Righteous jazz, with plenty of soul – a killer collection of the mid 70s work of Lonnie Liston Smith – all based around his legendary recordings for the Flying Dutchman label! Lonnie got his start on the hippest side of the jazz spectrum – including work with Pharoah Sanders on Impulse – but by the time of these tracks, he'd found a way to beautifully mix the righteous energy of his roots with some sweet mid 70s jazz funk touches – all served up in a sublime blend of electric keyboards and acoustic piano, and often expanded with lyrics that helped Smith cross over into a soul audience too! Few artists ever handled the balance as well as Lonnie – although this work certainly inspired dozens of others to try – and the set's a beautiful testament to his lasting power, with 15 great tracks that include "Visions Of A New World", "Cosmic Funk", "Get Down Everybody", "In Search Of Truth", "Expansions", "Beautiful Woman", "Golden Dreams", "Astral Traveling", "Meditations", "Devika", "Shadows", and "Sunbeams". (Jazz, Soul) CD

Some of the most righteous sounds we've ever heard from Houston legends The Lightmen – recorded at a time when the group was at their most spiritual, and very firmly following a cosmic path set down by drummer Bubbha Thomas! The music here owes nothing to the hippest sounds coming from the coastal cities – and even the undergrounds of Chicago and Detroit in the early 70s – and in fact, there's a vibe here that would be right at home with the Tribe Records spirit of the motor city, as the group balance their freewheeling inclinations with a nice sense of rhythm as well! Players include Doug Harris on some excellent soprano, tenor, and flute – plus Virgil Solomon on flute and alto, James Hensley on trumpet and light whistle, Joe Singleton on trombone, and Marshia Frazier on electric piano. Titles include "Sorrow Bitterness & Revolution", "Hope", "Blue Tip", "On The Road Home", "Song Of Praise", and "Ujimma". 2CD version features the standard stereo mix and the unissued mono version – plus a great booklet of notes! (Jazz, Soul) CD

A pair of classic albums from The Undisputed Truth! First up is Method To The Madness – a gem from the second chapter of the group – that time when they stepped away from Motown, and followed producer/creator Norman Whitfield to his own label in California! The shift of record companies also marks a cool shift in styles too – an approach that still has all the bold, bassy elements you'd know from the earlier hits – but one that also has some fuller, more cosmic elements too! The set begins with a weird electronic spoken number that's almost experimental – then brings up the bass for a bit of heavy funk, while also using electric elements in a way that really points the way to sounds that other big funk groups would cop at the start of the 80s – but which really sound fresh here. Titles include "Sunshine", "Take A Vacation From Life (And Visit Your Dreams)", "Life Ain't So Easy", "You + Me = Love", "Cosmic Contact", "Hole In The Wall", and "Let's Go Down To The Disco". Smokin has them still going strong with Whitfield, in a groove that's every bit as wonderful as their early years! There's a killer mix of funk and deeper soul here that few other acts could handle this well – a way of hitting the flashy funk of Sly & The Family Stone or Graham Central Station – but also not falling into any showbiz traps, either – in a mode that really his the group not only respecting the role of each member, but also working together in a very cohesive way on the album. The result is a great little set that balances funky grooves with some excellent cosmic soul cuts – supported by great session work from giants like Wah Wah Watson, Walt Downing, and Jack Ashford. Titles include "Show Time", "Space Machine", "I Can't Get Enough Of Your Love", "Misunderstood", "Sandman", "Atomic Funk", and "Talkin To The Wind". CD

Fantastic funky sounds from TK Records – a Miami soul powerhouse that most folks know for some big disco hits in the 70s, but a company that also cut some killer 45s in the years before that time! Much of the work here is from the earlier funky 45 years of the TK empire – including singles issued on the Glades, Alston, and Cat labels – plus a few later tracks that show just how committed the company was to more unusual, more developing styles of funk – even when they were making big cash on their disco hits. The whole thing is fantastic – and filled with plenty of rare funky breaks that you'll recognize from samples – with titles that include "Funky Yolk" by Arnold Albury & The Casuals, "Nobody But You Babe" by Clarence Reid, "Cramp Your Style" by All the People, "Mashed Potato Popcorn" by Freddie & The Kinfolk, "Let's Take A Break" by Milton Wright, "Cutting Room (Hot Pants)" by Oceanliners, "Miss Hot Stuff" by Clarence Reid, "Lay It On Me" by Willie Johnson, "Let Me Be Your Lover" by Jimmy Bo Horne, "Cosmic Funk" by Mad Dog Fire Department, and "Don't Waste My Time" by Jerry Washington. (Funky Compilations, Soul) CD

A classic set of spacey club from Mandre – aka Andre Lewis – an artist we'd place right up there with some of the best cosmic sounds from Dexter Wansel at the time, and maybe even some of the more space-bound club artists of the European scene as well! The album's got some wonderful keyboards throughout – heard in a mostly instrumental mode on side one, save for a great track that includes vocals from Maxayn – and as the set rolls along, things get more confident, more groove-oriented, and pick up some bassier rhythms that fit in wonderfully with Mandre's overall conception! The album's got a fuzzy, trippy sound you'd hardly expect from late 70s Motown – and the whole thing's been an underground club classic for years – with cuts that include the sublime "Solar Flight (Opus I)" and "Third World Calling (Opus II)", plus "Keep Tryin", "Masked Music Man", "Wonder What I'd Do", "Money", "Dirty Love", and "Masked Marauder". LP, Vinyl record album

