All the classics! Titles include "Weight", "Night They Drove Old Dixie Down", "Up On the Cripple Creek", "Stage Fright", "Shape I'm In", and more! CD

Maybe not the first album from the legendary Band – but a record in which the group get everything completely right all the way through – and sparkle with that special sound that continues to influence generations of music makers, and music lovers! All the great elements the group were bringing to their work with Bob Dylan are in place here – but the focus is completely different, with this warm glow that really fits the vocals of Levon Helm, and a sense of unified vision that makes it really hard to even come up with a match for the energy of the group on this album. The great John Simon adds a few special touches to the overall sound – and titles include "Rockin Chair", "Across The Great Divide", "When You Awake", "Up On Cripple Creek", "The Night They Drove Old Dixie Down", "Look Out Cleveland", and "King Harvest". CD

Maybe not the first album from the legendary Band – but a record in which the group get everything completely right all the way through – and sparkle with that special sound that continues to influence generations of music makers, and music lovers! All the great elements the group were bringing to their work with Bob Dylan are in place here – but the focus is completely different, with this warm glow that really fits the vocals of Levon Helm, and a sense of unified vision that makes it really hard to even come up with a match for the energy of the group on this album. The great John Simon adds a few special touches to the overall sound – and titles include "Rockin Chair", "Across The Great Divide", "When You Awake", "Up On Cripple Creek", "The Night They Drove Old Dixie Down", "Look Out Cleveland", and "King Harvest". Includes 7 bonus tracks. CD

Titles include "Up On Cripple Creek", "The Night They Drove Old Dixie Down", "Stage Fright", "Ophelia", "Twilight", "Stage Fright", "Don't Do It", "It Makes No Difference", "The Shape I'm In", and "Life Is A Carnival". CD

One of the most iconic rock and roll shows of all time – the late 70s farewell to The Band, captured by Martin Scorcese in a famous film of the same name – and presented on record in a package that really lives up to the majesty of the moment! In the world of 2LP live sets of the 70s, the 3LP presentation gave the group even more space to stretch out and say their goodbyes to the world – while also opening the door up for a large lineup of guests who include The Staple Singers, Muddy Waters, Ron Wood, Van Morrison, Dr John, Bob Dylan, Ronnie Hawkins, and other well-chosen artists who allow the group to show off their roots and inspirations while also wrapping things up. Robbie Robertson produced, and the whole thing is pretty darn iconic from start to finish – on titles that include "The Last Waltz", "Up On Cripple Creek", "The Shape I'm In", "Down In South New Orleans", "Forever Young", "I Shall Be Released", "Rag Mama Rag", "Further Up The Road", "Dry Your Eyes", "Evangeline", and "The Weight". CD

One of the most iconic rock and roll shows of all time – the late 70s farewell to The Band, captured by Martin Scorcese in a famous film of the same name – and presented on record in a package that really lives up to the majesty of the moment! In the world of 2LP live sets of the 70s, the 3LP presentation gave the group even more space to stretch out and say their goodbyes to the world – while also opening the door up for a large lineup of guests who include The Staple Singers, Muddy Waters, Ron Wood, Van Morrison, Dr John, Bob Dylan, Ronnie Hawkins, and other well-chosen artists who allow the group to show off their roots and inspirations while also wrapping things up. Robbie Robertson produced, and the whole thing is pretty darn iconic from start to finish – on titles that include "The Last Waltz", "Up On Cripple Creek", "The Shape I'm In", "Down In South New Orleans", "Forever Young", "I Shall Be Released", "Rag Mama Rag", "Further Up The Road", "Dry Your Eyes", "Evangeline", and "The Weight". This 4CD box set edition nearly doubles the original 1978 release – including more tracks with Muddy Waters, Bob Dylan, Neil Young, Joni Mitchell, Van Morrison, Dr. John – plus other previously unreleased Band-only tunes, rehearsal pieces and more! CD

