... LP, Vinyl record album

One of Roy Ayers' best-remembered albums of the 70s – a sublime blend of mellow numbers and some of his more club-oriented grooves of the time – all wrapped together with a genius that we can only describe as Ayers-like! The album's a beautiful example of the balance that Roy was striking in his work at the time – because alongside some of the more upbeat, catchy numbers, there's other tracks that are a fair bit more laidback, and almost abstract at times – a wonderful extrapolation of that sensitive Ayers blend of jazz and soul, with key emphasis on the vibes and keyboards. Titles include the massive groover "Running Away" – which you'll recognize from a key sample history over the years – and club cuts "Cincinnati Growl", "Fruit", "Sanctified Feeling", and "Stranded In The Jungle" – plus the more laidback cuts "Gotta Find A Lover", "I Still Love You", "Lifeline", and "This Side Of Sunshine". LP, Vinyl record album

Randy Crawford's working here with arrangements and production from Reggie Lucas – all very much in that sweet 80s style he was bringing to work with other artists at the time! There's plenty of beats, guitars, and keyboards in the instrumentation – pushing an overall sound that's more electric than some of Randy's jazzier sides from the early days. But Ms Crawford's vocals come out strongly on top of it all – with a poised presence that's clearly the main focus of the set. Lucas plays guitar, and also wrote a few of the tracks – and titles include "Can't Stand The Pain", "Actual Emotional Love", "World Of Fools", "Betcha", "Desire", "Getting Away With Murder", and "Almaz". LP, Vinyl record album

A legendary set of grooves from the Italian scene of the early 80s – a batch of tracks that's a lot less electro or disco than some of its contemporaries – thanks to contributions from American jazzmen Don Cherry and Don Moye! Tullio De Piscopo's a percussionist by trade, but he also sings a fair bit here too – in a chanting way that goes along nicely with the mix of drums, keyboards, bass, guitar, and other elements – used in varied ways from track to track, in styles that run from post-disco dancefloor funk to more abstract jazzy grooves. The standout track is the classic "Stop Bajon" – a cut that had a big influence on early Chicago house – but there's plenty other interesting bits here too, and other titles include "Stadera", "Silva Mala", "Cartago", "Chiano Chiano", "Gente Mia", and "I Sono E Notte". (Jazz, Soul) LP, Vinyl record album

Seminal work from Dr John – one of his key late 60s albums that set the world on fire at the time – and which still stand as some of the doctor's greatest achievements! The approach here is a fantastic abstraction of older New Orleans roots – not nearly as rigid as in some of John's later music, and really used here just as a leaping-off point for these cool tripped-out explorations – often with a style that's got a very heady quality. The arrangements are wonderful – and bring in some off-kilter jazziness to inflect John's rootsy style with a sound that shows that he was opening his ears to all that was around him at the time – all the best elements he was picking up in Nola and Cali, fused into something really unique! Titles include "Black Widow Spider", "Barefoot Lady", "Twilight Zone', and "The Lonesome Guitar Strangler". LP, Vinyl record album

A wild cool album made by the once obscure, now legenday group! The ESG album was the group's long, long, long awaited return to the format after is filled with wild percussion tracks, occasional crazy vocals, and a sound that influenced abstract beatmakers, leftfield dancefloor gurus, and post rock acts alike! After ESG's early 80s classic, business and label dramas made it difficult for them to work as a steady concern, but this 1991 album with some classic 12" tracks and later material helped cement their reputation. CD

A nice funky soul album by Eddie – who by this point was really electrifying his sax, playing a bit of piano, and even singing in a range of different styles. The best moments are those that kind of push the envelope technique-wise – operating with a lot of different effects on the horn and keyboards – backed up by percussion by Willie Bobo, trumpet by Oscar Brashear, and "guitorgan" by Robert Muldrow! Not perfectly realized, but an interesting set of funk experiments. Titles include "Get On Up & Dance", "Why Must We Part", "It Feels So Good", and the spacey "Abstractions", a real stoner number in the Shuggie Otis mode! (Jazz, Soul) LP, Vinyl record album

Wendy and Lisa really break out of earlier modes here – and hit a style that showcases a more sensitive, singer-songwriter orientation that's a welcome change from some of their too funky modes! The groove here is a little hard to pin down exactly – but there's a great sense of textures in the sound that almost echoes the image on the cover – a style that has the lyrics of the tunes really taking center stage in front of the rhythms, and which features instrumentation that's often nicely abstracted from its source – kind of shimmering and glowing behind the vocals. Titles include "Mother Of Pearl", "Strung Out", "Rainbow Lake", "Porch Swing", "Why Wait For Heaven", "Valley Vista", and "Staring At The Sun". 2CD version is bursting with bonus material – tracks that include "Eric's Ghost", "Stones & Birth", "Balance", "Minneapolis #1", "C-Ya", "Strung Out (g-strung 7")", "Rainbow Lake (12 into 7 rmx)", and "Don't Try To Tell Me (alt version)". CD