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A huge breakout album for Def Leppard – and a record that maybe set the style for so many other mainstream hard rock acts in the mid 80s – thanks to a mix of crisp drums, searing guitars, and screaming vocals with an anthemic feel that really sends things over the top! And sure, it's not art rock by any stretch of the imagination – but it's also a bit fresher than some of the hair rock imitators that copped the sound a few years later – with titles that include "Rock Rock Till You Drop", "Photograph", "Rock Of Ages", "Foolin'", "Billy's Got A Gun", "Action Not Words", "Die Hard The Hunter", and "Stagefright". CD

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With a name like Masters Of Reality – a clear reference to classic Black Sabbath – you definitely know where these guys are coming from – but there's also a quality to the record that's very much a statement of the times – that post-metal, post-grunge moment when the American scene was finding a surprisingly strong voice to cross over between the underground and mainstream! Rick Rubin produced, but the album's got a voice of its own – located somewhere in a space between LA and Texas, although with elements of both of those scenes. Titles include "The Candy Song", "The Eyes Of Texas", "Lookin To Get Rite", "Kill The King", "Sleep Walkin", "Theme For The Scientist Of The Invisible", and "Domino". CD

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Music from Raven, Paralex, Def Leppard, Weapon, Samson, Hollow Ground, Girlschool, Witchfynde, Iron Maiden, Jaguar, Tygers Of Pan Tang, Gaskin, Sledgehammer, and more. CD

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Early Depeche Mode! A Broken Frame is the group's second album, and its finds the group getting their footing exceptionally well after losing Vince Clarke. To our ears, Depeche Mode (or perhaps you can give pretty big share of the acclaim to Martin Gore, as he's credited with all the songwriting) were taking some creative chances on this one, as it was before they had a fairly defined, ultra-dramatic tone to follow. A bit underappreciated in their canon, and well worth reevaluating. Titles include "Leave In Silence", "My Secret Garden", "Monument", "See You", "The Meaning Of Love", "The Sun & The Rainfall" and more. CD

A seminal set from Hawkwind – a record that virtually defines the term "space rock", and which went on to create a whole genre unto itself! The live setting is perfect for the group – as they open up on long tracks that blend together odd touches, sci fi elements, and some mighty heavy rock lines too – all with some trippy vocals that really send things over the top! Lemmy's a mad genius at this point – and the record's got a ballsy power that's quite different from more prog-based groups who travel down similar paths, but never with ferocity like this. Titles include "Earth Calling", "Born To Go", "Down Through The Night", "The Awakening", "Upside Down", "10 Seconds Of Forever", "Brainstorm", "Seven By Seven", "Sonic Attack", Welcome To The Future", "You Shouldn't Do That", "Time We Left This World Today", and "Master Of The Universe". Packaged in a nice foldout sleeve, with printed inner-sleeves, poster, program and insert of notes mostly in Japanese. CD

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12CD boxset of 10 classic Led Zeppelin albums, all pressed on SHM-CDs in LP style sleeves with individual obis – and even includes alternate jackets! CD

About as classic as you can get for Amon Duul – a double-length set that virtually defined the sound of prog rock for the 70s! Tracks are long, and mighty jamming – with a strong undercurrent of jazz alongside the heavy drums and guitars – set loose at a level that's much madder than most American work of the time – always threatening to trip itself up at various points, but incredibly on track over the length of the extended package. There's a few improvisational moments, and the whole thing has a fluid feel that even makes us swallow the vocals easily, as they fit right in with the rest of the tripped-out instrumentation. Instruments include 12 string guitar, organ, and some especially nice bongos – and titles include "Burning Sister", "Eye Shaking King", "Yeti Talks To Yogi", "Cerberus", and "Archangel Thunderbird". CD

Seminal sounds from Be Bop Deluxe – a massive package that features all five of their albums for Harvest in the mid 70s – plus loads of bonus tracks too! The Be Bop Deluxe sound is a bit hard to peg, especially over the evolution enclosed here – but they've definitely got a cool compressed approach to music that's a bit like ELO – or at least like some of the best Brit work of the period that was using that studio style of mixing the vocals and guitars all up in the same sonic space, then fusing the whole thing to a tight level of production, yet all without ever sounding too slick at all. Be Bop Deluxe never had many hits on this side of the Atlantic – which may well be a testament to the inventiveness going on here – especially as things stretch out towards the end of the group, and seem to echo the imminent solo career of Bill Nelson. 5CD set features the full albums Axe Victim, Futurama, Sunburst Finish, Modern Music, and Drastic Plastic – plus loads more bonus tracks, singles, and demos – a massive 82 tracks in all! CD

A bittersweet farewell from The Beatles – a record that definitely shows the fracturing unity of the group, with lots of near-solo moments – but a set that also makes us really wonder what they'd have done with all this genius, had they managed to hold it together! There's great hints here of the solo work to come – especially from George Harrison and John Lennon – and the Phil Spector production really helps open up a new sound for the group. Includes the genius cuts "I Dig A Pony", "Two Of Us", "Across The Universe", "I Me Mine", "One After 909", "For You Blue", and "Let It Be". CD

One of John Cale's greatest moments as a solo artist – a wonderfully dark record that also features lots of great guitar from Chris Spedding, plus electronics from Brian Eno too! There's a stark, flat tone to Cale's lyrics here – a quality that almost echoes some of Eno's albums from around the time, especially the first two – but which takes on some shapes and phrasing that are definitely in the spirit of John's larger body of work too. But man, there's some very spooky bits here – even where you wouldn't expect them – that sense of surprise that Cale could always bring to sweeter moments with the Velvet Underground, re-focused here wonderfully for his own needs. Titles include "Cable Hogue", "Engine", "Save Us", "My Maria", "I Keep A Close Watch", "Helen Of Troy", and "Sudden Death" – plus a cover of Jonathan Richman's "Pablo Picasso". CD