Repackaging of the Beach Boys' installment in Capitol's hot rod-themed Shut Down series – the first edition of which was devoted to a host of different artists! It's clear that even in this setting, The Beach Boys have way more to offer than just a few gimmicky car songs – as the record offers some of the early group's most tender, personal moments – real early gems like "The Warmth Of The Sun" and "Don't Worry Baby" - mixed in with more playful numbers like "Fun Fun Fun", "This Car Of Mine", "In The Parkin Lot", "Shut Down Part 2", and "Keep An Eye On Summer". It's this mix that really gets at the group's genius at the time – maturity creeping out amidst the youthful themes, in ways that few other 60s acts could ever hope to match. LP, Vinyl record album

A great celebration of the music of Matt Berry – a figure who's known to most for his comedic work on screen, but who also turns out to be a hell of a singer/songwriter in his own right! Matt's music is completely different from his acting – often very open and personal, but not without an occasional moment of wit – as the singer works with a host of vintage keyboards the often form the core of his music, graced with guitar and more familiar instrumentation too. This set brings together some of Barry's best moments over his recording career for the Acid Jazz label – with titles that include "World In Action", "Summer Sun", "Take A Bow", "Something In My Eye", "say It Again", "Music For Insomniacs (part 4)", "Solstice", "Obsessed & So Obscure", "The Innkeeper's Song (live)", "October Sun", "Badger's Wake", "Snuff Box Theme", and "Middle Of The East". CD2 features many more rarities and unreleased tracks! CD3 features more Phantom First tracks that include "Covered In Clowns", "You Danced All Night", "A Shot Rang Out In The Forest", "Take A Bow", "The Preacher's House", "I'm Going", "Peter Cleopatra & The Windmill", and "Where's My Love". CD4 is titled Live At A Festival – and features more live cuts – and the whole thing is packaged in a very nice book-style cover! CD

The second album by The Black Crowes – and as the title suggests, they take a somewhat deeper step with the southern rock swagger, though still proudly wearing the influence of their Brit heroes on their sleeves! There weren't a ton of prominent neo-classic rock bands making such big waves, circa '92 and the Crowes well earned it – good songs with irresistible choruses, a real love for gritty soul in the vocals, and a fleshed out sound thanks the the addition of a full time keyboardist. Includes "Sting Me", "Remedy", "Thorn In My Pride", "Bad Luck Blue Eyes Goodbye", "Hotel Illness", "Black Moon Creeping", "No Speak No Slave", "My Morning Song" and "Time Will Tell". (Cassettes, Rock) Cassette

Quite possibly the greatest moment of genius ever from Black Sabbath – and a genre-changing record that influenced generations! The group are at their lean, raw best here – free from any cliches at all, and working in an incredibly heady brew of fuzzy guitar, romping bass, and dark drums – all topped by the instantly recognizable screech of the young Ozzy Osborne! Guitarist Tony Iommi virtually redefines rock use of the guitar with this record alone – and the Oz follows suit with some of the creepiest vocals set to record ever. Titles include the classics "Paranoid" and "Iron Man", plus "War Pigs", "Planet Caravan", "Electric Funeral", "Hand Of Doom", and "Rat Salad". CD

Quite possibly the greatest moment of genius ever from Black Sabbath – and a genre-changing record that influenced generations! The group are at their lean, raw best here – free from any cliches at all, and working in an incredibly heady brew of fuzzy guitar, romping bass, and dark drums – all topped by the instantly recognizable screech of the young Ozzy Osborne! Guitarist Tony Iommi virtually redefines rock use of the guitar with this record alone – and the Oz follows suit with some of the creepiest vocals set to record ever. Titles include the classics "Paranoid" and "Iron Man", plus "War Pigs", "Planet Caravan", "Electric Funeral", "Hand Of Doom", and "Rat Salad". LP, Vinyl record album