A classic set of spacey club from Mandre – aka Andre Lewis – an artist we'd place right up there with some of the best cosmic sounds from Dexter Wansel at the time, and maybe even some of the more space-bound club artists of the European scene as well! The album's got some wonderful keyboards throughout – heard in a mostly instrumental mode on side one, save for a great track that includes vocals from Maxayn – and as the set rolls along, things get more confident, more groove-oriented, and pick up some bassier rhythms that fit in wonderfully with Mandre's overall conception! The album's got a fuzzy, trippy sound you'd hardly expect from late 70s Motown – and the whole thing's been an underground club classic for years – with cuts that include the sublime "Solar Flight (Opus I)" and "Third World Calling (Opus II)", plus "Keep Tryin", "Masked Music Man", "Wonder What I'd Do", "Money", "Dirty Love", and "Masked Marauder". CD

The cover might look a bit understated, but the album's got plenty of depth and power – a rare set from the Texas underground of the early 80s – cut by a group who've clearly drunk deep from the same musical well that inspired Stevie Wonder, Roy Ayers, and other cosmic soul talents of the 70s! As with Stevie and Roy, there's plenty of jazzy currents in the music of The People's Workshop – warm keyboards, sweet sax and flute, and waves of color that really come through the grooves and illuminate the deeper spirit of the vocals. There's a sense of collaboration here that's really special – almost a James Mason vibe at times – all with a sense of sophistication that's quite different than the rootsier sounds you might normally expect from Texas soul groups. Titles include "Save Your Money", "A Song For The Children", "Love Love", "Let's Get High", "Chocolate Coated People Song", and "This Song". LP, Vinyl record album

A killer classic from the second chapter of the Undisputed Truth – that time when the group stepped away from their Motown home, and followed producer/creator Norman Whitfield to his own label in California! The shift of record companies also marks a cool shift in styles too – an approach that still has all the bold, bassy elements you'd know from the earlier hits – but one that also has some fuller, more cosmic elements too – which are hinted at by the image on the cover! The set begins with a weird electronic spoken number that's almost experimental – then brings up the bass for a bit of heavy funk, while also using electric elements in a way that really points the way to sounds that other big funk groups would cop at the start of the 80s – but which really sound fresh here in the hands of Undisputed Truth. Titles include "Sunshine", "Take A Vacation From Life (And Visit Your Dreams)", "Life Ain't So Easy", "You + Me = Love", "Cosmic Contact", "Hole In The Wall", and "Let's Go Down To The Disco". LP, Vinyl record album

A key moment in electronic music in the US – the early Detroit experiments of Cybotron! The group were the duo of Juan Atkins and Rick Davis – working in early 80s Detroit, in a sound that would later transform into the more familiar techno groove – but which here is a strange blend of styles that includes bits of Kraftwerk, hip hop, electro, and post-disco club! The overall vibe is pretty spacey – with sci-fi themes that run through most of the tracks, echoed by odd production techniques that repeat the best elements over and over, and maintain a dark, spare style that was clearly the blueprint for midwest house grooves in years to come. And if you've ever been wowed by the darker sounds of Chicago house in the mid 80s, you'll really be stunned by the level of work from these guys – as Cybotron seem to preface just about all the post-industrial themes that would show up later on Trax – but come at things from a very different perspective. And added into the whole uniqueness of the work is the fact that these recordings originally were issued by Fantasy Records – so had a west coast life of their own, on a label that hardly had any other relation to Detroit at the time! The set features a total of 13 tracks that includes a few remixes – and titles include "Clear", "Cosmic Cars (Detroit Style)", "Alleys Of Your Mind", "R-(", "Let's Go", "Techno City", "Industrial Lies", "El Salvador", "Cosmic Raindance", "Cosmic Cars (house mix)", and "R-9 (inst)". CD

Stunning sounds from Michael Orr – a singer you might know from his secular work in the duo of Harris & Orr – and who still sounds incredible here in a more spiritual-styled set from the start of the 80s! As with Michael's earlier music, there's a cool, cosmic vibe going on in the instrumentation – jazzy keyboard inflections and a great spacey soul conception that's quite unusual for most records of this vintage, much less the gospel setting that Orr's working in here on the Birthright label! Yet as with the hippest gospel records of the time, the religion is delivered more in a sense of universal spirit – at a level that's more on par with some of the more spiritual jazz and soul releases of the time – a mode that Orr worked in before on his previous albums. Michael plays a fair bit of Fender Rhodes on the record, and sings deeply too – and the vibe here is a lot like the best modern soul moments from Rance Allen and DJ Rogers. Titles include "Love Will Rise", "Hear The Message", "This Is A Blessing", "Spread Love", "Come Live In My Heart", and "I Don't Know You". LP, Vinyl record album

A much-needed look at this sometimes-missed chapter in Italian music – a moment when the Italo Club sound of the 80s had transformed into a scene that gave us some of the cleanest, leanest house music of the time! Earlier Italian imports had a big impact on the birth of house music in Chicago – and a few years later, those forward-thinking sounds were used to bring a needed revamp to Italian club as well – as you'll hear in these wonderfully-executed cuts that often have the best spare sounds of the US underground, mixed with some classic elements that warm things up in a mighty nice way! All volumes are filled with well-chosen cuts that never got the kind of attention they should have at the time – and titles on this third edition include "Illusion" by Optik, "Universal" by Leo Anibaldi, "Tramp Heart" by Green Baize, "Children Trip" by Deep Choice, "Deep Blue" by Deep Blue, "Walkin On The Moon" by Cosmic Galaxy, "Paranoia" by Golem, "Sweet Pieces (alt mix)" by Lonely Dance, "Ouverture" by Don Carlos, and "Dance To The House (unreleased edit)" by Neurostate. (Funky Compilations, Soul) LP, Vinyl record album