A record that still has Colin Blunstone sounding surprisingly strong a few albums into his solo career – maybe a bit mellower, and with a bit less edge than at the start – but still very able to find the best way to put his amazing vocals to work! The backings are smooth, but not too AOR – just this kind of laidback, lightly tippling style that mostly has Blunstone moving at midtempo modes that let the lyrics resonate strongly in the spaciousness of his voice. Light strings are used at times, which is always a nice touch with Colin's voice – and many of the tracks on the album are originals by Blunstone – including "I'll Never Forget You", "Who's That Knocking", "Lovelight", "Ain't It Funny", "Photograph", "Touch & Go", and "You Are The Way For Me". LP, Vinyl record album

Produced by George Martin. 7-inch, Vinyl record

... 7-inch, Vinyl record

... 7-inch, Vinyl record

The second album by Argent – Rod Argent's project immediately after the breakup of the Zombies! There's plenty of Zombie-like ideas here – particularly those floating around the Odyssey and Oracle album, but they're also done without the dreamy pop style of Colin Blunstone's vocals, which makes for a much harder sound overall. Added into that the guitar of Russ Ballard, which really kicks into the tunes nicely, and you've got some great rock and roll work – written with a pop sensibility, but played with a razor-sharp edge that's pretty hard hitting. Titles include "Lothlorien", "Rejoice", "Pleasure", "Sweet Mary", "Where Are We Going Wrong", "Rejoice", "Cast Your Spell Uranus", and "Celebration". LP, Vinyl record album

The first Babes In Toyland LP – maybe a little noisier and stranger than their major label efforts, which is a heck of a statement given how gnarly and awesome the later Fontanelle record turned out! Babes never really got the props they deserve for helping pave the way for noise rock to pummel it's way to the mainstream in the early 90s – especially for women in the scene – and Spanking Machine is the most underappreciated album in an underappreciated run all together. Includes "Swamp Pu**y", "He's My Thing", "Vomit Heart", "Dogg" "Pain In My Heart", "Lashes", "You're Right" and more. LP, Vinyl record album

Chuck Berry is definitely on top with this classic Chess Records set – an album that shows that Berry always had a lot more to offer than some of his oldies rocker contemporaries! Sure, there's a few hits here, but the overall quality of the music is more in the mode of Chess blues of the time – lots of raw backings that are as heavy on piano lines and romping rhythms as they are Chuck's own searing lead guitar – a sound that definitely sets the tone for generations to come, and which is always heard best here in its early hoke-free setting. The whole album's wonderful, and even familiar hits sound newly brilliant in this context – a smoking lineup that includes "Jo Jo Gunne", "Around & Around", "Hey Pedro", "Anthony Boy", "Sweet Little Rock & Roller", "Almost Grown", "Roll Over Beethoven", and "Maybellene". (Soul, Rock) LP, Vinyl record album

The third solo album by Colin Blunstone – the magic-voiced singer who was lead vocalist of the Zombies, and went on to cut some god-like solo work in the early 70s! This album's a bit less sublime than Colin's first two – with tracks that veer a bit more towards the soft rock sound of the 70s, with some compressed AOR touches in place of the floating instrumentation of earlier albums – but it still sounds mighty nice to our ears, as Colin's voice is always a treat, and the record has a irrepressible charm in its optimistic presentation of some of the material. Essentially, if you dig Colin lots, you'll still want this one – as it's got more than a few nice moments – and is more of an evolution of his solo work than a divergence from it. Titles include "Setting Yourself Up", "Brother Lover", "Shadow Of A Doubt", "It's Magical", "You Who Are Lonely", "Beginning", and "Keep The Curtains Closed Today". LP, Vinyl record album

A seminal collection of work from Buffalo Springfield – a group with a short-lived existence on the LA scene, but an impact that shaped the sound of mainstream rock for many years to come! That effect is no surprise – given that the lineup features a young Neil Young, Stephen Stills, and Richie Furay – moving from folk influences into trippier, headier territory – and paving the way for both classic and country rock to come! Here at the start, things are nice and lean – well-penned tunes that pack a heck of a lot into a very short space – given key production help from Jack Nitzsche, Brian Stone, Jim Messina, and even Neil Young himself. Titles include "For What It's Worth", "Mr Soul", "Broken Arrow", "Nowadays Clancy Can't Even Win", "Expecting To Fly", "Go & Say Goodbye", "On The Way Home", "Sit Down I Think I Love You", and "Kind Woman". LP, Vinyl record album