One of our favorite David Bowie albums ever! Aladdin Sane was a real turning point for Bowie – recorded on the heels of the tremendously popular Ziggy Stardust album, but really pushing the boundaries past the more straight-ahead rock and glam of that record. Instead of just sitting on his laurels, Bowie tripped out into a wilder, weirder world with this one – mixing together elements of some of the baroque arrangements of early records, with the meaner leaner sound of the 70s – populating the songs with freaks, weirdos, and odd characters that gave the whole thing a really creepy edge. The whole thing's an oft-overlooked gem that, to us, is truly one of Bowie's most magical moments – and titles include "Drive In Saturday", "Panic In Detroit", "Aladdin Sane", "Watch That Man", "The Jean Genie", "The Prettiest Star", "Time", and "Lady Grinning Soul". LP, Vinyl record album

An incredible version of one of our favorite David Bowie albums ever! Aladdin Sane was a real turning point for Bowie – recorded on the heels of the tremendously popular Ziggy Stardust album, but really pushing the boundaries past the more straight-ahead rock and glam of that record. Instead of just sitting on his laurels, Bowie tripped out into a wilder, weirder world with this one – mixing together elements of some of the baroque arrangements of early records, with the meaner leaner sound of the 70s – populating the songs with freaks, weirdos, and odd characters that gave the whole thing a really creepy edge. The whole thing's an oft-overlooked gem that, to us, is truly one of Bowie's most magical moments – and it's finally given its due here, in a beautiful 2CD package that features a whole disc worth of bonus material, plus a hard book-like cover, and a big booklet of goodies! Original titles include "Drive In Saturday", "Panic In Detroit", "Aladdin Sane", "Watch That Man", "The Jean Genie", "The Prettiest Star", "Time", and "Lady Grinning Soul" – and bonus tracks include "John I'm Only Dancing (sax version)", "Time (single edit)", "All The Young Dudes", and live recordings of "Drive In Saturday", "Life On Mars", "John I'm Only Dancing", and "Jean Genie". CD

The brilliant consummation of Bowie's late 70s years in Berlin – a record that showed he could take the experiments in sound he was crafting with Brian Eno, and turn them back into the kind of creepily catchy rock tunes that first made him a legend! Eno's help on the record is still quite strong – heard very well in the record's use of odd electronics and exotic themes – of a sort that Eno would later explore on his own with David Byrne. But the real charm here is pure Bowie – with an unabashed flair for a dramatic lyric, a well-chosen use of a heavier guitar, and a sense of personality and poise that makes the record one of his most unified ever! Titles include "Red Sails", "Look Back In Anger", "Repetition", "Boys Keep Swinging", "Red Money", "Yassassin", and "DJ". LP, Vinyl record album

The brilliant consummation of Bowie's late 70s years in Berlin – a record that showed he could take the experiments in sound he was crafting with Brian Eno, and turn them back into the kind of creepily catchy rock tunes that first made him a legend! Eno's help on the record is still quite strong – heard very well in the record's use of odd electronics and exotic themes – of a sort that Eno would later explore on his own with David Byrne. But the real charm here is pure Bowie – with an unabashed flair for a dramatic lyric, a well-chosen use of a heavier guitar, and a sense of personality and poise that makes the record one of his most unified ever! Titles include "Red Sails", "Look Back In Anger", "Repetition", "Boys Keep Swinging", "Red Money", "Yassassin", and "DJ". Includes the bonus tracks "I Pray Ole" and "Look Back In Anger (1988 version)". CD

Amazing music from one of our most-treasured stretches of David Bowie's career – that creatively-fertile time when he escaped to West Berlin, hid from the mainstream, and made some groundbreaking records with Brian Eno – then returned to the limelight to remind us all that he was still a hell of a force to be reckoned with! The set includes everything post-Thin White Duke, and pre-Let's Dance – a run of music that's still shaping new sounds on this planet all these many years later. The set begins with Low – the mix of experimental instrumentals and subtle vocal tracks that was a complete change from Ziggy Stardust – and follows with Heroes, Lodger, and Scary Monsters & Super Creeps – all albums that reintroduce some sense of song and lyrical interplay, but at a level that clearly indicates how important Bowie was to the generation of post-punk and new wave as his earlier work was to psych, prog, and glam! But the package isn't just a standard collection of albums – because along with those four studio records, it also features the live album Stage, presented here in two different full mixes – plus a new 2017 mix of Lodger, which really increases the edge. There's also a special Heroes EP, with all the different language versions of the song – and a very cool Re:Call 3 album – which features all the singles that were issued at the time, plus other rare material – and Bowie's very unique take on Bertolt Brecht's Baal. Titles on this album include "Alabama Song", "Crystal Japan", "Under Pressure", "Remembering Marie A", "The Drowned Girl", "The Dirty Song", "Cat People", and even his "Peace On Earth/Little Drummer Boy" duet with Bing Crosby. As with other entries in this complete Bowie series, the presentation is wonderful – album sleeve replicas, great packaging, and lots of notes – kind of a treasure, even if you already own some of the records! CD

