A fantastic set – totally fresh, and way different than the usual Northern Soul compilation! The set features many tracks recorded in the UK – which makes for a sound that's different than some of the American-heavy grooves that you'll hear on other sets, and which adds in a compelling dose of British 60s pop. Don't worry about a lack in "soul", though – because that side of the set's just as strong as you could hope for – it's just expanded further with some compelling new takes on arrangements and instrumentation. Titles include "Listen To My Heart" by The Bats, "Giving Up On Love" by Sonny Childe, "Billy Sunshine" by Billie Davis, "So Called Loving" by David Essex, "Nothing But A Heartache" by The Flirtations, "Name It You Got It" by Micky Moonshine, "Don't Change It" by Fearns Brass Foundry, "Our Love Is In The Pocket" by Amen Corner, "Heart Trouble" by Eyes Of Blue, and "Something Beautiful" by Adrienne Posta. 25 tracks in all! (Soul, Rock) CD

Music from Bill Haley & his Comets, Gunter Lee Carr, Roy Hall, Patsy Cline, Al Coker, Don Woody, Webb Pierce, Bobby Sykes, the Shirrelles, Brenda Lee, Ronnie Self and many more. CD

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A fantastic classic from Savoy Brown – one of those records that shows just why these guys were so great during their short early run! The approach is maybe familiar blues rock, but the sound is also very special – with a great sense of fusion of all the elements, so that vocals, guitar, and rhythms all seem tightly tied together – still with the kind of bravado you might expect, and plenty of strong guitar from Kim Simmonds – but also given this focus that's really wonderful, especially when heavy piano lines come into the mix to almost give things a Mose Allison vibe, and added horns open up some currents of soul. A strong cut above the competition – with titles that include "Master Hare", "Needle & Spoon", "A Hard Way To Go", "That Same Feelin", "A Little More Wine", "I'm Crying", "Is That So", and "Stay While The Night Is Young". CD

A really inventive album from the key years of the British psych scene – and a set that goes way beyond even the important experiments of the bigger names of the time! Clark Hutchinson is just a duo – Mick Hutchinson on guitars, piano, and lots of percussion – and Andy Clark on keyboards, saxes, and flute – both members of the group Sam Gopal's Dream, stepping out here on a series of long tracks that draw from jazz, Indian music, and other global styles! The titles hint at a lot of improvisation – but in a style that's more proggish than free jazz and it's clear that budding studio modes were used to nicely layer the performances by both musicians, for an even fuller sound. Titles include "Improvisation On A Modal Scale", "Textures In 3/4", "Improvisation On An Indian Scale", and "Acapulco Gold". 2CD version features lots of bonus tracks – including "Summer Seemed Longer", "Can't Carry On", "Seymour's Boogie", "Crow Jane", "Bad Loser", and "Someone's Been At My Woman". CD

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Titles include "I'm A King Bee", "Carol", "Route 66", "Little By Little", "I Just Want To Make Love To You", "Walking The Dog", "You Can Make It If You Try", "Tell Me", and "Honest I Do". CD

A landmark live set from The Who – a record that offers the group with a blistering intensity that blows away all their other studio albums of the time! Although offered during the Who's Tommy-era expansion into broader themes and more complicated instrumentation, the album's a real return to basics – and features a guitar-heavy version of the group performing a number of older rock n roll classics like "Summertime Blues", "Shakin All Over", and "Young Man Blues" – plus really extended jamming takes on their own "My Generation" and "Magic Bus", and a searing 2 minute take on "Substitute" that's probably everything you ever need to know about The Jam! Remastered Deluxe Edition includes the first release of the entire concert. CD

An amazing moment from The Who – and from the UK rock scene in general – as Tommy is one of the most fully-conceived concept albums ever recorded – a masterful effort that's still pretty hard to match all these many years later! Pete Townshend really knocked it out of the park with this one – and pushed the group way way past the simpler songs the were recording just a year before – into this deeply introspective territory, spun out both in the album's words and music. The Tommy tale's been well told many times over the years – so we won't bother with the full narrative – but just let us say that it's hard to go wrong with this one, an essential item in any collection of adventurous rock – classic or otherwise. Titles include "The Acid Queen", "It's A Boy", "Sally Simpson", "Miracle Cure", "Pinball Wizard", "Do You Think It's Alright", "Cousin Kevin", "Christmas", "Tommy's Holiday Camp", "I'm Free", and "We're Not Gonna Take It". CD

