(Yellow Broadway label stereo pressing. Cover has a cutout notch, some fading at the top seam, and is lightly stained and wavy at the sides and bottom corners.)
Peter Frampton and The BeeGees attempt to recreate the magic of the late Beatles – on a set that also features performances by Steve Martin, Dianne Steinberg, Donald Pleasence, Stargard, Earth Wind & Fire, and Billy Preston! (Soundtracks, Rock)CD
Peter Frampton and The BeeGees recreate the magic of the Beatles – on a set that also features performances by Steve Martin, Dianne Steinberg, George Burns, Donald Pleasence, Stargard, Earth Wind & Fire, Aerosmith, Alice Cooper, and Billy Preston. LP, Vinyl record album
(Includes the printed inner sleeves. Embossed cover has minimal wear.)
Possible matches: 8
11
Clique —
Clique ... CD White Whale/Varese, Late 60s. Used ...
Out Of Stock
Slightly easy, slightly baroque, and with a sound that's somewhere near Free Design, The Mamas & The Papas, and other groups of the time – The Clique were one of the many groovy lost pop bands that came out of the west coast during the 60s. The record boasts the original version of the track "Superman", which went to become a big hit for R.E.M. about 20 years later. There's lots of other nice groovy original material, like "Sugar On Sunday", "Shadow Of Your Love", "Judy, Judy, Judy", and a cool version of the BeeGees "Holiday". 17 tracks, with extra cuts, and good liner notes on the band. (Now Sound, Rock)CD
A wonderful early solo moment from the great Robin Gibb – done during a brief breakup of The BeeGees, at a time when the young Robin was bursting with new ideas he wanted to try on his own! The style here is beautiful – a lush array of strings and orchestrations amidst Gibb's heavenly vocals – very much in the spirit of his wonderful leadoff track for Odessa, maybe even taken to the next level by all the work on this record! The sound is definitely in keeping with late 60s BeeGees – but also has elements of Burt Bacharach and Scott Walker too – which makes for a really heavenly blend throughout. Titles include "Gone Gone Gone", "The Worst Girl In This Town", "Weekend", "Saved By The Bell", "Most Of My Life", and "August October". LP, Vinyl record album
(UK pressing. Laminated cover has some clear tape on seams, and some light wear.)
A super-groovy Dutch group from the end of the 60s – one who really showcase that shift on the scene from standard beat styles to much more sophisticated music! The group features Robbie van Leeuwen in the lineup, famous for his work to come in Shocking Blue – and the album does a great job of mixing together catchy, upbeat numbers with some that have larger arrangements – balanced in a very cool way, so that the whole thing never loses its groove – maybe a bit like the BeeGees as they were stepping things up at the end of the 60s too, but with less harmony in the approach. Titles include "Wedding Of The Hundred Brides", "Illusions", "Looking In My Eyes", "Electric Baby", "Freedom", "Slow Motion", "Hey Everybody", "Chicks", "What's Your Name", "Eliza", and "It's Alright". LP, Vinyl record album
A seminal pop psych classic from the UK scene – served up here by a group that seem to borrow a bit of the energy from the late 60s BeeGees at their trippiest, but who also really have a way for turning out a tune that has a very groovy vibe! Part of the credit might go to producer John Schroeder – a Brit sound library giant in his own right, and clearly able to make the sound of the records guitars, organ, and vocals sound incredibly groovy. But it's also clear that the group have plenty of great energy of their own – as they kept on going strongly, even after this early breakout record. Titles include their seminal "Pictures Of Matchstick Men", plus "Ice In The Sun", "Elizabeth Dreams", "Sunny Cellophane Sky", and "Spicks & Specks". Groovy cover, too, with the band sitting on a pile of matchbooks! LP, Vinyl record album
(Stereo Cadet Concept pressing. Cover and labels have a cutout hole.)
A pretty strange little record – instrumental versions of early BeeGees hits, played by a group under the auspices of their manager, Robert Stigwood. The real talent on the album, though, is British leader Bill Shepherd (not the Chicago producer) – as he arranges and conducts the whole thing, bringing in a nice dream 60s Brit sound to the whole thing. In all, the tunes are a bit softer and less jaunty than their vocal counterparts, but still very much in the BeeGees mode. Titles include "Holiday", "Words", "Birdie Told Me", "Massachusetts", "Sinking Ships", and "New York Mining Disaster 1941". (Now Sound, Rock)LP, Vinyl record album
The debut album of Trapeze – a great little group that's maybe best known as the early home of Glenn Hughes, but who have plenty to offer on their own! Production is by John Lodge, of the Moody Blues – a strong supporter of the group at their start – but the sound is very different than his own work – sometimes with harmonies that almost have the group coming across in heavier territory than the earlier BeeGees, sometimes with hints of the hard rock elements that Hughes would bring to later music. Drummer Dave Holland provides excellent work on the set – and titles include "The Giant's Dead Hoorah", "Over", "Nancy Gray", "It's Only A Dream", "Suicide", "Send Me No Letters", and "It's My Life". LP, Vinyl record album
(Original pressing with Bestway stamp. Cover has a cutout notch, light wear, and is bumped at the top right corner.)
17
We All Together —
We All Together ... LP Mag/Munster (Spain), 1970. New Copy (reissue)...
$27.9929.99About July 5, 2024
One of our favorite South American rock records of all time – and maybe even one of our favorite rock albums too – a magnificent set by this sublime Peruvian group – done with a sound that's somewhere between late Beatles, early BeeGees, and ELO in their prime! Yet the production style here is also a lot more primitive than that used by any of those bigger groups – which puts a lot more emphasis on the song structures and vocal phrasing of the tunes – a beautiful balance between harmony vocals, simple guitar lines, and these subtle rhythms that slide in with a seductive feel, and really send the whole thing home! Vocals are all in English, with these soulful undercurrents that are quite unexpected – and the overall sound is way more sophisticated than even their hippest SA contemporaries! Titles include "Children", "Carry On Till Tomorrow", "Walking In The Rain", "The City Will Be A Country", "It's A Sin To Go Away", and "Tomorrow". LP, Vinyl record album
Includes BeeGees, Rascals, Shangri-La's, Vanilla Fudge, Joe Tex, Deon Jackson, Blues Project, Janis Ian, and more. LP, Vinyl record album
(Stereo white label promo. Cover has a promo sticker and is nice.)
Partial matches: 1
19
Bridget St John —
Songs For The Gentle Man ... LP Dandelion/Trading Places, 1971. New Copy Gatefold (reissue)...
Out Of Stock
The second album from the enigmatic Bridget St John – and a slightly more expanded version of the sound explored on her debut! Bridget's still very much in a folk-inspired sound here – but like the work of Nick Drake and some of her contemporaries on the British scene, this album has jazzier phrasings and some slightly baroque touches on some tunes – really deepening the feel of the songs, and giving the album a dark depth that we'd easily compare with some of Drake's greatest work. Studio genius Ron Geesin produced the set with a surprising degree of subtlety – just the right amount of edgey undercurrents to unsettle the tunes nicely – never threatening Bridget's presence on the album, but augmenting the moody spectrums that already came across so nicely on the first record. Titles include "A Day A Way", "City Crazy", "Back To Stay", "Seagull Sunday", "If You'd Been There", "Song For The Laird Of Connaught Hall (part 2)", "It Seems Very Strange", and a version of Donovan's "The Pebble & The Man". LP, Vinyl record album
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