Includes the songs "Space Oddity", "Changes", "Oh, You Pretty Things", "Life On Mars?", "Ziggy Stardust", "Starman", "John, I'm Only Dancing", "Suffragette City", "The Jean Genie", "Sorrow", "Drive In Saturday", "Diamond Dogs", "Rebel Rebel", "Young Americans", "Fame", "Golden Years", "TVC 15", "Be My Wife", "Sound & Vision", "Beauty & The Beast", "Heroes", "Boys Keep Swinging", "DJ", "Look Back In Anger", "Ashes To Ashes", "Fashion", "Scary Monsters (And Super Creeps)", "Under Pressure", "Cat People (Putting Out Fire)", "Let's Dance", "China Girl", "Modern Love", "Blue Jean", "Loving The Alien", "Dancing In The Street", "Absolute Beginners", "Day-In Day-Out", "Never Let Me Down", "Jump They Say", "Peace On Earth / Little Drummer Boy", CD

The start of a fantastic chapter for the legendary Arthur Brown – the first album issued with his Kingdom Come group, a combo who were even more insane than his Crazy World project of the late 60s! Brown is the quintessential front man here – singing in this really dynamic, dramatic way that's years ahead of its time – much more upfront than so many of the singers of the psych generation, and even the new hard rock vocalists too – at a level that makes music like this a great inspiration for so man styles to come! The instrumentation is as dynamic as the vocals, too – not prog jamming, but instead this really focused, fused blend of heavy drums, searing guitar, and organ – all sending things way way over the top. Titles include "Internal Messenger", "Night Of The Pigs", "Trouble", "Sunrise", "Brains", the "Galactic Zoo/Space Plucks" medley, "Creep", and "Creation". LP, Vinyl record album

A totally cool chapter in the early career of Cabaret Voltaire – a stark soundtrack done for a film that's even more obscure than this record! If you dig the creepy, dark early sound of the Cabs, you'll love this one – as the music's got plenty of moody Sheffield electronics, some spare and pulsing with a basic sense of rhythm, some quite noisy at points! We totally love the extended "Taxi Music" – which shows up for most of the first side, and as a dub on the flip – it's a wicked post-punk electronic number that still blows us away time and time again. Other cuts include "DTs", "Cold Turkey", "The Quarry", and "Title Sequence". CD

A late 70s return to glory for the Captain – and a set that has a bit of a checkered path, in that it was originally done for Frank Zappa's Discreet label as the album Bat Chain Puller – then was held back, and mostly re-recorded for this seminal release on Warner Brothers! The set shows all the grown that Don Van Vliet had undergone during the decade – and also echoes his previous collaboration with Zappa – served up with instrumentation that is wonderfully complex, but still quite personal and earthy – a blend of composition, improvisation, and individuality that almost has Beefheart rivaling the work of Hermeto Pascoal during the decade, yet in a very different mode – given his vocal styles and occasional spoken musings! The Cap sings, plays harmonica, and blows soprano sax – alongside Jeff Moris Tepper on slide guitar and spell guitar, Bruce Lambourne Fowler on trombone, Eric Drew Friedman on Fender Rhodes and bass, Art Tripp III on marimba and percussion, Robert Arthur Williams on drums, and Richard Redus on slide guitar, bottleneck guitar, fretless bass, accordion, and guitar. Tracks include "The Floppy Boot Stomp", "Ice Rose", "Bat Chain Puller", "Candle Mambo", "Love Lies", and "Suction Prints". CD