A wealth of wonderful work from Marianne Faithfull, all pulled from those key early years when she was part of the musical world of Andrew Loog Oldham and the Rolling Stones! Yet right from the start, despite the fact that she sang a few Stones songs on her own (and wrote a few for the group, too) – Marianne was always very much her own singer, and had a way with a song that was quite different than most of the other UK girl pop artists of the time too! Faithfull sometimes has a trill, and always has a sense of darkness on these singles – almost in the territory of the young Nico, but more tuneful and less moody – and superbly set up in just the right sort of arrangements by Mike Leander, David Whitaker, and even the great Jack Nitzsche. CD features all the a and b-sides of these early singles, plus a huge amount of notes – and 22 tracks that include "Morning Sun", "Sister Morphine", "As Tears Go By", "Summer Nights", "The Sha La La Song", "Something Better", "I'd Like To Dial Your Number", "Counting", "That's Right Baby", "Tomorrow's Calling", "This Little Bird", "What Have I Done Wrong", and "Go Away From My World". CD

Trippy and melodic psychedelic folk with a mystical bent from Ireland's Mellow Candle – with truly beautiful and soaring female vocals – instrumentation given a sense of drama by harpsichord and some subtly dexterous guitar playing, and arch melodies that really dig deeply! Swaddling Songs is an apt titles in that the tunes sweep you up and pull you close, and often build upon their melodic sensibility in interesting ways. Titles include "Heaven Heath", "Sheep Season", "The Poet & The Witch", "Messenger Birds", "Reverend Sisters", "Buy Or Beware", "Vile Excesses", "Lonely Man", "Boulders On My Grave", Feeling High" and more. CD

A bit later than classic vintage for the UK jazz-rock scene – but a set that's right up there with the best of the early years, thanks to a flurry of keyboards from the great Neil Ardley! Neil's keys have more of a 70s feel than some of the 60s elements used before – heavy on Arp Odyssey, and a bit of synth as well – and supported by work from Ian Carr on trumpet, John Martyn on guitar, and Tony Coe and Barbara Thompson on reeds – all players who help make the set more of a fusion outing than a rockish one. The solos get a bit proggy, but they're never overdone – and the tunes are quite lean overall, which allows for a good emphasis on rhythmic progressions. Apart from a bit of vocalization by Norma Winstone, the album's mostly instrumental – and titles include "Glittering Circles", "Upstarts All", "Leap In The Dark", and "Headstrong Headlong". (Jazz, Rock) CD

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The second album from one of the most unique voices in British music in the 60s – a really sublime little set that moves beyond familiar folk, rock, and pop – to put Marianne Faithfull in a mighty special place that's all her own! Right from the very first note of her voice, Marianne's out to sound way different than the rest – with a darkness that almost echoes the solo work of Nico, but a warmer sound that still holds on to some of the previous Brit mode that inform the album. Arrangements are totally great – penned by David Whittaker, Mike Leander, and Jon Mark – conducted by Leander with an eerie sound that's really amazing. Titles include "Come & Stay With Me", "As Tears Go By", "Down Town", "I'm A Loser", "What Have I Done Wrong", "They Never Will Leave You", and "He'll Come Back To Me". CD features 6 bonus cuts – "I'd Like to Dial Your Number", "Morning Sun", "Greensleeves", "House Of The Rising Sun", "The Sha La La Song", and "Oh Look Around You". CD