One of the best American psyche albums we've heard from the late 60s – a near-perfect record that's head and shoulders above the rough experimentation of most other groups from the period! Colours spell their name with a definite British twist, and there's clearly a Beatles influence going on here – a sound that's almost pre-Sgt Peppers, but which has wonderfully complicated time changes, vocal parts, and production techniques that must have cost a pretty penny to such a little-known group! Horns and strings are arranged by Dave Roberts, and handled with a sensitivity that almost matches The Zombies' best at times – and the tunes themselves are a fresh variety of odd themes, including one number about robbing a liquor store. Titles include "Brother Lou's Love Colony", "Bad Day At Black Rock Baby", "Love Heals", "Rather Be Me", "I'm Leaving", "Cataleptic", "Don't You Realize", and "Lovin". CD

A landmark album from the mighty Bob Dylan – a 2LP set of studio work, which was quite rare at the time – and a set that has Dylan stretching out all his creative powers in newly different directions! The album had a long genesis in the studio – some early work with The Band, then Dylan breaking off with Al Kooper and Robbie Robertson to head down to Nashville – where they interacted with key country session musicians to make this masterful blend of music – work that's not country at all, but which is also moving past Dylan's folk roots too – with a blend of music that still as mindblowing today as it was back in the mid 60s! This is definitely one of those double-length sets that makes fantastic use of all the extra space – overflowing with gems that include "Rainy Day Women # 12 & 35", "Visions Of Johanna", "Pledging My Time", "Stuck Inside Of Mobile With The Memphis Blues Again", "Leopard-Skin Pill Box Hat", and "Just Like A Woman". CD

Don't let the "tapes" in the title fool you – as the album's not really some leftover material, and instead stands proudly as the third full record from Germany's legendary Faust! Even on a scene that was filled with progressive, experimental heavyweights, Faust could still stand alone – maybe more concerned with sounds than songs at times, as you'll definitely hear here – on shorter tracks that make for these marvelous mixes of sonic explosions and melodic inspirations – shifting effortlessly between longer tracks and very short bursts, with some occasional messed up vocals to liven things up! Brilliant throughout, and still overflowing with all the power it had back in the 70s. CD

Titles include "Blood On The Rooftops", "Wot Gorilla", "Afterglow", "In That Quiet Earth", "Your Own Special Way", "All In A Mouse's Night", and "Eleventh Earl Of Mar". CD

The first Grateful Dead album on Arista, and a set that definitely marks a new chapter for the group – one that has them using a surprising amount of soul references in their music, in part through some heavy vocal contributions from Donna Jean Godchaux! The arrangements are fuller than before at times – with some elements added later to expand the sound of the group at the core – in ways that are sometimes respectful, sometimes a bit more forceful in the way they approach the sound. Highlights include the laidback "Estimated Prophet", and the long "Terrapin Station" suite – plus "Sunrise", "Passenger", "Samson & Delilah", and a surprising cover of "Dancin In The Streets". CD

Rare English language recordings from the sublime Francoise Hardy – music that's every bit as wonderful as her famous French recordings – and even more compelling to our Anglo-styled ears! The vocals are wonderful – sung with this sense of darkness that's almost got an echo of Nico at points, given the accent – set to backings that balance this darkness with a bit more light, but never in ways that are overly poppy – and which definitely continue that more sophisticated style that Hardy always brought to her music! There's less "yeh yeh" to the tracks than a few years before – and Francoise is definitely digging deeper music at this point in her career – sometimes with a breathy brilliance that's a bit like Jane Birkin too. Titles include "Bown Bown Bown", "Till The Morning Comes", "Loving You", "In The Sky", "Midnight Blues", "Magic Horse", "Song Of Winter", "Strange Shadows", "Ocean", "The Garden Of Jane Delawney", "Sometimes", "Let My Name Be Sorrow", "Times Passing By", "I Just Want To Be Alone", and "Suzanne". (French, Rock) CD

If this is reality, lead us onward – as the set is a mindblowing batch of trippy psych-funk from The Heliocentrics – even more offbeat and experimental than before, in ways that make the combo the true heirs to the legacy first begun by Stark Reality! The album's definitely funky at the core, but it's also filled with loads of amazing sounds – instruments tuned weirdly, played weirdly, and produced weirdly – so that over the heavy drums, there's often lots of freaky, fuzzy bits and tripped-out sounds – in ways that make the record feel like some lost acid trip outtakes from the Westbound studios of the early 70s – or like some obscure funk band that dropped acid at Andy Warhol's loft! The packaging offers up a visual example of what your ears will be going through when you tune into the music – and titles include "Mysterious Ways", "Collateral Damage", "Black Sky", "Calabash", "Path Of The Black Sun", "Mr Owusu I Presume", "Eastern Begena", and loads of cool interlude tracks too. (Deep Funk, Rock) CD

The album that really broke Jethro Tull out of the prog rock underground and into the mainstream – and a set that showed that the group weren't just a combo with creative use of flute, but a band that could really rock off their ass when they wanted to! Previous records were all pretty great, but there's definitely something special in the air with this one – an extra-amped version of the group that even seems to have Ian Anderson's flute blowing out all stops, and his vocals sounding even more menacing than before! Martin Barre's maybe the real master, though – searing on guitar, and punctuating all of Anderson's efforts with his own mad energy – on titles that include the classic "Aqualung", plus "Wondering Aloud", "Cheap Day Return", "Cross Eyed Mary", "My God", "Slipstream", "Locomotive Breath", "Wind Up", and "Mother Goose". CD