The heavy groove of Deep Purple continues – in a style that's a bit more song-focused and guitar-led than the group's debut – but still pretty darn great nonetheless! Some of the rumbling bass of before has been toned down a bit, but that leaves plenty of space for more jamming guitar work from Ritchie Blackmore – as well as more soaring Hammond lines, and vocals that almost hint at soulful influences from time to time. The record's got a slightly heartfelt quality that's almost a surprise – and titles include covers of "Kentucky Woman", "We Can Work It Out", and "River Deep Mountain High" – plus the originals "Wring That Neck", "Listen Learn Read On", and "The Shield". LP, Vinyl record album

The birth of a legend, and easily one of the heaviest records to hit the mainstream in the late 60s! The album's got a sinister quality that you can hear on the first few notes – a low-end, rumbling approach that brings in a lot more fuzzy bass than other groups of the time had ever thought to use – all topped with some of the most wickedly edgey guitar put on record to date, and undercut by drums that are almost verging on funk at times! Basslines set the tone for most of the tunes in the set – creating a bottom-heavy groove that would be copped many times in years to come, but which still sounds tremendously fresh here in the original. Titles include "Mandrake Root", "I'm So Glad", "One More Rainy Day", "Help", "Love Help Me", "And The Address", and "Hey Joe". LP, Vinyl record album

Bob Dylan's fourth record, and close runner up to Freewheelin' as the masterpiece of this early stage of his career. While the overly arch Times They Are A Changin' pretty much stood as the cornerstone of classifiable folk rock at the time, Another Side is just that. Dense, elliptical, and downright surreal at times, with some of the protesty stuff that made the media so happy & hungry, but much more layered and poetic. Another side is also much more reverent of and indebted to the Harry Smith field recordings that Bob studied so hard, the stuff that finally caught on with the general public in the early 90s. Titles include "Spanish Harlem Incident", "It Ain't Me Babe", "Ballad In Plain D", "Black Crow Blues", "I Don't Believe You", "Motorpsycho Nitemare", "To Ramona", "Chimes Of Freedom", "My Back Pages", and "I Shall Be Free No 10". LP, Vinyl record album

All the hits! Includes "Mr Blue Sky", "Telephone Line", "Turn To Stone", "Evil Woman", "Strange Magic", and more! LP, Vinyl record album

Rod Argent's project immediately after the breakup of the Zombies! There's plenty of Zombie-like ideas here – particularly those floating around the Odyssey and Oracle album, but they're also done without the dreamy pop style of Colin Blunstone's vocals, which makes for a much harder sound overall. Added into that the guitar of Russ Ballard, which really kicks into the tunes nicely, and you've got some great rock and roll work – written with a pop sensibility, but played with a razor-sharp edge that's pretty hard hitting. Titles include "Like Honey", "Liar", "Schoolgirl", "Bring You Joy", "Stepping Stone", and more. LP, Vinyl record album

A pivotal moment for Bob Dylan – and maybe one of THE albums of the 60s! The newly-electrified Dylan really takes off here – putting more punch and bit into his already-strong lyrical approach – and twisting things in amazing ways that still leave us breathless all these many years later! And sure, the album gave Bob a few hits – which are nestled in here next to headier tunes that work together perfectly. Titles include "Like A Rolling Stone", "Ballad Of A Thin Man", "It Takes A Lot To Laugh It Takes A Train To Cry", "From A Buick 6", "Desolation Row", "Highway 61 Revisited", and "Queen Jane Approximately". LP, Vinyl record album

A pretty wild set from Elephants Memory – one that's as trippy as you'd guess from the group's image on the cover – and equally collaborative too! There's a strong mix of male and female vocals here – over guitar and rhythms that move effortlessly between blues rock and psych – all with a pretty loose, freewheeling sense of production – but enough tightness to make some of the chorus moments snap out nicely! Wes Farrell produced, but seems to really let the band do their thing – and in addition to songs written by group members Stan Bronstein, Michal Shapiro, and Richard Sussman – there also seems to be some song contributions from Tony Visconti too. Titles include "Hot Dog Man", "Talkin A Walk", "RIP", "Jungle Gym At The Zoo", "Don't Put Me On Trial No More", "Crossroads Of The Stepping Stones", "Band Of Love", and "Brief Encounter". LP, Vinyl record album