A wonderful bit of sunshine pop from the very obscure Peppermint Rainbow – a male/female harmony group with a sound that was a lot like the Mamas & Papas – blending folk rock and sweet pop into a really sunny groove! The album's worth it alone for the massive title track – "Will You Be Staying After Sunday", a tune that's got a sad undercurrent that seems to single-handedly dismantle all of the sexual freedom offered by the late 60s with a one sentence confession of the emotionality that was also attached. Other tracks are also nice – and include "Don't Wake Me Up In The Morning Michael", "Run Like The Devil", "I Found Out I Was A Woman", and "Walking In Different Circles" – most of which were written by arranger/producer Paul Leka. CD features lots of bonus tracks – 10 more numbers that include ""You're The Sound Of Love", "Good Morning Means Goodbye", and "Don't Love Me Unless It's Forever" – plus single mixes of tracks on the album. CD

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There's nobody like The Small Faces at their best – as you'll hear from the group's killer 1966 album on Decca! The style here is tight, right, and fully-formed straight from the start – easily one of the best UK 60s hybrids of American influences from R&B, garage rock, and early psych – sorted out perfectly by a quartet of lads who really know what they're doing. And the album's maybe even more focused than the group's later album on Immediate – as here, The Small Faces are all business, and the right kind of gritty – just fantastic stuff that's fresh and exciting even today! Titles include "Shake", "Come On Children", "You Better Believe It", "IT's Too Late", "One Night Stand", "Sorry She's Mine", "Sha La La Lee", and "Own Up Time". 2CD version is filled with great stuff – the full mono mix of the album, plus bonus tracks that include "Patterns", "Grow Your Own", "What's A Matter Baby", and "I've Got Mine". CD

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An amazing moment from The Who – and from the UK rock scene in general – as Tommy is one of the most fully-conceived concept albums ever recorded – a masterful effort that's still pretty hard to match all these many years later! Pete Townshend really knocked it out of the park with this one – and pushed the group way way past the simpler songs the were recording just a year before – into this deeply introspective territory, spun out both in the album's words and music. The Tommy tale's been well told many times over the years – so we won't bother with the full narrative – but just let us say that it's hard to go wrong with this one, an essential item in any collection of adventurous rock – classic or otherwise. Titles include "The Acid Queen", "It's A Boy", "Sally Simpson", "Miracle Cure", "Pinball Wizard", "Do You Think It's Alright", "Cousin Kevin", "Christmas", "Tommy's Holiday Camp", "I'm Free", and "We're Not Gonna Take It". CD

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A landmark session that gathered together just about every hip British jazz and jazz/rock musician of the time – and brought them together into one super-cool orchestra of sound! Robert Fripp produced the record, and Keith Tippett is the overall music director – but the album's got a feel that's much more in the avant side of the UK jazz spectrum – particularly the trippier side of the Deram/Decca label of the late 60s – like work by Mike Westbrook or Mike Gibbs! The lineup is huge – with Elton Dean and Dudu Pukwana on alto sax, Alan Skidmore and Gary Windo on tenor, Ian Carr and Mongesi Fesa on trumpets, Mark Charig on cornet, Nick Evans and Paul Rutherford on trombone, Keith Tippett on piano, Brian Godding on guitar, Robert Wyatt and John Marshall on drums, and Maggie Nicholls, Julie Tippett, Mike Patto, and Zoot Money on vocals – plus lots of strings as well! (Jazz, Rock) CD

Genius work from the legendary Bill Fay – one of those 70s artists who never got their due back in the day, but who have gone on to become a crucial piece of the musical puzzle as the years move on! Fay recorded two incredible records for Decca – treasures as rare as the early Nick Drake albums – and like Drake, Bill was years ahead of his time, although in very different ways – an incredible songsmith, with qualities that maybe come through best of all in the material within! The tracks are all from Fay's personal archives – recorded in the early 70s in a stripped-down mode, but as fully formed songs – brought to the light of day by David Tibet, and presented here in a way that finally give these lost years their full exposure. Titles on this first volume include "Plan D", "Inside The Keeper's Pantry", "Arnold Is A Simple Man", "Time Of The Last Persecution", "Backwoods Maze", "The Sun Is Bored", "Release Is In The Eye", "Tell It Like It Is", and "Pictures Of Adolf Again". CD

Carl Perkins may have only had a hit or two in the early days of rock and roll, but he's a hell of a mighty talent – as you'll hear here in this overstuffed box that brings together all his Sun Records material with tracks recorded for Columbia and Decca too! CD