended version – followed by other classics that include "Into You", "Grooveallegiance", and "Cholly". Also comes with a bonus 12" single that features the tracks "One Nation Under A Groove (disco mix)", "Maggot Brain/Chant", "Lunchmeataphobia", and "PE Squad/Doo Doo Chasers". LP, Vinyl record album

One of the crowning moments of genius from the great George Clinton – a record that has Funkadelic really finding their groove, in the same way that Parliament were helping push underground funk into both the clubs and the mainstream – while also showing that the P-Funk empire can jam better than just about anyone else! The whole thing is hitting on all burners throughout – with an impeccable sense of instrumentation, balanced with an easygoing attitude that makes the whole thing seem effortless – especially compared to other funk ensembles who were picking up the speed a bit too much in the disco generation. The centerpiece of the album is the classic "One Nation Under A Groove" – a monster cut with a hook that won't quit, spun out here in a great extended version – followed by other classics that include "Into You", "Grooveallegiance", and "Cholly". Features bonus tracks – "Maggot Brain/Chant", "Lunchmeataphobia", and "PE Squad/Doo Doo Chasers". CD

Raw funk from 70s Singapore – but a bunch of cats who really get their sound right! The album's got a surprisingly sharp edge – thanks to raspy guitars that work perfectly with the group's English language vocals – themselves sung with a nice sort of sharpness that makes the whole thing feel a bit more sinister and urgent than most of the US funk that clearly inspires these guys! Some of the guitar interplay is especially nice on more jamming tracks – never overdone, but more than you'd expect on an album with such strong rhythmic impulses. Titles include "Man With A Gun", "Once Upon A Time", "Memphis Soul Stew", "Everyday People", "I'll Take You There", and "Spill The Wine". LP, Vinyl record album

Some of the funkiest work we've ever heard from Vernon Garrett – recorded in California, but with a nicely gritty southern soul sound! The tunes have some of the bluesy inflections of Vernon's more famous work – but they also come across with a groove that's tighter, especially on the drums, which snap out of the warmer backings with a kick that's a bit unusual for a record like this – and which keeps things lively throughout, even on some of the mellower numbers. Vernon's vocals are great – rich, and touched with a bit of Tyrone Davis-like styles – and female vocalist Margaret Love makes an appearance on many of the numbers on the record too. Titles include "Satisfied Woman Satisfied Man", "I Made My Own World", "Don't Do What I Do", "I Learned My Lesson", "Going To My Baby's Place", "Love Junkie", and "Something Went Wrong". LP, Vinyl record album

Funky club from 70s France – a great blend of disco, jazz funk, and slightly warmer soul – all served up by keyboardist Christian Gaubert with vocals but the ultra-sweet Last Exit group! Gaubert's style is right up there with the best European club at the time – tight rhythms, soaring keyboards, and an overall sound that's much deeper than some of the competing work coming from other territories at the time – especially the colder club sounds of Germany. Most lyrics are in English, and sung in an ensemble style by the group – and Gaubert's keys include Fender Rhodes, clavinet, and acoustic piano. Titles include "It", "Man On A Wire", "Sweet & Fool Like A Child", "Sweet Maryline", "Keep On Keep On", "Running Wave", and "Going Ups & Coming Downs". LP, Vinyl record album

The start of a very successful run for Gloria Gaynor – a seminal bit of crossover 70s soul – one that perfectly linked the dancefloor with the airwaves, and managed to take on more than a few living rooms as well! Gloria's not entirely in full blown disco-diva mode yet, and works here with a soaring Philly-styled groove – of the sort you'd hear with groups like First Choice or Three Degrees – almost grounded a bit in earlier female soul, especially in the vocals and overall changes in the grooves – yet sparkled up plenty with some fuller, richer 70s arrangements. Those are handled by Norman Harris and Harold Wheeler – who do plenty to warm up the production by Meco – and the set includes the stunning 6 minute version of Gloria's big hit "Never Can Say Goodbye", plus "All I Need Is Your Sweet Lovin", "We Belong Together", "Real Good People", "Honey Bee", and "Reach Out I'll Be There". LP, Vinyl record album

A classic underground funk set from the 70s – and a record that definitely lives up to the party time promised in the title! The group have a really festive approach to funk – still as hard-hitting and sharp-edged as other indie contemporaries – but willing to open up and push things with a live sort of energy too – a vibe that's a bit like a funkier take on Jr Walker & The All-Stars – especially given the strong use of tenor on the tunes! The set's got two very long jamming numbers – "Party Bump (parts 1 & 2)" and "One More Time (parts 1 & 2)" – and other titles are all pretty nice too – including "You're Gonna Need", "Now Generation", and "Party Strut". Produced by George Kerr, arranged by Bert Keyes, and even the version of "Amazing Grace" comes out pretty nice too! LP, Vinyl record album